Structure and Process in the Interpretation of South American Myth: The Arawak Dog Spirit People

Recent work on oral narrative has emphasized differences in textual and performative approaches, which in turn has tended to widen the distinction between two fundamental categories of anthropological thought: structure and process. This paper argues that, at least for the interpretation of South American myth, an integrated approach is essential. After reviewing the epistemological basis of current problems in myth studies, the paper attempts a structural analysis of myths with the theme of a metamorphic conjugal union between human and nonhuman. Processual considerations are introduced in the form of syncretic myth, and the argument is advanced that there exist syncretic transformations of a structural nature. Identifying these provides the beginnings of a bridge between structure and process, and leads to an examination of the performative context of the subject myth. Other narrative genres, dealing with explicitly ethnic concepts, are implicated in the processual sequence of the telling and interpretation of the tale. The attempted synthesis of structure and process in narrative analysis leads to an engagement with two difficult problems: the relationship between ethnicity and kinship; and the transition from myth to history. [myth, structure, process, ethnicity, kinship]