Sedentary life style of Neotropical sedge wrens promotes song imitation

To what extent has the style of song development among songbirds coevolved with other life history strategies? Among Cistothorus wrens in North America, it seems that sedentary or site-faithful habits of marsh wrens, C. palustris, favour song imitation, but seminomadic habits of sedge wrens, C. platensis, favour song improvisation, whereby each male generates a large but unique song repertoire. In this study, we tested whether more sedentary populations of sedge wrens in the Neotropics would imitate songs. At our primary study site near Cartago, Costa Rica, breeding birds were colour-banded during 1995 and 1996, and follow-up surveys revealed that the birds remained at this site the year round. Extensive tape recording and analysis of songs showed that males had large song repertoires (200-300+ songs), and that many songs were shared among neighbouring males. In addition, males only 27 km distant, at La Pastora, used different songs. Furthermore, matched countersinging, in which two males answer each other with identical song types, was recorded near Brasilia, in Brazil. The sharing of songs among permanent neighbours, microgeographical variation in song, and matched countersinging can be achieved only through song imitation, thus revealing a striking difference in the style of song development among different populations of the sedge wren. In the Neotropics, having predictable neighbours throughout life appears to have favoured song imitation, so that individuals can interact using a common, learned code typical of the local population; among more mobile populations in North America, however, individuals improvise large repertoires of species-typical songs, thereby enabling singing males to communicate with any individual, no matter what the population of origin. Strategies of song development must correlate with life history features, and further surveys are needed to make sense of the great diversity of singing behaviours among songbirds. Copyright 1999 The Association for the Study of Animal Behaviour.     

SOCIETY FOR EXPERIMENTAL BIOLOGY CONFERENCE,UNIVERSITY OF ST. ANDREWS,APRIL 1995

We describe the interactive nature of vocalizations emitted by African elephant (Loxodonta africana) family groups while visiting waterholes. Despite being in close visual contact with each other, individuals called interactively within a series of overlapping or antiphonal vocal bouts that increased significantly while departing from the waterhole. After initiating departure from the waterhole, elephants in this study increased their calling rate and their production of overlapping vocal bouts. The majority of calls either overlapped or occurred within 1.5 seconds of another call as part of an antiphonal bout, rather than as isolated calls. The departure of larger herds was accompanied by a greater number of calling bouts. The increase in interactive antiphonal bouts during departure might serve to facilitate group coordination and cohesion, as well as possibly reinforce social bonds. The longer repeated bouts could also facilitate eavesdropping by distant elephants by boosting signal detection since the repetition of these longer calls may yield an increase in the signal-to-noise ratio (SNR) that reduces the noise floor for better longer distance communication.     

Singing in the rain forest: how a tropical bird song transfers information

How information transmission processes between individuals are shaped by natural selection is a key question for the understanding of the evolution of acoustic communication systems. Environmental acoustics predict that signal structure will differ depending on general features of the habitat. Social features, like individual spacing and mating behavior, may also be important for the design of communication. Here we present the first experimental study investigating how a tropical rainforest bird, the white-browed warbler Basileuterus leucoblepharus, extracts various information from a received song: species-specific identity, individual identity and location of the sender. Species-specific information is encoded in a resistant acoustic feature and is thus a public signal helping males to reach a wide audience. Conversely, individual identity is supported by song features susceptible to propagation: this private signal is reserved for neighbors. Finally, the receivers can locate the singers by using propagation-induced song modifications. Thus, this communication system is well matched to the acoustic constraints of the rain forest and to the ecological requirements of the species. Our results emphasize that, in a constraining acoustic environment, the efficiency of a sound communication system results from a coding/decoding process particularly well tuned to the acoustic properties of this environment.     

DOCUMENTATION STANDARDS FOR WILDLIFE SOUND RECORDINGS

ABSTRACT

Shearwaters are nocturnal seabirds that rely on olfaction and acoustics to communicate at night. Although previous studies have described the vocal repertoire of some shearwater species, there is a need for more precise experimental data investigating the biological relevance of these acoustic signals in this seabird group. The present paper focuses on the vocal behaviour of the Yelkouan shearwater Puffinus yelkouan, a poorly studied species which produces a single major call composed of two notes, a noisy note and a clear one. A quantitative analysis of the calls allowed to extract the acoustic parameters supporting both sexual and individual signatures. Playback experiments were conducted during the incubation period to test the ability of the Yelkouan shearwater (1) to vocally identify the sex of the emitter, and (2) to discriminate the mate from a non-mate. We showed that birds discriminate the sex of the emitter, calling back almost exclusively to calls of birds of the same sex. Among the few birds replying to calls of the opposite sex, females responded to calls of their partner only, whereas males responded equally to calls of the partner or to calls of a non-partner, suggesting that females are vocally more selective than males.