Chronicle of a summer and the editing of cinema‐verite

Jean Rouch and Edgar Morin's Chronicle of a Summer is held up as an innovative, seminal “work in the formation of cinéma‐vérité, and has a central position in the development of documentary and ethnographic filmmaking. Although much has been written about fthis film, little attention has been paid to the film's construction. This paper examines ‘elements of the editing structure of Chronicle of a Summer both to consider how this “work was shaped given the constraints of its production and intended reception and to ¦ analyze a relatively neglected aspect of documentary film practice.     

Veiled cinema: A conversation with Yousry Nasrallah

This interview with Yousry Nasrallah introduces an increasingly important Egyptian director to American audiences through his latest film, On Boys, Girls, and the Veil. The film is a documentary about a phenomenon sometimes misleadingly called “the veil” by Westerners. Nasrallah's film discusses relations between men and women through their own conversations about the wearing of clothes designed to restrict vision. The interview relates Nasrallah's work to the larger tradition of Egyptian filmmaking.     

Slashing the Complacent Eye: Luis Buñuel and the Surrealist Documentary

Land Without Bread [1932] has always been misunderstood. The film incorporates both documentary and Surrealist traditions and has been considered highly problematic as an ethnographic film. Viewers are still perplexed and even outraged by the insensitivity of the portrayal of the residents of Las Hurdes, a remote region in the western interior of Spain where living conditions in the 1930s resembled those in the Third World. In this article I examine the history of the film's creation in the contexts of both documentary/ethnographic film and Surrealism. I argue that the point of the film is to mock both the complacent viewer and filmmakers who construct colonialist documents; and also that ethnographic filmmaking today still has not fully rid itself of an inherent colonialism that has always characterized the genre.     

Reflections of an Ethnographic Filmmaker-Maker: An Interview with Paul Henley, Director of the Granada Centre for Visual Anthropology, University of Manchester

ABSTRACT  Two decades ago the Granada Centre for Visual Anthropology (GCVA) at the University of Manchester, U.K., was created. Since then it has become one of the most acclaimed postgraduate visual anthropology schools in the world, providing a space for theoretical debate and training in ethnographic filmmaking techniques. Conceived originally as a master's program under the sponsorship of Granada Television and the University of Manchester, it has now extended training to the Ph.D. level to students from around the world. In this interview, Professor Paul Henley, GCVA's director since its inception, reflects on the last 20 years of the Granada Centre, ethnographic filmmaking, the state of the art in theory and practice in visual anthropology, and new possibilities and challenges for the future. [Keywords: visual anthropology, ethnographic filmmaking, documentary, Granada Centre for Visual Anthropology]     

Myrrh and trematodoses in Egypt: An overview of safety, efficacy and effectiveness profiles

Myrrh is an herbal product that has been used since ancient ages for traditional medication and other purposes. The revolution of myrrh as an antiparasitic agent in Egypt began in the 1990s through scientific evidence-based research. The human trematode infections in Egypt were the main focus of research with stories of success and disagreement, at times. The present paper reviewed the antiparasitary activity of myrrh with stress on its possible mode of action, its safety, efficacy and effectiveness on trematode infections in experimental studies and clinical trials in Egypt as well as its molluscicidal effects on the intermediate hosts of trematodes.     

Dreaming and the Cinema of David Lynch

This essay explores the influence of dreams and dreaming on the filmmaking of DavidLynch. Focusing particular attention on Mulholland Drive (2001), Lost Highway (1997), Blue Velvet (1986), and the television series Twin Peaks (1990–91), the essay will discuss the multiple dream elements in Lynch's work and how they have contributed to the broad cultural influence of his films. Lynch's filmmaking offers an excellent case study of the powerful connection between dreaming and movies in contemporary American society.     

The image of loss: Jalal Toufic's filmic Beirut

Jalal Toufic's cinematic and literary pieces form a unique corpus within contemporary Arab filmmaking. His esthetic vision—built around a sublime understanding of image as loss—not only connects with the current ruins of the Lebanon he films, but also resonates with the classical tradition of the nasib in Arabic poetry.     

Prof. Dr. Lothar Behr

A damping-off disease of wheat was shown in a wheat field in Kidwan village, El-Minia city, Egypt, during December, 2000. Pythium diclinum was the causal agent of such disease and this is the first reported work of its isolation as a disease to wheat. Wheat seedlings collected from that field showed browning lesions at the basal part and wilting followed by damping-off. Examination of root pieces and other infected parts yielded only Pythium diclinum. The pathogen was characterized by its typically filamentous zoosporangia, diclinous antheridia and aplerotic thick-walled oospores. Pathogenicity of this fungus was determined on wheat under greenhouse conditions and P. diclinum was proved to be pathogenic on wheat. Two isolates of each of Gliocladium roseum and Trichoderma harzianum were tested for their bio-control activity against damping-off disease of wheat caused by P. diclinum. Incorporation of G. roseum or T. harzianum isolates into carboxymethylcellulose seed coating successfully eliminated pre-emergence damping-off of the wheat caused disease, whereas post-emergence damping-off was prevented by adding inocula of each of the two fungi separately to the infested soil with P. diclinum.     

Quadriacanthus aegypticus n. sp., a monogenean gill parasite from the Egyptian teleost Clarias lazera

Summary Quadriacanthus aegypticus n. sp., a monogenean from the gills of Clarias lazera inhabiting Nile delta waters in Egypt, is described. The genus Quadriacanthus Paperna, 1961 is reported for the first time in Egypt. Particular attention has been paid to the reproductive system, the digestive system, the anterior adhesive glands, the posterior body glands and haptoral sclerites. Possible functions of the different internal organs are discussed. The diagnosis of the genus Quadriacanthus is emended. ac]19840926     

Vector and Host-Plant Relationships of the Leafhopper-Borne Maize Yellow Stripe Virus

Maize yellow stripe virus (MYSV), associated with tenuivirus-like filaments, is transmitted in a persistent manner by the leafhopper Cicadulina chinai. In this vector, MYSV acquisition and inoculation threshold times were 30 min each, latent period ranged from 4.5 to 8 days depending on temperature (14-25 °C), and retention periods were as long as 27 days. Up to 26 % of C, chinai collected from maize fields in Giza, Egypt, during September and October 1985 were naturally infective with MYSV. Two symptom-types (fine and coarse stripe) appeared on experimentally infected plants, usually on separate leaves of the same plant. However, these two symptom-types could not be isolated on separate plants through transmission by single C. chinai leafhoppers. MYSV was transmitted by nymphs and adults of C. chinai from maize to maize, wheat and barley, and from wheat to maize plants. Up to 6 % of the wheat plants examined in Naga Hamadi (Southern Egypt) in February 1986, were naturally infected. It is suggested that wheat, barley and possibly graminaceous weeds may serve as winter hosts or reservoirs for MYSV and its leafhopper vector in Egypt.     

Taxonomic revision of the genus Gynecaptera Skorikov, 1935 from Egypt,with description of a new species (Hymenoptera: Bradynobaenidae,Apterogyninae)

The genus Gynecaptera Skorikov (Bradynobaenidae: Apterogyninae) is revised from Egypt, based on specimens collected from the Sinai Peninsula and those deposited in Egyptian insect collections as well as recorded data from the literature. Three species were previously recorded from Egypt, G. alexandri (Invrea), G. alfierii (Invrea) and G. trimaculata (Skorikov). Gynecaptera sinaitica sp. n. is described here. An illustrated key and a faunistic list comprising all Gynecaptera species recorded from Egypt are also given.     

Efficiency of the newly recorded pupal parasitoid Pediobius furvus (Gahan) for controlling Sesamia cretica (Led.) pupae in Egypt

Abstract

Pediobius furvus (Gahan) (Eulophidae: Hymenoptera) was recorded as a new pupal parasitoid (gregarious endo-parasitoid) of Sesamia cretica pupae (Led.) in El-Noubaria region (El-Beheira Governorate), Egypt. This study was conducted in maize and sorghum fields in El-Beheira and Giza Governorates in Egypt during 1994 and 1995. The percentage parasitism was 8.4 and 15.4% in August and September, respectively. The number of parasitoids emerging from one pupa ranged from 28 to 222. It has been concluded that this new species is a gregarious endo-parasitoid that pupates inside its host. Pediobius furvus has a high reproductive ability, which may afford mass production and enable mass release of the parasitoid to control S. cretica in maize fields.     

Playing primitive: “In the land of the headhunters” and/or “war canoes”

Edward Curtis's 1914 film of the Kwakiutl of British Columbia is analyzed from the perspective of early ("primitive") cinema and the avant‐garde. The original film, In the Land of the Headhunters, is recontextualized and compared both to Nanook of the North and fiction filmmaking of the silent period; the restored film, In the Land of the War Canoes, is considered from the perspective of ethnographic spectatorship and native reappropriation of colonialist texts. As an allegory of the “salvage paradigm,” Curtis's ethnography is positioned within a postmodernist discourse on cultural representation.     

Ecstasy,Choreography and Re-Enactment: Aesthetic and Political Dimensions of Filming States of Trance and Spirit Possession in Postwar Southern Italy

States of trance and spirit possession have inspired the modernist imagination perhaps more than anything else, as they typically exceed the limits of visual representation. This article investigates different approaches to coping with these challenges, focusing on the works of a group of Italian documentary filmmakers, including Luigi di Gianni, Cecilia Mangini, and Gianfranco Mingozzi, who used a novel set of audiovisual techniques to explore ecstatic religious expressions in southern Italy in the postwar years. I look into the processes through which trance and possession rituals (e.g. Apulian tarantism) themselves have inspired and initiated innovations in audiovisual documentation by means of combining—or blurring the boundaries between—ethnographic and experimental modes of cinematic practice. Through highly stylized image/sound compositions including high-contrast lighting, wood-cut like silhouettes, montage, abstract sound effects and poetic, partly fictionalized commentary, as well as by consciously making use of re-enactments and staged encounters, these films contest both the realist-observational narrative and the focus on individuals otherwise prevalent in ethnographic filmmaking. Reading the Italian films against the backdrop of the earlier and contemporaneous, yet much better-known trance films of Maya Deren and Jean Rouch, the article argues that their antirealist audiovisual aesthetic fabricates a social aesthetic that raises sensitivity to human experience and fosters a radically humanist stance.     

Dans le bain avec Rouch: A Reminiscence

This issue's Visual Anthropology Section is a tribute to anthropologist and ethnographic filmmaker Jean Rouch (1917–2004). In nine brief articles, authors discuss the impact of Rouch's pathbreaking career on ethnographic and documentary filmmaking and his contributions to our knowledge of postcolonial Africa. The authors demonstrate the significance of his work for the larger discipline of anthropology, and commemorate Rouch with personal reflections of their time working with and learning from him.     

Pathotypic and molecular evolution of contemporary population of Puccinia striiformis f. sp. tritici in Egypt during 2016–2018

The contemporary races of Puccinia striiformis f. sp. tritici (Pst) in Egypt during 2016–2018 were differentiated based on virulence and molecular patterns. Virulence patterns based on the reaction of the 17 World/European differential sets carrying stripe rust resistance genes (Yr genes) resulted in ten races including four new (first recorded in Egypt) and six old (previously recorded in Egypt). The new races were identified as 64E0 (virulence [V] Yr4, Su), 0E16 (V Yr8, 19), 66E0 (V Yr4, 7, 22, 23, Su) and 4E130 (V Yr2, 6, 7, 25, HVII), while the old were 0E0 (avirulence), 2E0 (V Yr7, 22, 23), 2E16 (V Yr7, 8, 19, 22, 23), 4E0 (V Yr2, 6), 6E4 (V Yr2, 6, 7, 22, 23, 25) and 70E4 (V Yr2, 4, 6, 7, 22, 23, 25, Su). Cluster analysis differentiated Pst races based on virulence frequency to Yr genes. Simple sequence repeat (SSR) markers were used to detect the molecular polymorphism of the Pst races. Clustering separated the old and new races into two groups, indicating their common ancestry since the new races were very distinct from the old races. Although clustering based on virulence revealed some evolutionary patterns, where the new races 64E0 and 66E0 may have probably evolved from the old races (2E16, 2E0, 6E4, 70E4) and the new race 4E130 may be evolved from the joint race 4E0. However, clustering based on molecular patterns indicated that the new races appear to be genetically distinct and may represent an exotic introduction rather than a mutation in isolates of the old races. A weak association between virulence and molecular patterns revealed that they are independent of each other. The SSR markers did not correspond to the virulences in the pathogen. Further studies on the potential virulence genes of the detected Pst virulences are needed.     

Pygidiopsis ardeae n. sp. (Digenea: Heterophyidae: Pygidiopsinae) in the grey heron Ardea cinerea L. from Denmark

A new species, Pygidiopsis ardeae (Heterophyidae, Pygidiopsinae), is described, using both light and stereoscan electron microscopy, from the grey heron Ardea cinerea L. (Ardeidae) from Denmark. The species has previously (as P. genata) been recorded in dogs fed on plaice and flounders from Danish waters. It developed experimentally in domestic chickens and pigeons. No species of Pygidiopsis Looss, 1907 has previously been described from birds in northern Europe. P. ardeae is very similar to the type-species, P. genata Looss, 1907, from Egypt, but the two species have different life-cycles. P. ardeae differs from P. piclaumoreli Dollfus & Capron, 1958 from Senegal in its size and the disposition of vitelline follicles. P. plana (Linton, 1928) Price, 1933, from a green heron from the eastern USA, is larger than P. ardeae and has a wide, sac-like prepharynx.     

Drosophila subobscura in Egypt and its probable derivation

In April 1978 a total of 26565 drosophilid flies were collected in Egypt. Of ten species five are new records for Egypt, while two previously reported Drosophila species were not found. Seven of the species belong to the genus Drosophila and are known to be partly, or wholly, domestic.For the first time Drosophila subobscura is reported from Egypt. The species was collected at low frequency in an orchard near Alexandria, and one specimen was trapped in a city park in Cairo. Judged from the gene arrangements of 41 males studied, Egyptian Drosophila subobscura seem likely to be derived from recent immigrants from the south coast of Asia Minor.