Seeing the Past: Visual Media in Archaeology

As digital media become increasingly affordable and accessible, visual representation in archaeology is expanding across several dimensions. In this essay, I examine some emerging forms of visual media in archaeology, including online documentaries, maps and photographs, hypermedia, experimental films, and peripatetic video. Visual media offer powerful opportunities for engagement with the public. In addition, archaeologists are finding new ways to use the visual in interpretation, analysis, and critique. Experimental visual works often are self-consciously reflexive, questioning and exposing the ways archaeological knowledge is constructed, represented, and disseminated.     

No Story Is Ever Just a Story

The 41 films at the 2004 Margaret Mead Film and Video Festival showcased a multiplicity of styles and approaches, thus widening the perspective of "what counts" as ethnographic film. The two main events—A Tribute to Jean Rouch and Native Voices—epitomized the festival's commitment to diversity and creative talent. Despite the festival's awkward location in the American Museum of Natural History, the films tackled challenging political subjects and directly addressed questions of representation. Postscreening musical performances, informational panels, and audience–director discussion sessions shaped the festival itself as an ethnographic experience, as well as being a venue for the year's best documentary films. Festival highlights were Raven Tales: How Raven Stole the Sun (2004), Mr. Patterns (2004), and Beauty Academy of Kabul (2004).     

纪录片在遗传学教学中的应用

文章从教学实践出发, 对记录片在遗传学教学中的应用进行探讨, 阐述了在遗传学课程中应用科学记录片辅助教学的优势和存在的主要问题, 并对存在的问题进行分析, 提出相应的改进措施, 以便充分发挥科学记录片在教学中的优势和作用, 提高教学质量。     

North African wetland lakes: characterization of nine sites included in the CASSARINA Project

Exploitation of land and water resources has increased rapidly in North Africa during the 20th century, paralleling regional population growth. As part of the CASSARINA Project (see Flower, 2001), the environmental status of nine wetland lakes in Morocco, Tunisia, and Egypt was evaluated. All are conservationally important habitats and several are Ramsar Sites (internationally recognized bird reserves) and several support significant fisheries. All are shallow (<2 m in depth) but vary greatly in area.Where available, documentary information on relevant 20th century changes is given. Survey transects for aquatic vegetation were established and used to provide baseline ecological information on the aquatic plant communities during 1997–1999. Unusually, one site (Tunisian Megene Chitane) supported acidophilous vegetation (some taxa being nationally rare). Aquatic macrophytes declined catastrophically at two sites during the 1990s. Merja Bokka was drained in 1998 and, at Garaet El Ichkeul, fringing Phragmites and Scirpus spp. were lost, mainly as a result of salinity changes. Elsewhere, fringing macrophytes remain (extensively so in the Nile Delta lakes) common, despite major land reclamation and water quality problems, or are degraded by grazing (Merja Zerga). Marginal vegetation during 1997/98 changed markedly at Megene Chitane due to water level lowering.Documentary records indicated that throughout the 20th century, reclamation and hydrologic modifications, mainly for agricultural purposes, affected all nine sites. The loss of lake area by reclamation is substantial for the Nile Delta lakes (Edku, Burullus and Manzala). For the western sites, some data indicate increasing salinity in the most recent decade but the Delta lakes have become generally fresher during the 20th century, as supply of Nile water for irrigation increased.Despite intense human disturbance, many of the remaining CASSARINA sites still support regions of high aquatic diversity. Spatial scale monitoring of the larger sites for seasonal and inter-annual changes in open water area and in aquatic plant abundances is a key requirement for integrated environmental change assessment in the 21st century.     

An environmental assessment of biodeterioration in document repositories

Experiments were designed (1) to investigate the bioadhesion, biofilm formation, foxing, and micropitting in documentary collections, (2) to assess the risk of biodeterioration, (3) to investigate the environmental microbial concentration, and (4) to study the influence of environmental factors in biodeterioration of documentary heritage in three archives. The importance of this work in the field of biodeterioration of documentary heritage was verified by bioadhesion and biofilm formation by microorganisms isolated from the collections under study. Bacillus sp. and Scopulariopsis sp. isolated from paper books showed considerable evidence of attacking the paper structure and of pigment production, constituting a hazard to the loss of documentary heritage.     

A 250 year comparison of historical, macrofossil and pollen records of aquatic plants in a shallow lake

1. Sedimentary remains of aquatic plants, both vegetative (turions, leaves, spines) and reproductive (fruits, seeds, pollen), may provide a record of temporal changes in the submerged vegetation of lakes. An independent assessment of the degree to which these remains reflect past floristic change is, however, rarely possible. 2. By exploiting an extensive series of historical plant records for a small shallow lake we compare plant macrofossil (three cores) and pollen (one core) profiles with the documented sequence of submerged vegetation change since c. 1750 AD. The data set is based on 146 site visits with 658 observations including 42 taxa classified as aquatic, spanning 250 years. 3. Approximately 40% of the historically recorded aquatic taxa were represented by macro‐remains. In general macrofossils underestimated past species diversity, with pondweeds (three of eight historically recorded Potamogeton species were found) particularly poorly represented. Nonetheless, several taxa not reported from historical surveys (e.g. Myriophyllum alterniflorum and Characeae) were present in the sediment record. 4. The pollen record revealed taxa which left no macro‐remains (e.g. Littorella uniflora), and the macrofossil record provided improved taxonomic resolution for some taxa (e.g. Potamogeton) and a more reliable record of persistence, appearance and loss of others (e.g. Myriophyllum spp. and Nymphaeaceae). 5. Detrended correspondence analysis indicated that changes in the community composition evidenced by the palaeolimnological and historical records were synchronous and of a similar magnitude. Both records pointed to a major change at around 1800, with the historical record suggesting a more abrupt change than the sedimentary data. There was good agreement on a subsequent change c. 1930. 6. The palaeolimnological data did not provide a complete inventory of historically recorded species. Nevertheless, these results suggest that combined macrofossil and pollen records provide a reliable indication of temporal change in the dominant components of the submerged and floating‐leaved aquatic vegetation of shallow lakes. As such palaeolimnology may provide a useful tool for establishing community dynamics and successions of plants over decadal to centennial timescales.     

纪录片在遗传学教学中的应用

文章从教学实践出发,对记录片在遗传学教学中的应用进行探讨,阐述了在遗传学课程中应用科学记录片辅助教学的优势和存在的主要问题,并对存在的问题进行分析,提出相应的改进措施,以便充分发挥科学记录片在教学中的优势和作用,提高教学质量。     

Mobilizing Hope: Beyond the Shame-Based Model in the Israeli–Palestinian Conflict

Author Ronit Avni left her position at WITNESS, a nonprofit organization that trains nongovernmental institutions worldwide to incorporate video and digital media into their human rights advocacy campaigns, to launch Just Vision. Just Vision is dedicated to documenting, exposing, and supporting that which is not seen in mainstream broadcast images of the Israeli–Palestinian conflict, such as local Palestinian and Israeli civilians working to build a grassroots consensus for peace. Avni discusses the reasoning for her shift from human rights monitoring within the context of the conflict to promoting civic models for peace building using documentary film and the Internet. She also examines some of the implications of this shift: How they play out in the work of Just Vision, and what they might tell us about the limitations of conventional human rights documentation practices in specific contexts.