When Ears Drive Hands: The Influence of Contact Sound on Reaching to Grasp

Background

Most research on the roles of auditory information and its interaction with vision has focused on perceptual performance. Little is known on the effects of sound cues on visually-guided hand movements.

Methodology/Principal Findings

We recorded the sound produced by the fingers upon contact as participants grasped stimulus objects which were covered with different materials. Then, in a further session the pre-recorded contact sounds were delivered to participants via headphones before or following the initiation of reach-to-grasp movements towards the stimulus objects. Reach-to-grasp movement kinematics were measured under the following conditions: (i) congruent, in which the presented contact sound and the contact sound elicited by the to-be-grasped stimulus corresponded; (ii) incongruent, in which the presented contact sound was different to that generated by the stimulus upon contact; (iii) control, in which a synthetic sound, not associated with a real event, was presented. Facilitation effects were found for congruent trials; interference effects were found for incongruent trials. In a second experiment, the upper and the lower parts of the stimulus were covered with different materials. The presented sound was always congruent with the material covering either the upper or the lower half of the stimulus. Participants consistently placed their fingers on the half of the stimulus that corresponded to the presented contact sound.

Conclusions/Significance

Altogether these findings offer a substantial contribution to the current debate about the type of object representations elicited by auditory stimuli and on the multisensory nature of the sensorimotor transformations underlying action.     

Location, location, location: finding a suitable home among the noise

While sound is a useful cue for guiding the onshore orientation of larvae because it travels long distances underwater, it also has the potential to convey valuable information about the quality and type of the habitat at the source. Here, we provide, to our knowledge, the first evidence that settlement-stage coastal crab species can interpret and show a strong settlement and metamorphosis response to habitat-related differences in natural underwater sound. Laboratory- and field-based experiments demonstrated that time to metamorphosis in the settlement-stage larvae of common coastal crab species varied in response to different underwater sound signatures produced by different habitat types. The megalopae of five species of both temperate and tropical crabs showed a significant decrease in time to metamorphosis, when exposed to sound from their optimal settlement habitat type compared with other habitat types. These results indicate that sounds emanating from specific underwater habitats may play a major role in determining spatial patterns of recruitment in coastal crab species.     

Volume-dependent variations of regional lung sound, amplitude, and phase.

Acoustic imaging of the respiratory system demonstrates regional changes of lung sounds that correspond to pulmonary ventilation. We investigated volume-dependent variations of lung sound phase and amplitude between two closely spaced sensors in five adults. Lung sounds were recorded at the posterior right upper, right lower, and left lower lobes during targeted breathing (1.2 +/- 0.2 l/s; volume = 20-50 and 50-80% of vital capacity) and passive sound transmission (< or =0.2 l/s; volumes as above). Average sound amplitudes were obtained after band-pass filtering to 75-150, 150-300, and 300-600 Hz. Cross correlation established the phase relation of sound between sensors. Volume-dependent variations in phase (< or =1.5 ms) and amplitude (< or =11 dB) were observed at the lower lobes in the 150- to 300-Hz band. During inspiration, increasing delay and amplitude of sound at the caudal relative to the cranial sensor were also observed during passive transmission in several subjects. This previously unrecognized behavior of lung sounds over short distances might reflect spatial variations of airways and diaphragms during breathing.     

The significance of sound interception to males of the bicolor damselfish,Pomacentrus partitus,during courtship

Synopsis Playback experiments conducted in the field and the laboratory demonstrated the use of sound interception in bicolor damselfish,Pomacentrus partitus. Two courtship sounds produced by male bicolors: the ‘chirp’ which occurs at the initiation of courting and the ‘grunt’ which occurs near the termination, just prior to spawning, were found to hold different meanings to intercepting male competitors. Males responded to grunt playback with directional swimming towards the sound source and increased courtship behavior. No directional response was observed during chirp playback. The grunt sound appears to indicate that a spawn-ready female is present near the sound source. Males therefore move towards it, likely to interfere with the imminent spawning or to gain a possible spawning partner. Such is not observed in response to chirps, as little advantage would be gained by moving to the source of a sound which is known to serve as an ‘advertisement’ or ‘territorial keep-out’ signal. Thus, upon intercepting a neighbor's chirps, males exhibit courting within their own territory, or directly court a nearby female.     

Sound and vibration sensitivity of VIIIth nerve fibers in the grassfrog, Rana temporaria

We have studied the sound and vibration sensitivity of 164 amphibian papilla fibers in the VIIIth nerve of the grassfrog, Rana temporaria. The VIIIth nerve was exposed using a dorsal approach. The frogs were placed in a natural sitting posture and stimulated by free-field sound. Furthermore, the animals were stimulated with dorso-ventral vibrations, and the sound-induced vertical vibrations in the setup could be canceled by emitting vibrations in antiphase from the vibration exciter. All low-frequency fibers responded to both sound and vibration with sound thresholds from 23 dB SPL and vibration thresholds from 0.02 cm/s². The sound and vibration sensitivity was compared for each fiber using the offset between the rate-level curves for sound and vibration stimulation as a measure of relative vibration sensitivity. When measured in this way relative vibration sensitivity decreases with frequency from 42 dB at 100 Hz to 25 dB at 400 Hz. Since sound thresholds decrease from 72 dB SPL at 100 Hz to 50 dB SPL at 400 Hz the decrease in relative vibration sensitivity reflects an increase in sound sensitivity with frequency, probably due to enhanced tympanic sensitivity at higher frequencies. In contrast, absolute vibration sensitivity is constant in most of the frequency range studied. Only small effects result from the cancellation of sound-induced vibrations. The reason for this probably is that the maximal induced vibrations in the present setup are 6–10 dB below the fibers' vibration threshold at the threshold for sound. However, these results are only valid for the present physical configuration of the setup and the high vibration-sensitivities of the fibers warrant caution whenever the auditory fibers are stimulated with free-field sound. Thus, the experiments suggest that the low-frequency sound sensitivity is not caused by sound-induced vertical vibrations. Instead, the low-frequency sound sensitivity is either tympanic or mediated through bone conduction or sound-induced pulsations of the lungs.Abbreviations AP amphibian papilla - BF best frequency - PST peristimulus time     

Stridulation of the clear-wing meadow katydid Xiphelimum amplipennis,adaptive bandwidth

Rubbed wings, analysed calls and a peculiar sound generator structure in males of a conocephaline katydid, Xiphelimum amplipennis, give insight into the making of broadband spectra. High shear forces are indicated by a robust forewing morphology. Intensity is high for frequencies in a 20–60 kHz ultrasonic band. Besides a typical katydid sound-radiating mirror and harp, this insect has a long costal series of semi-transparent specular sound radiators. These wing cells are loaded behind by an enlarged and partitioned subwing air space. Calls repeat steadily with five different time domain sound elements. Distinctive spectra are associated with two of these, giving stepwise frequency modulation that combines to create the exceptionally wide spectral breadth. Broadcast sound levels at 10 cm dorsal, right and left, are near 100 dB. Costal wing-cell sound radiation was explored by loading the costal “speculae” with wax. This produced almost no decrease in lateral sound levels, but did alter spectral content. Apparently, this insect’s costal region both baffles and radiates. The species lives at high densities in cluttered vegetation and sound signal attenuation should code via spectral shape for distance ranging.     

Complex coevolution of wing,tail, and vocal sounds of courting male bee hummingbirds

Phenotypic characters with a complex physical basis may have a correspondingly complex evolutionary history. Males in the “bee” hummingbird clade court females with sound from tail‐feathers, which flutter during display dives. On a phylogeny of 35 species, flutter sound frequency evolves as a gradual, continuous character on most branches. But on at least six internal branches fall two types of major, saltational changes: mode of flutter changes, or the feather that is the sound source changes, causing frequency to jump from one discrete value to another. In addition to their tail “instruments,” males also court females with sound from their syrinx and wing feathers, and may transfer or switch instruments over evolutionary time. In support of this, we found a negative phylogenetic correlation between presence of wing trills and singing. We hypothesize this transference occurs because wing trills and vocal songs serve similar functions and are thus redundant. There are also three independent origins of self‐convergence of multiple signals, in which the same species produces both a vocal (sung) frequency sweep, and a highly similar nonvocal sound. Moreover, production of vocal, learned song has been lost repeatedly. Male bee hummingbirds court females with a diverse, coevolving array of acoustic traits.     

3D-finite element analyses of cusp movements in a human upper premolar, restored with adhesive resin-based composites

The combination of diverse materials and complex geometry makes stress distribution analysis in teeth very complicated. Simulation in a computerized model might enable a study of the simultaneous interaction of the many variables. A 3D solid model of a human maxillary premolar was prepared and exported into a 3D-finite element model (FEM). Additionally, a generic class II MOD cavity preparation and restoration was simulated in the FEM model by a proper choice of the mesh volumes. A validation procedure of the FEM model was executed based on a comparison of theoretical calculations and experimental data. Different rigidities were assigned to the adhesive system and restorative materials. Two different stress conditions were simulated: (a) stresses arising from the polymerization shrinkage and (b) stresses resulting from shrinkage stress in combination with vertical occlusal loading. Three different cases were analyzed: a sound tooth, a tooth with a class II MOD cavity, adhesively restored with a high (25 GPa) and one with a low (12.5GPa) elastic modulus composite. The cusp movements induced by polymerization stress and (over)-functional occlusal loading were evaluated. While cusp displacement was higher for the more rigid composites due to the pre-stressing from polymerization shrinkage, cusp movements turned out to be lower for the more flexible composites in case the restored tooth which was stressed by the occlusal loading.This preliminary study by 3D FEA on adhesively restored teeth with a class II MOD cavity indicated that Young's modulus values of the restorative materials play an essential role in the success of the restoration. Premature failure due to stresses arising from polymerization shrinkage and occlusal loading can be prevented by proper selection and combination of materials.     

Correlation of acoustic and visual signals in the cichlid fish, <Emphasis Type="Italic">Tramitichromis intermedius</Emphasis>

We investigated acoustic and visual communication concurrently in wild caught adult and captive-born, first generation offspring of the East African Rift Lake cichlid fish Tramitichromis intermedius. Only males emit sound during courtship. Sound production is always accompanied by quivering, but quiver behavior is not always accompanied by sound. This separation of quivering and sound supports the hypothesis that sound production is intentional serving a communicative role. As spawning nears, both sound production and quiver behavior increase. In terms of the ontogeny of sound production, the first observation of courtship occurs just days before the first spawning event and the first sound emission accompanies the first courtship activity. The accompaniment of quivering with sound as well as the escalation of the two behaviors with the approach of spawning follows similar patterns in wild caught and captive-born males. The tight correlation between behavior and sound production in both groups indicates their simultaneous performance plays an important role in reproduction. It is probable that the ability to produce sound and perform quiver behavior at the same time may be a measure of mate quality.     

Sound Production by Adult Haddock, Melanogrammus Aeglefinus, in Isolation, Pairs and Trios

Haddock, Melanogrammus aeglefinus, have been previously shown to produce sounds during mating. Several behavioural aspects of sound production of courting haddock were further investigated in relation to sex ratio. We assessed whether (i) single males or females generate sounds when isolated, (ii) sound is produced when one male is present with a female, (iii) sound production becomes altered with the introduction of an additional male, and (iv) sounds are produced independent of egg release. Data were collected from 30 March to 11 June 1999, during the spawning period using small outdoor tanks. Sounds generated by captive males during spawning were categorized as knocks, hums and an intermediate between these two types. Solitary males and females did not produce sounds. Sounds were produced when one male was present with a single female. The knocking call duration increased when a second male was introduced. Sounds produced by males occurred independent of the day of egg release.     

The hearing of the Atlantic Salmon, Salmo salar

The hearing of the salmon, Salmo salar L., was studied by means of a cardiac conditioning technique. Fish were trained to show a slowing of the heart, on hearing a sound, in anticipation of a mild electric shock applied later. The minimum sound level to which the fish would respond was determined for a range of pure tones, both in the sea, and in the laboratory. The fish responded only to low frequency tones (below 380 Hz), and particle motion, rather than sound pressure, proved to be the relevant stimulus. The sensitivity of the fish to sound was not affected by the level of sea noise under natural conditions but hearing is likely to be masked by ambient noise in a turbulent river. Sound measurements made in the River Dee, near Aberdeen, lead to the conclusion that salmon are unlikely to detect sounds originating in air, but that they are sensitive to substrate borne sounds. Compared with the carp and cod the hearing of the salmon is poor, and more like that of the perch and plaice.     

Comparison of manual and automated methods for identifying target sounds in audio recordings of Pileated, Pale-billed, and putative Ivory-billed woodpeckers

ABSTRACT.   Although offering many benefits over manual recording and survey techniques for avian field studies, automated sound recording systems produce large datasets that must be carefully examined to locate sounds of interest. We compared two methods for locating target sounds in continuous sound recordings: (1) a manual method using computer software to provide a visual representation of the recording as a sound spectrogram and (2) an automated method using sound analysis software preprogrammed to identify specific target sounds. For both methods, we examined the time required to process a 24-h recording, scanning accuracy, and scanning comprehensiveness using four different target sounds of Pileated Woodpeckers ( Dryocopus pileatus ), Pale-billed Woodpeckers ( Campephilus guatemalensis ), and putative Ivory-billed Woodpeckers ( Campehilus principalis ). We collected recordings from the bottomland forests of Florida and the Neotropical dry forests of Costa Rica, and compared manual versus automated cross-correlation scanning techniques. The automated scanning method required less time to process sound recordings, but made more false positive identifications and was less comprehensive than the manual method, identifying significantly fewer target sounds. Although the automated scanning method offers a fast and economic alternative to traditional manual efforts, our results indicate that manual scanning is best for studies requiring an accurate account of temporal patterns in call frequency and for those involving birds with low vocalization rates.     

硕螽(Deracantha onos)听觉中间神经元的声反应特征

本文报道了硕螽听通路单个听觉中间神经元的声反应特征。依据动作电位发放模式的不同,听觉中间神经元可分为两类,即紧张型与相位型。紧张型听觉中间神经元属于窄凋谐带神经元,敏感的频率范围8—18千赫,反应最佳频率在12千赫附近,与同种雄硕螽叫声的主能峰相匹配。相位型听觉中间神经元属于宽调谐带神经元,有二个敏感频率范围,分别为5—8千赫和12—18千赫。它们对声强度的编码方式也不一样:分别以动作电位的数目与反应潜伏期对声强编码。本文还讨论了不同类型听觉中间神经元的功能意义。     

Role of cage material, working style and hearing sensitivity in perception of animal care noise

During daily care, laboratory animals are exposed to a variety of sounds which may have effects on welfare and also cause physiological and behavioural changes. So far, almost no attention has been paid to individual sounds or the sound level caused by animal care or the sound level inside the animal cage. In this study, sounds from selected rat care procedures were recorded: pulling cage out of the rack, placing it onto a table and replacing the cage back into the rack; with measurements made inside the rat cage and in the adjacent cage. Diet was poured into the food hopper and sounds were recorded inside the cage and also the adjacent cage. The work was repeated in a calm and also in a hurried style, using stainless steel and polycarbonate cages. Finally, the sounds produced by running tap water were recorded. Differences between rat and human hearing were compared using novel species-specific sound level weightings: R-weighting for rats dB(R) and H-weighting for human dB(H). Hurried work with steel caused sound exposure levels exceeding 90 dB(R) when the cages were placed into the rack and about 80 dB(R) when pulling them out of the rack or placing onto a table. With polycarbonate, the levels were 10-15 dB(R) lower. Unhurried calm working produced lower sound exposure levels than hurried working in many procedures. When the procedures were repeated with measurements in the adjacent cage, the sound exposure levels were lower, but the results were similar. Pouring food pellets into a hopper above the rat's head caused 15 dB(R) higher sound exposure levels than pouring food to an adjacent cage. In general, humans hear these sounds about 10-15 dB louder than rats. In conclusion, cage material, working style and hearing sensitivity all have an impact on the sound exposure level in the rodent cage. With correct working methods, high sound levels can be efficiently avoided in most cases.     

Ontogeny of Acoustic and Feeding Behaviour in the Grey Gurnard, Eutrigla gurnardus

Although sound production in teleost fish is often associated with territorial behaviour, little is known of fish acoustic behaviour in other agonistic contexts such as competitive feeding and how it changes during ontogeny. The grey gurnard, Eutrigla gurnardus, frequently emits knock and grunt sounds during competitive feeding and seems to adopt both contest and scramble tactics under defensible resource conditions. Here we examine, for the first time, the effect of fish size on sound production and agonistic behaviour during competitive feeding. We have made sound (alone) and video (synchronized image and sound) recordings of grey gurnards during competitive feeding interactions. Experimental fish ranged from small juveniles to large adults and were grouped in four size classes: 10–15, 15–20, 25–30 and 30–40 cm in total length. We show that, in this species, both sound production and feeding behaviour change with fish size. Sound production rate decreased in larger fish. Sound duration, pulse duration and the number of pulses increased whereas the peak frequency decreased with fish size, in both sound types (knocks and grunts). Interaction rate and the frequency of agonistic behaviour decreased with increasing fish size during competitive feeding sessions. The proportion of feeding interactions accompanied by sound production was similar in all size classes. However, the proportion of interactions accompanied by knocks (less aggressive sounds) and by grunts (more aggressive) increased and decreased with fish size, respectively. Taken together, these results suggest that smaller grey gurnards compete for food by contest tactics whereas larger specimens predominantly scramble for food, probably because body size gives an advantage in locating, capturing and handling prey. We further suggest that sounds emitted during feeding may potentially give information on the motivation and ability of the individual to compete for food resources.     

Sound production by Simochromis diagramma (Günther) (Pisces, Cichlidae).

Two types of sounds produced by the cichlid fish Simochromis diagramma, are recorded and analysed. A br-r-r sound, with a main frequency of 200 Hz and a chewing sound with a main frequency of 6,000-10,000 Hz are produced during threatening; the former sound can also be heard during quivering. No sound was recorded with fighting or anxious fishes.     

Avoidance responses to low frequency sound in downstream migrating Atlantic salmon smolt, Salmo salar

The possibility of using intense sound as an acoustic barrier for downstream migrating smolt of the Atlantic salmon ( Salmo salar ) was studied by observing, the reactions of smolt to 10 and 150 Hz sounds in a small river. At the observation site the river branched into a main course and a minor channel, the latter rejoining the main stream after 30 m. The sound sources were positioned at the lower end of the channel. The number of smolt re-entering the mam stream at the lower end of the channel was recorded during alternating periods with and without sound. Intense 150 Hz sound had no observable effects on the smolt, even at intensities 114 dB above the hearing threshold at this frequency. At intensities above 1.0. 10⁻²ms⁻² the 10 Hz sound was an effective deterrent for the smolt, which turned and left the channel at the upstream branching point.     

Spherical sound radiation patterns of singing grass cicadas, Tympanistalna gastrica

The spatial pattern of sound radiation of grass cicadas emitting normally patterned calling songs was measured in the acoustic far field with an array of eight microphones at a distance of 15 cm. The array could be rotated to cover the sphere around the cicada. The sound was analysed in one-third-octave bands with centre frequencies from 3.15 kHz to 16 kHz, the frequency range of the calling song. The seven cicadas studied had very similar spatial radiation patterns, but somewhat different emitted sound powers (range 190–440 nW, mean 280 nW, at 22 °C). At low frequencies, the pattern of sound radiation was close to spherical. At higher frequencies, systematic deviations from a spherical pattern were evident. The deviations were of the order of magnitude expected for monopolar sound sources located on sound-shielding bodies. We conclude that, although the singing cicada produces a quite complex acoustic near field, it behaves as a monopole in the far field. These findings are compared with data from a singing grasshopper of similar size, which in the far field behaves as a multipole. Accepted: 20 November 1999     

后掩蔽效应对大棕蝠下丘神经元声反应的影响

以回声定位蝙蝠为模式动物,采用在体动物细胞外单位记录法,研究了后掩蔽效应对下丘神经元声反应的影响。结果显示,部分神经元(38％,12／31)对测试声刺激的反应明显受到掩蔽声的抑制,其后掩蔽效应强弱与掩蔽声和测试声的相对强度差(inter-stimulus level difference,SLD),以及测试声与掩蔽声之间的间隔时间(inter-stimulus onset asynchrony,SOA)有关：当掩蔽声强度升高或测试声强度降低时,后掩蔽效应增强;而SOA的缩短,亦可见后掩蔽效应增强。另外,相当数量的神经元(52%,16／31)对测试声刺激的反应并不受掩蔽声的影响,其中有的神经元只有在特定SLD和SOA时,才表现出后掩蔽效应。而少数下丘神经元(10％,3／31)在特定SLD和SOA时,掩蔽声对测试声反应有易化作用。上述结果表明,部分下丘神经元参与了声认知活动中的后掩蔽形成过程,推测下丘神经元在定型声反应特性中,对掩蔽声诱导的兴奋前抑制性输入与测试声诱导的兴奋性输入之间的时相性动态整合起关键作用。     

Harmonic Hopping,and Both Punctuated and Gradual Evolution of Acoustic Characters in Selasphorus Hummingbird Tail-Feathers

Models of character evolution often assume a single mode of evolutionary change, such as continuous, or discrete. Here I provide an example in which a character exhibits both types of change. Hummingbirds in the genus Selasphorus produce sound with fluttering tail-feathers during courtship. The ancestral character state within Selasphorus is production of sound with an inner tail-feather, R2, in which the sound usually evolves gradually. Calliope and Allen''s Hummingbirds have evolved autapomorphic acoustic mechanisms that involve feather-feather interactions. I develop a source-filter model of these interactions. The ‘source’ comprises feather(s) that are both necessary and sufficient for sound production, and are aerodynamically coupled to neighboring feathers, which act as filters. Filters are unnecessary or insufficient for sound production, but may evolve to become sources. Allen''s Hummingbird has evolved to produce sound with two sources, one with feather R3, another frequency-modulated sound with R4, and their interaction frequencies. Allen''s R2 retains the ancestral character state, a ∼1 kHz “ghost” fundamental frequency masked by R3, which is revealed when R3 is experimentally removed. In the ancestor to Allen''s Hummingbird, the dominant frequency has ‘hopped’ to the second harmonic without passing through intermediate frequencies. This demonstrates that although the fundamental frequency of a communication sound may usually evolve gradually, occasional jumps from one character state to another can occur in a discrete fashion. Accordingly, mapping acoustic characters on a phylogeny may produce misleading results if the physical mechanism of production is not known.