Gardening for Homonyms: Integrating Science and Language Arts to Support Children's Creative Use of Multiple Meaning Words

Curriculum integration can increase the presence of science at the elementary level. The purpose of this article is to share how two second-grade teachers have integrated language arts content as a part of science-language arts instruction in a garden-based learning context. One application was a teacher-designed Gardening for Homonyms lesson, which supported new ways of thinking about words and wordplay while developing science vocabulary related to structure and function, diversity of life, and interdependent relationships in ecosystems. This article provides the lesson and discusses its implementation in two second-grade classrooms. Examples of student work illustrate children's creative thought around and application of multiple meaning words. Pre-, post-, and extended posttest measures of students' ability to generate and to use homonyms demonstrate that this science-language arts integrated lesson can result in both short- and long-term learning. Applications and follow-up from the lesson over two subsequent years have engaged second and third grade students in study/inquiry about plant growth and life cycles while utilizing many facets of language arts, which have ranged from labeling an experimental design and writing predictions and results to conversing about digital “GigaPan” images on growing strawberries.     

探究式课程设计在医学生临床决策能力培养中的探索

临床决策能力是一个医生的必备能力之一，是医学教育中必要且重要的培养目标之一。目前对医学生临床决策能力的培养没有形成完备的体系，一般安排在高年级阶段进行，为时较晚。如何把临床决策能力的培养融入低年级基础课中，以尽早开展能力训练值得探索研究。本研究以医学遗传学课程为例，结合探究式教学方式的特点，模拟临床决策思维过程的各细分模块，优化了课程设计，探索在低年级课程中融入临床决策能力的培养。结果提示：探究式课程设计能充分调动学生主动性，增加学生分析、思考的投入；在教师引导下，促使学生依循临床决策思维的过程得到有效地训练。最后，整理分析了探究式课程设计及实践的思路，总结了设计原则和要点，反思了教学中的经验得失。     

Happy Art

This article looks at how arts integration can boost the language development of limited English proficient students in kindergarten through second grade. I first review existing research on how young children learn and describe the special challenges faced by children who must learn in an unfamiliar language. I then identify arts-based mechanisms that boost the language development of limited English proficient students and examine strategies used by a successful urban arts-and-literacy program to enhance the language development of English language learners in the primary grades.     

Lettering and Design

In this article, the author discusses current challenges to the idea of teamwork in fine arts teams, redefines the terms team and collaboration using a business management perspective, discusses the success of effective teams in the business world and the characteristics of those teams, and proposes the implementation of the business model of teams to create more effective and collaborative fine arts teams.     

Arts integration in rural Minnesota: A collaborative arts integration framework

In this article, we demonstrate that arts integration holds unique promise and benefits for helping rural teachers to provide more equitable arts opportunities for their students. These benefits include: professional network development in the service of both curricular development for arts integration and connecting teachers who often work in isolation; additional funding to allow for collaborative planning; and introduction to arts experiences and cultural resources for use in arts-integrated unit planning and implementation. We describe the Perpich Arts Integration Project—an innovative, state-funded program centered on a Collaborative Arts Integration Framework in three rural regions of Minnesota. Then, through data collected via a three-year longitudinal program documentation and evaluation, we describe several themes that we have identified about the implementation of arts integration in rural schools. Finally, we will describe a series of considerations and implications for rural schools seeking to implement such a program in the future.     

Teaching the arts as a second language: A school-wide policy approach to arts integration

The arts can be used to teach, not just as activities that enhance learning, but also as the primary medium through which students process, acquire, and represent knowledge. This means the arts can function as a language. If we accept this metaphor, and we truly want students to be fluent in the artistic languages, then the arts can be taught in the same constructive, sequential way language is taught, where the rules of the system are explicitly learned and fluency is acquired through regular application within a meaningful context. This article provides a framework for the implementation of effective arts integration in line with second language learning: Arts as a Second Language. In doing so, it addresses two common problems in arts education: when arts integration is disconnected from artistic development, and when discipline-based arts education is disconnected from other learning. Nine principles for teaching with an Arts as a Second Language policy are proposed. Ultimately, it is a call for pedagogical reform that enables equitable access for all students to learn in, about, and through the arts with school-wide policy that scaffolds artistic learning across the grades, embedded in meaningful contexts.     

Seeking a higher level of arts integration across the curriculum

To seek a higher level of arts integration across the education curriculum, I investigated designs of teaching through arts activities that would motivate educators to adopt the spirit of “aesthetic teaching.” Two different designs were tested, with the second as a continuation of the first. Each ascribes a different educational role to arts activities—in the first design the role of art is that of a teaching medium, while in the second its role is as a teaching approach to the taught subject. The study followed the steps of a “teaching design experiment.” The preschool teachers who constituted the sample used these activities with groups of kindergarteners. The analysis of the data was based on the reports of the teachers, which were examined for indicators of “aesthetic teaching.” The findings of this study suggest that there is a correlation between the educational role of the arts and the level of aesthetic orientation of educators in applying arts integration. Generally, the sample experienced the second design (in which the role of art is that of a teaching approach to the taught subject) as more of an aesthetic teaching situation than the first design (in which the role of art is that of a teaching medium).     

Powerful allies: Arts educators and early childhood educators joining forces on behalf of young children

ABSTRACT

Arts educators and early childhood educators espouse similar philosophies and purposes surrounding young children's educational lives, yet continue to function in largely separate worlds. This article calls for the creation of intentional alliances between the two disciplines, by first recognizing and embracing these alignments. In addition, this article provides recommendations for arts educators and early childhood educators to consider as they join forces to ensure that all young children have access to high-quality arts-based education.     

Three Primary Color Wheel

This longitudinal study (2001–09) of two Hong Kong secondary schools highlights six issues with an integrated arts curriculum: first, integration of knowledge and skills negatively precedes the integration of learners’ construction of meaning; second, integration is perceived as challenging the profession's status; third, teachers are unaccustomed to co-teaching; fourth, teachers have little prior experience conceptualizing cross-discipline teaching and learning; fifth, Hong Kong's current systemwide education reform places arts integration as a relatively low priority; and sixth, because integrated arts curriculum implementation is not mandatory, the vagaries of individual school management create a plethora of integration approaches that confound the task of forging a common definition. Remedial recommendations include cascading “seed projects” to broaden teachers’ views of integrated arts and teaching, facilitating supportive school timetabling, and sharing integrated learning outcomes in the individual schools.     

South–South Comparisons: A Syntegrated Approach to the Teaching of the Arts for Primary School Teacher Preparation in South Africa and Australia

In light of the tendency to present the arts in an integrated fashion in many education systems worldwide, this article examines the consequences of integration for discrete art forms. In particular, we investigate the advantages of adopting a syntegrated approach to the facilitation of arts in teacher preparation. A specific comparison between the implementation of arts curricula in South Africa and Australia is made. The disjuncture between policy and practice in arts education that has been reported internationally needs constant monitoring. We conclude that the heart of curriculum transfer and transformation lies in the classroom.     

The Mixed Media Bag

This article provides basic information on how a common species of earthworm, Eisenia fetida, can be used in the biology classroom as well as a discussion of how to establish and care for a vermicompost bin. We discuss ideas for inquiry activities with the organism and provide a sample-guided inquiry that demonstrates how a long-term, theme-based unit involving earthworms can address a wide variety of content from the National Science Education standards.     

Stimulating the Need to Know…

Nations, James D. Tropical Rainforest: Endangered Environment . New York: Franklin Watts, 1988. 143 pp. $12.90 hardcover. Reviewed by Jorge Zamacona Evenes.

Sharp, D.W.A., ed. The Penguin Dictionary of Chemistry , 2d ed. New York: Penguin, 1990. 434 pp. $9.95 paperback. Reviewed by Wayne Hanley.

Hale, W.G., and J.P. Margham. The HarperCollins Dictionary of Biology. New York: Harper Collins, 1991. 569 pp. $12.95 paperback; $25.00 hardcover. Reviewed by Wayne Hanley.

Sparks, John, and Tony Soper. Penguins. New York: Fact On File, 1987. 246 pp. $1995 hardcover. Reviewed by Wayne Hanley.

Mountfort, Guy. Rare Birds of the World . A Collins/ICBP Handbook. New York: Penguin (The Stephen Greene Press), 1988. 256 pp. $2995 hardcover. Reviewed by John W. McLure.

Woodcock, Martin. Collins Handguide to the Birds of the Indian Subcontinent . New York: Penguin (The Stephen Greene Press), 1989. 176 pp. $11.95 paperback. Reviewed by James Scheib.

Harris, Michael. The Collins Field Guide to the Birds of Galapagos . New York: Penguin (The Stephen Greene Press), 1989. 160 pp. $1995 hardcover. Reviewed by Jim Fuller.

Brudenell-Bruce, P. G. C. The Collins Guide to the Birds of New Providence and the Babama Islands. New York: Penguin (The Stephen Greene Press), 1989. 142 pp. $14.95 paperback. Reviewed by Carol A. Thompson.     

Quantifying and better assessing an engineering design challenge: Going beyond the egg drop

The NGSS MS-ETS1 Engineering Design (1–4) is the focus of the article. Development of a challenging problem-based activity that is an improvement over the traditional egg drop competition is emphasized. Quantification of data collected and real-world relevance are two activity components that are viewed as improvements over the egg drop. The article describes a set of lessons that prepares pharmaceutical companies to drop medicine into the Amazon Rain Forest. Lessons 1–2 involve planning and parachute variable testing (e.g., weight, string length, number of strings, parachute size/shape, etc.) to measure changes in descent rates. Lesson 3 involves building a prototype using small dosage cups, parachute making materials and other random materials (e.g., larger cups, popsicle sticks, etc.). And, Lesson 4 has groups build a final parachute to drop an open container of liquid medication into a remote village. The challenge involves having to use an open container for the medication to remain effective. Due to expense, medication spillage is not permitted. Amount that spills provides a data point to assess performance.     

Trademark Design

The intersection of the arts with technology can provide educators with a focus that is more in tune with students’ lived experiences, providing a relevant context for the making of meaning. Yet the technological advances of the last few decades have done little to alter the pedagogical practice of most music teachers. Teaching with technology requires a shift in pedagogical practice from learning about technology to creating with technology. School-university partnerships can provide preservice and inservice teachers with the hands-on, technology-rich experiences and collaborative projects that are necessary to transform music teacher preparation.     

提高生物课堂教学有效性——新课程背景下探究教学法的灵活运用

新课程的实施需要运用探究教学法,广大高中生物教师对这一教法的运用还在摸索之中。通过拟从探究教学法的运用,对提高高中生物课堂教学有效性的作用,提出实践性的教学建议。     

Textile Decorating as a Handicraft

The rhetoric of the creative economy agenda has influenced the revised Ontario curriculum in the arts for grades 9–12. Yet, increasing rhetorical and substantive support for a creative economy agenda in Ontario at large is not sufficiently reflected in the revised Ontario arts curriculum. The expanded agenda is not matched by expanded substantive attention to the arts in the curriculum. Two new elective arts courses have been introduced in the revised curriculum; however, students are still only required to pass one art course to graduate from high school. This article argues that one compulsory art course is not sufficient to respond to the demands of the creative economy and thus recommends that further consideration of the curriculum be undertaken.     

Creating Science Picture Books for an Authentic Audience

This article presents an authentic writing opportunity to help ninth-grade students use the writing process in a science classroom to write and illustrate picture books for fourth-grade students to demonstrate and share their understanding of a biology unit on cells. By creating a picture book, students experience the writing process, understand how to share their learning with an authentic audience, and create an artifact that demonstrates their understanding of content knowledge.     

多方位教学模式在植物生物学及实验教学中的探索北大核心CSCD

植物生物学是生物科学专业的专业基础课程。在发育生物学思想的指导下我们已构建了全面、系统、动态的植物生物学新教学体系。针对目前课程教学模式中存在的实体课堂教学模式单一、传授式教学学生听课不认真,理论课和实验课在内容和时间上的不匹配,野外实习时间短、认识植物片面、难以学以致用等问题,作者进行了教学模式改革和实践,提出了适合生物科学专业的教学新策略:实体课堂讲授与精品慕课(massive open online courses, MOOC)相结合,增加翻转课堂;理论课与实验课相结合,边讲边看;利用校园和植物园分别在早春、初夏和夏秋进行多次植物认知实习,野外实习中关注不同生境下的植物类型及其适应环境的特点。经两轮的教学实践表明,改革后在理论教学中提高了学生的学习兴趣,在实验教学中加强了能力训练,在认知实习中让学生对植物有了全面认识。该教学模式满足了素质教育的要求,进一步提高了植物生物学教学的质量,为学生后续学习其他基础课程和专业课程奠定基础。     

Formula Fact & Fable

In the light of a decision taken in April 2009 that the arts will be included in a projected national curriculum it seems relevant to examine First We See: The National Review of Visual Education, which was completed in August 2008. That Review recommends the development of a visual education curriculum for the compulsory years of schooling. Under the guiding concept of “visuacy,” a neologism deriving from “visual literacy,” the newly conceived subject is intended to have educational outcomes complementary to literacy and numeracy. I examine the arguments and recommendations of the Review, and briefly examine the methodology of Phase One of the Review (i.e., a literature review, a questionnaire, and school visits) for its relevance to the Review's recommendations.