The deterrent effect of bird song in territory defense

Using the responses of territory owners to playback to inferthe territorial function of acoustic signals is common practice.However, difficulties with interpreting the results of suchexperiments have obscured our understanding of territorial signalling.For instance, a stronger response to playback is often interpretedas more aggressive, but there is no consensus as to whetherthis should be in response to the least or most threateningsimulated intruder. Rather than following a gradual increaseor decrease, the relationship between signal intensity and responsestrength may instead describe a peaked curve. We manipulatedbanded wren (Thryophilus pleurostictus) songs to simulate low-,median-, and high-performance singers and used these songs asstimuli in playback experiments. Banded wrens were less likelyto approach the high-performance stimulus compared with thelow- and median-performance stimuli. However, the birds thatdid approach the high-performance stimulus sang more than thosethat approached the low-performance stimulus. In addition, birdswere more likely to match the songs when exposed to the median-and high-performance stimuli compared with the low-performancestimuli, and song matching predicted approach behavior. Theseresults are in accordance with theoretical models of aggressiveencounters in which low-performance opponents are challengedwithout further assessment. Median- and high-performance opponents,however, may require further assessment, and the latter maybe perceived as too intimidating for approach.     

The learning advantage: bird species that learn their song show a tighter adjustment of song to noisy environments than those that do not learn

Song learning has evolved within several avian groups. Although its evolutionary advantage is not clear, it has been proposed that song learning may be advantageous in allowing birds to adapt their songs to the local acoustic environment. To test this hypothesis, we analysed patterns of song adjustment to noisy environments and explored their possible link to song learning. Bird vocalizations can be masked by low‐frequency noise, and birds respond to this by singing higher‐pitched songs. Most reports of this strategy involve oscines, a group of birds with learning‐based song variability, and it is doubtful whether species that lack song learning (e.g. suboscines) can adjust their songs to noisy environments. We address this question by comparing the degree of song adjustment to noise in a large sample of oscines (17 populations, 14 species) and suboscines (11 populations, 7 species), recorded in Brazil (Manaus, Brasilia and Curitiba) and Mexico City. We found a significantly stronger association between minimum song frequency and noise levels (effect size) in oscines than in suboscines, suggesting a tighter match in oscines between song transmission capacity and ambient acoustics. Suboscines may be more vulnerable to acoustic pollution than oscines and thus less capable of colonizing cities or acoustically novel habitats. Additionally, we found that species whose song frequency was more divergent between populations showed tighter noise–song frequency associations. Our results suggest that song learning and/or song plasticity allows adaptation to new habitats and that this selective advantage may be linked to the evolution of song learning and plasticity.     

Losses of female song with changes from tropical to temperate breeding in the New World blackbirds

Birds in which both sexes produce complex songs are thought to be more common in the tropics than in temperate areas, where typically only males sing. Yet the role of phylogeny in this apparent relationship between female song and latitude has never been examined. Here, we reconstruct evolutionary changes in female song and breeding latitude in the New World blackbirds (Icteridae), a family with both temperate and tropical representatives. We provide strong evidence that members of this group have moved repeatedly from tropical to temperate breeding ranges and, furthermore, that these range shifts were associated with losses of female song more often than expected by chance. This historical perspective suggests that male-biased song production in many temperate species is the result not of sexual selection for complex song in males but of selection against such songs in females. Our results provide new insights into the differences we see today between tropical and temperate songbirds, and suggest that the role of sexual selection in the evolution of bird song might not be as simple as we think.     

Songs and the Function of Song Elements in Four Duetting Bushcricket Species (Ensifera, Phaneropteridae, Barbitistes)

The structure of male songs and the timing of female replies with respect to the male songs are described for four species of the palaearctic bushcricket genus Barbitistes (B. constrictus, B. ocskayi, B. serricauda, B. yersini). In a male song, 3 to 16 syllables form a chirp followed by a trigger syllable after a longer interval. The trigger syllable releases a female reply with a latency of 30 to 50 ms in all four species. In B. serricauda songs, there is no clearly separated trigger syllable. Instead, the first syllable of a chirp functions as a trigger syllable. Some B. serricauda males may produce a short female-type syllable just at the moment, when a female would reply. The possible function of such a syllable is acoustical mimicry. When comparing at least two song parameters, each species occupies a specific combination of values. According to the overlap of parameters a close phylogenetic relationship between B. constrictus and B. serricauda and between B. ocskayi and B. yersini is assumed. This interpretation is compared with a hypothesis based on morphological investigations.     

Repertoire size, sexual selection, and offspring viability in the great reed warbler: changing patterns in space and time

Only a few studies have focussed on the consistency of sexualselection patterns in space and time. One such case is the greatreed warbler (Acrocephalus arundinaceus), for which studiesin Germany in 1981–1982 and Sweden in 1987–1991strongly suggested that the size of a male's song repertoirewas the target of mate choice and sexual selection. Studyingthe same German population once again in 1994–2000, weinvestigated the consistency of these patterns over time aswell as between populations. Our reanalysis of the data from1981–1982 shows that male repertoire size was positivelycorrelated with male pairing success (harem size) and with clutchsize (adjusted for seasonal effects), whereas no such correlationswere found during 1994–2000 in the same population. Wesuggest that the earlier correlations were probably caused indirectlyby covariation with territory quality, and that a decline inpopulation size has changed the role of territory quality. Inthe Swedish population, an earlier study found a striking correlationbetween the size of a male's repertoire and the viability ofits offspring, suggesting good-gene effects. In contrast, wefound no such correlation in the German population, neitherin 1981–1982 nor in 1994–2000. We conclude thatrepertoire size does not seem to be a very reliable indicatorof variation in male quality. Interestingly, the analysis ofdata from 1994–2000 showed that male pairing success wasstrongly correlated with measures of strophe length and immediateversatility, traits that have been found to reflect male longevity.Future studies will have to show whether these performance-relatedtraits are more powerful indicators of male quality than isrepertoire size.     

Year-round resource defence and the evolution of male and female song in suboscine birds: social armaments are mutual ornaments

The evolution of sexually monomorphic (i.e. mutual) ornamentation has attracted growing attention as a 'blind-spot' in evolutionary biology. The popular consensus is that female ornaments are subject to the same modes of sexual selection as males: intrasexual competition and mate choice. However, it remains unclear how these forces interact within and between sexes, or whether they fully capture selection on female traits. One possibility is that the 'armament-ornament' model - which proposes that traits used primarily in male-male contests are also co-opted by females as indicators of male quality - can be extended to explain signal evolution in both sexes. We examine this idea by testing the function of acoustic signals in two species of duetting antbirds. Behavioural observations and playback experiments suggest that male and female songs function primarily as armaments in competitive interactions. Removal experiments reveal that song is also a classic ornament used by unpaired males and females to advertise for mates. These results indicate that 'armament-ornament' processes may operate in reciprocal format, potentially explaining widespread mutual ornamentation in species with elevated intrasexual competition for resources. In addition, given that songs mediate competition between species outside the breeding season, our findings suggest that processes shaping monomorphic ornaments extend beyond the traditional definitions of sexual selection and are best understood in the broader framework of social selection.     

The development of coordinated singing in cooperatively displaying long-tailed manakins

Long-tailed manakins (Chiroxiphia linearis) have a puzzlingsocial system in which teams of two males display cooperativelyin dispersed lek arenas, but only the alpha partner mates withvisiting females. One benefit of performing as a nonmatingpartner might be to gain experience as an "apprentice" to improvethe performance of the complex duet song and joint dance. Weexamined the relationship between the age of singers and twomeasures of singing performance: song variability and soundfrequency matching. Singing performance improved with age;variability in four song characteristics of males less than3 years old was greater than that in their older partners,and frequency matching increased with the age of the younger partner. Randomization tests of song samples from seven well-establishedteams showed that males did not track the song-to-song variationin their partners' singing. Another randomization test showedthat frequency matching by these teams was higher than thatof randomly paired partners. We considered three alternativehypotheses for the congruent songs: (1) short-term accommodation to the partner's song; (2) active choice of partners with similarintrinsic frequencies; and (3) long-term development of congruentsong through either practice or song copying. Our results andevidence from long-term monitoring of banded birds best supportthe hypothesis that frequency matching develops over severalyears during the complex and protracted process of partner formation. Nonmating males may benefit from increasing theircompetence at display, eventually enjoying increased matingsuccess when they inherit display sites from older males.     

Neighbor-stranger discrimination by song in a suboscine bird, the alder flycatcher, Empidonax alnorum

Bird song and its functions have been studied extensively formore than 50 years, but almost entirely in oscine passerines.Few studies have investigated any aspect of song in suboscinepasserines. This is significant because song development andthe extent of individual variation in song differs greatly betweenthese groups. Learning and auditory feedback play major rolesin song development in all oscines studied, but apparently nopart in song ontogeny in suboscines. The ability of territorialoscine males to discriminate between songs of neighbors andstrangers has received considerable attention, but this phenomenonis virtually unstudied in suboscines. We tested whether a suboscinebird, the alder flycatcher (Empidonax alnorum), was able todiscriminate between songs of neighbors and strangers despitelimited individual variation in song. We performed playbackexperiments to measure responses of males to songs of neighborsand strangers broadcast from the territory boundary shared bythe subject and the neighbor. Subjects responded more aggressivelyto songs of strangers than to songs of neighbors. These resultsfurther our understanding of the evolution of song and its functionsin suboscines by demonstrating that, similar to their oscinerelatives, they can discriminate between the songs of neighborsand strangers.     

山鶺鴒繁殖期的领域鸣唱特征分析

山(Ｄｅｎｄｒｏｎａｎｔｈｕｓｉｎｄｉｃｕｓ)为雀形目科的小型鸟类,在杭州地区为夏候鸟。4月中、下旬抵达,5～7月为其繁殖季节。多活动于林地及林间空旷地。主食多种农林害虫[1],为著名的益鸟,但数量很少。以往对其生态学和行为方面的研究也不多。在繁殖初期,山为了占领域,往往站立于屋脊或高树上,头左右顾盼,不时地发出尖细的“ｚｈｉｊ敶,ｚｈｉｊ敶,…”如拉锯似的鸣声,因而在野外极易识别。1996年5月上旬至6月中旬,我们对栖息于本校园内的山的占区鸣叫行为进行了观察,同时记录其鸣声,对其鸣声的特征进行了分析。并根…