Honest advertisement and song output during the dawn chorus of black-capped chickadees

Costly signals can evolve under sexual selection, as only thosesignals that are difficult to produce and reflect the relativequality of individuals should be important in mate choice. Onesuch signal may be dawn singing behavior in birds. We assessedwhether the song output at dawn of breeding male black-cappedchickadees Parus atricapilhis honestly reflects quality, whererelative quality is assessed by relative dominance rank in winterflocks. Dawn choruses were recorded from 20 male chickadeesfrom 10 flocks during the fertile period of their mates in 1992,1994, and 1995. Dominance ranks of males were assessed by tabulatinginteractions at winter feeders from 1993 to 1995. A comparisonof the dawn singing behavior of the high-ranking and the low-rankingmales from each of the 10 flocks showed that high-ranking malesbegan singing earlier, sang longer, and sang at higher averageand maximum rates than low-ranking flockmates. Age of the maleshad less effect on song output at dawn than rank; older malestended to sing longer dawn choruses, but there was no differencein onset of singing, average song rate, or maximum song rateat dawn between hatch year and after-hatch year males. Our findingssuggest the dawn chorus can provide an accurate signal to femalesof the relative quality of their mate compared to neighboringmales     

The effect of neighbours and females on dawn and daytime singing behaviours by male chipping sparrows

Bird song may play an important role for communication among territorial neighbours, but the effect of neighbours on song use is still not well known. My previous field observations suggested that male chipping sparrows, Spizella passerina, use the dawn chorus for interactions among neighbouring males, and use day song for female attraction. To determine how these social factors may influence dawn and daytime singing behaviour, I conducted a series of experiments in which I removed the male neighbours or the female mate of territorial males during 1998-2000. Following removal of all neighbouring males, the solitary male either stopped or reduced his dawn chorus (N=9), but did not change his daytime singing behaviour. After one of the neighbouring males was returned to his territory, the focal male resumed and increased his dawn bout, accompanied with close-range countersinging. Following the removal of a territorial male's mate, the widowed male did not change the dawn chorus, but significantly increased his day song. This study thus revealed that, in chipping sparrows, the presence or absence of neighbouring males has a significant effect on the dawn chorus singing behaviour of territorial males. The presence or absence of a male's mate, in contrast, has a strong influence on a male's daytime singing behaviour. This study also supports the hypothesis that the dawn chorus and daytime song have different functions.     

Early singers attend to conspecific but not heterospecific behavioural cues at dawn

During the dawn chorus songbirds initiate singing activities just prior to sunrise. Environmental factors affect the timing of the dawn chorus, but relatively little is known about how behavioural cues influence chorus timing. We assessed whether early playback of conspecific and heterospecific song influenced chorus start times in two early‐singing temperate species, hermit thrush Catharus guttatus and veery C. fuscescens. We used arrays of GPS time‐synchronized recorders to record the dawn chorus at 30 locations. In each location, thirty minutes prior to natural chorus initiation, we broadcast: 1) an early singing species (hermit thrush or veery), 2) a late singing species (black‐throated green warbler Setophaga virens or Nashville warbler Oreothlypis ruficapilla), 3) a noise control, and 4) also recorded without playback (silent control). Playback treatments were separated by two‐three days at each location. Both hermit thrush and veery sang significantly earlier in response to conspecific playback compared to noise or silent controls. Both species also sang earlier in response to conspecific playback compared to the day before or the day after playback. Neither species sang earlier in response to heterospecific playback (regardless of whether the broadcast species was a naturally early or late song initiator) compared to noise or silent controls. Our results support the theory that the dawn chorus is a communication network where individuals attend primarily to conspecific cues; heterospecific song appears to have minimal impacts on the chorus start times of the two early‐singing species we investigated.     

Phylogenetic and ecological determinants of the neotropical dawn chorus

The concentration of avian song at first light (i.e. the dawn chorus) is widely appreciated, but has an enigmatic functional significance. One widely accepted explanation is that birds are active at dawn, but light levels are not yet adequate for foraging. In forest communities, the onset to singing should thus be predictable from the species' foraging strata, which is ultimately related to ambient light level. To test this, we collected data from a tropical forest of Ecuador involving 57 species from 27 families of birds. Time of first song was a repeatable, species-specific trait, and the majority of resident birds, including non-passerines, sang in the dawn chorus. For passerine birds, foraging height was the best predictor of time of first song, with canopy birds singing earlier than birds foraging closer to the forest floor. A weak and opposite result was observed for non-passerines. For passerine birds, eye size also predicted time of first song, with larger eyed birds singing earlier, after controlling for body mass, taxonomic group and foraging height. This is the first comparative study of the dawn chorus in the Neotropics, and it provides the first evidence for foraging strata as the primary determinant of scheduling participation in the dawn chorus of birds.     

Dawn singing of the Brownish‐flanked Bush Warbler influences dawn chorusing in a bird community

Despite numerous studies on the function of the avian dawn chorus, few studies have examined whether dawn singing may influence the singing of other species. Here, we built on our previous study which found male Brownish‐flanked Bush Warblers (Horornis fortipes) increase their dawn singing intensity after conspecific playback on the previous day. We reanalyzed those recordings to quantify the start of dawn singing in other nine sympatric songbird species. Ranking‐scaling analyses identified a distinctive sequential pattern of dawn singing among these bird species between the first and the second dawn chorus, and meta‐analysis showed a significant trend to singing earlier in the bird community accompanied by the increase in dawn singing intensity in Brownish‐flanked Bush Warbler. Species with songs most similar to that of the Brownish‐flanked Bush Warbler and species that were phylogenetically distantly related to the Brownish‐flanked Bush Warbler showed a greater shift in the onset of dawn singing. Our study is one of the few studies showing how bird song influences heterospecific singing, and this may influence the temporal organization of song activity in the community, and result in synchronization in singing activities among different species, such as singing in dawn and dusk chorus.     

Why do songbirds sing intensively at dawn?

Among the ideas proposed to explain the existence of the dawn chorus in songbirds, the acoustic transmission hypothesis claims that birds sing most intensively at dawn because this is the time of the day when songs suffer least from environmentally induced degradation and hence propagate over the longest distances. In this article, we report on the first sound transmission experiment that directly tests this assumption using natural song from a typically forest-living dawn chorusing bird, the blackcap Sylvia atricapilla. Representative sound elements from the introductory twitter part and from the terminating motif part of the blackcap song were transmitted and re-recorded at three different times of the day: dawn, midmorning, and early afternoon. These recordings were then compared with respect to the following measures of sound degradation: signal-to-noise ratio (SNR), excess attenuation, blurring over song elements, and elongation of song elements by tails of echoes. As could be expected, both the background noise and the SNR varied considerably over the day. More surprisingly the excess attenuation decreased during the day, being lowest in the afternoon. There was no diurnal variation in blurring and elongation by echoes. The results may be explained by the diurnal variation in physical parameters such as temperature, relative humidity, and wind speed. The implications of this for different communication activities are discussed. Overall, the results show that dawn conditions in a temperate deciduous forest do not always constitute the best circumstances for long-range communication and therefore that the dawn chorus cannot be explained by the sound transmission hypothesis. Received in revised form: 24 September 2001 Electronic Publication     

Song types and their structural features are associated with specific contexts in the banded wren

We studied the use of song types and their acoustic features in different social contexts in the banded wren (Thryothorus pleurostictus), a resident tropical songbird in which males possess about 20 distinctive song types varying in duration, bandwidth, note composition, and trill structure. We recorded six focal males intensively for four days each while we observed context information such as during versus after dawn chorus, presence of the female, counter-versus solo-singing, location at the edge versus centre of the territory, and proximity to the nest. All males used at least some song types differentially during each of these pairs of alternative contexts. Males also preferentially used the song types they shared with a given neighbour when interacting with that bird. Songs delivered during dawn chorus were significantly longer, wider in bandwidth, often compound (double songs), and more likely to contain a rattle or buzz and an up-sweeping trill, compared to songs delivered after dawn chorus. Similar features were also more commonly observed when birds were engaged in intense male-male interactions and boundary disputes after dawn chorus, especially when countersinging at the edge of the territory. The presence of the female caused the male to deliver song types with narrower whole-song and trill bandwidth and fewer rattles and buzzes, and song-type diversity and fraction of compound songs were higher when the female was present. Thus, in addition to using type matching and variations in song-type switching and diversity to signal different levels of aggressive intention, male banded wrens also select song types based on their acoustic structure in different social contexts.     

Patterns of dawn singing by Buff-breasted Flycatchers

ABSTRACT.   Many passerine species exhibit a "dawn chorus"—a bout of intense singing activity before or at dawn, but our understanding of this phenomenon is poor. Tyrant flycatchers (Tyrannidae) exhibit pronounced daily bouts of dawn singing. I documented this behavior in several populations of Buff-breasted Flycatchers ( Empidonax fulvifrons ) in Arizona, tape recording >30,000 songs of 23 individuals during dawn singing. Individual males sang a dawn bout each morning, even during breeding phases when daytime song was almost completely absent. Dawn bouts began 5–10 min before local civil twilight and continued for 25–30 min. Each male possessed two song types delivered at high rates during dawn singing (four times the rate during sustained daytime singing). Song rate varied significantly over the course of dawn bouts, increasing to 55 songs / min at mid-bout, then declining to the end of the bout. Type 2 songs comprised about 30% of songs during dawn singing, and decreased significantly in proportion during the final 10 min of the bout. Songs of the two types were delivered in a nonrandom fashion. Males sang at locations near territory boundaries and pairs of neighbors engaged in counter-singing from the same locations each morning. A number of dawn singing bouts ended with attempted or successful copulations. These observations are consistent with the social dynamics hypothesis for the functional significance of dawn singing in this species.     

Long-term influence of simulated territorial intrusions on dawn and dusk singing in the Winter Wren: spring versus autumn

Males of many songbird species have peaks of singing activity at dawn and dusk. Singing during those twilight periods can function in territory proclamation, and males are suggested to adjust song output to the level of intruder pressure. We used song playback during the breeding season to simulate intrusions into territories of male Winter Wrens (Troglodytes troglodytes) shortly after dawn. We then compared male singing behaviour during the dawn and dusk chorus before and 1 day after the simulated intrusion. One day after the playback, male Wrens increased their song output before sunrise, which confirms our results from a previous study on dawn singing in autumn territories. At dusk, on the evening following the playback, males slightly increased song output after sunset, but singing activity at dusk was generally very low. We found no significant changes of song output after sunrise, before sunset, and between 2 days of control without playback. These results are consistent with the hypothesis that dawn and dusk singing is important for territory defence in spring. Unlike in autumn, however, increased singing in spring at dawn and dusk could also serve to defend other resources such as fertile mates or to strengthen the pair bond after a territorial challenge. In comparison with the results on autumnal singing, male Wrens started singing earlier at dawn during the breeding season, and they generally sang more songs at dawn and immediately after playback. The increase in absolute numbers of songs sung in the morning after playback seemed greater in spring than in autumn; however, the proportional increase relative to overall song output was similar in both seasons.     

Conveying information with one song type: changes in dawn song performance correspond to different female breeding stages

Many bird species participate in dawn singing, a behaviour categorized by intensive singing at dawn; however, many of these species deliver only one song type at dawn. While there are many proximate and ultimate hypotheses for why birds sing at dawn, little is known about whether males are able to vary one simple song to convey different information. We used autonomous acoustic recorders to record dawn songs of field sparrows and quantified three parameters of singing performance: 1) bout length, 2) song rate, and 3) song complexity. We found that males sang the longest dawn bouts during their mate's fertile period, the highest song rates during the post-fertile period, and the most complex songs during the pre-fertile period. The change in dawn singing behaviour with their mate's breeding stage suggest the purpose of dawn song may be context dependent. Our results demonstrate that male field sparrows, while only having a single song type sung at dawn, may convey information for both intra- and intersexual purposes. While it is generally assumed that dawn song has a specific function, the variability in the duration, rate, and complexity of dawn song in field sparrows suggests that they are conveying different information and that dawn song likely has multiple functions.     

Heavy metal pollution affects dawn singing behaviour in a small passerine bird

Although several studies have suggested that behavioural measures may be more comprehensive than other biomarkers for indicating an organism’s health or welfare, this has rarely been investigated in free-living terrestrial vertebrates. Here we examine the expression of dawn singing behaviour in a free-living small songbird in relation to environmental pollution. We compared the singing behaviour of male great tits Parus major inhabiting an area extremely polluted with heavy metals with that of males inhabiting areas of low(er) pollution (at 4 and 20 km distance from the pollution source). Males at the most polluted site had a significantly smaller repertoire size than males at the two other sites. They also produced a significantly lower total amount of song during the dawn chorus than the males at a distance of 4 km from the pollution source. Our results, although non-experimental and obtained in field conditions, strongly suggest that heavy metal pollution might affect the expression of singing behaviour. Taking into account that previous studies were not able to detect clear, straightforward differences between the health of great tits at the most polluted site and at 4 km distance from the pollution source, our results suggest that the singing behaviour of great tits may be a useful indicator of environmental stress at the population level.     

Communication breakdown? Habitat influences on black-capped chickadee dawn choruses

The dawn chorus of the black-capped chickadee (Poecile atricapillus) is a communication network that functions in the dissemination of essential information for both males and females. Habitat type may influence the performance of this network, and if recognized, chickadees may attempt to behaviorally compensate for detrimental changes in the form of increased movement. We studied the dawn chorus of 66 black-capped chickadees in two adjacent, yet structurally different, habitats (disturbed and undisturbed) during the summers of 2000–2003 and recorded via point counts the number of neighboring males heard singing simultaneously while following a focal chorusing male and observing his movement. A transmission study to detect differential degradation due to habitat type was also conducted within the same research site. Observers in the disturbed sites heard significantly fewer neighboring males in the focal male's territory than in the undisturbed site, yet individual movement did not differ between habitat types. Propagation of song of varying frequencies, as measured by entropy, suffered less degradation in the disturbed site for high-frequency songs, but there was no effect of habitat on low- or mid-frequency songs. Greater interneighbor distance in the disturbed site likely explains some of the reduction in audibility of neighboring males during the dawn chorus, but the reduced condition of birds in the disturbed site (implicated from other studies) may also be a factor in explaining the difference in networks. The findings of this study suggest that chickadees in the disturbed habitat are experiencing a compromised communication network, which could impact breeding and other social behaviors.     

Dawn song of male blue tits as a predictor of competitiveness in midmorning singing interactions

During the dawn chorus, territorial male songbirds vocalise intensively within signalling range of several conspecific males and can therefore be considered members of a busy communication network. The more or less continuous singing over a long period of time under standardised stimulus conditions makes the dawn song a potentially important information source both for simple receivers and for eavesdroppers. Male blue tits (Parus caeruleus) vary in features of their dawn song, e.g. older males sing longer strophes, and females choose males that sing longer strophes as extra-pair partners. However, so far, dawn song in the blue tit has been investigated separately from other singing behaviour of the same males. In this study, we investigate aspects of blue tit male quality, reflected in dawn song characteristics, and their predictive value for how males behave during singing interactions later in the morning. We acted as simple receivers by recording the singing activity of one male at a time at dawn and compared features of its dawn song, such as onset before sunrise, repertoire size, mean bout length, strophe length and percentage performance time to responses of the same male to a territory intrusion simulated by playback of synthesised songs later during the same morning. We assume that an aggressive response towards an intruder will involve a fast approach to the loudspeaker broadcasting strophes of blue tit song, searching for the intruder (flying around), and a high amount of counter singing and overlapping of the intruders songs. Aspects of vigour of response to the simulated intrusion could be predicted from all five investigated dawn song parameters as well as male age. This is, to our knowledge, the first indication that a simple receiver could extract reliable information from a males dawn singing behaviour about its competitiveness later in the day.Communicated by P.K. McGregor     

Dawn chorus and female behaviour in the Willow Tit Parus montanus

We studied the effect of female behaviour on the dawn chorus of Willow Tits Parus montanus. Ten females were temporarily kept in their nest holes in order to delay their dawn emergence. Simultaneously, their mates' singing behaviour was measured. We compared the control dawn behaviour (during which the females emerged when they wanted) with that during the experimental delay. The dawn song by the males lasted longer when the females' emergences were delayed. Our results show that the duration of the dawn chorus is directly related to the female's behaviour. We suggest that at least one function of the dawn song is intrapair signalling, which is often linked to sperm competition.     

Interspecific Response to Playback of Bird Song

Responses to bird song have usually only been studied at the intraspecific level. I experimentally tested whether playback of the song of the black wheatear Oenanthe leucura in an area in S Spain resulted in responses from conspecifics as well as heterospecific birds by comparing the numbers of individuals singing before and after playback. The number of singing male black wheatears increased considerably, but also the number of singing males of five other passerine species increased significantly. The heterospecific response to playback may be due (1) to interspecific territoriality, (2) to black wheatear song signalling the absence of predators, or (3) to heterospecifics confusing the species-identity of the singer. The second alternative is considered more likely, since an ecologically wide array of species increased their song rate following playback. The conspicuous dawn (and dusk) chorus of bird song may be augmented by social facilitation due to the singing of conspecifics as well as heterospecifics.     

Two explanations of the dawn chorus compared: how monotonically changing light levels favour a short break from singing

I used optimality modelling to compare two of the most plausible and general explanations for the dawn and dusk peaks in bird song output. Kacelnik's explanation is that foraging is inefficient in poor light, but that social interactions are less affected, making singing more worthwhile than foraging. McNamara et al.'s explanation is based on stochasticity in foraging success and overnight energy requirements; it has been extensively analysed with stochastic dynamic programming models. Both explanations are now incorporated into this sort of model. I used various functions to link success of foraging and singing to time of day, but assumed that above some light level there is no further effect. Kacelnik's explanation has as strong an effect as stochasticity in generating dawn and dusk choruses. It also predicts short pauses in the singing output just after the dawn chorus and before the dusk chorus. The former arises because birds delay foraging when it will become more profitable later, until foraging success reaches a plateau, when the energetic debt accumulated makes them forage. The principle of this see-saw double switch in behaviours may apply to other explanations for the dawn chorus, and to other shifts in behaviour when conditions change gradually. The model predicts that from day to day cloud cover determines when a dawn chorus starts, but that overnight temperature and wind strength have more effect on chorus intensity and duration. I discuss what sort of observational and experimental data on singing routines would better test this model. Copyright 2002 The Association for the Study of Animal Behaviour. Published by Elsevier Science Ltd. All rights reserved.     

Understanding the function of nocturnal song in ovenbirds: males do not countersing at night

Many diurnal bird species vocalize at night, however the function of nocturnal song is, generally, still poorly understood. Previous research has suggested that nocturnal song may serve a social function and is influenced by environmental factors. To test whether males attend to the nocturnal song of conspecifics, we experimentally exposed ovenbirds Seiurus aurocapilla to nocturnal flight songs, and recorded their response both during the night and during the following dawn chorus. We compared latency to song and vocal output before and after playback exposure to determine if males altered their vocalizations in response to exposure to flight songs from an unknown male. We found no evidence of counter singing or change in nocturnal song output, nor a change in vocal output during the dawn chorus following playback exposure. Our results suggest that, in ovenbirds, nocturnal song does not serve as an intraspecific social function. Nocturnal song, through rare, may be significant in the mating systems of some diurnal bird species, and requires additional study.     

Dawn Singing Intensity of the Male Brownish‐Flanked Bush Warbler: Effects of Territorial Insertions and Number of Neighbors

The dawn chorus is a period of peak singing activity of many songbirds. Numerous studies have sought to understand this widespread phenomenon, and many hypotheses have been proposed to explain the dawn chorus. The social dynamics hypothesis proposes that dawn singing plays an important role in the announcement of territorial occupancy and the regulation of social relationships between males; it predicts that the dawn chorus vocal behavior varies with changes in social relationships. In this study, we tested the influence of territorial insertions and the number of neighbors, on the intensity of the brownish‐flanked bush warbler (Cettia fortipes)'s dawn singing. We found that simulated territorial insertions (playback) caused the males to increase their dawn singing significantly the next day, and males that had many neighbors exhibited more intense dawn singing than did males with few neighbors. Our study provides evidence that dawn singing plays an important role in the announcement of territorial occupancy and the regulation of the social relationships between the males.     

The Dawn Song of the Blue Tit Parus caeruleus and its Role in Sexual Selection

Sexual selection arises when variance in male reproductive success is non-randomly related to phenotypic characters of males. Song can be considered as such a phenotypic character and several studies have shown that song complexity and/or song output are important in competition among males or in partner choice. In the blue tit Parus caeruleus a peak in male singing activity occurs at dawn during the female fertile period, i.e. after pair formation. The function of this dawn chorus is not well understood. In this study 20 male blue tits were recorded at dawn and song complexity and output were expressed as versatility, mean strophe length, mean percentage performance time and bouts with or without drift, i.e. with or without a systematic decline in percentage performance time. Females mated to males with a higher mean percentage performance time (output) and a higher versatility (complexity) started to lay eggs earlier, but the latter was not significant. Females mated to males that showed no drift in their song bouts laid significantly larger clutches. Our results thus suggest that in the blue tit, song output at dawn, rather than song complexity, might be a trait under sexual selection.     

Variation in Song Rate during the Breeding Cycle of the Chaffinch,Fringilla coelebs

The variation in song rate during the breeding season was studied in two individually marked chaffinch Fringilla coelebs populations. We gathered data to investigate especially the recently presented mate-guarding hypothesis. The active singing has been supposed to function as a form of mate guarding during the female's fertile period by announcing the high status of the male and preventing extra-pair copulations by neighbouring males. There was no clear dawn chorus in the chaffinch, i.e. a peak in the song rate before sunrise. Male chaffinches continued to sing after mating, but the song rate dropped significantly. In contrast to the mate-guarding hypothesis the song rate was lower during the fertile period of the female than during pre-mating and incubation. Thus, the males do not announce the fertility status of their mates or their own quality and status by active singing. The song does not function as a form of mate guarding in the chaffinch. One function of the song of the chaffinch is mate attraction: singing activity was highest before pair formation in early spring and decreased after mating but increased again if the male lost his mate later in the breeding season.