Acoustic signalling in female fish: factors influencing sound characteristics in croaking gouramis

The characteristics of sounds produced by fishes are influenced by several factors such as size. The current study analyses factors affecting structural properties of acoustic signals produced by female croaking gouramis Trichopsis vittata during agonistic interactions. Female sounds (although seldom analysed separately from male sounds) can equally be used to investigate factors affecting the sound characteristics in fish. Sound structure, dominant frequency and sound pressure levels (SPL) were determined and correlated to body size and the order in which sounds were emitted. Croaking sounds consisted of series of single-pulsed or double-pulsed bursts, each burst produced by one pectoral fin. Main energies were concentrated between 1.3 and 1.5 kHz. The dominant frequency decreased with size, as did the percentage of single-pulsed bursts within croaking sounds. The SPL and the number of bursts within a sound were independent of size but decreased significantly with the order of their production. Thus, acoustic signals produced at the beginning of agonistic interactions were louder and consisted of more bursts than subsequent ones. Our data indicate that body size affects the dominant frequency and structure of sounds. The increase in the percentage of double-pulsed bursts with size may be due to stronger pectoral muscles in larger fish. In contrast, ongoing fights apparently result in muscle fatigue and subsequently in a decline in the number of bursts and SPL. The factor ‘order of sound production’ points to an intra-individual variability of sounds and should be considered in future studies.     

THE ROLE OF AUDITORY CUES IN MODULATING THE PERCEIVED CRISPNESS AND STALENESS OF POTATO CHIPS

We investigated whether the perception of the crispness and staleness of potato chips can be affected by modifying the sounds produced during the biting action. Participants in our study bit into potato chips with their front teeth while rating either their crispness or freshness using a computer‐based visual analog scale. The results demonstrate that the perception of both the crispness and staleness was systematically altered by varying the loudness and/or frequency composition of the auditory feedback elicited during the biting action. The potato chips were perceived as being both crisper and fresher when either the overall sound level was increased, or when just the high frequency sounds (in the range of 2 kHz?20 kHz) were selectively amplified. These results highlight the significant role that auditory cues can play in modulating the perception and evaluation of foodstuffs (despite the fact that consumers are often unaware of the influence of such auditory cues). The paradigm reported here also provides a novel empiric methodology for assessing such multisensory contributions to food perception.     

Learned or innate production of acoustic signals in fishes: a test using a cyprinid

No information on the inheritance of the ability to produce sounds exists for fishes. In birds, which usually provide extensive post-hatching parental care, acoustic signals are learned in some species but are innate in others. Almost no fishes provide extensive post-hatching parental care and, consequently, the offspring have little opportunity to hear and learn sounds produced by the parents (usually the male in fishes); they may, however, be exposed to acoustic signals of conspecifics in the same habitat. We used a cyprinid, Codoma ornata, to test whether sound production is learned from the parents or whether it is innate. Fertilized eggs of this species were raised in isolation from adults. Upon maturity, these fish were tested for sound production in aggressive and reproductive contexts. Fish which had no contact with adults, and therefore no opportunity to hear the acoustic signals of their species, produced sounds that were similar to those produced by their parents, and they produced these in the same contexts. Significant differences were observed in dominant frequency for one context, with the smaller F₁ fish having signals of higher frequency than parental fish. Since no opportunity for learning existed, this provided evidence that the ability to produce sounds is innate in this minnow species.     

Pacific and Atlantic herring produce burst pulse sounds

The commercial importance of Pacific and Atlantic herring (Clupea pallasii and Clupea harengus) has ensured that much of their biology has received attention. However, their sound production remains poorly studied. We describe the sounds made by captive wild-caught herring. Pacific herring produce distinctive bursts of pulses, termed Fast Repetitive Tick (FRT) sounds. These trains of broadband pulses (1.7-22 kHz) lasted between 0.6 s and 7.6 s. Most were produced at night; feeding regime did not affect their frequency, and fish produced FRT sounds without direct access to the air. Digestive gas or gulped air transfer to the swim bladder, therefore, do not appear to be responsible for FRT sound generation. Atlantic herring also produce FRT sounds, and video analysis showed an association with bubble expulsion from the anal duct region (i.e. from the gut or swim bladder). To the best of the authors' knowledge, sound production by such means has not previously been described. The function(s) of these sounds are unknown, but as the per capita rates of sound production by fish at higher densities were greater, social mediation appears likely. These sounds may have consequences for our understanding of herring behaviour and the effects of noise pollution.     

Factors Affecting the Transmission of Rodent Ultrasounds in Natural Environments

Recent evidence indicates that myomorph rodent species use ultrasoniccalls as communication signals. The range over which sound communicationsignals may travel and the ease with which they may be localizeddepends on their intensity and structure and the structure ismade. It is concluded that rodent calls are mainly within therange 20–100 kHz and not longer than 300 msec, exceptfor some rat calls which last up to 3 sec. Intensities may beas high as 103 dB SPL (at 10 cm) in pups and 86 dB SPL (at 5–30cm) in adults. Bandwidths between 1–104 kHz are found.High frequency sounds are attenuated with distance more thanlower frequency sounds, mainly by atmospheric attenuation, groundattenuation and scattering. These effects are not all linearso it is difficult to predict how far rodent sounds may travelwithout making measurements under the conditions in which soundsare known to be produced by rodents in the wild. It is shownthat there is little attenuation due to scattering from vegetationin a wood inhabited by woodmice. But in grass or wheat wherefield voles may live, sounds above 20 kHz are rapidly attenuated.Attenuation may be much less in rodent runs and burrows andthis is being studied by a new spark technique.     

Intraspecific acoustic communication and mechanical sensitivity of the tympanal ear of the gypsy moth Lymantria dispar

Tympanal ears of female gypsy moths Lymantria dispar dispar (L.) (Lepidoptera: Erebidae: Lymantriinae) are reportedly more sensitive than ears of conspecific males to sounds below 20 kHz. The hypothesis is tested that this differential sensitivity is a result of sex‐specific functional roles of sound during sexual communication, with males sending and females receiving acoustic signals. Analyses of sounds produced by flying males reveal a 33‐Hz wing beat frequency and 14‐kHz associated clicks, which remain unchanged in the presence of female sex pheromone. Females exposed to playback sounds of flying conspecific males respond with wing raising, fluttering and walking, generating distinctive visual signals that may be utilized by mate‐seeking males at close range. By contrast, females exposed to playback sounds of flying heterospecific males (Lymantria fumida Butler) do not exhibit the above behavioural responses. Laser Doppler vibrometry reveals that female tympana are particularly sensitive to frequencies in the range produced by flying conspecific males, including the 33‐Hz wing beat frequency, as well as the 7‐kHz fundamental frequency and 14‐kHz dominant frequency of associated clicks. These results support the hypothesis that the female L. dispar ear is tuned to sounds of flying conspecific males. Based on previous findings and the data of the present study, sexual communication in L. dispar appears to proceed as: (i) females emitting sex pheromone that attracts males; (ii) males flying toward calling females; and (iii) sound signals from flying males at close range inducing movement in females, which, in turn, provides visual signals that could orient males toward females.     

Sex-Specific Differences in Agonistic Behaviour,Sound Production and Auditory Sensitivity in the Callichthyid Armoured Catfish Megalechis thoracata

Background

Data on sex-specific differences in sound production, acoustic behaviour and hearing abilities in fishes are rare. Representatives of numerous catfish families are known to produce sounds in agonistic contexts (intraspecific aggression and interspecific disturbance situations) using their pectoral fins. The present study investigates differences in agonistic behaviour, sound production and hearing abilities in males and females of a callichthyid catfish.

Methodology/Principal Findings

Eight males and nine females of the armoured catfish Megalechis thoracata were investigated. Agonistic behaviour displayed during male-male and female-female dyadic contests and sounds emitted were recorded, sound characteristics analysed and hearing thresholds measured using the auditory evoked potential (AEP) recording technique. Male pectoral spines were on average 1.7-fold longer than those of same-sized females. Visual and acoustic threat displays differed between sexes. Males produced low-frequency harmonic barks at longer distances and thumps at close distances, whereas females emitted broad-band pulsed crackles when close to each other. Female aggressive sounds were significantly shorter than those of males (167 ms versus 219 to 240 ms) and of higher dominant frequency (562 Hz versus 132 to 403 Hz). Sound duration and sound level were positively correlated with body and pectoral spine length, but dominant frequency was inversely correlated only to spine length. Both sexes showed a similar U-shaped hearing curve with lowest thresholds between 0.2 and 1 kHz and a drop in sensitivity above 1 kHz. The main energies of sounds were located at the most sensitive frequencies.

Conclusions/Significance

Current data demonstrate that both male and female M. thoracata produce aggressive sounds, but the behavioural contexts and sound characteristics differ between sexes. Sexes do not differ in hearing, but it remains to be clarified if this is a general pattern among fish. This is the first study to describe sex-specific differences in agonistic behaviour in fishes.     

The ontogenetic development of auditory sensitivity, vocalization and acoustic communication in the labyrinth fish Trichopsis vittata

The anabantoid fish Trichopsis vittata starts vocalizing as 8-week-old juveniles. In order to determine whether juveniles are able to detect conspecific sounds, hearing sensitivities were measured in six size groups utilizing the auditory brainstem response-recording technique. Results were compared to sound pressure levels and spectra of sounds recorded during fighting. Auditory evoked potentials were present in all size groups and complete audiograms were obtained starting with 0.18 to 0.30 g juveniles. Auditory sensitivity during development primarily increased between 0.8 kHz and 3.0 kHz. The most sensitive frequency within this range shifted from 2.5 kHz to 1.5 kHz, whereas thresholds decreased by 14 dB. Sound production, on the other hand, started at 0.1 g and sound power spectra at dominant frequencies increased by 43 dB, while dominant frequencies shifted from 3 kHz to 1.5 kHz. Comparisons between audiograms and sound power spectra in similar-sized juveniles revealed no clear match between most sensitive frequencies and dominant frequencies of sounds. This also revealed that juveniles cannot detect conspecific sounds below the 0.31 to 0.65 g size class. These results indicate that auditory sensitivity develops prior to the ability to vocalize and that vocalization occurs prior to the ability to communicate acoustically.     

A Test of the Nonlinearity Hypothesis in Great‐tailed Grackles (Quiscalus mexicanus)

Highly aroused or scared animals may produce a variety of sounds that sound harsh and are somewhat unpredictable. These sounds frequently contain nonlinear acoustic phenomena, and these nonlinearities may elicit arousal or alarm responses in humans and many animals. We designed a playback experiment to elucidate whether specific nonlinear phenomena can elicit increased responsiveness in great‐tailed grackles (Quiscalus mexicanus). We broadcast two control sounds (a 0.5‐s, 3‐kHz pure tone and the song of tropical kingbirds (Tyrannus melancholicus) and three test sounds that all began with a 0.4‐s, 3‐kHz pure tone and ended with 0.1 s of either a 1‐ to 5‐kHz band of white noise, an abrupt frequency jump to 1 kHz, or an abrupt frequency jump to 5 kHz. In response to these three nonlinear phenomena, grackles decreased their relaxed behavior (walking, foraging, and preening) and increased looking. A second experiment looked at the rapidity of the time course of frequency change and found that the abrupt frequency jump from 3 to 1 kHz, as opposed to a gradual downward frequency modulation over the same bandwidth, was uniquely arousing. These results suggest that while nonlinear phenomena may be generally evocative, frequency jumps may be the most evocative in great‐tailed grackles. Future studies in other systems can evaluate this general hypothesis.     

Vocal communication in the bicoloured white-toothed shrew<Emphasis Type="Italic">Crocidura leucodon</Emphasis>

Vocal sounds of 15 individuals ofCrocidura leucodon (Hermann, 1780) emitted during agonistic and amicable interactions in male-male, female-female and male-female dyadic encounters, and intraspecific cage groups, were studied. An analysis of spectral properties, along with an examination of context and function, were performed. The sounds registered during agonistic interactions showed an increase, then a decrease in frequency, often followed a complex undulating curve. The dominant frequency (DF) was 10.7±0.05 kHz, and duration (DU) was 104.2±4.4 ms. The calls emitted by shrews at investigation and grooming often ended with chirping notes (DF=4.8±0.2 kHz, DU=23.5±1.1 ms). While clustering and huddling up to the partner, the animals produced calls consisting of short notes with a very low intensity (DF=1.0±0.07 kHz, DU=35.2±0.8 ms). Based on these finding, it can be assumed that threatening sounds, emitted in agonistic encounters, allow shrews to avoid conflicts, while those, emitted when clustering and huddling up to the partner, contribute to maintenance of group cohesiveness. The variability of frequency ranges and intensity of sounds probably reflects the territorial and gregarious behaviour ofC. leucodon and adaptation to communication in variable acoustic environments.     

CHARACTERISTICS OF FINBACK BALAENOPTERA PHYSALUS VOCALIZATIONS IN THE ST. LAWRENCE ESTUARY

ABSTRACT

Sounds produced by Finback Whales Balaenoptera physalus were recorded from a stationary hydrophone in the St. Lawrence Estuary from June to September. The vocalizations consisted of frequencies below 120 Hz; impulsive sounds had frequencies up to 1 kHz. Over 80% of the sounds were downsweeping calls. Frequency variations in the downsweeps were correlated with social context. Constant calls, upsweeps, wavers and a frequency and amplitude modulated call were rare and may be context specific. Vocalization rates varied with the number of animals present and context, but could not be used as a census technique. Comparisons are made with the data from other investigators in both the Northwest Atlantic and the Northeast Pacific. Frequency and time characteristics for Finback downsweeps are summarized and discussed as components important for species recognition.     

Visualization of temporal change in soundscape power of a Michigan lake habitat over a 4-year period

Soundscape Ecology is an emerging area of science that does not focus on the identification of species in the soundscape but attempts to characterize sounds by organizing them into those produced by biological organisms such as birds, amphibians, insects or mammals; physical environmental factors such as thunder, rainfall or wind; and sounds produced by human entities such as airplanes, automobiles or air conditioners. The soundscape changes throughout the day and throughout the seasons. The soundscape components that create the sound occur at different frequencies. A set of metrics termed soundscape power was computed and visualized to examine the patterns of daily and seasonal change in the soundscape.Automated recorders were used to record soundscape samples every half hour for one minute duration from six sites on an uninhabited island in Twin Lakes located near Cheboygan in Michigan's northern Lower Peninsula. Each recording was divided into 1 kHz frequency intervals and visualization tools were used to examine the soundscape power in each interval during 48 half-hour time segments from April–October for four consecutive years. Daily patterns of soundscape power change were also examined during the seven month sample period. To synthesize the data set, three dimensional contour plots were used to visualize day of the year (x), time of day (y) and soundscape power (z) for several frequency intervals. A further synthesis was developed to visualize soundscape change using a Normalized Difference Soundscape Index (NDSI) which is a ratio of low to high frequencies.The visualization of the soundscape revealed discrete patterns in the soundscape including striking changes in the time of the occurrence of dawn and dusk choruses. The patterns in the soundscape were remarkably similar over the four-year investigation. Soundscape power in the lower frequency examined (1–2 kHz) was a dominant feature of the soundscape at Twin Lakes and the low frequency soundscape power was negatively correlated with higher frequency sounds.The soundscape power metrics and the visualizations of the soundscape produced in this study should provide a means of rapidly synthesizing large numbers of recordings into meaningful patterns to examine soundscape change. This is especially useful because of the need to develop indices of ecological metrics based on soundscape attributes to assist resource managers in making decisions about ecosystem integrity. Visualization can also be of immense benefit to examine patterns in large soundscape time series data sets that can be produced by automated recording devices.     

LOW FREQUENCY NARROW-BAND SOUNDS PRODUCED BY BOTTLENOSE DOLPHINS

We present a new sound type recorded from bottlenose dolphins, Tursiops truncatus , in eastern Australian waters: low-frequency, narrow-band (LFN) harmonic sounds (defined as less than 2 kHz). Most of these sounds were of frequencies less than 1 kHz and were recorded commonly from socializing dolphins. These sounds differ significantly from narrow-band whistles, which are higher in frequency and longer in duration. The absence of these sounds in most studies of the acoustic behavior of bottlenose dolphins may reflect geographic differences in repertoires or result from insufficient sampling. Alternatively, these sounds may have been ignored where the focus of research was on other sound types.     

Echoortung bei der Fledermaus Chilonycteris rubiginosa

Zusammenfassung Chilonycteris rubiginosa erzeugt in allen Orientierungsituationen dreiteilige Ortungslaute. Im Anfangsteil steigt die Frequenz um etwa 1–2 kHz an. Der folgende Mittelteil hat eine konstante Frequenz von etwa 57 bis 57,6 kHz. Im Endteil fällt die Frequenz um etwa 8 kHz ab. Die Laute werden in Folgen von Lautgruppen ausgesendet.CR erzeugt pro Flügelschlag eine Lautgruppe. Im freien Flug zeigt CR Gruppen mit 2 Lauten von etwa 17–23 msec Dauer. Landende Fledermäuse senden in der Annäherungsphase Gruppen mit einer zunehmenden Zahl immer kürzerer Laute und in der Schlußphase eine längere Gruppe mit vielen kurzen Lauten.Fliegende Tiere senken die Frequenz des konstantfrequenten Mittelteils immer um etwa den Betrag der durch die Fluggeschwindigkeit bedingten Dopplereffekte ab, so daß die von den Tieren gehörte Echofrequenz nahezu konstant in Höhe der vor dem Flug ausgesendeten Frequenz gehalten wird.CR zeigt Kopf- und Ohrbewegungen. Die Ohrbewegungen stehen in Beziehung zur Lautaussendung.

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Echolocation by the bat Chilonycteris rubiginosa

Summary Chilonycteris rubiginosa (CR) produces tripartite ultrasonic sounds in all orientation situations. During the first part the frequency rises by 1–2 kHz. The following middle part has a constant frequency of about 57–57,6 kHz. In the terminal part the frequency decreases by about 8 kHz. The sounds are emitted as a sequence of groups of sounds.In flight they produce per wingbeat one group of sounds at a repetition rate of 10–11 Hz. In free flight CR emits groups of 2 sounds of about 17–23 msec duration. During the approach landing bats emit groups consisting of an increasing number of sounds of decreasing duration. During the terminal phase the group is longer in duration and consists of many short sounds.Flying CR lower the frequency of the middle part by an amount which compensates for Doppler shifts caused by the flight velocity. The frequency heard by the bats is, thus, always kept constant and equal to a frequency which is about 100–150 Hz above the medium frequency emitted before the flight. CR shows head and ear movements. The ear movements are correlated to the sound emission.

     

Innate sound production in the cichlid Oreochromis niloticus

The mouthbrooding cichlid Oreochromis niloticus is one of the world's best-studied fish and is raised extensively for aquaculture. Although it is a common behavioural model, its acoustic communication has been neglected. Because of extensive parental care, the species is a good candidate for vocal learning. In male O. niloticus , we investigated for the first time sound production in agonistic interactions during nest construction. Males produce short-duration (250–400 ms), often double-pulse sounds. Most energy is below 200 Hz and includes three main low-frequency peaks although energy extends beyond 1 kHz. Males (separated as eggs and raised in isolation) produce similar sounds in the same context as parental fish, indicating that the ability to produce sounds and the basic properties of the sounds are innate.     

Differences between male,female and juvenile haddock (Melanogrammus aeglefinus L.) sounds

Female and juvenile haddock make sounds, as well as males. Examination of the sounds from different sexes indicates that the sound waveform is a function of fish maturity and it is gender-specific. Immature fish sounds were found to be made up of two pulses with similar frequencies and opposite polarities. Females produced two pulses with the same polarity, the first pulse having a higher frequency than the second. The acoustic characteristics of juvenile, female and male haddock sounds are compared. Sexual dimorphism in the mass of the drumming muscle mass has also been investigated. Female haddock possess less well-developed drumming muscles than males throughout the whole year. A significant difference in drumming muscle mass was observed not only in males but also in females at different seasons. A positive relation between drumming muscle mass and fish size has been highlighted in both male and female fish. The physical parameters of the sound units emitted by juveniles, females and males, which are likely affected by physiological condition and maturity stage, are discussed in relation to the sound-producing mechanism.     

Scanning microscopy of pharyngeal and oral teeth of the teleost Tilapia mossambica (Peters)

The pharyngeal and oral teeth of the fish Tilapia mossambica (Peters) were examined with a scanning microscope. It appeared that the dorsal pharyngeal teeth form a peculiar hooklike extension at the tip, whereas the ventral pharyngeal teeth tend to curve in a posterior direction. The two lateral flanges at the tip of the ventral teeth are probably the areas of contact with the dorsal teeth when the latter are pressed down during sound production or feeding. However, the oral teeth develop along a different line. A part from villiform teeth the upper and lower jaws also develop tricuspid and bicuspid oral teeth, with the bicuspids concentrated mainly along the outer edge of the jaw.     

Exposure of fish to high‐intensity sonar does not induce acute pathology

This study investigated immediate effects of intense sound exposure associated with low‐frequency (170–320 Hz) or with mid‐frequency (2·8–3·8 kHz) sonars on caged rainbow trout Oncorhynchus mykiss, channel catfish Ictalurus punctatus and hybrid sunfish Lepomis sp. in Seneca Lake, New York, U.S.A. This study focused on potential effects on inner ear tissues using scanning electron microscopy and on non‐auditory tissues using gross and histopathology. Fishes were exposed to low‐frequency sounds for 324 or 628 s with a received peak signal level of 193 dB re 1 µPa (root mean square, rms) or to mid‐frequency sounds for 15 s with a received peak signal level of 210 dB re 1 µPa (rms). Although a variety of clinical observations from various tissues and organ systems were described, no exposure‐related pathologies were observed. This study represents the first investigation of the effects of high‐intensity sonar on fish tissues in vivo. Data from this study indicate that exposure to low and midfrequency sonars, as described in this report, might not have acute effects on fish tissues.     

AUDIOMETRIC ASSESSMENT OF NORTHERN FUR SEALS, CALLORHINUS URSINUS

Aerial and underwater audiograms for two young female northern fur seals ( Callorhinus ursinus ) and one young female California sea lion (Zalophus californianus) were obtained with the same procedure and apparatus. Callorhinus hears over a larger frequency range and is more sensitive to airborne sounds than Zalophus or any other pinniped thus far tested in the frequency range of 500 Hz to 32 kHz. Sensitivity of Callorhinus to waterborne pure tones, ranging from 2 to 28 kHz, is equal or superior to all other pinnipeds tested in this same frequency range. Like Zalophus , the upper frequency limit for underwater hearing (as defined by Masterton et al. 1969) in Callorhinus is about one-half octave lower than the three phocid species thus far tested. Callorhinus' upper frequency limit in air is about 36 kHz and under water it is about 40 kHz. Comparison of air and water audiograms shows Callorhinus is no exception to previous behavioral findings demonstrating that the „pinniped ear” is more suitable for hearing in water than in air. Similar to Zalophus and Phoca vitulina, Callorhinus shows an anomalous hearing loss at 4 kHz in air. The basis for this insensitivity to airborne sounds at 4kHz and not at lower or higher frequencies is presumably caused by specialized middle ear mechanisms matching impedance for waterborne sounds. Critical ratio curves for Callorhinus are similarly shaped to ones obtained for humans but are shifted upwards in frequency. Compared to all other marine mammals thus far evaluated, the critical ratios for Callorhinus are the smallest yet reported.     

Peripheral specialization for fine analysis of doppler-shifted echoes in the auditory system of the "CF-FM" bat Pteronotus parnellii.

Pteronotus parnellii uses the second harmonic (61-62 kHz) of the CF component in its orientation sounds for Doppler-shift compensation. The bat's inner ear is mechanically specialized for fine analysis of sounds at about 61-62 kHz. Because of this specialization, cochlear microphonics (CM) evoked by 61-62 kHz tone bursts exhibit prominent transients, slow increase and decrease in amplitude at the onset and cessation of these stimuli. CM-responses to 60-61 kHz tone bursts show a prominent input-output non-linearity and transients. Accordingly, a summated response of primary auditory neurones (N1) appears not only at the onset of the stimuli, but also at the cessation. N1-off is sharply tuned at 60-61 kHz, while N1-on is tuned at 63-64 kHz, which is 2 kHz higher than the best frequency of the auditory system because of the envelope-distortion originating from sharp mechanical tuning. Single peripheral neurones sensitive to 61-62 kHz sounds have an unusually sharp tuning curve and show phase-locked responses to beats of up to 3 kHz. Information about the frequencies of Doppler-shifted echoes is thus coded by a set of sharply tuned neurones and also discharges phase-locked to beats. Neurones with a best frequency between 55 and 64 kHz show not only tonic on-responses but also off-responses which are apparently related to the mechanical off-transient occuring in the inner ear and not to a rebound from neural inhibition.