Chronologie de l’art Mégalithique ibérique : C et contextes archéologiques

From the beginning of our investigation we found the necessity of locating the Megalithic Iberian art in the chronology that came off of the well-known data in the peninsula at the end of the 1980s and of those that manifested the Atlantic long sequences. Then, we argue the dates obtained in the deposits of decorated dolmens to endorse the chronological similarity between architectures and decorations. To it, we could add decorations in the nonvisible area of some slabs that they even aimed a bigger antiquity. With that material, we organize our first chronological proposal for the Megalithic Iberian art, in which we assumed dates of fifth millennium lime BC for the oldest decorations, in consonance with the construction of the first megaliths. Moreover, it would be right so much in the supposedly classic areas as in the less favoured sectors for the investigation: the Interior, the South and the West of the Iberian peninsula. In successive works we are configuring a hypothesis on its development and chronology that offers more and more confirmations. The documentation of AMS dates on megalithic paintings, a unique case in the megalithic European art, comes to consolidate the chronology of the megalithic Iberian art. With all the data obtained in the last twenty years, we are arrived to the moment for establishing a sequence to adjust their times, to value complex situations in the decoration of the monuments and to confirm a long chronology that arrives practically as a residual way to Iron Age.