Concepts of Spiritual Nourishment in the Andes And Europe: Rosaries in Cross-Cultural Contexts

This article explores visual imagery connected with the Christian rosary and its connotations of spiritual nourishment in European art and Andean ritual practices. Early eighteenth-century religious art inspired by a vision received by Isidoro of Seville, a Capuchin friar, presented the Virgin Mary as the Divine Shepherdess with her flock of Christians, depicted as sheep with roses in their mouths. This imagery resonates in the flowering ceremony practised by Aymara pastoralists in Isluga, Chile. The floreo serves as a rite of passage for herd animals, its intention being to enhance their fertility by making them 'flower'. However the congruence between the visual codes produced by Europeans and Andeans conveys related but different social and moral messages. Whereas sheep can represent human beings in Christian art, they cannot stand in for human beings in Isluga, since Isluga people recognize that both human and herd animals require spiritual nourishment.