Ontogenesis of agonistic vocalizations in the cichlid fish Metriaclima zebra

While acoustic communication has been described in adults of various fish species, our knowledge about the ontogeny of fish sound production is limited. In adults, sound signals are known to be involved during aggressive interactions. However, aggressive behaviour may appear early in the life of fishes due to the possible competition for food and space. If acoustic signals are used to send information to competitors, sounds are likely to play a role during interactions between juvenile fish as well. The apparition and evolution of sound production were monitored in a group of juveniles of the cichlid fish Metriaclima zebra from hatching to 4months of age. In addition, the link between vocalizations and agonistic behaviour was studied during dyadic interactions at three different ages. Sounds production appeared to be present early in the development of this fish and increased along with the number of aggressive behaviours. Recorded sounds consisted, in juveniles, in isolated pulses showing a decrease in frequency and duration as the fish grew. In adults, sounds became bursts of pulses but the transition from isolated to repetitive pulses was not observed. These results are compared to the existing literature on sound production ontogeny in fishes.     

Acoustic behavior of the damselfish Dascyllus albisella: behavioral and geographic variation

Behavioral and geographic variation in animal communication has been well-studied in insects, frogs, birds, and mammals, but little is known about variation in fishes. We used underwater audio-video recordings of the behavior and associated sounds produced by the domino damselfish, Dascyllus albisella, at Johnston Atoll and Hawaii, which are separated by 1000 km, to study behavioral and geographic variation in communication sounds. Males produced pulsed sounds during the courtship behavior known as the signal jump, visiting by females (during pseudospawning), mating, aggression to heterospecifics and conspecifics, and nest preparation. Females made only aggressive sounds. The following features of the sounds were measured: number of pulses, pulse rate, pulse duration, inter-pulse interval, dominant frequency, and frequency envelope. The only difference between visiting and mating sounds was a small difference in pulse duration. Two types of aggressive sounds were produced, pops and chirps. Pops contained only one or two pulses and were more commonly made towards heterospecifics than conspecifics. Aggressive chirps had between 3–11 pulses and were made most often towards conspecifics. The pulse rate of aggressive chirps was faster than signal jump sounds. The only difference in signal jump sounds made by males from Johnston Atoll and Hawaii, was a small difference in pulse duration, which was likely due to differences in the depths of the recording environment and not in the sounds produced.     

Production of acoustic signals during aggression in Coosa bass, <Emphasis Type="Italic">Micropterus coosae</Emphasis>

Although sound production has been described for sunfishes, it is previously unknown for basses, both groups of fishes in the family Centrarchidae. We document production of acoustic signals during aggressive encounters in Coosa bass, Micropterus coosae. During dyadic encounters, presumptive winners of contests produced sounds associated with a variety of behaviors, including chases, lateral displays, circle swims, nudging, jerking and during post aggression, while fish were stationary. These sounds are low-frequency, non-harmonic and consist of one to 41 separate pulses. In most trials larger fish won contests, regardless of territory ownership (which fish was put into the test tank first) and size difference.     

Sound production, hearing and possible interception under ambient noise conditions in the topmouth minnow Pseudorasbora parva

Sounds were produced by the topmouth minnow Pseudorasbora parva , a common Eurasian cyprinid, during feeding but not during intraspecific interactions. Feeding sounds were short broadband pulses with main energies between 100 and 800 Hz. They varied in their characteristics (number of single sounds per feeding sequence, sound duration and period, and sound pressure level) depending on the food type (chironomid larvae, Tubifex worms and flake food). The loudest sounds were emitted when food was taken up at the water surface, most probably reflecting 'suctorial' feeding. Auditory sensitivities were determined between 100 and 4000 Hz utilizing the auditory evoked potentials recording technique. Under laboratory conditions and in the presence of natural ambient noise recorded in Lake Neusiedl in eastern Austria, best hearing sensitivities were between 300 and 800 Hz (57 dB re 1 μPa v . 72 dB in the presence of ambient noise). Threshold-to-noise ratios were positively correlated to the sound frequency. The correlation between sound spectra and auditory thresholds revealed that P. parva can detect conspecific sounds up to 40 cm distance under ambient noise conditions. Thus, feeding sounds could serve as an auditory cue for the presence of food during foraging.     

ANALYSIS OF SOUNDS PRODUCED BY MALE PADOGOBIUS MARTENSI (PISCES,GOBIIDAE) AND FACTORS AFFECTING THEIR STRUCTURAL PROPERTIES

ABSTRACT

In this paper a detailed analysis of the physical structure of sounds produced by male Padogobius martensi is reported. Sound production occurs during courtship and inter-male agonistic encounters. Both aggressive and courtship calls are made up of rapidly repeated pulses, with a pulse repetition rate decreasing through the course of the emission. By means of computerized analysis, the pulse repetition rate, its modulation and sound duration were determined. The water temperature was found to exert a marked and significant effect on the above parameters. In particular, the temperature directly affects the pulse rate and its decrease through the course of the emission (i.e. frequency modulation) and inversely affects sound duration. By contrast, size of the calling animal does not significantly influence the sound parameters considered. Aggressive sounds last longer and have a lower pulse repetition rate than the courtship sounds. Moreover, aggressive sounds appear more variable than the courtship ones as far as pulse rate and duration are concerned.     

Ontogeny of Acoustic and Feeding Behaviour in the Grey Gurnard, Eutrigla gurnardus

Although sound production in teleost fish is often associated with territorial behaviour, little is known of fish acoustic behaviour in other agonistic contexts such as competitive feeding and how it changes during ontogeny. The grey gurnard, Eutrigla gurnardus, frequently emits knock and grunt sounds during competitive feeding and seems to adopt both contest and scramble tactics under defensible resource conditions. Here we examine, for the first time, the effect of fish size on sound production and agonistic behaviour during competitive feeding. We have made sound (alone) and video (synchronized image and sound) recordings of grey gurnards during competitive feeding interactions. Experimental fish ranged from small juveniles to large adults and were grouped in four size classes: 10–15, 15–20, 25–30 and 30–40 cm in total length. We show that, in this species, both sound production and feeding behaviour change with fish size. Sound production rate decreased in larger fish. Sound duration, pulse duration and the number of pulses increased whereas the peak frequency decreased with fish size, in both sound types (knocks and grunts). Interaction rate and the frequency of agonistic behaviour decreased with increasing fish size during competitive feeding sessions. The proportion of feeding interactions accompanied by sound production was similar in all size classes. However, the proportion of interactions accompanied by knocks (less aggressive sounds) and by grunts (more aggressive) increased and decreased with fish size, respectively. Taken together, these results suggest that smaller grey gurnards compete for food by contest tactics whereas larger specimens predominantly scramble for food, probably because body size gives an advantage in locating, capturing and handling prey. We further suggest that sounds emitted during feeding may potentially give information on the motivation and ability of the individual to compete for food resources.     

Behaviours Associated with Acoustic Communication in Nile Tilapia (Oreochromis niloticus)

Background

Sound production is widespread among fishes and accompanies many social interactions. The literature reports twenty-nine cichlid species known to produce sounds during aggressive and courtship displays, but the precise range in behavioural contexts is unclear. This study aims to describe the various Oreochromis niloticus behaviours that are associated with sound production in order to delimit the role of sound during different activities, including agonistic behaviours, pit activities, and reproduction and parental care by males and females of the species.

Methodology/Principal Findings

Sounds mostly occur during the day. The sounds recorded during this study accompany previously known behaviours, and no particular behaviour is systematically associated with sound production. Males and females make sounds during territorial defence but not during courtship and mating. Sounds support visual behaviours but are not used alone. During agonistic interactions, a calling Oreochromis niloticus does not bite after producing sounds, and more sounds are produced in defence of territory than for dominating individuals. Females produce sounds to defend eggs but not larvae.

Conclusion/Significance

Sounds are produced to reinforce visual behaviours. Moreover, comparisons with O. mossambicus indicate two sister species can differ in their use of sound, their acoustic characteristics, and the function of sound production. These findings support the role of sounds in differentiating species and promoting speciation. They also make clear that the association of sounds with specific life-cycle roles cannot be generalized to the entire taxa.     

Sound production and associated behavior in a cichlid fish,Cichlasoma centrarchus. II. Breeding pairs

Synopsis Pairs of Cichlasoma centrarchus were observed daily in the laboratory. Both males and females made sounds during a breeding cycle but all sounds were aggressive in context; no sounds were heard to accompany courtship. Males made more sounds before spawning than afterwards and these were associated with territorial defense and with establishment of dominance over the female. Females produced more sounds after spawning than before, most in the context of brood defense but some toward the male during pre-spawning nest preparation. Prior to spawning, the number of sounds made by the males toward their mates increased but the aggressive actions accompanying them became less intense. No such inverse correlation of agonistic intensity with number of sounds made was found for the females. From this study and earlier ones by the author it was concluded that sound in this species is a threat display which 1) provides an expression for agonism alternative to the performance of actions which could injure the female or drive her away, and 2) lessens the risk of injury to male or female during territory or brood defense.     

Sound production by the river bullhead, Cottus gobio L. (Cottidae, Teleostei)

Acoustic signals of Cottus gobio consist of knocking sounds produced as single pulses (48 ms) or as trains of 4–6 pulses (230 ms). Frequencies extend up to 3 kHz, but most sound energy is concentrated between 50 and 500 Hz in both sound types. Cottus gobio is solitary, maintains territories, and defends them by threat display, seldom by biting and fighting. Threatening consists of spreading gill covers and fins, darkening, and sound production. Calling is accompanied by a nodding movement of the head, during which the pectoral girdle and the skull are moved rapidly against each other. No difference in ability of sound production was observed between sexes, but males emitted significantly more sounds than females. In the laboratory an increase in vocalization activity was observed between night and day. An increase in the number of encounters and calls was noted when temperatures were raised from 8°C to 13°C. Sound production was registered throughout the year.     

Four type of sounds for one winner: vocalizations during territorial behavior in the red-mouthed goby <Emphasis Type="Italic">Gobius cruentatus</Emphasis> (Pisces Gobiidae)

During territorial encounters, the acoustic repertoire of Gobius cruentatus consists of four types of sound emissions: a tonal sound, a noisy tonal sound, a train of individual pulses, and a complex sound. The complex sound is made of two distinct elements, an initial tonal part followed by pulses. This is the largest acoustic repertoire described so far in gobiid fish during aggressive interaction. Sounds are emitted, mainly by the residents, when fish have already started the interaction but before the encounter is settled. Therefore, sounds seem to have a threatening function.     

Sound production during competitive feeding in the grey gurnard

The acoustic repertoire of captive grey gurnard Eutrigla gurnardus during competitive feeding consisted of three types of sound: knocks, grunts and growls. Knocks were audible as a single sound, whereas grunts and growls were perceived as longer, pulsed sounds to the human ear. Typically, knocks were composed of 1–2 pulses, grunts of 4–8 pulses and growls >10 pulses. Growls were longer and had shorter pulse periods than grunts. All sound types had peak frequencies of c . 500 Hz. The sequences of behaviours observed during feeding interactions suggest that grey gurnard obtain food both by scramble and contest tactics. Competing fish emitted knocks mainly while grasping a food item and also during other non‐agonistic behaviour, suggesting that knock production may reflect a state of feeding arousal but could also serve as a warning of the forager's presence to nearby competitors. Grunts were mainly emitted during frontal displays, which were the most frequent behavioural act preceding grasps, suggesting that they may play a role in deterring other fish from gaining access to disputed food items.     

Acoustic signalling in female fish: factors influencing sound characteristics in croaking gouramis

The characteristics of sounds produced by fishes are influenced by several factors such as size. The current study analyses factors affecting structural properties of acoustic signals produced by female croaking gouramis Trichopsis vittata during agonistic interactions. Female sounds (although seldom analysed separately from male sounds) can equally be used to investigate factors affecting the sound characteristics in fish. Sound structure, dominant frequency and sound pressure levels (SPL) were determined and correlated to body size and the order in which sounds were emitted. Croaking sounds consisted of series of single-pulsed or double-pulsed bursts, each burst produced by one pectoral fin. Main energies were concentrated between 1.3 and 1.5 kHz. The dominant frequency decreased with size, as did the percentage of single-pulsed bursts within croaking sounds. The SPL and the number of bursts within a sound were independent of size but decreased significantly with the order of their production. Thus, acoustic signals produced at the beginning of agonistic interactions were louder and consisted of more bursts than subsequent ones. Our data indicate that body size affects the dominant frequency and structure of sounds. The increase in the percentage of double-pulsed bursts with size may be due to stronger pectoral muscles in larger fish. In contrast, ongoing fights apparently result in muscle fatigue and subsequently in a decline in the number of bursts and SPL. The factor ‘order of sound production’ points to an intra-individual variability of sounds and should be considered in future studies.     

Pacific and Atlantic herring produce burst pulse sounds

The commercial importance of Pacific and Atlantic herring (Clupea pallasii and Clupea harengus) has ensured that much of their biology has received attention. However, their sound production remains poorly studied. We describe the sounds made by captive wild-caught herring. Pacific herring produce distinctive bursts of pulses, termed Fast Repetitive Tick (FRT) sounds. These trains of broadband pulses (1.7-22 kHz) lasted between 0.6 s and 7.6 s. Most were produced at night; feeding regime did not affect their frequency, and fish produced FRT sounds without direct access to the air. Digestive gas or gulped air transfer to the swim bladder, therefore, do not appear to be responsible for FRT sound generation. Atlantic herring also produce FRT sounds, and video analysis showed an association with bubble expulsion from the anal duct region (i.e. from the gut or swim bladder). To the best of the authors' knowledge, sound production by such means has not previously been described. The function(s) of these sounds are unknown, but as the per capita rates of sound production by fish at higher densities were greater, social mediation appears likely. These sounds may have consequences for our understanding of herring behaviour and the effects of noise pollution.     

Sound production during courtship and spawning of Oreochromis mossambicus: male–female and male–male interactions

The role of sound production of the Mozambique tilapia Oreochromis mossambicus in agonistic and mating interactions observed during hierarchy formation and in established groups was examined. Only territorial males produced sounds, during male–female and male–male courtship interactions and during pit-related activities ( e.g. dig, hover and still in the nest). Sound production rate was positively correlated with courting rate. Although sounds in other cichlids are typically emitted in early stages of courtship, O. mossambicus produced sounds in all phases, but especially during late stages of courtship, including spawning. It is suggested that the acoustic emissions in this species may play a role in advertising the presence and spawning readiness of males and in synchronizing gamete release.     

Day and night sounds of the Guiana dolphin, <Emphasis Type="Italic">Sotalia guianensis</Emphasis> (Cetacea: Delphinidae) in southeastern Brazil

Many cetaceans are known to be acoustically active at night. However, for most dolphin species, there is little information about their nocturnal acoustic activities. To study the acoustic repertoire of Sotalia guianensis, diurnal and nocturnal sounds (whistles, burst pulses, low-frequency narrowband (LFN) sounds, and clicks) were identified in the Cananéia estuary (25° 01′ S–25° 13′ S/47° 52′ W–48° 06′ W), south of the state of São Paulo, southeastern Brazil, during April, June, and November of 2012. The emission rate of these sounds was compared between daytime and nighttime using the chi-squared statistical test. The mean values of the acoustic parameters of whistles, burst pulses, LFN sounds, and clicks were compared using the t test. Whistles, burst pulses, and LFN sounds were more frequent at night, as these individuals require greater acoustic communication in the absence of light, mainly for social communication. Echolocation emission rates were similar in both day and nighttime. Dolphin sound structure also varied throughout the day, with dolphins emitting lower-frequency sounds at night. Low-frequency sounds, with longer wavelengths, provide many advantages for dolphins active at night because such sounds propagate greater distances. This study demonstrates that the sounds produced by S. guianensis are dependent on the time of day, with social communication sounds being more influenced by the presence of light.     

Aspects of Species Recognition by Sound in Four Species of Damselfishes,Genus Eupomacentrus (Pisces: Pomacentridae)

Members of four sympatric species of Eupomacentrus carry out reproductive activities at the same time of the year and produce similar pulsed courtship sounds. Such sounds are known to facilitate courtship among conspecifics. Consequently, members of the four species in the field and in the laboratory were tested with the various sounds to determine if they could distinguish their own species sounds from those produced by congeners. The differential responses clearly demonstrate species specific recognition by sound and indicate that the pulse interval and the number of pulses per sound are the important parameters for this recognition.     

Agonistic behaviour and sound production in Gaidropsarus mediterraneus, (Gadidae)

Agonistic behaviour and sound production were described for captive Gaidropsarus mediterraneus , a shore-dwelling gadoid. Thump-like sounds were produced during agonistic interactions, which involved disputes over access to shelter sites.     

Sex-Specific Differences in Agonistic Behaviour,Sound Production and Auditory Sensitivity in the Callichthyid Armoured Catfish Megalechis thoracata

Background

Data on sex-specific differences in sound production, acoustic behaviour and hearing abilities in fishes are rare. Representatives of numerous catfish families are known to produce sounds in agonistic contexts (intraspecific aggression and interspecific disturbance situations) using their pectoral fins. The present study investigates differences in agonistic behaviour, sound production and hearing abilities in males and females of a callichthyid catfish.

Methodology/Principal Findings

Eight males and nine females of the armoured catfish Megalechis thoracata were investigated. Agonistic behaviour displayed during male-male and female-female dyadic contests and sounds emitted were recorded, sound characteristics analysed and hearing thresholds measured using the auditory evoked potential (AEP) recording technique. Male pectoral spines were on average 1.7-fold longer than those of same-sized females. Visual and acoustic threat displays differed between sexes. Males produced low-frequency harmonic barks at longer distances and thumps at close distances, whereas females emitted broad-band pulsed crackles when close to each other. Female aggressive sounds were significantly shorter than those of males (167 ms versus 219 to 240 ms) and of higher dominant frequency (562 Hz versus 132 to 403 Hz). Sound duration and sound level were positively correlated with body and pectoral spine length, but dominant frequency was inversely correlated only to spine length. Both sexes showed a similar U-shaped hearing curve with lowest thresholds between 0.2 and 1 kHz and a drop in sensitivity above 1 kHz. The main energies of sounds were located at the most sensitive frequencies.

Conclusions/Significance

Current data demonstrate that both male and female M. thoracata produce aggressive sounds, but the behavioural contexts and sound characteristics differ between sexes. Sexes do not differ in hearing, but it remains to be clarified if this is a general pattern among fish. This is the first study to describe sex-specific differences in agonistic behaviour in fishes.     

Differences between male,female and juvenile haddock (Melanogrammus aeglefinus L.) sounds

Female and juvenile haddock make sounds, as well as males. Examination of the sounds from different sexes indicates that the sound waveform is a function of fish maturity and it is gender-specific. Immature fish sounds were found to be made up of two pulses with similar frequencies and opposite polarities. Females produced two pulses with the same polarity, the first pulse having a higher frequency than the second. The acoustic characteristics of juvenile, female and male haddock sounds are compared. Sexual dimorphism in the mass of the drumming muscle mass has also been investigated. Female haddock possess less well-developed drumming muscles than males throughout the whole year. A significant difference in drumming muscle mass was observed not only in males but also in females at different seasons. A positive relation between drumming muscle mass and fish size has been highlighted in both male and female fish. The physical parameters of the sound units emitted by juveniles, females and males, which are likely affected by physiological condition and maturity stage, are discussed in relation to the sound-producing mechanism.