Role of syringeal vibrations in bird vocalizations

The sound-generating mechanism in the bird syrinx has been the subject of debate. Recent endoscopic imaging of the syrinx during phonation provided evidence for vibrations of membranes and labia, but could not provide quantitative analysis of the vibrations. We have now recorded vibrations in the intact syrinx directly with an optic vibration detector together with the emitted sound during brain stimulation-induced phonation in anaesthetized pigeons, cockatiels, and a hill myna. The phonating syrinx was also filmed through an endoscope inserted into the trachea. In these species vibrations were always present during phonation, and their frequency and amplitude characteristics were highly similar to those of the emitted sound, including nonlinear acoustic phenomena. This was also true for tonal vocalizations, suggesting that a vibratory mechanism can account for all vocalizations presented in the study. In some vocalizations we found differences in the shape of the waveform between vibrations and the emitted sound, probably reflecting variations in oscillatory behaviour of syringeal structures. This study therefore provides the first direct evidence for a vibratory sound-generating mechanism (i.e. lateral tympaniform membranes or labia acting as pneumatic valves) and does not support pure aerodynamic models. Furthermore, the data emphasize a potentially high degree of acoustic complexity.     

Unilateral nervous control of the syrinx in java sparrows (Padda oryzivora)

Summary The syrinx of song birds contains two sound sources, the internal tympaniform membranes located one in each bronchus, that are controlled by the syringeal musculature. These muscles are innervated by the cervicalis descendens superior (CDS) branch of the hypoglossal nerve. Unilateral sections of the left CDS nerve in Java sparrows markedly disrupted tonal quality of the songs, although temporal parameters were unaltered. Bilateral CDS nerve sections caused greater disruption in frequency characteristics and temporal parameters were altered. Most birds died due to asphyxia soon after the operation. Right CDS nerve sections had much less effect, except on long whistles where extra low frequency sounds appeared, probably from the denervated right bronchus. Intact song pattern was restored within four months without re-innervation of the right syringeal musculature. This unilateral dominance in the control of the syrinx agrees with previous work and adds to the support for the two voice theory of sound production in birds (Greenewalt, 1968; Stein, 1968).Abbreviation CDS Nervus cervicalis descendens superior     

Measurement of the linear and nonlinear mechanical properties of the oscine syrinx: Implications for function

We have measured the vibrational modes of the sound producing membrane in the syrinx of zebra finches and canaries. Excised syringes were driven with a frequency-swept acoustic pressure wave through the trachea, and the resulting vibrations measured using a laser interferometer. The frequency-dependent membrane compliance was measured at 10-20 different positions, giving a detailed picture of the linear vibrational modes of the two membrane components, the medial labium and the medial tympaniform membrane. Nonlinear properties of the membrane were determined by measuring the linear response at several superimposed static pressures. The membrane compliance is dominated by the lowest vibrational mode, a narrow mechanical resonance, at roughly 700 Hz in the zebra finch, that extends over the entire membrane. Several higher-frequency modes were also observed. The frequency of the lowest vibrational mode is determined largely by the mass of the heavier medial labium, rather than the thinner medial tympaniform membrane, suggesting that the medial labium is critical in determining the oscillatory frequency of the syrinx. The difference in mass of the medial labium and medial tympaniform membrane may serve to produce a wave-like motion of the membranes during flow-driven oscillations, thus increasing the efficiency of sound production. Implications for mechanisms of frequency tuning are discussed.     

Songbirds use pulse tone register in two voices to generate low-frequency sound

The principal physical mechanism of sound generation is similar in songbirds and humans, despite large differences in their vocal organs. Whereas vocal fold dynamics in the human larynx are well characterized, the vibratory behaviour of the sound-generating labia in the songbird vocal organ, the syrinx, is unknown. We present the first high-speed video records of the intact syrinx during induced phonation. The syrinx of anaesthetized crows shows a vibration pattern of the labia similar to that of the human vocal fry register. Acoustic pulses result from short opening of the labia, and pulse generation alternates between the left and right sound sources. Spontaneously calling crows can also generate similar pulse characteristics with only one sound generator. Airflow recordings in zebra finches and starlings show that pulse tone sounds can be generated unilaterally, synchronously or by alternating between the two sides. Vocal fry-like dynamics therefore represent a common production mechanism for low-frequency sounds in songbirds. These results also illustrate that complex vibration patterns can emerge from the mechanical properties of the coupled sound generators in the syrinx. The use of vocal fry-like dynamics in the songbird syrinx extends the similarity to this unusual vocal register with mammalian sound production mechanisms.     

Is the Tonal Quality of Birdsong Learned? Evidence from Song Sparrows

Song sparrow (Melospiza melodia) songs are composed largely of pure-tonal sounds. This paper investigates the role that learning plays in the development of the tonal structure of song sparrow songs, as well as the role that tonal quality plays in determining the suitability of songs as models for learning. 20 birds were trained with both normal pure-tonal songs and modified songs that included harmonic overtones. The harmonic-modified songs were obtained from birds singing in a helium atmosphere, the result of which is to perturb vocal tract resonances and thus alter a song's tonal quality. Subjects learned equally well from normal and harmonic models. Birds that learned material from harmonic models reproduced some of this material with harmonic overtones, but the majority of notes learned from harmonic models were subsequently reproduced as pure-tonal copies. Thus, the tonal structure of songs does not influence young song sparrows in their selection of song models, but there is a strong tendency to reproduce songs in a pure-tonal fashion, even if learned from harmonic models.     

Dolphin whistles: a functional misnomer revealed by heliox breathing

Delphinids produce tonal whistles shaped by vocal learning for acoustic communication. Unlike terrestrial mammals, delphinid sound production is driven by pressurized air within a complex nasal system. It is unclear how fundamental whistle contours can be maintained across a large range of hydrostatic pressures and air sac volumes. Two opposing hypotheses propose that tonal sounds arise either from tissue vibrations or through actual whistle production from vortices stabilized by resonating nasal air volumes. Here, we use a trained bottlenose dolphin whistling in air and in heliox to test these hypotheses. The fundamental frequency contours of stereotyped whistles were unaffected by the higher sound speed in heliox. Therefore, the term whistle is a functional misnomer as dolphins actually do not whistle, but form the fundamental frequency contour of their tonal calls by pneumatically induced tissue vibrations analogous to the operation of vocal folds in terrestrial mammals and the syrinx in birds. This form of tonal sound production by nasal tissue vibrations has probably evolved in delphinids to enable impedance matching to the water, and to maintain tonal signature contours across changes in hydrostatic pressures, air density and relative nasal air volumes during dives.     

Novel motor gestures for phonation during inspiration enhance the acoustic complexity of birdsong.

Sound generation based on a pulmonary mechanism typically occurs during the expiratory phase of respiration. Phonation during inspiration has been postulated for the calls of some amphibians and for exceptional sounds in some human languages. No direct evidence exists for phonation during inspiration in birds, but such a mechanism has been proposed to explain very long uninterrupted songs. Here, we report the first physiological evidence for inspiratory sound production in the song of the zebra finch (Taeniopygia guttata). Motor gestures of the vocal and respiratory muscles leading to the production of inspiratory phonation differ from those of silent inspirations during song as well as from those leading to phonation during expiration. Inspiratory syllables have a high fundamental frequency, which makes them acoustically distinct from all other zebra finch song syllables. Furthermore, young zebra finches copy these inspiratory syllables from their tutor song, producing them during inspiration. This suggests that physical limitations confine the production of these sounds to the inspiratory phase in zebra finches. These findings directly demonstrate how novel respiratory-vocal coordination can enhance the acoustic structure of birdsong, and thus provide insight into the evolution of song complexity.     

Left hypoglossal dominance in the control of canary and white-crowned sparrow song

Summary The syrinx of songbirds includes two separate sound sources, the internal tympaniform membranes (ITM), which form the medial wall of each bronchus. The performance of each ITM is controlled by the muscles of that syringeal half. In the canarySerinus canarius, hypoglossal fibers reaching the syrinx via the tracheosyringealis branch of the hypoglossus are responsible for sound modulation. The muscles controlling the performance of the left syringeal half are innervated solely by the left tracheosyringealis; those controlling the right syringeal half are innervated only by the right tracheosyringealis. In the canary and white-crowned sparrow (Zonotrichia leucophrys) a great majority of song elements disappears after section of the left tracheosyringealis, yet remains intact after section of the right one. This phenomenon, earlier described in the chaffinch (Nottebohm, 1970, 1971, 1972) and confirmed in the white-throated sparrow (Lemon, 1973), has been called left hypoglossal dominance. Left hypoglossal dominance occurs in canaries with small or large song repertoires. It occurs in chronically deafened canaries that never had access to their own auditory feedback; it also occurs in birds that had the right or left cochlea removed at an early age. To this extent, left hypoglossal dominance seems to emerge in the individual as a motor phenomenon.We wish to thank Betsy Manning for all the time and effort she spent recording the song of our birds. We are also indebted to Professor Peter Marler, Rockefeller University, for letting us include in our study several birds which he reared in noise and which formed part of an earlier experiment (Marler et al., 1973). Our research was supported by NIH grant MH 18343.     

Development of Tonal Quality in Birdsong: Further Evidence from Song Sparrows

Song sparrow (Melospiza melodia) songs are composed largely of pure-tone notes. Song sparrows raised in acoustic isolation (i.e. never hearing conspecific songs) tend to produce half of their notes with harmonic overtones, an atypical tonal structure, suggesting that exposure to pure tones is necessary for the development of normal tonal quality. The experiment presented here directly investigated the influence of early exposure to songs with different tonal qualities on subsequent production. Seven young song sparrow males were exposed to 16 normal, pure-tone song sparrow songs and 6 males were exposed to the same 16 song types with added harmonic overtones. Birds in both groups learned equally well, confirming an earlier finding that tonal quality does not influence selection of models during the sensitive period for song acquisition. Birds exposed exclusively to harmonic song models, however, produced over 85% of their learned notes in a pure-tone fashion, even though they had never heard pure-tone sounds. Thus, pure tones do not need to be experienced directly by song sparrows, but exposure to some features of species-typical song models appears to facilitate the reproduction of models in a pure-tone fashion.     

长颚斗蟋的鸣声结构与行为分析

通过计算机外接话筒对长颚斗蟋（Velarifictorus asperses)在不同条件下的鸣声进行录音,利用软作Cool edit2000对其结构进行了较系统的分析。结果表明：长颚斗蟋的鸣叫声有7种类型,即召唤声,警戒声,挑衅声,胜利声,欢迎声,求爱声和催促声;这7种鸣声在声学特征上有明显的区别,并与行为有关。     

果蝇nasuta亚群求爱歌的种间识别与进化遗传学研究

果蝇ｎａｓｕｔａ亚群由１４个种、亚种和分类群组成,广泛分布于印度－太平洋区域。本文首次记录了ｎａｓｕｔａ亚群种的求爱歌,测量了脉冲歌时域模式的参数：脉冲串间隔（ＩＢＩ）、脉冲间隔（ＩＰＩ）、脉冲串时间长度（ＰＴＬ）、每个脉冲串的脉冲数（ＰＮ）、脉冲时间长度（ＰＬ）、波动周期时间长度（ＣＬ）。采用计算机声谱分析技术,作出求爱歌信号的三维数字功率谱图,进行频率分析。发现Ｄ．ｐｕｌａｕｎａ和Ｔａｘｏｎ－Ｆ不发出求爱歌声信号,视觉在交配中可能起重要作用。对其余种、亚种和分类群的求爱歌分析表明,ｎａｓｕｔａ亚群种的求爱歌分为脉冲歌和正弦歌。对部分种的正反交Ｆ１求爱歌分析表明,脉冲歌时域参数,如ＩＰＩ平均值为Ｘ染色体连锁或常染色体多基因控制,正弦歌频率偏向母方。根据不同种、亚种和分类群脉冲歌的时域模式构建ｎａｓｕｔａ亚群的系统树,对亚群中不同种、亚种和分类群的亲缘关系进行讨论。     

Syringeal specialization of frequency control during song production in the Bengalese finch (Lonchura striata domestica)

Background

Singing in songbirds is a complex, learned behavior which shares many parallels with human speech. The avian vocal organ (syrinx) has two potential sound sources, and each sound generator is under unilateral, ipsilateral neural control. Different songbird species vary in their use of bilateral or unilateral phonation (lateralized sound production) and rapid switching between left and right sound generation (interhemispheric switching of motor control). Bengalese finches (Lonchura striata domestica) have received considerable attention, because they rapidly modify their song in response to manipulations of auditory feedback. However, how the left and right sides of the syrinx contribute to acoustic control of song has not been studied.

Methodology

Three manipulations of lateralized syringeal control of sound production were conducted. First, unilateral syringeal muscular control was eliminated by resection of the left or right tracheosyringeal portion of the hypoglossal nerve, which provides neuromuscular innervation of the syrinx. Spectral and temporal features of song were compared before and after lateralized nerve injury. In a second experiment, either the left or right sound source was devoiced to confirm the role of each sound generator in the control of acoustic phonology. Third, air pressure was recorded before and after unilateral denervation to enable quantification of acoustic change within individual syllables following lateralized nerve resection.

Significance

These experiments demonstrate that the left sound source produces louder, higher frequency, lower entropy sounds, and the right sound generator produces lower amplitude, lower frequency, higher entropy sounds. The bilateral division of labor is complex and the frequency specialization is the opposite pattern observed in most songbirds. Further, there is evidence for rapid interhemispheric switching during song production. Lateralized control of song production in Bengalese finches may enhance acoustic complexity of song and facilitate the rapid modification of sound production following manipulations of auditory feedback.     

Spectral analysis of heart sounds: Relationships between some physical characteristics and frequency spectra of first and second heart sounds in normals and hypertensives

Frequency analysis of heart sounds has been gaining recognition as a possible indicator of several heart and valve diseases, although a comprehensive study of normal heart sounds has not been published. Relating the frequency content of normal heart sounds to certain physical characteristics surrounding the generation of these sounds could lead to a valuable diagnostic tool and give a better understanding of the mechanism of heart sounds production. In this study, the first and second heart sounds from seventy-four normal, and seven hypertensive volunteers were recorded, digitized and analysed using a Fast Fourier Transform algorithm. Statistical analysis was used to relate physical characteristicss (sex, blood pressure, and body surface area) of the subjects to the frequency content of normal heart sounds and to compare normal and hypertensive heart sounds. Statistical analysis showed that the major concentration of energy, for both first heart sound (S1) and second heart sound (S2), is below 150 Hertz (Hz) which may indicate that both sounds are caused by vibrations within the same structure, possibly the entire heart. However S2 spectra have greater amplitude than S1 spectra above 150 Hz, which may be due to vibrations within the aorta and pulmonary artery. Relationships observed between body surface area, sex, blood pressure, and the frequency content of heart sounds indicate that as heart size increases, the amplitude of the frequency coefficients above 150 Hz decreases. These observations were more identifiable in the S1 spectra than in the S2 spectra, possibly because the S2 higher frequency components may mask subtle changes in the S2 spectra caused by heart size changes. However, when the changes in heart size are significant, as in hypertension or increased body surface area, trends in the S2 spectra can be observed.     

Acoustic defence in an insect: characteristics of defensive stridulation and differences between the sexes in the tettigoniid Poecilimon ornatus (Schmidt 1850)

Many insects exhibit secondary defence mechanisms upon contact with a predator, such as defensive sound production or regurgitation of gut contents. In the tettigoniid Poecilimon ornatus, both males and females are capable of sound production and of regurgitation. However, wing stridulatory structures for intraspecific acoustic communication evolved independently in males and females, and may result in different defence sounds. Here we investigate in P. ornatus whether secondary defence behaviours, in particular defence sounds, show sex-specific differences. The male defence sound differs significantly from the male calling song in that it has a longer syllable duration and a higher number of impulses per syllable. In females, the defence sound syllables are also significantly longer than the syllables of their response song to the male calling song. In addition, the acoustic disturbance stridulation differs notably between females and males as both sexes exhibit different temporal patterns of the defence sound. Furthermore, males use defence sounds more often than females. The higher proportion of male disturbance stridulation is consistent with a male-biased predation risk during calling and phonotactic behaviour. The temporal structures of the female and male defence sounds support a deimatic function of the startling sound in both females and males, rather than an adaptation for a particular temporal pattern. Independently of the clear differences in sound defence, no difference in regurgitation of gut content occurs between the sexes.     

Phonation in the Orange-winged Amazon parrot,Amazona amazonica

Summary The syrinx of the Orange-winged Amazon parrot includes two external tympaniform membranes thought to be involved in sound production. The position of these membranes at the confluence of the bronchial and tracheal lumina requires that during phonation they be driven by a single column of air and by its attending turbulence patterns. Because of this anatomical arrangement, the phonatory output of either right or left syringeal half is grossly affected by denervation of the ipsilateral or contralateral syringial muscles. Following unilateral syringeal denervation the unbalanced oscillation of the two external tympaniform membranes generates noise. Form this we may infer that normally the parrot syrinx acts as a unitary sound source. Syringeal innervation is provided by the tracheosyringealis branch of the hypoglossus nerve. Each tracheosyringealis innervates both syringeal halves. Section of either the right or left tracheosyringealis leads to a minor and temporary change in the structure of vocalization. One week after the operation the vocalizations are delivered as pre-operatively. There is no indication of either right or left hypoglossal dominance in the phonatory control of the parrot syrinx. Other observations presented here are used to speculate on the possible role of the parrot tongue in altering the resonating properties of the nasopharyngeal space and generating speech like formants.     

Hemodynamics-driven mathematical model of first and second heart sound generation

We propose a novel, two-degree of freedom mathematical model of mechanical vibrations of the heart that generates heart sounds in CircAdapt, a complete real-time model of the cardiovascular system. Heart sounds during rest, exercise, biventricular (BiVHF), left ventricular (LVHF) and right ventricular heart failure (RVHF) were simulated to examine model functionality in various conditions. Simulated and experimental heart sound components showed both qualitative and quantitative agreements in terms of heart sound morphology, frequency, and timing. Rate of left ventricular pressure (LV dp/dt_max) and first heart sound (S1) amplitude were proportional with exercise level. The relation of the second heart sound (S2) amplitude with exercise level was less significant. BiVHF resulted in amplitude reduction of S1. LVHF resulted in reverse splitting of S2 and an amplitude reduction of only the left-sided heart sound components, whereas RVHF resulted in a prolonged splitting of S2 and only a mild amplitude reduction of the right-sided heart sound components. In conclusion, our hemodynamics-driven mathematical model provides fast and realistic simulations of heart sounds under various conditions and may be helpful to find new indicators for diagnosis and prognosis of cardiac diseases.New & noteworthyTo the best of our knowledge, this is the first hemodynamic-based heart sound generation model embedded in a complete real-time computational model of the cardiovascular system. Simulated heart sounds are similar to experimental and clinical measurements, both quantitatively and qualitatively. Our model can be used to investigate the relationships between heart sound acoustic features and hemodynamic factors/anatomical parameters.     

Directional hearing in a silicon cricket

Phonotaxis is the ability to orient towards or away from sound sources. Crickets can locate conspecifics by phonotaxis to the calling (mating) song they produce, and can evade bats by negative phonotaxis from echolocation calls. The behaviour and underlying physiology have been studied in some depth, and the auditory system solves this complex problem in a unique manner. Experiments conducted on a simulation model of the system indicated that the mechanism output a directional signal to sounds ahead at calling song frequency and to sounds behind at echolocation frequencies. We suggest that this combination of responses helps simplify later processing in the cricket. To further explore this result, an analogue, very large scale integrated (aVLSI) circuit model of the mechanism was designed and built; results from testing this agreed with the simulation. The aVLSI circuit was used to test a further hypothesis about the potential advantages of the positioning of the acoustic inputs for sound localisation during walking. There was no clear advantage to the directionality of the system in their location. The aVLSI circuitry is now being extended to use on a robot along with previously modelled neural circuitry to better understand the complete sensorimotor pathway.     

Songbird tap dancing produces non-vocal sounds*

Vocalizations have been elucidated in previous songbird studies, whereas less attention has been paid to non-vocal sounds. In the blue-capped cordon-bleu (Uraeginthus cyanocephalus), both sexes perform courtship displays that are accompanied by singing and distinct body movements (i.e. dance). Our previous study revealed that their courtship bobbing includes multiple rapid steps. This behaviour is quite similar to human tap dancing, because it can function as both visual and acoustic signals. To examine the acoustic signal value of such steps, we tested if their high-speed step movements produce non-vocal sounds that have amplitudes similar to vocal sounds. We found that step behaviour affected step sound amplitude. Additionally, the dancing step sounds were substantially louder than feet movement sounds in a non-courtship context, and the amplitude range overlapped with that of song notes. These results support the idea that in addition to song cordon-bleus produce acoustic signals with their feet.     

A species-specific acoustic cue for selective song learning in the white-crowned sparrow

Song learning in birds is paradoxical. Without tutoring, songbirds do not develop normal songs. Yet despite this inability, birds possess extensive foreknowledge, in a mechanistic sense, about the normal song of their species. When given a choice of tape recordings, young, n?ive songbirds select sounds of their own species for imitation. We tape-tutored white-crowned sparrows, Zonotrichia leucophrys oriantha, with a set of manipulated songs to investigate whether the introductory whistle universally present in white-crowned sparrow song guides selective song learning in this species. Our results confirm that this whistle serves as a cue for song learning, enabling acquisition of normally rejected sounds of other species, including hermit thrush, Catharus guttatus, notes, which have a sound quality distinct from that of natural white-crowned sparrow phrases. Our results support the conclusion that sensory mechanisms rather than motor constraints are primarily responsible for the selectivity seen in song learning. Copyright 2000 The Association for the Study of Animal Behaviour.     

How do honeybees attract nestmates using waggle dances in dark and noisy hives?

It is well known that honeybees share information related to food sources with nestmates using a dance language that is representative of symbolic communication among non-primates. Some honeybee species engage in visually apparent behavior, walking in a figure-eight pattern inside their dark hives. It has been suggested that sounds play an important role in this dance language, even though a variety of wing vibration sounds are produced by honeybee behaviors in hives. It has been shown that dances emit sounds primarily at about 250-300 Hz, which is in the same frequency range as honeybees' flight sounds. Thus the exact mechanism whereby honeybees attract nestmates using waggle dances in such a dark and noisy hive is as yet unclear. In this study, we used a flight simulator in which honeybees were attached to a torque meter in order to analyze the component of bees' orienting response caused only by sounds, and not by odor or by vibrations sensed by their legs. We showed using single sound localization that honeybees preferred sounds around 265 Hz. Furthermore, according to sound discrimination tests using sounds of the same frequency, honeybees preferred rhythmic sounds. Our results demonstrate that frequency and rhythmic components play a complementary role in localizing dance sounds. Dance sounds were presumably developed to share information in a dark and noisy environment.