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Spatial distribution of surface EMG on trapezius and lumbar muscles of violin and cello players in single note playing
Institution:1. Sensory Motor Performance Program, Rehabilitation Institute of Chicago, United States;2. Department of Physical Medicine and Rehabilitation of Northwestern University, United States;3. Laboratory for Engineering of the Neuromuscular System (LISiN), Department of Electronics, Politecnico di Torino, Torino, Italy;4. Department of Mathematical Sciences, Politecnico di Torino, Torino, Italy;1. Conservatorio Superior de Música of Vigo, Manuel Olivié, n° 23, Vigo, 36203, Spain;2. Department of Special Teaching, Area of Physical Education and Sports, University of Vigo, Ourense, 32004, Spain;1. Department of Physical Therapy, Faculty of Medicine, University of British Columbia, Vancouver, BC, Canada;2. Graduate Program in Rehabilitation Sciences, Faculty of Medicine, University of British Columbia, Vancouver, Canada;3. Faculty of Health Sciences, University of Western Ontario, London, Ontario, Canada N6A 5B9;1. Sorbonne Universities, Universite de Technologie de Compiegne, CNRS UMR 7338 Biomechanics and Bioengineering, Centre de recherche Royallieu, CS 60203 Compiegne cedex, France;2. Universite de Paris 13, Université Sorbonne Paris Cité, UFR Health, Medicine and Human Biology, 93017 Bobigny, France;1. Department of Sports Medicine and Sports Orthopaedics, University of Potsdam, Potsdam, Germany;2. Department of Neurorehabilitation Engineering, Bernstein Focus Neurotechnology Göttingen (BFNT), Bernstein Centre for Computational Neuroscience (BCCN), University Medical Center Göttingen, Georg-August University, Göttingen, Germany;3. Pain Clinic, Center for Anesthesiology, Emergency and Intensive Care Medicine, University Hospital Göttingen, Göttingen, Germany;1. Center for Rehabilitation Research, School of Health Professions, Texas Tech University Health Sciences Center, Lubbock, TX, USA;2. Department of Orthopaedics and Rehabilitation, Vanderbilt Orthopaedic Institute, Vanderbilt University Medical Center, Vanderbilt University, Nashville, TN, USA;1. College of The Arts, University of South Florida, Tampa, FL, USA;2. Department of Mechanical Engineering & Center for Assistive, Rehabilitation & Robotics Technologies (CARRT), University of South Florida, Tampa, FL, USA;3. School of Physical Therapy & Rehabilitation Sciences, Morsani College of Medicine, University of South Florida, Tampa, FL, USA;4. Department of Educational & Psychological Studies, College of Education, University of South Florida, Tampa, FL, USA
Abstract:Musicians activate their muscles in different patterns, depending on their posture, the instrument being played, and their experience level. Bipolar surface electrodes have been used in the past to monitor such activity, but this method is highly sensitive to the location of the electrode pair. In this work, the spatial distribution of surface EMG (sEMG) of the right trapezius and right and left erector spinae muscles were studied in 16 violin players and 11 cello players. Musicians played their instrument one string at a time in sitting position with/without backrest support. A 64 sEMG electrode (16 × 4) grid, 10 mm inter-electrode distance (IED), was placed over the middle and lower trapezius (MT and LT) of the bowing arm. Two 16 × 2 electrode grids (IED = 10 mm) were placed on the left and right erector spinae muscles. Subjects played each of the four strings of the instrument either in large (1 bow/s) or detaché tip/tail (8 bows/s) bowing in two sessions (two days). In each of two days, measurements were repeated after half an hour of exercise to see the effect of exercise on the muscle activity and signal stability. A “muscle activity index” (MAI) was defined as the spatial average of the segmented active region of the RMS map. Spatial maps were automatically segmented using the watershed algorithm and thresholding. Results showed that, for violin players, sliding the bow upward from the tip toward the tail results in a higher MAI for the trapezius muscle than a downward bow. On the contrary, in cello players, higher MAI is produced in the tail to tip movement. For both instruments, an increasing MAI in the trapezius was observed as the string position became increasingly lateral, from string 1 (most medial) toward string 4 (most lateral). Half an hour of performance did not cause significant differences between the signal quality and the MAI values measured before and after the exercise. The MAI of the left and right erector spinae was smaller in the case of backrest support, especially for violin players. Back muscles of violin and cello players were activated asymmetrically, specifically in fast movements (detaché tip/tail). These findings demonstrate the sensitivity and stability of the technique and justify more extensive investigation following this proof of concept.
Keywords:High density surface electromyography (HDsEMG)  Surface EMG  Musicians  Trapezius  Erector spinae  Violin  Cello  String players
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