Coetzee, Agamben, and the Passion of Abu Ghraib

In this article, I address J. M. Coetzee's chapter "The Problem of Evil" in Elizabeth Costello (2003); specifically, I discuss the danger of texts that attempt to represent evil letting loose that evil in the world. This insight is pushed by connecting it to the problem of sovereignty as put forth in Agamben's Homo Sacer (1998). To demonstrate the connection of evil and sovereignty, three different sets of images are analyzed that circulated in the global public sphere in 2004: frames from the Mel Gibson movie, The Passion of the Christ (2004); pictures of the abuse and torture of Iraqi prisoners from Abu Ghraib; and beheading videos of U.S. citizens and other nationals working for the U.S.-led occupation forces in Iraq. Different explanations have been given for their circulation, but it is argued, following Agamben's notion of "homo sacer," that they are contestations over sovereignty of Iraq and more widely of the Middle East.