Directional hearing of a cicada: biophysical aspects

The directional hearing of male and female cicadas of the species Tympanistalna gastrica was investigated by means of laser vibrometry. The results show that the tympanic organs act as pressure difference receivers. This mechanism can produce left-right differences of more than 10 dB. The main acoustic inputs to the inner surfaces of the ears are the tympana, in males supplemented by the timbals, and by the third spiracles in females. In addition the hollow abdomen of males seems to play a minor role. Tympanic membrane input is the source of left-right differences in the tympanic vibration velocity at frequencies below 9 kHz in males and below 15–18 kHz in females. The input via the (contralateral) timbal in males is responsible for a null in vibration velocity appearing between 12 and 14 kHz when the sound is coming from the contralateral direction. The highest energy components of the calling song are found in this frequency range. The mechanical sensitivity of the ears depends upon the sex. At low frequencies males are about 10 dB more sensitive than females.     

Novel use of hair sensilla in acoustic stridulation by New Zealand giant wetas (Orthoptera: Anostostomatidae)

Sound production in New Zealand giant wetas (Orthoptera: Anostostomatidae) includes a femoro-abdominal mechanism, a ticking sound when alarmed (mechanism unknown) and, in two species (Deinacrida rugosa and Deinacrida parva), a tergo-tergal mechanism on the dorsal overlapping surfaces of abdominal tergites. The tergo-tergal mechanism consists of bilaterally paired patches of short curved spines on the dorsal anterior margins of tergites II–V, rubbed by opposing patches of articulated hair sensilla on the underside of each overlapping tergite. The latter are extremely robust, modified mechanoreceptors inserted at an acute angle onto raised bases which greatly restrict movement. They rub sideways against the underlying spines and produce sound during telescopic abdominal contraction which accompanies defence leg kicking stridulation. Movement analysis showed that the abdominal tergites contract asynchronously during stridulation. Sound is produced during both phases of telescoping. Femoro-abdominal sound comprises loud clicks of broadband sound principally below 10 kHz; tergo-tergal sound is a softer hiss spreading broadly from 10 kHz to the ultrasonic above 20 kHz. We propose that the tergo-tergal mechanism may have evolved under predation pressure by the ground gleaning short tailed bat endemic to New Zealand. The use of mechanosensory hair sensilla for sound production is rare in arthropods.     

Ultrasonic courtship song of the yellow peach moth, <Emphasis Type="Italic">Conogethes punctiferalis</Emphasis> (Lepidoptera: Crambidae)

Although generation of ultrasound during courtship has been reported for an increasing number of moth species, the effect of the ultrasound on mating remains uncertain in many cases because of a lack of proper verification. Here we report that males of the yellow peach moth Conogethes punctiferalis (Crambidae) sexually communicate with females by emitting loud ultrasound (103 dB peak equivalent sound pressure level at 1 cm; dominant frequency 82 kHz) before attempting copulation. The male ultrasound consists of consecutive clicks (pulses) in the early phase of the sound train and consecutive pulses (burst) in the late phase. When females were deafened by puncturing the abdominal tympanic membranes, copulation never occurred. We found that deafened females did not assume the wing-raising posture, which, for normal pairs, always precedes successful copulation. Our findings indicate that male courtship ultrasound evokes wing-raising as an acceptance behavior from females, which in turn evokes a copulation attempt by a male.     

Intraspecific acoustic communication and mechanical sensitivity of the tympanal ear of the gypsy moth Lymantria dispar

Tympanal ears of female gypsy moths Lymantria dispar dispar (L.) (Lepidoptera: Erebidae: Lymantriinae) are reportedly more sensitive than ears of conspecific males to sounds below 20 kHz. The hypothesis is tested that this differential sensitivity is a result of sex‐specific functional roles of sound during sexual communication, with males sending and females receiving acoustic signals. Analyses of sounds produced by flying males reveal a 33‐Hz wing beat frequency and 14‐kHz associated clicks, which remain unchanged in the presence of female sex pheromone. Females exposed to playback sounds of flying conspecific males respond with wing raising, fluttering and walking, generating distinctive visual signals that may be utilized by mate‐seeking males at close range. By contrast, females exposed to playback sounds of flying heterospecific males (Lymantria fumida Butler) do not exhibit the above behavioural responses. Laser Doppler vibrometry reveals that female tympana are particularly sensitive to frequencies in the range produced by flying conspecific males, including the 33‐Hz wing beat frequency, as well as the 7‐kHz fundamental frequency and 14‐kHz dominant frequency of associated clicks. These results support the hypothesis that the female L. dispar ear is tuned to sounds of flying conspecific males. Based on previous findings and the data of the present study, sexual communication in L. dispar appears to proceed as: (i) females emitting sex pheromone that attracts males; (ii) males flying toward calling females; and (iii) sound signals from flying males at close range inducing movement in females, which, in turn, provides visual signals that could orient males toward females.     

Acoustic communication in Okanagana rimosa (Say) (Homoptera: Cicadidae)

The cicada Okanagana rimosa (Say) has an acoustic communication system with three types of loud timbal sounds: (i) A calling song lasting several seconds to about 1 min which consists of a sequence of chirps at a repetition rate of 83 chirps per second. Each chirp of about 6 ms duration contains 4-5 pulses. The sound level of the calling song is 87-90 dB SPL at a distance of 15 cm. (ii) An amplitude modulated courtship song with increasing amplitude and repetition rate of chirps and pulses. (iii) A protest squawk with irregular chirp and pulse structure. The spectra of all three types are similar and show main energy peaks at 8-10 kHz. Only males sing, and calling song production is influenced by the songs of other males, resulting in an almost continuous sound in dense populations. In such populations, the calling songs overlap and the temporal structure of individual songs is obscured within the habitat. The calling song of the broadly sympatric, closely related species O. canadensis (Provander) is similar in frequency content, but distinct in the temporal pattern (24 chirps per second, 24 ms chirp duration, eight pulses per chirp) which is likely important for species separation in sympatric populations. The hearing threshold of the auditory nerve is similar for females and males of O. rimosa and most sensitive at 4-5 kHz. Experiments in the field show that female phonotaxis of O. rimosa depends on parameters of the calling song. Most females are attracted to calling song models with a 9 kHz carrier frequency (peak frequency of the calling song), but not to models with a 5 kHz carrier frequency (minimum hearing threshold). Phonotaxis depends on temporal parameters of the conspecific song, especially chirp repetition rate. Calling song production is influenced by environmental factors, and likelihood to sing increases with temperature and brightness of the sky. Correspondingly, females perform phonotaxis most often during sunny conditions with temperatures above 22 degrees C. Non-mated and mated females are attracted by the acoustic signals, and the percentage of mated females performing phonotaxis increases during the season.     

Transmission and perception of acoustic signals in the desert clicker,Ligurotettix coquilletti (Orthoptera: Acrididae)

Males of the desert clicker, Ligurotettix coquilletti (Acrididae: Orthoptera) defend a femalerequired resource, the creosote bush Larrea tridentata, in desert habitats of the southwestern United States. Males signal acoustically to each other as well as to searching females. The call is produced by tegminal/femoral stridulation where one or both legs are used for sound production. Sound pressure levels, measured laterally, are influenced by the intervening tegmen between the stridulating leg and the microphone. Differences in measured sound pressure levels between sides can vary up to 7 dB. When clicks are produced multiply,these multiple clicks may be 4 dB louder than single clicks. We examine the structure of the call and the effective broadcast area of single males by monitoring acoustic ascending neurons of the ventral nerve cord in the neck. By taking the neurophysiological preparation into the field, we were able to map the broadcast area of isolated males and also of males calling within aggregations. The distance over which the signal of isolated males could be detected was 8–14 m, whereas neural representation of the calls of males within aggregation were detectable within 4–6 m. The sound spectrum of the song, although having a major lower-frequency component around 10 kHz, has extensive power in the ultrasonic range. The tuning characteristics of the ascending auditory neuron matched the overall structure of the male call. The importance of the acoustic cue, as compared to visual cues, is discussed in relation to female attraction.     

Sound localization by the bottlenose porpoise Tursiops truncatus.

1. Sound localization was measured behaviourally for the Atlantic bottlenose porpoise (Tursiops truncatus) using a wide range of pure tone pulses as well as clicks simulating the species echolocation click. 2. Measurements of the minimum audible angle (MAA) on the horizontal plane give localization discrimination thresholds of between 2 and 3 degrees for sounds from 20 to 90 kHz and thresholds from 2-8 to 4 degrees at 6, 10 and 100 kHz. With the azimuth of the animal changed relative to the speakers the MAAs were 1-3-1-5 degrees at an azimuth of 15 degrees and about 5 degrees for an azimuth of 30 degrees. 3. MAAs to clicks were 0-7-0-8 degrees. 4. The animal was able to do almost as well in determining the position of vertical sound sources as it could for horizontal localization. 5. The data indicate that at low frequencies the animal may have been localizing by using the region around the external auditory meatus as a detector, but at frequencies about 20 kHz it is likely that the animal was detecting sounds through the lateral sides of the lower jaw. 6. Above 20 kHz, it is likely that the animal was localizing using binaural intensity cues. 7. Our data support evidence that the lower jaw is an important channel for sound detection in Tursiops.     

Sex-specific spectral tuning for the partner's song in the duetting bushcricket Ancistrura nigrovittata (Orthoptera: Phaneropteridae)

The song of the male bushcricket Ancistrura nigrovittata consists of a sequence of verses. Each verse comprises a syllable group, plus, after about 400 ms a single syllable serving as a trigger for the female response song. The carrier frequency of the male song spectrum peaks at around 15 kHz, while the female song peaks at around 27 kHz. The thresholds of female responses to models of male songs are lowest for song frequencies between 12 and 16 kHz and therefore correspond to the male song spectrum. The threshold curve of the female response to the trigger syllable at different frequencies has the same shape as the tuning for the syllable group. Phonotactic thresholds of male Ancistrura nigrovittata to synthetic female responses at different frequencies are lowest between 24 and 28 kHz and thereby correspond to the female song spectrum and clearly differ from female response thresholds. Activity of the tympanic fibre bundle of both sexes is most sensitive between 15 and 35 kHz and therefore not specifically tuned to the partner's song. Individual behavioural thresholds have their minimum within 10 dB of the values of tympanic thresholds.     

Stridulation of the clear-wing meadow katydid Xiphelimum amplipennis,adaptive bandwidth

Rubbed wings, analysed calls and a peculiar sound generator structure in males of a conocephaline katydid, Xiphelimum amplipennis, give insight into the making of broadband spectra. High shear forces are indicated by a robust forewing morphology. Intensity is high for frequencies in a 20–60 kHz ultrasonic band. Besides a typical katydid sound-radiating mirror and harp, this insect has a long costal series of semi-transparent specular sound radiators. These wing cells are loaded behind by an enlarged and partitioned subwing air space. Calls repeat steadily with five different time domain sound elements. Distinctive spectra are associated with two of these, giving stepwise frequency modulation that combines to create the exceptionally wide spectral breadth. Broadcast sound levels at 10 cm dorsal, right and left, are near 100 dB. Costal wing-cell sound radiation was explored by loading the costal “speculae” with wax. This produced almost no decrease in lateral sound levels, but did alter spectral content. Apparently, this insect’s costal region both baffles and radiates. The species lives at high densities in cluttered vegetation and sound signal attenuation should code via spectral shape for distance ranging.     

Directionality of the tympanal vibrations in a cicada: a biophysical analysis

1. Laser vibrometry and acoustic measurements were used to study the biophysics of directional hearing in males and females of a cicada, in which most of the male tympanum is covered by thick, water filled tissue “pads”. 2. In females, the tympanal vibrations are very dependent on the direction of sound incidence in the entire frequency range 1–20 kHz, and especially at the main frequencies of the calling song (3–7 kHz). At frequencies up to 10 kHz, the directionality disappears if the contralateral tympanum, metathoracic spiracle, and folded membrane are blocked with Vaseline. This suggests some pressure-difference receiver properties in the ear. 3. In males, the tympanal vibrations depend on the direction of sound incidence only within narrow frequency bands (around 1.8 kHz and at 6–7 kHz). At frequencies above 10–12 kHz, the directionality appears to be determined by diffraction, and the ear seems to work as a pressure receiver. The peak in directionality at 6–7 kHz disappears when the contralateral timbal, but not the tympanum, is covered. Covering the thin ventral abdominal wall causes the peak around 1.8 kHz to disappear. 4. Most observed tympanal directionalities, except around 1.8 kHz in males, are well predicted from measured transmissions of sound through the body and measured values of sound amplitude and phase at the ears at various directions of sound incidence. Accepted: 18 October 1996     

Spherical sound radiation patterns of singing grass cicadas, Tympanistalna gastrica

The spatial pattern of sound radiation of grass cicadas emitting normally patterned calling songs was measured in the acoustic far field with an array of eight microphones at a distance of 15 cm. The array could be rotated to cover the sphere around the cicada. The sound was analysed in one-third-octave bands with centre frequencies from 3.15 kHz to 16 kHz, the frequency range of the calling song. The seven cicadas studied had very similar spatial radiation patterns, but somewhat different emitted sound powers (range 190–440 nW, mean 280 nW, at 22 °C). At low frequencies, the pattern of sound radiation was close to spherical. At higher frequencies, systematic deviations from a spherical pattern were evident. The deviations were of the order of magnitude expected for monopolar sound sources located on sound-shielding bodies. We conclude that, although the singing cicada produces a quite complex acoustic near field, it behaves as a monopole in the far field. These findings are compared with data from a singing grasshopper of similar size, which in the far field behaves as a multipole. Accepted: 20 November 1999     

Frequency and temporal pattern-dependent phonotaxis of crickets (Teleogryllus oceanicus) during tethered flight and compensated walking

Summary Phonotactic responses ofTeleogryllus oceanicus were studied with two methods. Tethered crickets were stimulated with sound while they performed stationary flight, and steering responses were indicated by abdominal movements. Walking crickets tracked a sound source while their translational movements were compensated by a spherical treadmill, and their walking direction and velocity were recorded.During both flight and walking, crickets attempted to locomote towards the sound source when a song model with 5 kHz carrier frequency was broadcast (positive phonotactic response) and away from the source when a song model with 33 kHz carrier frequency was used (negative phonotactic response) (Figs. 2, 4).One-eared crickets attempted, while flying, to steer towards the side of the remaining ear when stimulated with the 5 kHz model, and away from that side in response to the 33 kHz model (Fig. 3). While walking, one-eared crickets circled towards and away from the intact side in response to the 5 kHz and 33 kHz models, respectively (Fig. 6).Positive and negative responses differed in their temporal pattern requirements. Phonotactic responses were not elicited when a non-calling song pattern (2 pulses/s) was played with a carrier frequency appropriate for positive phonotactic responses (5 kHz), but this pattern did elicit negative responses with 33 kHz carrier frequency (Figs. 7–10). When an intermediate carrier frequency, 15 kHz, was used, the response type (positive or negative) depended on the stimulus temporal pattern; the calling song pattern elicited primarily positive responses, while the non-calling song pattern elicited negative responses (Figs. 11, 12, 14, 15). A curious phenomenon was often observed in the flight steering responses; while most responses to 15 kHz song pattern were primarily positive, they often had an initial negative component which was supplanted by the positive component of the response after approximately 2–5 s (Figs. 11, 12).In recent experiments onGryllus campestris, Thorson et al. (1982) described frequency-dependent errors in phonotactic direction (anomalous phonotaxis) and showed how such errors might arise from the frequency-dependent directional properties of the cricket's auditory apparatus. Our findings, particularly the dependence of response type on temporal pattern when 15 kHz carrier frequency was used, argue that frequency-dependent directional properties alone cannot account for positive and negative phonotaxis inT. oceanicus. Rather, these represent qualitatively different attempts to locomote towards and away from the sound source, respectively.We discuss the possibility that central integration of these opposing tendencies might contribute to anomalous phonotaxis.     

Auditory behaviour of a parasitoid fly (Emblemasoma auditrix, Sarcophagidae, Diptera)

Females of the parasitoid fly Emblemasoma auditrix find their host cicada (Okanagana rimosa) by its acoustic signals. In laboratory experiments, fly phonotaxis had a mean threshold of about 66 dB SPL when tested with the cicada calling song. Flies exhibited a frequency dependent phonotaxis when testing to song models with different carrier frequencies (pulses of 6 ms duration and a repetition rate of 80 pulses s(-1)). However, the phonotactic threshold was rather broadly tuned in the range from 5 kHz to 11 kHz. Phonotaxis was also dependent on the temporal parameters of the song models: repetition rates of 60 pulses s(-1) and 80 pulses s and pulse durations of 5-7 ms resulted in the highest percentages of phonotaxis performing animals coupled with the lowest threshold values. Thus, parasitoid phonotaxis is adapted especially to the temporal parameters of the calling song of the host. Choice experiments revealed a preference of a song model with 9 kHz carrier frequency (peak energy of the host song) compared with 5 kHz carrier frequency (electrophysiologically determined best hearing frequency). However, this preference changed with the relative sound pressure level of both signals. When presented simultaneously, E. auditrix preferred 5-kHz signals, if they were 5 dB SPL louder than the 9-kHz signal.     

Directional characteristics of the auditory system of cicadas: is the sound producing tymbal an integral part of directional hearing?

Abstract. Directional hearing is investigated in males of two species of cicadas, Tympanistalna gastrica (Stål) and Tettigetta josei Boulard, that are similar in size but show different calling song spectra. The vibrational response of the ears is measured with laser vibrometry and compared with thresholds determined from auditory nerve recordings. The data are used to investigate to what extent the directional characteristic of the tympanal vibrations is encoded by the activity of auditory receptors. Laser measurements show complex vibrations of the tympanum, and reveal that directional differences are rather high (>15 dB) in characteristic but limited frequency ranges. At low frequencies, both species show a large directional difference at the same frequency (3–5 kHz) whereas, above 10 kHz, the directional differences correspond to the different resonant frequencies of the respective tymbals. Consequently, due to the mechanical resonance of the tymbal, the frequency range at which directional differences are high differs between the two species that otherwise show similar dimensions of the acoustic system. The directional differences observed in the tympanal vibrations are also observed in the auditory nerve activity. These recordings confirm that the biophysically determined directional differences are available within the nervous system for further processing. Despite considerable intra as well as interindividual variability, the ears of the cicadas investigated here exhibit profound directional characteristics, because the thresholds determined from recordings of the auditory nerve at 30° to the right and left of the longitudinal axis differ by more than 5 dB.     

Phonotaxis in femaleOrmia ochracea (Diptera: Tachinidae), a parasitoid of field crickets

Gravid females of Ormia ochracealocate their hosts by homing on their hosts' calling songs. At Gainesville, Florida, O. ochraceafemales were attracted in greatest numbers to broadcast sounds that simulated the calling song of Gryllus rubens.Other candidate hosts and the attractiveness of their songs relative to the simultaneous song of G. rubenswere G. fultoni(9%), G. integer(4%), G. firmus(3%), Orocharis luteolira(1%), Scapteriscus borellii(1%), and S. vicinus(0%). The response of female O. ochraceato simulated G. rubenssongs that have different pulse rates changes with temperature in parallel with temperature-induced changes in the pulse rate of natural songs. Speaker stations 16 m apart in an apparently uniform environment produced strikingly different fly counts (e.g., 852 and 2163). The song of G. rubensat 21 °C approximates a continuous sequence of 4.6-kHz pulses at a rate of 45 s ^–1 and with a duty cycle of 50%. When two of these parameters were held constant and the third systematically varied in steps of 0.4kHz, 10s ^–1,and 10–20%, maximum attraction occurred at 4.4 kHz, 45 s ^–1,and 20–80%. Omitting as many as half the pulses in a rubenssimulation (e.g., 1, 2, 4, or 16 pulses followed by an equivalent silence, and repeat) did not significantly reduce the counts of O. ochracea,proving that chirping (producing pulses in brief groups) is no safeguard from call-seeking O. ochracea.Phase shifting of pulses in successive chirps sometimes decreased fly counts. When songs were first broadcast, flies came within seconds. Flies that landed at sound often stayed for minutes, even when the sound was turned off.     

The sound signals of hawkmoths (Lepidoptera,sphingidae)

Temporal and frequency characteristics of the acoustic signals emitted by the pharyngeal sound apparatus were investigated in the hawkmoths, Acherontia atropos (L.), A. lachesis (F.), and Langia zenzeroides Moore. The sound signals of A. atropos consist of sequences of low- and high-amplitude series of clicks with different frequency spectra. In the other two species, the signals are emitted as sequences of uniform series of clicks. The dominant frequencies in the spectra are 7–10 kHz (A. lachesis), 13–20 kHz (A. atropos), and 35–47 kHz (L. zenzeroides). The defensive function of the pharyngeal signals is hypothesized.     

Size and scale effects as constraints in insect sound communication

For optimal transfer of power to the surrounding medium, a sound source should have a radius of 1/6 to 1/4 of the sound wavelength. Sound-waves propagate from the source as compressions and rarefactions of the fluid medium, which decay by spreading and viscous losses. Higher frequencies are more easily refracted and reflected by objects in the environment, causing degradation of signal structure. In open air or water, the sound spreads spherically and decays by the inverse square law. If the sound is restricted to two dimensions rather than three, it decays as the inverse of range, whereas waves within a rod decay largely due to viscous losses; such calls are usually rather simple pulses and rely on the initial time of arrival because of multiple pathlengths or different propagation velocities in the environment. Because of the relationship between calling success and reproductive success, singing insects are under selective pressure to optimize the range, and to maintain the specificity, of their calls. Smaller insects have less muscle power; because of their small sound sources, higher frequencies will be radiated more efficiently than lower frequencies, but in order to produce brief loud pulses from a long-duration muscle contraction they may use both a frequency multiplier mechanism and a mechanical power amplifier. Airborne insect sounds in the range from 1 to 5 kHz tend to have sustained puretone components and a specific pattern of pulses which propagate accurately. Where the song frequency is higher, the pulses tend to become briefer, with a rapid initial build-up that gives a reliable time of onset through obstructed transmission pathways. These scale effects may be related both to the sound-producing mechanism and the auditory system of the receiver. Tiny insects have the special acoustic problem of communicating with only a small amount of available power. Some, such as fruit flies, communicate at low frequencies, at close range, by generating air currents; these currents may also be used to waft specific pheromones. Other small insects, such as Hemiptera, beetles, etc., communicate using substrate vibration. This enables long-range communication, but signal structure degrades with distance from the source; vibration signals tend to be confined to certain types of linear substrate, such as vegetation.     

Stridulation and hearing in the noctuid mothThecophora fovea (Tr.)

Summary MaleThecophora fovea (Tr.) (Noctuidae) sing continuously for several minutes by rubbing the 1. tarsal segment of the metathoracic leg against a stridulatory swelling on the hindwing. In Northern Yugoslavia (Slovenia) the males emerge in late October and start stridulating about a week later when the females emerge.The sounds are pulse trains consisting of 10–12 ms long sound pulses with main energy around 32 kHz and a PRR of 20 pulses/s. The mechanics of the sound producing apparatus was studied by activating the stridulatory swelling with short sound impulses. The impulse response of the swelling was recorded by laser vibrometry and amplitude spectra of the vibrations showed maximum velocities between 25 and 35 kHz. Hence, it seems likely that the stridulatory swelling is driven as a mechanical oscillator with a resonance frequency which determines the carrier frequency of the sounds.Audiograms of both males and females showed peak sensitivities at 25–30 kHz. The median threshold at the BF was 36 dB SPL. The peak intensity of the sound pulses was 83 dB SPL at 1 m, which should enable the moths to hear each other at distances of around 30 m. Therefore sound production inT. fovea might function in long distance calling. It is argued thatT. fovea can survive making such a noise in spite of being palatable to bats because it flies so late in the year that it is temporally isolated from bats.Abbreviations PRR pulse repetition rate - SPL sound pressure level - BF best frequency