Book Reviews

Book reviewed in this article: Religious Consciousness. By G. S. Ghuyre The World of the First Australians. By R. M. and C. H. Berndt Elkin, A. P. (1964): The Australian Aborigines and How to Understand Them. Angus & Robertson The Basis of Human Evolution. By Bertram S. Kraus. Harper and Row The Jaguar's Children: Pre-Classic Central Mexico. By Michael D. Coe Masterpieces in the Museum of Primitive Art. Published by the Museum of Primitive Art The Paths of Culture: A General Ethnology. By Kay Birket-Smith Senufo Sculpture from West Africa. By Robert Goldwater The John and Dominique de Memil Collection. The Art Forms of Polynesia. By Archey Gilbert Profiles in Ethnology: A Revision of a Profile of Primitive Culture. By Elman R. Service     

Reconfiguring Kodiak: The Past and the Present in the Present

Kodiak, Alaska: Les Masques de la Collection Alphonse Pinart du Château-Musée de Boulogne-sur-Mer. Musée du Quai Branly, Paris. November 5, 2002-January 20, 2003
Kodiak, Alaska: Les Masques de la Collection Alphonse Pinart. Emmanuel Désveaux. ed. Paris: Adam Biro and Musée du Quai Branly, 2002. 256 pp. 97 color and 140 black-and-white illustrations.
Looking Both Ways: Heritage and Identity of the Alutiiq People. Anchorage Museum of History and Art, Anchorage, Alaska. October 6, 2002–February 28, 2003
Looking Both Ways: Heritage and Identity of the Alutiiq People. Aron L. Crowell. Amy F. Steffian. and Gordon L. Pullar. eds. Fairbanks, AK: University of Alaska Press, 2001. 265 pp. 223 color and black-and-white illustrations.     

Bamana Identity, State Formation, and the Sources of Bamana Art

Bamana: The Art of Existence in Mali. Museum for African Art, New York. September 19, 2001—March 2, 2002.
Bamana: The Art of Existence in Mali. Jean-Paul Colleyn. ed. New York: Museum for African Art, in association with Museum Rietberg and Snoek-Ducaju and Zoon, 2001. 263 pp.     

Hair in African Art and Culture

Hair in African Art and Culture. The Museum for African Art, New York, February 9–May 28, 2000 (review venue); Apex Museum, Atlanta, July–September 2000; Cantor Center for Visual Arts, Stanford University, Palo Alto, California, October–December 2000; Museum of African American History, Detroit, January–April 2001; California African American Museum, Los Angeles, May–August 2001.
Hair in African Art and Culture. Roy Sieber and Frank Herreman. eds. New York: The Museum for African Art; Munich, London, New York: Prestel, 2000. 192 pp.     

Hip-Hop: The Culture, the Sound, the Science; One Planet under a Groove: Hip-Hop and Contemporary Art

Hip-Hop: The Culture, the Sound, the Science. The Museum of Science and Industry, Chicago. January 18–May 27, 2002.
One Planet under. Groove: Hip-Hop and Contemporary Art. The Bronx Museum of the Arts, Bronx, NY. October 26, 2001—March 3, 2002; Walker Art Center, Minneapolis, MN, July 14–October 13, 2002; Spelman College Museum of Fine Art, Atlanta, GA, Spring 2003.     

The Short Century: Independence and Liberation Movements in Africa, 1945-1994.

The Short Century: Independence and Liberation Movements in Africa, 1945-1994. Organized by the Museum Villa Stuck, Munich. Curator: Okwui Enwezor. P.S. Contemporary Art Center, Museum of Modern Art affiliate, Long Island City, Queens, New York City. February 10-May 5, 2002.     

中国一新纪录属和一新种记述(缨翅目,管蓟马科)(英文)

报道了中国灵管蓟马亚科1新纪录属:圆巨管蓟马属Megalothrips Uzel (国外分布:日本,马来西亚,欧洲,北美;国内分布:湖北),1新种:圆巨管蓟马Megalothrips roundus sp. nov.。模式标本保存于西北农林科技大学昆虫博物馆(NWAFU)。     

Native Visions: Evolution in Northwest Coast Art from the Eighteenth through the Twentieth Century

Native Visions: Evolution in Northwest Coast Art from the Eighteenth through the Twentieth Century. Steven C. Brown. Seattle: The Seattle Art Museum in association with the University of Washington Press, 1998. 116pp.     

Dimensions of Native America: The Contact Zone

Dimensions of Native America: The Contact Zone. Museum of Fine Arts, Florida State University, Tallahassee, FL, February 13-March 31. 1998; Appleton Museum of Art, Ocala, FL, April 14-May 31,1998.
Dimensions of Native America: The Contact Zone. Jehanne Teilhet-Fisk and Robin Franklin Nigh. co-curators. Tallahassee: Museum of Fine Arts, Florida State University, 1998. 144 pp.     

Expect a Different Story: Portraying the Contemporary Plateau

By Hand through Memory. Henry J. Casey Hall of Plateau Indians, The High Desert Museum, Bend, Oregon, permanent installation.
Native Arts of the Columbia Plateau: The Doris Swayze Bounds Collection. Susan E. Harless. ed. Seattle: The University of Washington Press. Published in Association with The High Desert Museum, Bend, Oregon, 1998. 136 pp.     

NORTH AND SOUTH AMERICA: Exploraciones en Oaxaca, Quinta y Sexta Temporadas 1936–1937, Alfonso Caso

Book reviewed in this article:
Zapotecan Antiquities and the Paulson Collection in the Ethnographical Museum of Sweden. S. L inné     

Reservation X: The Power of Place in Aboriginal Contemporary Art

Reservation X: The Power of Place in Aboriginal Contemporary Art. Gerald McMaster. ed-Seattle: University of Washington Press and Hull: Canadian Museum of Civilization, 1998.164 pp.     

An Ethnology of the Admiralty Islands: The Alfred Bühler Collection, Museum der Kulturen, Basel

An Ethnology of the Admiralty Islands: The Alfred Bühler Collection, Museum der Kulturen, Basel. Sylvia Ohnemus. Honolulu: University of Hawai'i Press, and Bathhurst, Australia: Crawford House Press, 1998.430pp.     

Ciuliamta Akluit: Things of Our Ancestors: Yup'ik Elders Explore the Jacobsen Collection at the Ethnologisches Museum Berlin

Ciuliamta Akluit: Things of Our Ancestors: Yup'ik Elders Explore the Jacobsen Collection at the Ethnologisches Museum Berlin . Ann Fienup-Riordan, ed. Seattle: University of Washington Press, 2005. 420 pp.     

中国透大叶蝉属分类概要及二新种记述(半翅目,叶蝉科,大叶蝉亚科)

对中国透大叶蝉属Nanatka Young进行了分类概述,确认我国现知9种,其中包括2新种,矛突透大叶蝉N.teluma sp.nov．和渐细透大叶蝉N．attenuata sp．nov．．文中给出了该属所有种的检索表。模式标本分别保存于中国科学院动物研究所和西北农林科技大学昆虫博物馆。     

Coexistence: Contemporary Cultural Production in South Africa

Coexistence: Contemporary Cultural Production in South Africa. The Rose Art Museum, Brandeis University, Waltham, MA. January 22-June 29, 2003.     

Staging the Indian: The Politics of Representation

Staging the Indian: The Politics of Representation. The Tang Teaching Museum and Art Gallery at Skidmore College. February 2, 2002–June 2, 2002.     

Pomo Indian Basket Weavers. Their Baskets and the Art Market

Pomo Indian Basket Weavers. Their Baskets and the Art Market Grace Hudson Museum and Sun House, Ukiah, California, May through September 1998; National Museum of Natural History, Smithsonian Institution, Washington, D.C., October 1998 through January 1999; National Museum of the American Indian, George Gustav Heye Center, New York, May 9through August 15, 1999 (review venue); University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, PA, October 1999 through September 2000.
Pomo Indian Basket Weavers. Their Baskets and the Art Market. Special issue of Expedition, The Magazine of the University of Pennsylvania Museum of Archaeology and Anthropology 40(1), 1998.     

Museum Exhibit

Book reviewed in this article:
Sacred Circles: Two Thousand Years of North American Indian Art. American Exhibition: Nelson Gallery of Art-Atkins Museum of Fine Arts, Kansas City, Missouri, April 16 to June 19, 1977 (European Exhibition: Hayward Gallery, London, October 1976 to January 1977).
Sacred Circles: Two Thousand Years of North American Indian Art. Ralph T. Coe .     

Drawing Shadows to Stone

Drawing Shadows to Stone: Photographing North Pacific Peoples (1897-1902). American Museum of Natural History, New York, New York, November 14, 1997- March 1, 1998.
Drawing Shadows to Stone: The Photography of the Jesup North Pacific Expedition, 1897-1902. Laurel Kendall. Barbara Mathé. and Thomas Ross Miller. with Stanley A. Freed. Ruth S. Freed. and Laila Williamson. New York: American Museum of Natural History, 1997, and Seattle: University of Washington Press, 1997. 112 pp., 97 illust.