SOUND PRODUCTION BY THE LUSITANIAN TOAD FISH,HALOBATRACHUS DIDACTYLUS

ABSTRACT

Several batrachoidids have been known to produce sounds associated with courtship and agonistic interactions, and their repertoires have been studied acoustically and behaviourally. In contrast, sound production of the Lusitanian toadfish Halobatrachus didactylus, although often noted, has not been acoustically studied.

This sedentary predator of Northeastern Atlantic coastal waters is usually found in sandy and muddy substrates, under rocks or crevices. Sound recordings were made in Ria Formosa, a lagoon complex in southern Portugal. The sound producing apparatus was studied in adult individuals of both sexes captured by local fishermen.

It is shown that this species produces acoustic emissions similar to other batrachoidids. It produces a long, rhythmical, tonal sound, often in choruses, which is comparable to the boatwhistle or hum signals of Opsanus and Porichthys, and a complex of signals that were classified as grunts, croaks, double croaks and mixed calls (‘grunt-croak’). As in other toadfishes, H. didactylus presents sonic muscles connected to a bi-lobed swimbladder. Asynchronous contractions of the sonic muscles were detected when massaging the ventral surface of the fish.     

Acoustic communication in the sexual behaviour of the leafhopper, Amrasca devastans

ABSTRACT. Males of Amrasca devastans (Distant) (Homoptera, Cicadellidae) emit 'croaking' sounds in phrases of two to six pulses which are transmitted through the plant on which the animal is feeding. Females, if present on the same plant, respond to such croaks by ceasing movements and emitting their own substrate-borne 'cooing' sounds in single-pulsed phrases. These coos stimulate the males to emit their croaks more frequently, and to commence 'dancing' movements, during which they approach the female (whether she is visible or not); the sounds of the two sexes alternate with each other throughout. On reaching the female, the male emits 'snoring' sounds and stands at her side, partly in response to seeing her and partly in response to mechanical contact. Thereafter, the male emits 'pattering' sounds while raising and vibrating his wings and extending the tip of his abdomen towards the female's abdomen. Finally, the genitalia of the two sexes are interlocked for copulation, during which 'drumming' sounds occur.     

Vocal Repertoire and Its Behavioral Contexts in the Pied Tamarin, <Emphasis Type="Italic">Saguinus bicolor</Emphasis>

The study of animal sound signals can be useful in assisting conservation strategies. Understanding the vocal repertoires of endangered species and the behavioral contexts in which they are given is relevant for monitoring protocols, such as those based on automated sound recordings. The pied tamarin (Saguinus bicolor) is at risk of extinction because of deforestation and urban growth in its restricted geographic range. Between 2012 and 2015 we studied the vocal repertoire of the species and the contexts in which different signals are emitted. We made focal recordings of eight free-living groups, two rescued individuals, and one temporarily captive group of pied tamarins in Manaus, central Brazilian Amazonia. From the 766 sounds analyzed we identified 12 distinct signals within the range of 2–11 kHz. Most signals were emitted during resting or locomotion. Less frequently emitted signals were associated with intergroup agonistic interactions, foraging, and infant-exclusive vocalizations. These results increased the known vocal repertoire of the pied tamarin providing more reliable baseline data for monitoring the species by means of automated or focal sound recordings.     

INTRA- AND INTERSPECIFIC DIFFERENCES IN AGONISTIC VOCALIZATION IN CROAKING GOURAMIS (GENUS: TRICHOPSIS,ANABANTOIDEI, TELEOSTEI)

ABSTRACT

In this study a detailed analysis of acoustical parameters of sounds produced by male Trichopsis vittatus, T. schalleri and T. pumilus during agonistic behaviour is reported. The calls consist of croaks which are composed of double pulses generated by modified pectoral fins. Calls of the three species are different in main frequency, number of double pulses within a croak and double pulse period. Croaks are uttered in series only in T. vittatus. Sound pressure levels are highest in T. pumilus, the smallest species. Amplitude of individual pulses of a double pulse are similar in T. pumilus and T. schalleri. Main frequency is negatively correlated with body mass in all species, but there is no correlation between sound pressure level and body mass. Differences in the calls of the three species suggest that T. schalleri is a distinct species. Furthermore, results indicate spectral characteristics and sound intensity could be of biological importance in fish.     

Discrimination of phase spectra in complex sounds by the bullfrog (Rana catesbeiana)

1. Male bullfrogs at two different natural calling sites were presented with playbacks of synthetic advertisement calls differing in phase spectra. Sounds were presented in a ABA design to analyze the ability of the animals to perceive changes in repeated series of stimuli.
2. The number of individual croaks in an answering call significantly increased over repeated presentations of two of the three stimulus phase types in condition A1. There were significantly fewer croaks to the third stimulus. These data suggest that two stimuli were perceived in a similar manner.
3. Latency of calling to stimuli presented in conditions A and B changed in response to shifts in phase spectrum at a low density calling site. These differences were significant when comparing latency to playbacks where shifts in the phase spectrum changed the temporal fine-structure and waveform periodicity of the stimulus.
4. The increase in number of croaks and decrease in response latency across condition A1 and the increase in latency in condition B suggest that discrimination may take the form of stimulus-specific sensitization. In this context, sensitization might reflect an increase in arousal due to repeated presentation of a salient stimulus.
5. The operation of a hypothetical ‘mating call detector,’ based on linear summation of temporal responses from the eighth nerve, provides output similar to the behavioral results.

     

Perception of approaching and withdrawing sound sources after exposure to broadband noise: The importance of spatial domain

The existence of space-specific differences in auditory aftereffects has been tested under short-term (5 s) exposure to broadband noise (20–20000 Hz). Adapting stimuli were emitted as constant-amplitude noise sequences. Test stimuli could be of constant and changing amplitude: increasing amplitude of noise pulses in a sequence mimicked an approaching sound source, whereas a decrease in amplitude was perceived as withdrawal. The experiments were done in an anechoic chamber. Auditory aftereffects were assessed under the following conditions: (a) adapting and test stimuli were emitted through a loudspeaker mounted at a distance of 1.1 m from the listener (i.e., subjectively near); (b) both stimuli were emitted from a distance of 4.5 m (subjectively far); (c) adapting and test stimuli were emitted from different distances. The results showed that the characteristics of perception of the imitated sound source motion were similar in proximity and remoteness, which was observed both in the control (without adaptation) and after adaptation to noise. In the absence of adaptation, the psychophysical curves were asymmetrical: the listeners reported approaching of test stimuli more often for both spatial domains. However, the overestimation of test stimuli as drawing closer was more pronounced when they were emitted from the distance of 1.1 m, i.e., from near the listener. After the adaptation to noise, the aftereffects showed spatial specificity and were observed only when adapting and test stimuli belonged to the same spatial domain. These aftereffects were similar in their pattern and strength both in proximity and remoteness: the listeners reported withdrawal of test stimuli more frequently as compared with the control. As a result of these aftereffects, the symmetry of psychometric curves was restored, and the estimation of the direction of sound source motion in the experiment became equiprobable.     

Development of agonistic behaviour and vocalization in croaking gouramis

The development of agonistic behaviour and vocalization in the croaking gourami Trichopsis vittata was studied from hatching to sexual maturity (4 months of age). Initial interactions started when fry were 11 days old and consisted of approach and flight in a feeding context. More complex threat patterns appeared during dyadic encounters as fish grew older. Lateral display (spreading of median fins in a lateral position) first occurred during the third week, circling shortly afterwards and pectoral fin beating when fish were 7 weeks old. Rapid pectoral fin beating was first accompanied by sound emission at 8 weeks. Initially, croaking sounds were built up mainly of a series of single pulses, each one produced by one pectoral fin. Later, single pulses gave way to double pulses. Furthermore, pulse period and number of pulses increased, while the dominant frequency of croaks decreased significantly with age. After vocalization was established, frontal display, mouth biting and retreat behaviour occurred at the age of 10 weeks. Initially, young exhibited vertical bars which gave way to dots and horizontal bars at 8 weeks when fish started to vocalize. The order of appearance of behavioural patterns during ontogeny corresponds to the order of appearance in fights between adults. This is the first study demonstrating that the ontogenetic development of social signalling comprises characteristic changes in behaviour, vocalization and coloration in a teleost fish.     

Sound production during competitive feeding in the grey gurnard

The acoustic repertoire of captive grey gurnard Eutrigla gurnardus during competitive feeding consisted of three types of sound: knocks, grunts and growls. Knocks were audible as a single sound, whereas grunts and growls were perceived as longer, pulsed sounds to the human ear. Typically, knocks were composed of 1–2 pulses, grunts of 4–8 pulses and growls >10 pulses. Growls were longer and had shorter pulse periods than grunts. All sound types had peak frequencies of c . 500 Hz. The sequences of behaviours observed during feeding interactions suggest that grey gurnard obtain food both by scramble and contest tactics. Competing fish emitted knocks mainly while grasping a food item and also during other non‐agonistic behaviour, suggesting that knock production may reflect a state of feeding arousal but could also serve as a warning of the forager's presence to nearby competitors. Grunts were mainly emitted during frontal displays, which were the most frequent behavioural act preceding grasps, suggesting that they may play a role in deterring other fish from gaining access to disputed food items.     

饲养状态真鲂(鱼弗)发声的昼夜与季节变化

本文研究了受水温和光周期等自然变化影响的饲养状态真鲂鮄发声的昼夜与季节变化,并研究了实验鱼活动(鱼类游泳次数)的日变化。声音信号的昼夜节律记录发声活动的日常水平(摄食之外的时期),但是每月变化的记录(季节性式型)则在摄食期间进行,因为摄食时声音信号增加,而日常发声活动较不频繁。实验鱼包括雌雄两性,且未达性成熟。真鲂鮄在白天发声多一些,也更活跃。声音为阵发式的,较不频繁(平均值=0.04发声/min每鱼每天)。最少的发声活动出现在晚上,凌晨和黄昏居中(声音的阵发更频繁,但是声音更少),最多的发声活动出现在白天(声音的阵发更频繁,并且含更多数目的声音)。竞争摄食时声音信号的比率不呈现季节性变化(平均值=3.98发声/min每鱼),与温度也不相关,显示出竞争摄食时声音的发出以最大比率进行。敲击声和呼噜声的某些声学特征与温度相关,特别是在较高的温度下呼噜声的节拍间隔急剧下降。敲击声和呼噜声的声音参数中的季节性变化,多数可以解释为发声肌肉和中央声音控制回路的温度效应。     

Hearing in honeybees: operant conditioning and spontaneous reactions to airborne sound

Summary Airborne sound signals emitted by dancing bees (Apis mellifera) play an essential role in the bees' dance communication. It has been shown earlier that bees can learn to respond to airborne sounds in an aversive conditioning paradigm. Here we present a new training paradigm. A Y-choice situation was used to determine the frequency range and amplitude thresholds of hearing in bees. In addition, spontaneous reactions of bees to airborne sound were observed and used to determine thresholds of hearing. Both methods revealed that bees are able to detect sound frequencies up to about 500 Hz. The hearing threshold is 100–300 mm/s peak-to-peak velocity and is roughly constant over the range of detectable frequencies. The amplitude of the signals emitted in the dance language is 5 to 10 times higher, so we can conclude that bees can easily detect the dance sounds.     

Evidence for the laryngeal source of ultrasonic and audible cries of rodents

The audible cries of three species of young myomorph rodents were found to be emitted through the nose and the mouth, buccal and nasal cavity resonances being involved in the production of the formant structures of the emitted cries. Ultrasonic cries were found to be emitted mainly through the mouth, with no evidence for the involvement of cavity resonances. Nerve sectioning experiments on adult and young rats implicated the larynx as the source of both their audible and their ultrasonic cries. However, consideration of the considerable differences in physical structure between the typically "vocal" audible cries and the ultrasonic cries, as well as other differences noted in the experimental conditions here and elsewhere, leads to the conclusion that the rodent larynx may operate in two quite different sound production modes.     

Role of syringeal vibrations in bird vocalizations

The sound-generating mechanism in the bird syrinx has been the subject of debate. Recent endoscopic imaging of the syrinx during phonation provided evidence for vibrations of membranes and labia, but could not provide quantitative analysis of the vibrations. We have now recorded vibrations in the intact syrinx directly with an optic vibration detector together with the emitted sound during brain stimulation-induced phonation in anaesthetized pigeons, cockatiels, and a hill myna. The phonating syrinx was also filmed through an endoscope inserted into the trachea. In these species vibrations were always present during phonation, and their frequency and amplitude characteristics were highly similar to those of the emitted sound, including nonlinear acoustic phenomena. This was also true for tonal vocalizations, suggesting that a vibratory mechanism can account for all vocalizations presented in the study. In some vocalizations we found differences in the shape of the waveform between vibrations and the emitted sound, probably reflecting variations in oscillatory behaviour of syringeal structures. This study therefore provides the first direct evidence for a vibratory sound-generating mechanism (i.e. lateral tympaniform membranes or labia acting as pneumatic valves) and does not support pure aerodynamic models. Furthermore, the data emphasize a potentially high degree of acoustic complexity.     

Sand pile above the nest amplifies the sound emitted by the male sand goby

The male sand gobies calls and spawns inside cavities beneath stones, shells and other submerged objects (including artificial shelters) which he covers by piling sand on them. A previous study showed fish shelters likely act as impedance-matching devices enhancing sound frequencies below 500 Hz. This study examines the effect of the sand pile on sound amplification by shelters commonly used by Mediterranean sand gobies as nest sites in the field (bivalve shells, pebbles), or within aquarium tanks (tunnel-shaped plastic tiles, halves of clay flower-pots). Shelters were acoustically stimulated with white noise and artificial pulse-trains emitted by a small underwater buzzer placed inside the cavity. Results showed the sand pile increased the low-frequency gain by up to 12 dB. Conclusions were verified by examining the role of natural sand builds in sound amplification using data from a previous laboratory study on sound production in the male sand goby P. minutus. Implications for acoustic communication in sand gobies are discussed.     

A comparison of avoidance to acoustic stimuli in fish with different auditory capabilities: juvenile chum salmon (Oncorhynchus keta) and common carp (Cyprinus carpio)

This study compared the repulsive effects of sound playbacks of intermittent 30, 150, 300, 600 and 900 Hz tones on two fish with different auditory capabilities: juvenile chum salmon (Oncorhynchus keta) and common carp (Cyprinus carpio). When 150 and 300 Hz tones were emitted from an underwater speaker, O. keta exhibited a moderate repulse reaction. Conversely, C. carpio exhibited a moderate repulse reaction to a tone with a frequency of 30 Hz, which indicates that a low-frequency component in complex broadband sound may be important for inducing a repulse reaction in cyprinids.     

Hearing in honeybees: localization of the auditory sense organ

Airborne sound signals emitted by dancing honeybees (Apis mellifera) contain information about the locations of food sources. Honeybees can perceive these near field sounds and rely on them to decode the messages of the dance language. The dance sound is characterized by rhythmical air particle movement of high velocity amplitudes. The aim of the present study was to identify the sensory structures used to detect near field sound signals. In an operant conditioning experiment, bees were trained to respond to sound. Ablation experiments with these trained bees revealed that neither mechanosensory hairs on the antennae or head nor bristle fields at the joints of the antenna, but Johnston's organ, a chordotonal organ in the pedicel of the antenna, is used to detect near field sound in honeybees.     

Sound production in the red swamp crayfish Procambarus clarkii (Decapoda: Cambaridae)

Little is known about the acoustic behaviour of freshwater crustaceans. The present study is the first to describe the acoustic features and the sound production mechanisms of the crayfish Procambarus clarkii. Acoustic signalling was recorded and videotaped. When the animals were recorded in air, they produced a pulsed signal by beating the scaphognathite inside the chamber constituted by the efferent branchial channels. No sound was emitted after scaphognathite ablation. The acoustic features of the signals varied among individuals but were not correlated with body size. Several hypotheses on the functions of these sounds were discussed.     

Four type of sounds for one winner: vocalizations during territorial behavior in the red-mouthed goby <Emphasis Type="Italic">Gobius cruentatus</Emphasis> (Pisces Gobiidae)

During territorial encounters, the acoustic repertoire of Gobius cruentatus consists of four types of sound emissions: a tonal sound, a noisy tonal sound, a train of individual pulses, and a complex sound. The complex sound is made of two distinct elements, an initial tonal part followed by pulses. This is the largest acoustic repertoire described so far in gobiid fish during aggressive interaction. Sounds are emitted, mainly by the residents, when fish have already started the interaction but before the encounter is settled. Therefore, sounds seem to have a threatening function.     

The acoustic role of tracheal chambers and nasal cavities in the production of sonar pulses by the horseshoe bat, Rhinolophus hildebrandti

Summary The acoustic role of the enlarged, bony, nasal cavities and rigid tracheal chambers in the horseshoe bat,Rhinolophus hildebrandti (Fig. 2) was investigated by determining the effect of their selective filling on the nasally emitted sonar pulse and on the sound traveling backwards down the trachea.Normal sonar signals of this bat contain a long constant frequency component with most energy in the second harmonic at about 48 kHz. The fundamental is typically suppressed 20 to 30 dB below the level of the second harmonic (Fig. 1).None of the experimental manipulations described affected the frequency of the sonar signal fundamental.Filling the dorsal and both lateral tracheal chambers had little effect on the emitted vocalization, but caused the level of the fundamental component in the trachea to increase 15 to 19 dB in most bats (Table 2). When only the dorsal chamber or only the two lateral chambers were filled, the effect was less striking and more variable (Tables 3 and 4), suggesting that the tracheal fundamental is normally suppressed by acoustic interaction between these three cavities.Filling the enlarged dorsal nasal cavities had no effect on the tracheal sound. The effect of this treatment on the nasally emitted sonar pulse was inconsistent. Sometimes the fundamental increased 10 to 12 dB, other times the intensity of all harmonics decreased; in still other cases the second, third or fourth harmonic increased, but the fundamental remained unchanged (Tables 5, 6, and 7).When bats were forced to vocalize through the mouth, by sealing the nostrils, there was a prominent increase in the level of the emitted fundamental (10 to 21 dB) and in the fourth harmonic (6 to 17 dB). In one instance there was also a significant increase in the level of the third harmonic (Tables 8 and 9). The supraglottal tract thus filters the fundamental from the nasally emitted sonar signal, although the role of the inflated nasal cavities in this process is unclear.We conclude that a high glottal impedance acoustically isolates the subglottal from the supraglottal vocal tract. The tracheal chambers do not affect the emitted sonar signal, but may attenuate the fundamental in the trachea and prevent it from being reflected from the lungs back towards the cochlea. It may be important to prevent the reflected fundamental from stimulating the cochlea, via tissue conduction, along multiple indirect pathways which would temporally smear cochlear stimulation.Tracheal and nasal chambers, by suppressing the internally reflected and externally radiated components, respectively, of the laryngeal fundamental, may enable horseshoe bats to rely on the tissue-conducted fundamental as a reference or marker of its own laryngeally generated sound which could be useful in processing sonar information.     

Spherical sound radiation patterns of singing grass cicadas, Tympanistalna gastrica

The spatial pattern of sound radiation of grass cicadas emitting normally patterned calling songs was measured in the acoustic far field with an array of eight microphones at a distance of 15 cm. The array could be rotated to cover the sphere around the cicada. The sound was analysed in one-third-octave bands with centre frequencies from 3.15 kHz to 16 kHz, the frequency range of the calling song. The seven cicadas studied had very similar spatial radiation patterns, but somewhat different emitted sound powers (range 190–440 nW, mean 280 nW, at 22 °C). At low frequencies, the pattern of sound radiation was close to spherical. At higher frequencies, systematic deviations from a spherical pattern were evident. The deviations were of the order of magnitude expected for monopolar sound sources located on sound-shielding bodies. We conclude that, although the singing cicada produces a quite complex acoustic near field, it behaves as a monopole in the far field. These findings are compared with data from a singing grasshopper of similar size, which in the far field behaves as a multipole. Accepted: 20 November 1999     

Environmental ultrasound in laboratories and animal houses: a possible cause for concern in the welfare and use of laboratory animals

Many laboratory animals are known to be sensitive to sounds (ultrasounds) beyond the nominal upper limit (20 kHz) of the human hearing range. Sources of sound in laboratories and animal houses were examined to determine the extent of ambient ultrasound. Of 39 sources monitored, 24 were found to emit ultrasonic sounds. Many of these (e.g. cage washers and hoses) also produced sound in the audible range. Running taps, squeaky chairs and rotating glass stoppers created particularly high sound pressure levels and contained frequencies to over 100 kHz. The oscilloscopes and visual display units investigated provided particular cause for concern as they emitted sounds that were entirely ultrasonic and therefore were apparently silent. Ambient ultrasound therefore appears to be common in laboratories and animal houses. It is suggested that its effect on laboratory animals should be investigated and guidelines on acceptable levels be formulated.