Art and Residence Among the Shipibo Indians of Peru: A Study in Microacculturation

The geometric decorative art of the Shipibo Indians, Peruvian montaña, is produced by women balanced between a cultural imperative for personal innovation and submission to the constraints of traditional style. The experimental commissioning of painted Shipibo textile samplers using a rule-based approach reveals that additional variables in the Deetz-Longacre hypothesis associating female stylistic uniformity with matrilineal descent and matrilocal residence, such as the number of elements and rules used and the higher position in a hierarchy of complexity such solutions occupy, contribute to aesthetic micro-acculturation. That is done in the Shipibo case in a way that belies the presupposition that the mother is always the most important mentor in a girl's art, while supporting this archaeological theory's prediction that a group of coresiding females produces relatively homogeneous art. [ethnoarchaeology, art-style analysis, Deetz-Longacre hypothesis, South American Indians, Peru, Shipibo]