白头鹎方言的初步研究

对浙江省乘泗岛，普陀岛，温岭，长兴，杭州和龙游等６个地区白头鹎的鸣声进行了研究，发现它们鸣声主句的语调，音节数，持续时间，频谱特征和频率范围等均有差异，说明白头鹎鸣声中普遍存在“方言”，但它们作为同一个种在鸣声主句上有其共同特征：主要是鸣声多在１．５－３ｋＨｚ的低中频段内变化，单音节的鸣叫声等都极为相似。     

斑背大尾莺繁殖期鸣声行为分析

2009年5-7月,在辽宁双台河口保护区录制了20只繁殖期斑背大尾莺雄性个体的鸣声.根据行为特征,该鸟鸣声定义为3种鸣声类型:求偶炫耀鸣唱、报警声和联络声.利用Wavesurfer软件对20只斑背大尾莺雄性个体543个鸣声的句子持续时间、句子音节个数、音节持续时间、音节间隔时间等4个参数进行分析测量,发现求偶炫耀鸣唱由节奏逐渐加快的前部句子和音节组成复杂的主体部两个句子组成; 报警声和联络声的句子均由单音节组成.音节类型总数为38种,其中包括前部句子的音节类型6种.采用单因素方差分析(one-way ANOVA)对求偶炫耀鸣唱的4个参数进行差异性检验发现,不同个体的各个参数均呈极显著差异(P<0.01).     

白头鹎鸣唱特征的季节差异分析

许多动物的声通讯行为存在显著的季节变化,鸟类的鸣唱也是如此。雄鸟鸣唱具有宣告领域和吸引配偶的功能,在繁殖季节与非繁殖季节之间应存在一定差异,但差异如何？具体表现在哪些方面？这在很多鸟类中尚未可知。本研究以一种在秋季也有显著鸣唱行为的城市常见小型鸣禽——白头鹎（Pycnonotussinensis）为研究对象,比较其在春季（繁殖季）与秋季（非繁殖季）的鸣唱差异,并分析可能的原因。于2020至2021连续两年的春、秋季分别在武汉地区各采集了27只和30只雄性白头鹎的鸣唱录音,共测量分析春季鸣唱372个,秋季鸣唱435个。对测得的各鸣唱参数数据进行季节间比较,结果显示,白头鹎的鸣唱持续时间和鸣唱音节数存在显著季节差异,春季鸣唱的持续时间较秋季更长,鸣唱音节数更多。鸣唱的频率、能量分布等其他声学参数,以及鸣唱型出现率（反映鸣唱曲目大小）均未表现出显著季节差异。白头鹎鸣唱的时程特征相对其他鸣声特征更具季节可塑性。此外,还发现同一采样点的白头鹎春、秋两季使用相同的鸣唱型。本研究结果表明,春季白头鹎的单位时间鸣唱输出量更大,鸣唱行为更活跃,这与繁殖季节鸟类的领域性更强、为繁殖成功投入更多相一致。白头...     

珠颈斑鸠繁殖期占据领域鸣声特征及行为

2003年4～6月,在四川省南充市通过野外观察、录音、室内计算机处理及声谱分析对珠颈斑鸠繁殖期占据领域鸣声特征及行为做了研究。结果表明：珠颈斑鸠有一般占据和召唤配偶共同占据两类鸣声,两类鸣声雌雄不同,但均由3音节组成;其鸣唱具有应答性,且每次在各栖位点的鸣唱顺序大致相同;日鸣唱频次变化大,具3个高峰期;繁殖各时期鸣唱频次变化亦大。     

背条螳臂树蛙鸣声的繁殖性状替代

繁殖性状替代(RCD)是指为减弱种间的繁殖干扰而产生的性状进化现象。重叠分布的物种通过繁殖性状的分化降低繁殖干扰,维持种间界线,是物种应对种间繁殖干扰的重要策略之一。无尾两栖类的求偶/择偶过程主要依赖声音通讯,本研究以声音通讯为手段研究背条螳臂树蛙Chiromantis doriae鸣声的RCD过程和机制。背条螳臂树蛙和侧条费树蛙Feihyla vittata分别属于树蛙科Rhacophoridae螳臂树蛙属Chiromantis和费树蛙属Feihyla,但二者形态特征相似、繁殖期重叠、鸣声频率接近、求偶信号彼此遮蔽,因此二者间存在一定程度的繁殖干扰。同域/异域背条螳臂树蛙的鸣声特征比较分析结果表明,背条螳臂树蛙的求偶鸣声包含4～8音节,对鸣声提取8项声音特征参数进行主成分分析,得到3个主成分。混合线性模型分析结果表明,反映时域特征及调频特征的主成分PC3在同域/异域分布的种群间的差异有统计学意义,而另2个主成分在同域/异域分布的种群间的差异无统计学意义。为比较同域/异域种群间的音节特征,对音节主频、音节时长和音节间隔3个参数进行混合线性模型分析,结果表明,音节主频和音节时长在同域/异域种群间的差异有统计学意义,音节间隔在同域/异域种群间的差异无统计学意义。总体而言,同域分布的背条螳臂树蛙鸣声频率更低、时长更长、调频更明显,有助于拉大与侧条费树蛙主频高、时长短的单音节鸣声间的差异。背条螳臂树蛙在鸣声特征上存在RCD现象,证明非近缘物种也可产生RCD,拓展了RCD的范围。     

红腹锦鸡鸣声声谱分析

本文对笼养红腹锦鸡的啼叫,求偶,炫耀,恐惧,惊叫等鸣叫声进行了声谱分析,探索不同呜声特征与行为的关系,并将该雄体繁殖期的主要鸣声－蹄叫声与白腹锦鸡进行了比较。     

三种蛙鸣声特征比较研究

本文用计算机鸣声分析技术对杭州地区的黑斑蛙、泽蛙和饰纹姬蛙的鸣声进行了分析。黑斑蛙鸣声一般由４个较长的脉冲组成,每个脉冲持续时间３０－５０ｍｓ,脉冲率（ＰＲ）８－１１个／ｓ。每声持续时间３７０－５１０ｍｓ,各脉冲的能量主要集中在３个能峰上,主能峰位于２．０－２．４ｋＨｚ之间。泽蛙鸣声由６－７个前后紧接的纺锤形的脉冲串组成,ＰＲ为７１．７次／ｓ,每声持续时间８４．２５±７．１２ｍｓ,主峰频率为１．３９５±０．０２３ｋＨｚ。但嵊泗岛上的泽蛙在鸣声的结构、频谱与时域特征上有些差异。在泽蛙的变音鸣声中,纯音占大部分,纯音的频率约为１．２８ｋＨｚ。饰纹姬蛙的鸣声由１１－１３个间隔较开的减幅振荡脉冲组成,每个脉冲持续时间１６．０６±２．０８ｍｓ,ＰＲ为３６．２３次／ｓ,每声持续时间３０８．６４±２２．９３ｍｓ,主峰频率为１．３６±０．０２ｋＨｚ。但与安徽宣城地区饰纹姬蛙的分析结果差异较大。３种蛙鸣声的波形结构和频谱特性各不相同,可能与它们的声囊构造有关。不同的地区蛙鸣声物理结构上的差异,可能是环境差异所致。     

环境噪声对临安和阜阳两地白头鹎鸣声频率的影响

为了解环境噪声对白头鹎(Pycnonotus sinensi)鸣声频率的影响,在浙江临安和安徽阜阳两地分别对白头鹎在高低噪声水平环境中的鸣声做了研究。把用数码录音机记录到的鸣声输入计算机,利用计算机声谱分析系统进行分析,再对每一鸣声的每个音节的主频进行Mann—Whitney U检验。结果显示：高噪声水平区和低噪声水平区相比,在两地白头鹎每一鸣声的各音节主频中,最低和最高主频以及第I、Ⅱ音节的主频都有显著提高;在阜阳第Ⅲ音节的主频也有显著提高。这表明白头鹎可以通过提高声音频率来避免环境噪声对鸣声的影响,从而保证噪声环境中声信息的有效传递;而噪声对各音节的不同影响也表明,同一鸣句的各音节,对于噪声通讯中的信息识别,具有不同的地位。     

丹顶鹤性活动的声行为研究

丹顶鹤繁殖期的性活动可分为雄鹤求偶、雌鹤对雄性求偶的应答、两性交配和交配完结4个阶段,其相应的鸣声模式分别为雄性的求偶鸣声、雌性对雄性求偶的应答声和两性的对鸣声、两性对唱的交配声和两性的高声合唱。4个阶段鸣声都是以基本音的主频率(PF)为主音的单音调声,前3个阶段都带数个近似fn=nf0(f0=FP)关系的低幅值谐频成分。第4个阶段带数个近似fn=nf0(f0=FP)关系的高幅值谐频成分;品质因数(Q3dB)多半为4～6,声脉冲重复频率(RFP)一般为150～180Hz,而第2阶段声的RFP一般为180～260Hz。雄性鸣声的每个单次叫声中含有的音节数较少,一般不超过4个;而雌性鸣声比较复杂。每个单次叫声中含有的音节数较多,一般都在7～8个以上;但雌雄鸣声的每个音节都是由3个声脉冲组成。雄鹤鸣唱声频率变化范围较小,而雌鹤鸣唱声频率变化形式是由低到高达到高峰后又开始下降。4个阶段的鸣声都具有较好共鸣。只有第2阶段发声运动较快。而且发现雄鹤鸣唱单次鸣叫声的音节数“增多”。各阶段鸣声特性均存在差异,不同配偶间均存在显著差异,研究结果表明丹顶鹤雌雄都具有不同的鸣声,且其性活动过程中不同的鸣声行为具有较高的个体识别信号潜能。另外,求偶鸣叫声和求偶应答与对鸣声在性活动鸣声中起着决定性的作用。     

杂色山雀指名亚种繁殖期的鸣声行为

2012年3～7月,对辽宁仙人洞自然保护区9巢18只杂色山雀(Parus varius varius)个体及其雏鸟的鸣声进行了录音,共获取了9种类型鸣叫(呼唤、警戒、报警、恫吓、驱逐、惊叫、喂食、雏鸟乞食、集群)和5种类型鸣唱.通过语图分析得出音节类型18种,频率范围为800 ～18 900 Hz.对杂色山雀不同个体鸣声特征参数的比较发现,鸣声的句子和音节时长在不同个体之间存在显著性差异,而最高频率、最低频率在不同个体间均无显著性差异.本研究实现了对杂色山雀繁殖期鸣声参数的量化,有助于进一步研究其繁殖行为.     

No Effect of Body Size on the Frequency of Calling and Courtship Song in the Two-Spotted Cricket,Gryllus bimaculatus

The relationship between body size and vocalization parameters has been studied in many animal species. In insect species, however, the effect of body size on song frequency has remained unclear. Here we analyzed the effect of body size on the frequency spectra of mating songs produced by the two-spotted cricket, Gryllus bimaculatus. We recorded the calling songs and courtship songs of male crickets of different body sizes. The calling songs contained a frequency component that peaked at 5.7 kHz. On the other hand, courtship songs contained two frequency components that peaked at 5.8 and 14.7 kHz. The dominant frequency of each component in both the calling and courtship songs was constant regardless of body size. The size of the harp and mirror regions in the cricket forewings, which are the acoustic sources of the songs, correlated positively with body size. These findings suggest that the frequency contents of both the calling and courtship songs of the cricket are unaffected by whole body, harp, or mirror size.     

Acoustic communication in Okanagana rimosa (Say) (Homoptera: Cicadidae)

The cicada Okanagana rimosa (Say) has an acoustic communication system with three types of loud timbal sounds: (i) A calling song lasting several seconds to about 1 min which consists of a sequence of chirps at a repetition rate of 83 chirps per second. Each chirp of about 6 ms duration contains 4-5 pulses. The sound level of the calling song is 87-90 dB SPL at a distance of 15 cm. (ii) An amplitude modulated courtship song with increasing amplitude and repetition rate of chirps and pulses. (iii) A protest squawk with irregular chirp and pulse structure. The spectra of all three types are similar and show main energy peaks at 8-10 kHz. Only males sing, and calling song production is influenced by the songs of other males, resulting in an almost continuous sound in dense populations. In such populations, the calling songs overlap and the temporal structure of individual songs is obscured within the habitat. The calling song of the broadly sympatric, closely related species O. canadensis (Provander) is similar in frequency content, but distinct in the temporal pattern (24 chirps per second, 24 ms chirp duration, eight pulses per chirp) which is likely important for species separation in sympatric populations. The hearing threshold of the auditory nerve is similar for females and males of O. rimosa and most sensitive at 4-5 kHz. Experiments in the field show that female phonotaxis of O. rimosa depends on parameters of the calling song. Most females are attracted to calling song models with a 9 kHz carrier frequency (peak frequency of the calling song), but not to models with a 5 kHz carrier frequency (minimum hearing threshold). Phonotaxis depends on temporal parameters of the conspecific song, especially chirp repetition rate. Calling song production is influenced by environmental factors, and likelihood to sing increases with temperature and brightness of the sky. Correspondingly, females perform phonotaxis most often during sunny conditions with temperatures above 22 degrees C. Non-mated and mated females are attracted by the acoustic signals, and the percentage of mated females performing phonotaxis increases during the season.     

Ecological gradient of sexual selection: elevation and song elaboration in finches

Ecological gradients in natural and sexual selection often result in evolutionary diversification of morphological, life history, and behavioral traits. In particular, elevational changes in habitat structure and climate not only covary with intensity of sexual selection in many taxa, but may also influence evolution of mating signals. Here we examined variation in courtship song in relation to elevation of breeding across cardueline finches-a subfamily of birds that occupies the widest elevational range of extant birds and shows extensive variation in life histories and sexual selection along this range. We predicted that decrease in sexual selection intensity with elevation of breeding documented in this clade would result in a corresponding evolutionary reduction in elaboration of courtship songs. We controlled for the effects of phylogeny, morphology, and habitat structure to uncover a predicted elevational decline in courtship song elaboration; species breeding at lower elevations sang more elaborated and louder songs compared to their sister species breeding at higher elevations. In addition, lower elevation species had longer songs with more notes, whereas frequency components of song did not vary with elevation. We suggest that changes in sexual selection account for the observed patterns of song variation and discuss how elevational gradient in sexual selection may facilitate divergence in mating signals potentially reinforcing or promoting speciation.     

Frequency as a releaser in the courtship song of two crickets,Gryllus bimaculatus (de Geer) and Teleogryllus oceanicus: a neuroethological analysis

1. The courtship behavior of male field crickets, Gryllus bimaculatus (De Geer) and Teleogryllus oceanicus, is a complex, multimodal behavioral act that involves acoustic signals (a courtship song; Fig. 1A,B). The dominant frequency is 4.5 kHz for T. oceanicus song (Fig. 1A) and 13.5 kHz for G. bimaculatus (Fig. IB).
2. When courting males are deprived of their courtship song by wing amputation, their courtship success declines markedly but is restored when courting is accompanied by tape-recordings of their courtship songs or a synthetic courtship song with only the dominant frequency of the natural song; other naturally occurring frequency components are ineffective for restoring mating success (Figs. 4, 5).
3. It has been suggested that an identified auditory interneuron, AN2, plays a critical role in courtship success. Chronic recordings of AN2 in an intact, tethered female show that AN2's response to the natural courtship song and synthesized songs at 4.5 and 13.5 kHz is similar in T. oceanicus. By contrast, in G. bimaculatus, AN2's response to the natural courtship song and synthesized song at 13.5 kHz, but not at 4.5 kHz, is similar (Figs. 2,3).
4. In behavioral experiments, playback of a 30 kHz synthetic courtship song in G. bimaculatus does not restore courtship success, yet this same stimulus elicits as strong a response from AN2 as does the normal courtship song (Fig. 6). Thus, contrary to earlier work by others, we conclude AN2 is not, by itself, a critical neural link in the courtship behavior of these two species of crickets.

     

Validating the female bioassay of cowbird song: Relating differences in song potency to mating success

Female cowbirds (Molothrus ater), maintained in isolation from males during the breeding season, respond to the playback of male song with copulatory postures. They respond more often to some songs than others. Song potency can thus be operationally defined by the number of copulatory responses a song elicits. The purpose of the present study was to validate this measure of song potency by investigating its relationship to mating success. We observed two colonies of cowbirds during the breeding season and recorded details of their courtship. In addition, song potency of the males was tested by playback with a different group of captive females. The results indicate a relationship between maximum song potency and mating success: the males that obtained the most copulations had songs of higher maximum potency and were also observed to have been more dominant during the winter and early spring.     

白眉长臂猿鸣叫的时间特征

滇西白眉长臂猿(Hylobateshoolock)鸣叫主要发生在上午,最早开始于黎明时分,最晚则在下午16:30以后。平均开始时间为09:05,SD=1095min(N=70,范围07:12～16:30),持续时间为197min,SD=934min(N=55,R=4～50)。多数鸣叫发生在07:00～10:00之间(80%)。不同季节鸣叫发生时间有显著差异,可能与黎明时间(光亮度)不同有关,但持续时间无差异。同一季节异地间鸣叫持续时间差异显著。气候、猿群密度、栖息地状态对鸣叫有一定影响,但未见明显相关性。与黑长臂猿的种间比较表明,白眉长臂猿的鸣叫声在时间分布上有较大的散开度,持续时间也较长,二者有显著差异。     

Courtship song analysis of Drosophila muscle mutants

As part of the mating ritual, males of Drosophila species produce species-specific courtship songs through wing vibrations generated by the thoracic musculature. While previous studies have shown that indirect flight muscles (IFM) are neurally activated during courtship song production, the precise role of these muscles in song production has not been investigated. Fortunately, IFM mutants abound in Drosophila melanogaster and studies spanning several decades have shed light on the role of muscle proteins in IFM-powered flight. Analysis of courtship songs in these mutants offers the opportunity to uncover the role of the IFM in a behavior distinct than flight and subject to different evolutionary selection regimes. Here, we describe protocols for the recording and analysis of courtship behavior and mating song of D. melanogaster muscle transgenic and mutant strains. To record faint acoustic signal of courtship songs, an insulated mating compartment was used inside a recording device (INSECTAVOX) equipped with a modified electret microphone, a low-noise power supply, and noise filters. Songs recorded in the INSECTAVOX are digitized using Goldwave, whose several features enable extraction of critical song parameters, including carrier frequencies for pulse song and sine song. We demonstrate the utility of this approach by showing that deletion of the N-terminal region of the myosin regulatory light chain, a mutation known to decrease wing beat frequency and flight power, affects courtship song parameters.     

蚱蝉(Cryptotympana atrata Fabricius)自鸣声音色的变化

蚱蝉自鸣声的音色分为单音色、双音色.及三音色等.本文进一步阐明每种音色的变化及高幅值脉冲对主音色能量的影响.蚱蝉自鸣声音色的变化主要是指频谱主音色频率(MTF)的显著改变、蚱蝉单色自鸣声的MTF主要在4.1—5.8kHz的频带内变化,双音色自鸣声的主次音色频率有相互颠倒现象,MTF主要在3.6—5.4kHz之间,三音色自鸣声的MTF虽然在3.5—4.5kHz比较窄的频带内,但三个音色峰的能量十分接近显示了三种音色成分.同只蚱蝉自鸣声,在不同的鸣声段具有近似相等的最大幅值,但高幅值脉冲个数的多少不同,相应主音色能量的大小与这些脉冲个数的多少对应.     

Seasonal Changes in Courtship Song and the Medial Preoptic Area in Male European Starlings (Sturnus vulgaris)

In male starlings (Sturnus vulgaris) courtship song plays a critical role in mate attraction. During the breeding season courtship song occurs prior to copulation and appears to reflect male sexual arousal. Outside the breeding season starlings sing, but song appears unrelated to reproduction. The aromatization of testosterone (T), likely within the medial preoptic nucleus (POM), is critical for the expression of male sexual arousal. The present study was performed to determine whether seasonal changes in the POM might relate to seasonal changes in courtship singing behavior in male starlings. T concentrations, the volume of the POM, and aromatase within the POM were examined both during and outside of the breeding season in male starlings. Song was also recorded at these times both with and without a female present. The POM was largest and contained dense aromatase immunostaining only during the spring breeding season, when T concentrations were highest and males responded to a female with an increase in courtship song. Outside the breeding season the volume of the POM was small, T concentrations were low, and males displayed no changes in song expression in response to female conspecifics. Song bout length was positively related to POM volume, and males sang longer songs in spring. Only males with nestboxes in spring responded to a female, and the POM tended to be larger in these males, suggesting that nestbox possession might influence neuroplasticity within the POM. Overall, the findings suggest that T-dependent plasticity and aromatase activity within the POM might regulate courtship singing in a wild songbird.