Face and voice attractiveness judgments change during adolescence

Attractiveness judgments are thought to underpin adaptive mate choice decisions. We investigated how these judgments change during adolescence when mate choice is becoming relevant. Adolescents aged 11–15 evaluated faces and voices manipulated along dimensions that affect adults' judgments of attractiveness and that are thought to cue mate value. Facial stimuli consisted of pairs of faces that were more or less average, more or less feminine, or more or less symmetric. The adolescents selected the more average, symmetric, and feminine faces as more attractive more often than chance, but judgments of some facial traits differed significantly with rater age and sex, indicating a role of development in judgments of facial cues. Vocal stimuli consisted of pairs of voices manipulated to raise or lower perceived pitch. The older but not younger girls selected the lower-pitched male voices as more attractive at rates above chance, while the younger but not older boys selected the higher-pitched female voices as more attractive. Controlling for rater age, increased pubertal development was associated with increased selection of lower-pitched boys' voices by girls and decreased selection of feminized male faces by boys. Our results are the first to demonstrate that adolescents show somewhat similar attractiveness judgments to adults in age-matched stimuli and that age, sex, and pubertal development have measurable effects on adolescents' attractiveness judgments. They suggest that attractiveness judgments in humans, at least for some traits, are facultatively calibrated to the individual's life stage, only reaching adult values upon sexual maturity when mate choice decisions become relevant.     

Faking it or making it: the politics of consumption and the precariousness of social mobility in South Africa

This article critically explores the complex and contradictory meanings attached to conspicuous consumption in an informal settlement on the outskirts of Johannesburg. It examines why un(der)employed young people, especially young Black men, view the trappings of wealth in their midst and dismiss them as ‘fake’. The article shows how the widespread concern with ‘faking it’ indexes the unstable links between consumption, status, and class differentiation in a time of generalized economic insecurity. Accordingly, it maintains that the accusation of ‘fakery’ is not only about jealousy and the dangers of being seen to accumulate money without redistributing it, but also a product of the precariousness that characterizes young people's lives. Ultimately, the article shows how consumption affords a unique window into the values, aspirations, and anxieties of young un(der)employed Black men in a context where ‘proper’ pathways to social mobility are, for most, completely out of reach.     

Social dialect and men's voice pitch influence women's mate preferences

Low male voice pitch may communicate potential benefits for offspring in the form of heritable health and/or dominance, whereas access to resources may be indicated by correlates of socioeconomic status, such as sociolinguistic features. Here, we examine if voice pitch and social dialect influence women's perceptions of men's socioeconomic status and attractiveness. In Study 1, women perceived lower pitched male voices as higher in socioeconomic status than higher pitched male voices. In Study 2, women independently perceived lower pitched voices and higher status sociolinguistic dialects as higher in socioeconomic status and attractiveness. We also found a significant interaction wherein women preferred lower pitched men's voices more often when dialects were lower in sociolinguistic status than when they were higher in sociolinguistic status. Women also perceived lower pitched voices as higher in socioeconomic status more often when dialects were higher in sociolinguistic status than when lower in sociolinguistic status. Finally, women's own self-rated socioeconomic status was positively related to their preferences for voices with higher status sociolinguistic dialects, but not to their preferences for voice pitch. Hence, women's preferences for traits associated with potentially biologically heritable benefits, such as low voice pitch, are moderated by the presence of traits associated with resource accrual, such as social dialect markers. However, women's preferences for language markers of resource accrual may be functionally independent from preferences for potential biological indicators of heritable benefits, such as voice pitch.     

Male voice pitch mediates the relationship between objective and perceived formidability

Acoustic signals function in intrasexual mating competition in a wide variety of species, including humans. The low voice pitch of human males has been proposed to represent an honest signal of formidability. Although voice pitch in men affects perceptions of size and dominance, it is relatively weakly associated with objective measures of formidability such as body size and strength. As a result, some authors have argued that low male voice pitch is not a valid signal of formidability but is deceptive and salient only because it hijacks a tendency to perceive lower frequency sounds as emanating from larger sources. In this paper, we consider theoretical and empirical issues associated with this perceptual exploitation hypothesis and ask whether male voice pitch transmits information about formidability. We utilize mediation models to investigate whether male voice pitch is an honest signal of formidability in data collected from university students in the U.S. (n = 231 male speakers, 565 male raters) and Canada (n = 74 male speakers, 108 female raters, 65 male raters). In both data sets, male voice pitch mediated the relationship between objective (measured by height) and perceived formidability. Collectively, these results indicate that men’s voice pitch transmits information about formidability from signaler to receiver.     

Preferences for very low and very high voice pitch in humans

Manipulations of voice pitch have been shown to alter attractiveness ratings, but whether preferences extend to very low or very high voice pitch is unknown. Here, we manipulated voice pitch in averaged men's and women's voices by 2 Hz intervals to create a range of male and female voices speaking monopthong vowel sounds and spanning a range of frequencies from normal to very low and very high pitch. With these voices, we used the method of constant stimuli to measure preferences for voice. Nineteen university students (ages: 20-25) participated in three experiments. On average, men preferred high-pitched women's voices to low-pitched women's voices across all frequencies tested. On average, women preferred men's voices lowered in pitch, but did not prefer very low men's voices. The results of this study may reflect selection pressures for men's and women's voices, and shed light on a perceptual link between voice pitch and vocal attractiveness.     

Cross-modal associations of human body odour attractiveness with facial and vocal attractiveness provide little support for the backup signals hypothesis: A systematic review and meta-analysis

Assessing the attractiveness of potential mating partners typically involves multiple sensory modalities, including the integration of olfactory, visual, and auditory cues. However, predictions diverge on how the individual modalities should relate to each other. According to the backup signals hypothesis, multimodal cues provide redundant information, whereas the multiple messages hypothesis suggests that different modalities provide independent and distinct information about an individual's mating-related quality. The backup signals hypothesis predicts a positive association between assessments based on different modalities, whereas no substantial correlation across modalities is expected under the multiple messageshypothesis. Previous studies testing the two hypotheses have provided mixed results, and a systematic evaluation is currently missing.We performed a systematic review and a meta-analysis of published and unpublished studies to examine the congruence in assessments between human body odour and facial attractiveness, and between body odour and vocal attractiveness. We found positive but weak associations between ratings of body odours and faces (r = 0.1, k = 25), and between body odours and voices (r = 0.1, k = 9). No sex differences were observed in the magnitude of effects.Compared to judgments of facial and vocal attractiveness, our results suggest that assessment of body odour provides independent and non-redundant information about human mating-related quality. Our findings thus provide little support for the backup signals hypothesis and may be better explained by the multiple messages hypothesis.     

Mating context and menstrual phase affect women's preferences for male voice pitch

Fundamental frequency (F₀) is the vocal acoustic parameter closest to what we perceive as pitch. Men speak at a lower F₀ than do women, even controlling for body size. Although the developmental and anatomical reasons for this sex difference are known, the evolutionary reasons are not. By examining fertility-related variation in women's preferences for men's voices, the present study tests the hypothesis that female choice for good genes influenced the evolution of male voice pitch (VP). Unlike previous correlational studies that did not consider the effects of menstrual phase and mating context on women's preferences for male VP, the present study includes these variables and utilizes experimental pitch (P) manipulations. Results indicate that low VP is preferred mainly in short-term mating contexts rather than in long-term, committed ones, and this mating context effect is greatest when women are in the fertile phase of their ovulatory cycles. Moreover, lower male F₀ correlated with higher self-reported mating success. These findings are consistent with the hypothesis that an association between low male VP and heritable fitness led to the evolution of the observed patterns in women's P preferences and men's mating success and that these patterns influenced the evolution of low VP in men. However, alternative explanations are considered.     

Sounds like a winner: voice pitch influences perception of leadership capacity in both men and women

It is well known that non-human animals respond to information encoded in vocal signals, and the same can be said of humans. Specifically, human voice pitch affects how speakers are perceived. As such, does voice pitch affect how we perceive and select our leaders? To answer this question, we recorded men and women saying ‘I urge you to vote for me this November’. Each recording was manipulated digitally to yield a higher- and lower-pitched version of the original. We then asked men and women to vote for either the lower- or higher-pitched version of each voice. Our results show that both men and women select male and female leaders with lower voices. These findings suggest that men and women with lower-pitched voices may be more successful in obtaining positions of leadership. This might also suggest that because women, on average, have higher-pitched voices than men, voice pitch could be a factor that contributes to fewer women holding leadership roles than men. Additionally, while people are free to choose their leaders, these results clearly demonstrate that these choices cannot be understood in isolation from biological influences.     

Auditory feedback control of vocal pitch during sustained vocalization: a cross-sectional study of adult aging

Background

Auditory feedback has been demonstrated to play an important role in the control of voice fundamental frequency (F₀), but the mechanisms underlying the processing of auditory feedback remain poorly understood. It has been well documented that young adults can use auditory feedback to stabilize their voice F₀ by making compensatory responses to perturbations they hear in their vocal pitch feedback. However, little is known about the effects of aging on the processing of audio-vocal feedback during vocalization.

Methodology/Principal Findings

In the present study, we recruited adults who were between 19 and 75 years of age and divided them into five age groups. Using a pitch-shift paradigm, the pitch of their vocal feedback was unexpectedly shifted ±50 or ±100 cents during sustained vocalization of the vowel sound/u/. Compensatory vocal F₀ response magnitudes and latencies to pitch feedback perturbations were examined. A significant effect of age was found such that response magnitudes increased with increasing age until maximal values were reached for adults 51–60 years of age and then decreased for adults 61–75 years of age. Adults 51–60 years of age were also more sensitive to the direction and magnitude of the pitch feedback perturbations compared to younger adults.

Conclusion

These findings demonstrate that the pitch-shift reflex systematically changes across the adult lifespan. Understanding aging-related changes to the role of auditory feedback is critically important for our theoretical understanding of speech production and the clinical applications of that knowledge.     

Integrating cues of social interest and voice pitch in men's preferences for women's voices

Most previous studies of vocal attractiveness have focused on preferences for physical characteristics of voices such as pitch. Here we examine the content of vocalizations in interaction with such physical traits, finding that vocal cues of social interest modulate the strength of men's preferences for raised pitch in women's voices. Men showed stronger preferences for raised pitch when judging the voices of women who appeared interested in the listener than when judging the voices of women who appeared relatively disinterested in the listener. These findings show that voice preferences are not determined solely by physical properties of voices and that men integrate information about voice pitch and the degree of social interest expressed by women when forming voice preferences. Women's preferences for raised pitch in women's voices were not modulated by cues of social interest, suggesting that the integration of cues of social interest and voice pitch when men judge the attractiveness of women's voices may reflect adaptations that promote efficient allocation of men's mating effort.     

What makes a voice masculine: Physiological and acoustical correlates of women's ratings of men's vocal masculinity

Men's voices contain acoustic cues to body size and hormonal status, which have been found to affect women's ratings of speaker size, masculinity and attractiveness. However, the extent to which these voice parameters mediate the relationship between speakers' fitness-related features and listener's judgments of their masculinity has not yet been investigated.     

Depression recovery from the primary care patient's perspective: 'hear it in my voice and see it in my eyes'

Purpose This paper aims to contribute to the discussion about the concept of recovery from depression from the patient perspective.Methods A structured, computer-assisted telephone interview of 576 participants from the Australian diamond cohort study who were asked, at the one year follow-up, how they would know if someone had recovered from depression. The responses were thematically analysed using a modified grounded-theory approach.Results Participants found the question challenging on a number of levels, relating to the definition of recovery, the subjective nature of getting better from depression, pessimism about the possibility of recovery and concerns that people hide how they really feel. Participants reported observation and human interaction as crucial to deciding if recovery had occurred. This led to three broad groups of indicators for recovery: a person's actions, their appearance and their thoughts and feelings.Conclusions Australian primary care patients with depressive symptoms report using observation and human interaction when trying to decide if someone is getting better from depression, leading to a broad range of indicators of recovery that include, but are not limited to, the traditional symptom-based definitions of depression remission. This data suggests that patients have a rich variety of ways of describing recovery, supporting a call for more patient-centred approaches to setting goals for depression recovery in the primary care setting.     

Geometry of human vocal folds and glottal channel for mathematical and biomechanical modeling of voice production

Current models of the vocal folds derive their shape from approximate information rather than from exactly measured data. The objective of this study was to obtain detailed measurements on the geometry of human vocal folds and the glottal channel in phonatory position. A non-destructive casting methodology was developed to capture the vocal fold shape from excised human larynges on both medial and superior surfaces. Two female larynges, each in two different phonatory configurations corresponding to low and high fundamental frequency of the vocal fold vibrations, were measured. A coordinate measuring machine was used to digitize the casts yielding 3D computer models of the vocal fold shape. The coronal sections were located in the models, extracted and fitted by piecewise-defined cubic functions allowing a mathematical expression of the 2D shape of the glottal channel. Left-right differences between the cross-sectional shapes of the vocal folds were found in both the larynges.     

The evolved psychology of voice: evaluating interrelationships in listeners' assessments of the size,masculinity, and attractiveness of unseen speakers

A growing body of research has examined how voice characteristics advertise personal dimensions relevant in mate competition and mate choice. This work has centered on two key voice features, namely, fundamental frequency (F₀) and formants (Fn), and has consistently found that speakers with low F₀, low Fn, or both are rated as being larger, more masculine, and more attractive if men but less attractive if women. However, this consistency in listeners' perceptions is not matched by an equivalent consensus in how these mate-relevant dimensions are causally related or signaled by voice characteristics. Consequently, it is critical to test whether the strong correlations in listeners' perceptions reflect reliable causal relationships between these dimensions or, alternatively, whether they reflect some perceptual or cognitive nonindependence, for example, “what is large is masculine” and “what is small is feminine.” To test this latter possibility, we report detailed analyses of interdependence in listeners' ratings of perceived size, masculinity or femininity, and attractiveness of natural and manipulated voices of the opposite sex. We found strong correlations in listeners' ratings of all three dimensions, confirming past research. Principal component analysis corroborated these interrelationships but also revealed some independence in women's ratings of men's attractiveness and additional (but weaker) independence in men's ratings of women's size. We discuss possible implications for future research on the evolved psychology of voice and whether and how it reflects adaptive functional heuristics for discriminating mates.     

Digit ratio (2D:4D) predicts facial, but not voice or body odour, attractiveness in men

There is growing evidence that human second-to-fourth digit ratio (or 2D:4D) is related to facial features involved in attractiveness, mediated by in utero hormonal effects. The present study extends the investigation to other phenotypic, hormone-related determinants of human attractiveness: voice and body odour. Pictures of faces with a neutral expression, recordings of voices pronouncing vowels and axillary odour samples captured on cotton pads worn for 24 h were provided by 49 adult male donors. These stimuli were rated on attractiveness and masculinity scales by two groups of 49 and 35 females, approximately half of these in each sample using hormonal contraception. Multivariate regression analyses showed that males' lower (more masculine) right 2D:4D and lower right-minus-left 2D:4D (Dr-l) were associated with a more attractive (and in some cases more symmetrical), but not more masculine, face. However, 2D:4D and Dr-l did not predict voice and body odour masculinity or attractiveness. The results were interpreted in terms of differential effects of prenatal and circulating testosterone, male facial shape being supposedly more dependent on foetal levels (reflected by 2D:4D ratio), whereas body odour and vocal characteristics could be more dependent on variation in adult circulating testosterone levels.