The phylogenetic relationships of the early Tertiary Primoscenidae and Sylphornithidae and the sister taxon of crown group piciform birds

The phylogenetic relationships of the early Tertiary Primoscenidae and Sylphornithidae are, for the first time, evaluated in a cladistic context. Both taxa include small arboreal birds with a permanently (Primoscenidae) or facultatively (Sylphornithidae) retroverted fourth toe. Primoscenidae were hitherto considered to be most closely related to either woodpeckers and allies (Piciformes) or to songbirds (Passeriformes), whereas the Sylphornithidae were classified into the roller-kingfisher-hornbill assemblage (Coraciiformes). Analysis of 56 morphological characters supports monophyly of a clade including Sylphornithidae and crown group Piciformes and results in sister group relationship between Passeriformes and a clade including Primoscenidae and the early Miocene Zygodactylidae. However, an analysis in which the search was constrained to trees supporting piciform affinities of the Primoscenidae resulted in trees that were only five steps longer than those from the primary analysis. The character evidence for each hypothesis is discussed. The systematic position of the Primoscenidae appears to be connected to the identity of the sister taxon of crown group Piciformes, as the primary search indicated Upupiformes (hoopoes and wood-hoopoes) and Bucerotiformes (hornbills) as sister taxa of Piciformes, whereas the constrained search resulted in sister group relationship between Coliiformes (mousebirds) and Piciformes. Songbirds do not show the slightest indication of a zygodactyl foot but in these birds the hindtoe is greatly elongated, an alternative strategy to increase the grasping capabilities of the foot. If Passeriformes are indeed the sister group of the clade (Primoscenidae + Zygodactylidae), these birds would be an example that, in closely related taxa, selection towards the same functional demands can result in entirely different morphological specializations.Communicated by F. Bairlein