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1.
The iconic dodo Raphus cucullatus once occurred on the isolated Mascarene Island of Mauritius, situated in the southwestern Indian Ocean. Mauritius was once a paradise for a unique flora and fauna that evolved in isolation for 8 million years. The dodo was sought after by seafarers who visited the island from the early sixteenth century onwards because we know from remains surviving in collections and a series of artworks that captive dodos were transported to Europe, India and Japan. This article presents a hitherto unpublished image of a dodo, preserved in the collection of the Trustees, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, the formerly Prince of Wales Museum of Western India. The bird is situated in a non-Mauritian environment together with other animals and it is named in Hindi. We further explore the background of this creation and its implication on the iconography of the dodo. 相似文献
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The Dodo Raphus cucullatus, a giant flightless pigeon endemic to Mauritius, became extinct in the late seventeenth century, and so rapid was the birds’ disappearance, that by the beginning of the nineteenth century even its very existence was questioned. Only four specimens were then recorded in European museums, of which the most famous was the Tradescant or Oxford Dodo, now in the Oxford University Museum of Natural History. It comprised the head and one foot, and unique soft tissue in the form of skin and traces of feathers. The history of this specimen is reviewed, including the still unresolved question of how it came to Britain, and we provide evidence to show that it was stuffed but probably never mounted. The changes of ownership, and its cataloguing and curation in the different museums are also described, along with its varying roles in entertainment, education and research from the earliest years until the nineteenth century. This is part one of a two-part article; the second deals with the Tradescant Dodo from its dissection in the 1840s until the present day. 相似文献
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AbstractThe aim of this note is to bring to wider attention a painting, entitled The Temptation of Saint Anthony, by Roelandt Savery sold at Sotheby’s London on 7th December 2016. This work of c.1611–1613 includes a depiction of the head of a dodo (Raphus cucullatus), here argued to be probably his earliest depiction of the dodo and apparently one based upon a preserved specimen. The date of the other putatively early Savery dodo (Gemäldegalerie Alte Meister, Berlin, Inv. No. 717a), cited as 1611 by some, is also discussed, and shown to be almost certainly a late work. In addition, another depiction of the dodo by Savery, in the National Museum of Warsaw, also previously unnoticed in the ornithological literature, is documented. 相似文献
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Ria Winters 《Historical Biology》2013,25(2):258-264
More has been written about the iconic Dodo Raphus cucullatus of Mauritius than any other extinct bird, yet despite its familiarity, only a few specimens were exported from Mauritius; individual birds reached Europe alive in 1626 and 1638 and at least two survived a journey to India in 1625. There are also vague records of other exported birds. Here, we provide confirmation based on seventeenth century documents that a live Dodo was sent to Japan in 1647, the last known captive bird, and comment on the details of its long and arduous voyage. 相似文献
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A. A. DiMAURO JR 《Zoological Journal of the Linnean Society》1982,76(2):155-182
While examining and curating the dry crustacean collection in the University Museum, Oxford, the author verified the presence of type crustaceans of the suborder Brachyura acquired by Thomas Bell and that were believed to be no longer extant. Included is a listing of type material of 70 crab species that were described by Bell in three papers between 1835 and 1855. Complete synonymies and the present condition of each type are included. 相似文献