‘Are we all secular/ized yet?’: reflections on David Goldberg’s ‘Are we all post-racial yet?’

ABSTRACT

This paper expands upon some of Goldberg’s initial reflections regarding the new type of ‘subject’ that is at the heart of post-raciality. A particular attention is paid to the connection with religion, as many of the current conflicts in Europe have been articulated through the grammar of secularism and religion, especially in relationship to Islam. This observation invites us to consider how this ‘racialization of religion’ figures as a reminder of the central role of this politico-theological question in the demarcation of who counts as a proper (political) subject, and how the current debates about Islam figure as a reminder of that.     

The politics of fear: what does it mean to those who are otherized and feared?

Islamophobia has, of late, created a tendency to conflate all Muslims as belonging to a single nation of Islam that does not recognize and respect boundaries imposed by western geopolitics. This has been done by some to create and by others to generate a sense of exclusive unity that would separate all Muslims and make them into ‘others’ within western societies. It is the contention of this paper that such calls both embody and ignore the diversities of Islam as understood and practised by its adherents. Furthermore by ‘otherizing’ the entire community of Muslims in the West, the singular label of ‘Islamism’ marginalizes and may even silence the vibrant contestations among Muslims about their faith and its teachings; these include questions posed by women who may be described as feminists. The attributes of Islamism, ascribed to the faith by public, the media and politicians in the West and adopted by some Muslims primarily as a politically unifying force, are very different from the fluidity and flexibility that has been a historic part of lived Islam. Many Muslims may well aspire to belong to the umma: people of Islam conceptualized as crossing ethnic, racial, geographical and political boundaries. But Muslims in general and Muslim women in particular do not wish to do so at the expense of being otherized and conforming to the negative stereotypes ascribed to them that mask their fluid identities and, in the case of ‘white’ women, their close ties with their kinship networks. The multiplicity of Muslim's identities sits more easily within the permeable unbounded umma applicable to the global as well as the local without necessarily always privileging one or other identity.     

The cosmopolitics of flow and healing in north‐central Timor‐Leste

In north central Timor‐Leste, multi‐sensory ecological engagement is deeply entangled with conceptualisations of and approaches to people’s wellbeing. How people understand human health and wellbeing is closely related to how they understand nature or more particularly human/nature relations and distinctions across multiple timescales. Working through complex cosmopolitics and activated through cross‐temporal more‐than‐human ‘mutualities of being’, kinship networks are attuned to relational flows between ‘bodies’ and things. Rather than concentrating on the disjunctions created by the differences in the natures of beings or their ritual separation, this paper examines how relational flows between such ‘bodies’ and things open up cosmopolitical spaces for the creation and negotiation of intergenerational wellbeing.     

The Interdiction of Music in Islam

There is no authorisation in the Qur'an for the interdiction on music. That interdiction, when it is voiced, is the product of a conviction among some Muslims, supported by hadith (just as it is opposed with hadith) that Islam does not countenance music. In a country such as Pakistan, with a strong tradition of devotional music which (taken with the poetry, with which it is always associated) has become entwined with the identity politics of the provinces or sub‐‘nations’ which make up the vaster nation, a comprehensive ban on music would be impossible to enforce, though there are ‘ulamā’ and sectarian parties who desire it. This paper focuses on an instance where music is even harder to extricate from an accompanying text: the recitation of the Qur'ān. In the eyes of Muslims, Qur'anic recitation is not music. This denial raises further questions about the nature of music and, in particular, its involvement with the ‘extramusical’. Adorno's observations on the relation of music to language, and the anthropologist Friedson's complaint that ethnographers focus on text, at the expense of music, are examined in the light of the circumstance that the world over, music is associated with texts of one kind or another. Even when, as in the case of the ‘curing’ ritual described by Friedson, words are unimportant, or missing, music is seldom a phenomenological whole. Music ‘leans’, or is ‘leant on’: it lends its unrivalled ‘eloquence’ to many a cause, from commodity marketing to the structured working out of ritual, or, among lovers, to the remembered quality of experience. All these potentialities of music are relevant to the question of its interdiction and to the Muslim denial that the recitation of the Qur'ān is music.     

Veiled Nannies and Secular Futures in France

ABSTRACT

This article focuses on recent French efforts to expand legal regulation of religious symbols to childcare. Controversies over ‘veiled nannies’ serve as points of departure for investigating laïcité – French secularism – through which religion is regulated. The investigation is based on fieldwork among Muslim women in Marseille and on the analysis of legal decisions, official documents, and media. The debates on whether to legislate on religious symbols in the domain of childcare reveal how the line between religion and politics, and private and public is continuously redrawn through state efforts to cultivate and govern (secular) Republican selves. Drawing on Agrama’s [2012a. Questioning Secularism: Islam, Sovereignty and the Rule of Law in Egypt. Chicago, IL: University of Chicago Press] conceptualisation of secularism as a ‘problem-space’, I argue that legal regulation of religious symbols institutionalises a ‘secular suspicion’ at the heart of efforts to imagine and govern French society and its future, a future in which Muslims increasingly find it difficult to imagine themselves.     

Alternating Ontologies: Exchange and Ritual in Anganen History

In this article I examine the changing social and historical context of exchange and ritual amongst the Anganen of the Southern Highlands Province of Papua New Guinea, a neglected theme in Highland ethnography. I focus primarily on the history of the incorporation of one spirit cult ritual, rimbu, and its relationship to the other major spirit cult, kabit, and just how these two cults inter-relate with two major categories of exchange—the ceremonial pig kill (yasolu) and the more ‘mundane’ forms of exchange associated with such events as marriage and death. It is the structural parallels, differences and interconnections between these two exchange categories and the two ritual types which have guided much of the historical development of local social structure until colonisation. This has resulted in a substantial, though not necessarily stable, integration of ritual and exchange which has been ‘played out’ over the approximately fifteen-year periods between yasolu pig kills. I argue that it is this set of oppositions that provides the structural basis for different potentialities for male capacity. On occasion these may be so graphically distinct that they may be called differing social ontologies, different baselines for being and action. Different aspects of rimbu were adopted from around the turn of the twentieth century until colonisation some 50 years later when both kabit and rimbu were abandoned under mission pressure. However, to talk about the adoption of rimbu and the changes to Anganen social structure which it helped to produce as ‘pre-colonial’ history is misleading to the extent that much of the impetus for change was bound up in the efflorescence of trade caused by the Australian pearling industry in the Torres Strait. I call this period ‘ante-colonial’ in order to highlight the impact of the Australians and the irony that what the Australians indirectly helped create, rimbu as a central feature to Anganen social life, was destroyed with the direct colonial presence and missionisation.     

Dancing with a Difference: Reconfiguring the Poetic Politics of Aboriginal Ritual as National Spectacle1

This paper argues that indigenous dance is a poetic politics of cross‐cultural encounter that engages Aboriginal identities with those of the Australian nation. I question the nature of this encounter in terms of a performative dialogue that is both musically and kinesically presented by indigenous communities and ‘translated’ into political discourse by the government. The sentiments of ‘translation’ raise questions as to how local ritual expressions of Aboriginal dance can mediate dialogue when presented as national spectacle. What is being meditated? What is happening in the process of evocation? In this performative nexus, I focus specifically on the poetic politics of Yolngu ritual as spectacle; the nature of performative dialogue in terms of shared dance forms between indigenous communities; the problem of the authentication of dance identities; and how corporeal dispositions of indigenous dance genres influence national sentiment by their symbolic power. I pursue these issues through an analysis of how ancestral dances have been repositioned in national performance venues, such as concerts, cultural centres and ritual arenas, as a means of asserting performative statements about indigenous positioning within the nation‐state. The nature of this dialogue raises questions of authenticity and processes of authentication. It highlights indigenous concerns to control representations of indigeneity as national event, as well as a desire to convey something of the sentiment and sentience embodied in the poetics of their ancestral performances.     

Magico‐spiritual power,female sexuality and ritual sex in Muslim Java: Unveiling the kesekten of magical women

This article argues that in practice, concepts of magico‐spiritual power (Javanese: kesekten; Indonesian: kesaktian) are linked with sexuality, particularly female sexuality, in some segments of contemporary Central and East Javanese Muslim society. Few scholars have turned attention to the interconnectedness of these seemingly contradictory topics. Feminist studies tend to focus on the ways in which women locate themselves within and critique Sharia‐based discursive and social orders, without considering the roles that magico‐spiritual power and associated practices play in these Islamic systems or in Islam in a more general sense. Similarly, male scholarship that considers the cultural relevance of Islam and magic rarely refers to gendered and sexual dimensions as praxis from a feminist perspective. By drawing on examples of ‘magical women’ including the Javanese spirit queen of the southern ocean Gusti Kanjeng Ratu Kidul, the historical Hindu figure Ken Dedes, and contemporary ritual sex practices at a Muslim saint's grave, we show how women, female spiritual beings and female sexuality, and sexuality in general, can be considered sources of magico‐spiritual power in Muslim Java. Our arguments conclude that in Javanese Islam, transgression of Sharia sexual norms can be both a sign and a source of magico‐spiritual power.     

Mediat(iz)ing Catholicism: saint,spectacle, and theopolitics in Lima,Peru

This article examines the annual public procession in Lima, Peru, of the Señor de los Milagros (Lord of Miracles) in relation to issues at the intersection of Catholic Christianity, media, and political authority. Through a theopolitical lens alert to the intermeshing of political sovereignty and authority with theological (Catholic) worldviews, I inquire into media and the Señor de los Milagros procession along three key intersecting themes that link scales of local and global Catholicism: performance, identity/belonging, and control. Key to my argument is the idea of the miraculous (lo milagroso), a culturally resonant register of embodied affective experience with compelling power, which points to how senses of belonging, authority, and ‘proper’ Catholic subjecthoods are intensified by Catholicism's diffusion through new mediatic forms, especially in church-generated productions. A consideration of media technologies, mediation, and Catholicism nuances theoretical assumptions within the anthropology of Christianity, and also suggests that the anthropology of religion should attend more closely to mediation and mediatization as newer media infrastructures – channelling flows of information, images, and affects – extend ‘the religious’ into other social spheres.     

Night life in southern urban Mali: being a Muslim maquisard in Bougouni

Alcohol has been part of local culture in southwest Mali since precolonial times. In the last century, when Islam spread into the region, it became a ‘haram’ (forbidden) substance; therefore its consumption moved to the margins of society. Based on an ethnography of night life in discreet bars called ‘maquis’ where power, wealth, and alcohol become juxtaposed during the night in the small town of Bougouni, this article explores how Muslims handle their participation in forbidden activities from within a local Muslim community. Analysing the social significance of the darkness of the night in relation to a public Islam based on sight, it illustrates how forbidden activities are handled through strategies of diurnal conformity and nocturnal discretion in urban Mali. Exploring the fact that a Muslim can at the same time be known as a respectable member of the local community and a suspected drinker during the night, this analysis aims to demonstrate that the interplay between display and secrecy is an important component of morality in urban Mali, while the wealth and power of m?g?baw (big men) often work as veils that cover their forbidden activities. Besides studying the ways Muslims strive to be pious, this article finally stresses the need to explore also the field of haram as an integral part of a Muslim life so as to develop a humanly wider and more complete understanding of Islam's relationship to contemporary Muslim societies.     

Mystical Styles of Expression among North Indian Faq?r: Nara as a Manifestation of Hukm

This paper explores the mystical complex of North Indian ‘holy men’ commonly known as faqir and their relationship to mainstream Indian Islam. It is based on research done at the thirteenth century Indo‐Muslim shrine of Nizamuddin Auliya in Delhi, India. Many faqir beliefs and practices diverge from Islamic orthodoxy by emphasising a mystical relationship with the saints. While faqir are Muslims, their emphasis on mystical expressions demarcates them from orthodox styles of Indian Islam. Two of these expressions are hukm, the mystical bond between a faqir and Muslim saint, and nara, a series of expletives used to communicate with the saint when in a euphoric state. Hukm and nara are pivotal to a faqir's mystical complex and are creative sources of his spiritual life. Prompted by a paucity of critical analyses into the area of North Indian faqir mysticism and ritual performance, this paper argues that the interplay between hukm and nara generates a form of creative expression for the faqir that is related to, but independent of, Indo‐Muslim orthodox practices and constitutes an alternative style of religious expression within Indian Islam.     

‘It's not how it was’: the Chilean diaspora's changing landscape of belonging

Abstract

The increasingly diverse character of London's multicultural landscape has shaped how migrants interact with(in) the different spaces of the city. This process entails both settled and incoming migrants' participation in place-making; a mutual imbrication that might promote the long-settled migrants' evocation of a lost terrain. This article unpacks that process by looking at the Latin American social football scene of South London, specifically a space known as la cancha (the pitch). This was founded by Chilean political refugees during the 1970s and it has incorporated Latin American ‘economic’ migrants and ‘local’ Britons through time. Starting from the evocation of a lost ‘golden age’ of la cancha, the paper unpacks this space's contested, complex and changing nature. It presents diaspora space, community and belonging as lived processes. Through this depiction, the assumptions of homogeneous and isolated migrant communities are challenged, as are the diaspora's nostalgic claims that also emerge from them.     

From Racing to Rugby: All Work and No Play for Gogodala Men of Western Province,Papua New Guinea

In this article, I analyse how Gogodala men in Western Province approach the sport of rugby league football as an extension of the practice of canoe racing. Despite colonial changes and mission attempts to redeem canoe racing by labelling them ‘cultural games’, canoe races continue to embody clan relations and demonstrate inner masculine strength, collective clan power and a local work ethic. Although there has been a general lack of attention given to studies of sport in Papua New Guinea, a discourse has emerged that analyses sports competitions as either a modern form of play and a replacement for past ritual activities or as a contemporary exemplar of warfare and other eradicated practices. As the Gogodala have not practised headhunting or warfare for over one hundred years, I want to contribute to this discussion by exploring how contemporary canoe racing and rugby league form an integral part of conceptualisations of work and dala ela gi, or ‘the male way of life’.     

The lapsed and the laity: discipline and lenience in the study of religion

This article cautions against an ‘earnest turn’ within the anthropology of religion, pointing up the tendency for anthropologists of religion to over‐emphasize the role of discipline in the construction of the religious subjecthood over mechanisms of leniency and compromise. Taking the Catholic Church as an example, I show how discipline and lenience have been co‐constitutive of Christian subjectivities, as different movements in a gigantic choreography which have spanned and evolved over several centuries. By looking at certain technologies of lenience that have emerged over the course of Catholic history, I trace an alternative genealogy of ‘the Christian self’; one in which institutional growth, power, and survival depended not only upon the formation of disciplined bodies and interior dispositions but also upon a carefully managed division of labour between clergy and laity, as well as upon a battery of legal commutations and practical avoidances aimed at minimizing the effort and pain of the ascetic approach. Taking the concept of ‘lapsedness’ as cue, I ask to what extent the ‘lapsed Catholic’, rather than indexing an ever‐increasing tendency towards secularism, might already be contained and accounted for within Catholicism as a living, evolving form.     

Extended lives in global spaces: the anthropology of Yolngu pre‐burial ceremonies⋆

The focus is on a recently developed Yolngu ritual, the memorial or memorial service, which celebrates the lives of Yolngu who have achieved a national reputation. Held before the burial ceremony, the memorial service is orientated ‘both‐ways’ – to the outside as well as to the Yolngu world. Memorial services are analysed in the context of the articulation between Yolngu and the wider Australian society. A diachronically orientated analysis takes into account the longue durée to show how Yolngu create and understand the performance from a historical position and basis of knowledge very different to those of most non‐Yolngu who attend the event. Anthropological research can reveal the durability of local value creation processes that result in very different trajectories of being in an environment of dynamic change.     

Do ‘we’ ‘do’ God? Linda Woodhead & Rebecca Catto (eds), Religion and change in modern Britain. London: Routledge.

What does it mean to talk of the religion ‘of’ a given country? I reflect on an edited volume dealing with religion in Britain and consider two related themes: the secular considered as ‘absence’ or ‘presence’, and the siting of religion not in conventional denominations or ritual practices but in spaces of encounter between religions, and between the so‐called ‘religious’ and ‘secular’.     

Dancing the Main jo'oh: Hma ‘Btsisi’ Celebrate Their Humanity and Religious Identity in a Malaysian World

Official government census takers tick the religion box titled ‘none’ when they fill out the forms for most Orang Asli. Yet at weddings and other festivities, the Hma' Btsisi', an indigenous Mon‐Khmer speaking people of Peninsular Malaysia, perform a religious dance and song cycle called the main jo'oh. Today, in Malaysia, the main jo'oh is a government centrepiece for Orang Asli culture. Btsisi' are frequently asked to perform the main jo'oh for the Malaysian public and for tourists. The main jo'oh is displayed as a curious, albeit beautiful and exotic performance by a heathen people who have ‘no’ religion. But this paper points out that the dance is far from being solely an exotic relic. I argue that the meanings embodied in the dance performance form the foundation of Btsisi' beliefs; in other words, their religion. I conclude by discussing the main jo'oh in the modern Btsisi' and national context. In particular, I demonstrate that the main jo'oh is a way for the Btsisi' to identify and distinguish themselves from other Orang Asli communities as well as from the majority Malay population.     

Aspects of the semantics of emotions and feelings in Dalabon (South‐Western Arnhem Land,Australia)

This article describes two of the principal roots allowing the expression of emotions and feelings in Dalabon, an endangered language of South‐Western Arnhem Land. The first root, kangu, ‘belly’, is depicted linguistically as the location of emotions induced by interpersonal relationships. The belly is thus presented as the locus of good and bad moods generally and of conflict more specifically. Furthermore, the material properties of the belly—its fluidity in particular—impact on one’s temper and ability to deal with others in an ideologically prescribed manner. Speakers describe ritual manipulations undertaken on the belly of young infants in order to shape their temper. Kangu‐no may thus be described as a malleable interface between the person and the outside world, principally other people. The second root, yolh, may at first sight translate as ‘feelings’, either good or bad, but also means ‘appetite’, ‘drive’, ‘pep’. Yolh‐no is associated with the most intimate part of the person, one’s own aspirations that are independent of interactions with others. Although yolh‐no connotes the core self and kangu‐no, the belly, connotes relatedness to others, they are conceived as physiologically connected, so that material properties of the belly impact on the self. Thus, the semantic analysis of Dalabon, along with related anthropological observations, unveils an explicit conceptual and cultural attention to the distinction between emotions and feelings (as respectively defined in the article) and to the autonomy of the person within a constraining social framework. The article shows how this concern echoes and challenges both anthropological and philosophical considerations.