Strophe Length in Spontaneous Songs Predicts Male Response to Playback in the Hoopoe Upupa epops

Hoopoe (Upupa epops, Coraciformes) males produce a very simple song during the breeding season in order to attract females and repel intruders. Strophes vary in length (i.e. number of elements) both within and between males, and previous studies have shown that this song cue is positively correlated with male condition and breeding success. In the present study we tested whether strophe length of males influences male behaviour during intra‐sexual contests, in a colour‐ringed population in southeast Spain. Paired males were presented with a recorded song with long strophes during the pre‐laying period, while they were near their mates, in order to provoke male mate‐defence behaviour. Most males responded to the playback, but the strategy of defence adopted depended on their own strophe length in spontaneous songs recorded before the experiments. While singing responses were common to most of the males, only those using long strophes adopted the most risky strategy of approaching the loudspeaker. However, the males that approached produced abnormal songs during playback, that were shorter and with fewer strophes than those of males that did not approach, and used shorter strophes in comparison with spontaneous songs before the experiment. These differences in quality of the song produced in response to the playback suggest that long‐strophe males were basing their response mainly on attacking rather than singing, while short‐strophe males tried to resolve the contest at a distance by means of their song. These results show that strophe length reflects some component of the competitive ability of males (either physical strength or aggressiveness) in the hoopoe, which together with previous results regarding its role for female choice, show that it is a sexual signal with dual function.     

Vocal Plasticity – are Pied Flycatchers,Ficedula Hypoleuca,Open‐Ended Learners?

In some songbird species, large song repertoires are advantageous in female attraction, whereas song sharing with neighbours may give an advantage in male–male competition. Open‐ended learners, with the ability to memorize new song elements throughout their lives, may learn from territorial neighbours and thus benefit from increasing both repertoire size and song sharing. A distinction needs to be made between true adult song learning, i.e. memorization of novel song elements, and vocal plasticity resulting in changes in the use of previously memorized elements, such as the use of hidden repertoires or increased production of previously rare syllable types. We assessed the ability of adult pied flycatcher Ficedula hypoleuca males to learn previously unheard song elements and to change their song production in response to playback of unfamiliar, conspecific song, emulating a singing neighbour. After a 1‐week playback treatment, three out of 20 subjects had learned foreign song elements, providing evidence from the wild that pied flycatchers are true open‐ended learners. However, the syllable sharing with the playback stimulus repertoires had not changed, and the males’ repertoires had decreased rather than increased. Hence, we did not find support for increased syllable sharing with neighbours or increased repertoire size as functions of adult song learning in pied flycatchers. Because pied flycatcher song seems to serve mainly for mate attraction, copying of attractive syllable types is a possible alternative function of adult song learning in this species.     

Song structure in the Hoopoe (Upupa epops) — Strophe length reflects male condition

Summary The structure of Hoopoe (Upupa epops) song is analysed in a colour ringed population in southern Spain. The song of males in this species is very simple, with a repertoire size of one. The strophes of a male only differ in the number of elements that they include (strophe length), and strophe length is the main song feature differing between males. During the prelaying period each individual used mainly strophes of only two lengths, between 2 and 6 elements per strophe, and mean strophe length of males during this period was highly repeatable. However, some males changed the range of strophe types produced and decreased their mean strophe length after unsuccessful breeding or spending long periods of time singing (unpaired males). These changes show that strophe length is phenotypically plastic, and suggest that singing long strophes is energetically more costly than singing short ones. The significant relationship between strophe length and body condition, and the fact that long strophes were associated with longer previous pauses than short strophes, also suggest that increasing strophe length is costly. All these findings are in accordance with the hypothesis that strophe length reflects male condition in the Hoopoe, although it is not clear what the actual cost of singing long strophes is.

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Struktur des Gesangs des Wiedehopfs (Upupa epops) — Strophenlänge reflektiert Männchen-Qualität

Zusammenfassung Die Struktur des Gesangs des Wiedehopfs wurde in einer farbberingten südspanischen Population untersucht. Der Gesang des Männchens ist sehr einfach und umfaßt nur ein Repertoire. Die Strophen eines Männchens differieren nur in der Anzahl Elemente (Strophenlänge), und die Männchen unterscheiden sich vor allem in der Strophenlänge voneinander. In der Vorbrutphase verwendeten die Männchen meist nur zwei verschieden lange Strophen, bestehend aus 2 und 6 Elementen je Strophe, und die durchschnittliche Strophenlänge war in dieser Phase sehr konstant. Nach Brutverlust oder bei kontinuierlich singenden, ledigen Männchen kam es zu einer Verkürzung der mittleren Strophenlänge. Die Strophenlänge ist phänotypisch plastisch, und lange Strophen zu singen scheint energetisch aufwendiger als kurze Strophen. Der enge Zusammenhang zwischen Strophenlänge und männlicher Konstitution einerseits und die Beobachtung, daß lange Strophen mit langen Pausen korrelieren andererseits, zeigen ebenfalls, daß längere Strophen energetisch aufwendiger sind. Die wirklichen Kosten dafür sind jedoch noch nicht bekannt.

     

INDIVIDUAL AND SPECIES-SPECIFIC SONG PATTERNS OF ROCK AND MEADOW PIPITS: PHYSICAL CHARACTERISTICS AND EXPERIMENTS

ABSTRACT

The songs of Anthus spinoletta littoralis and A. pratensis, in sympatric populations in SW Sweden were recorded, analysed in sound spectrographs and tested in the field. The purpose was to investigate: a) if the strophes are species specifically and individually distinct and, if so, whether pipits are able to make such distinctions; b) if the species-specific and individual-specific patterns are concentrated in different sections of the song and, if so, whether the species-specific section transmits individual-specific information and the individual-specific section transmits species-specific information as well.

The basic structure of the syllables in the terminating section of the strophe was found to be intraspecifically stereotyped, but varied between the two species. Replay experiments showed that territorial males could discriminate between con- and heterospecific strophes and this ability persisted when the terminating section of the strophe was replayed alone. The terminating part of the strophe did not seem to transmit individual-specific information to conspecific males. On the other hand, the basic structure of the syllables in the first section of the strophe was intraindividually stereotyped but varied between most conspecific males. Playback experiments showed that a territorial male could discriminate his neighbours' song patterns and this ability remained intact when the introductory phrase of the strophe was replayed alone. Both song pattern and position were necessary properties of the identifying signal in these pipits. But the introductory phrase of a total stranger did not seem to transmit unambiguous species-specific information to conspecific males.     

Song similarity predicts hybridization in flycatchers

Given that population divergence in sexual signals is an important prerequisite for reproductive isolation, a key prediction is that cases of signal convergence should lead to hybridization. However, empirical studies that quantitatively demonstrate links between phenotypic characters of individuals and their likelihood to hybridize are rare. Here we show that song convergence between sympatric pied (Ficedula hypoleuca) and collared flycatchers (F. albicollis) influence social and sexual interactions between the two species. In sympatry, the majority of male pied flycatchers (65%) include various parts of collared flycatcher song in their song repertoire (but not vice versa). Playback experiments on male interactions demonstrate that male collared flycatchers respond similarly to this 'mixed' song as to conspecific song. Long-term data on pairing patterns show that males singing a converged song attract females of the other species: female collared flycatchers only pair with male pied flycatchers if the males sing the mixed song type. From the perspective of a male pied flycatcher, singing a mixed song type is associated with 30% likelihood of hybridization. This result, combined with our estimates of the frequency of mixed singers, accurately predicts the observed occurrence of hybridization among male pied flycatchers in our study populations (20.45% of 484 pairs; predicted 19.5%). Our results support the suggestion that song functions as the most important prezygotic isolation mechanism in many birds.     

Song repertoires and seasonal song in the yellowhammer, Emberiza citrinella

Songs were recorded from male yellowhammers, Emberiza citrinella, in England and West Germany. Sonagraphic analysis revealed three major types of song structure in both populations. Most males had a repertoire of two distinct song types, and sharing between individuals was extremely rare. Most song is produced late in the breeding season, and playback experiments confirmed that it is correlated with an increase in territorial aggression at this time. Some speculations are advanced concerning the origins and functions of song repertoires in the yellowhammer.     

Age-related changes in song repertoire size and song type sharing in the Whinchat Saxicola rubetra

In many oscine passerines males’ songs, the repertoire size increases with age. At the same time it often remains unknown when and where males learn new songs. To infer the Whinchat Saxicola rubetra song learning strategy, we described and catalogued song-type repertoire, revealed age differences and examined song sharing strategies among neighbouring and distant males. We recorded song vocalizations of 40 males in a limited (104 ha) study plot during four years. Whinchats produce short and discrete songs with clear intersong pauses. In total 45 song types were allocated, the individual repertoire size averaged 23.5 ± 7.6 song types (range 9–34 song types). The males’ age significantly influenced the song-type repertoire size. The second calendar year (first breeding) males had a lower repertoire size than the older males. The majority of song types were shared by less than half of males in our sample. The Jaccard similarity indexes varied from 0.5 to 0.7. We could not find a relationship between males’ song sharing and geographic distances between their nests. We assume that Whinchat males learned new songs in the local population before territory establishment.     

Identification of different song types in the European Nightjar Caprimulgus europaeus

ABSTRACT

Capsule: Two distinct song types were identified for male European Nightjars Caprimulgus europaeus with their relative frequency of use changing through the breeding season, indicating a possible link to paired status.

Aims: To test whether two song types could be defined in audio recordings and whether use differed in relation to the paired status of males.

Methods: Unattended acoustic recording devices were placed at a Nightjar study site in Nottinghamshire, United Kingdom, and recordings of churring vocalizations were made during two periods of the breeding season. These recordings were then analyzed to identify the presence/absence of the song terminal phrase and associated audible features.

Results: Two distinct song types were identified in the recorded audio data that differed in their terminal phrasing and overall song duration. The number of Nightjar songs with a terminal phrase increased significantly between the two sampling periods, from lower levels during the site arrival period, to higher levels during the first clutch initiation period.

Conclusion: This study showed that the use of Nightjar song types appears to vary through the breeding season, with males being more likely to produce song with a terminal phrase during the first clutch initiation period, when they are more likely to be paired or in the presence of a female. The unattended acoustic recording method may provide a minimally intrusive means of assessing the number of Nightjar breeding pairs and not just singing males.     

Breeding Experience and not Age Modulates the Song Development of Pied Flycatchers (Ficedula hypoleuca)

In songbirds, the development of the species‐specific adult song involves a learning process that varies in extension. In species that incorporate new song elements throughout life (open‐ended learners), variation in male song composition could be the result of either age or breeding experience. Using data from 16 yr of fieldwork on pied flycatchers (Ficedula hypoleuca), we aimed to disclose the individual contribution of these two factors on the species song characteristics, as well as their relation with morphology and plumage color changes. Finally, we explored whether any of the song or physical features could predict the probability of males returning to the breeding site. We found that the song characteristics of the first‐time breeders did not differ between age classes, except for the total number of syllables per song, which was higher in the 1‐year‐old than in the 2‐year‐old males. However, we found that song variables associated with complexity (song and sample versatilities and repertoire size), increased significantly from the first to the second breeding season. Males showed delayed plumage maturation, with 1‐year‐old males being browner than the 2‐year‐old males independently of their breeding experience. Morphology, however, was not affected by age or breeding experience. The probability that males returned to the breeding site was not associated with song or physical features. Considering that some song learning occurs during the breeding period and that some males may skip the first breeding season, selective pressures may have been established for song complexity to be an honest indicator of breeding experience rather than age.     

Song sharing by neighbourhood groups of territorial male Blackeyed Bulbuls

Lloyd, P., Hulley, P.E. & Craig, A.J.F.K. 1999. Song sharing by neighbourhood groups of territorial male Blackeyed Bulbuls. Ostrich 70 (3&4): 208–213

The territorial song of the Blackeyed Bulbul Pycnonotus barbatus is described for a population followed over two breeding seasons in suburban Grahamstown, South Africa. The Blackeyed Bulbul has a discrete and highly structured system of phrase sharing by neighbourhood groups of males. The most common repertoire size is five phrases (mean 5.5; range 2–9). In a temporally-stable song population, individual phrases are shared independently by discrete clusters of males. Neighbours show a strong tendency to share phrase types (but rarely whole repertoires), with overall song similarity decreasing rapidly with increasing distance between birds. This species is an ideal candidate for testing hypotheses concerning the adaptive value of song sharing by neighbourhood groups.     

Song complexity and song structure in the Moustached Warbler Acrocephalus melanopogon

We examined different song parameters leading to a complex song configuration, and song output (production), and their relation in male Moustached Warblers and discuss them with reference to female choice. With more than 120 different syllables per two minutes of song, male Moustached Warblers can be regarded as one of the most complex singers within the genus Acrocephalus . We found significant differences between males for almost all song parameters investigated (repertoire size, switching and repetition rate, song speed and strophe length) but not for time spent singing per 20 minutes. This individual variation probably is an important cue for female mate choice. Male Moustached Warblers achieve song complexity mainly via frequent syllable switching. Song complexity seems to be consistent throughout the song and our results suggest that females could assess the overall song complexity of a singer by examining even very short song bouts. Furthermore, a high proportion of motifs – clusters of syllables with the same sequence – occurs within the song of each male which would also facilitate assessment of song complexity by females. However, repertoire size and strophe length were positively related, thus it remains to be investigated which song feature, if any, females actually use.     

ANNUAL CHANGES OF LEARNED BEHAVIOUR—VARIATION OF SONG PATTERN IN FREE-LIVING CHAFFINCHES,FRINGILLA COELEBS,DURING THE BREEDING SEASON

ABSTRACT

Seasonal changes of parameters of full song were studied in a free-living population of chaffinches Fringilla coelebs during one entire reproductive period. Approximately 7000 strophes sung by 14 male chaffinches were recorded and analysed by sonography and a particular oscillographic method. While the general pattern of song strophes, i.e. characteristics of elements, number and arrangement of phrases, and final flourish, remained constant throughout the reproductive period, full song varied with respect to the repetition rate of strophes, number of strophe types used, intensity of singing, duration of strophes, and percentage of incomplete strophes sung. These changes are discussed as results of learning processes, social interactions in the population, and endogenous mechanisms activating memorized information.     

THE SINGER AND THE SONG: ON THE RECEIVING END OF BIRD SONG

Variation in singing behaviour between males can involve fixed differences such as the song type composition of repertoires, as well as more flexible effects such as matched counter-singing (Krebs & Kroodsma, 1980; Section III. 4), differences in bout length (the number of songs in a period of song) and changes in strophe length. Short-term strophe length changes seem to be related to the willingness and ability of males to respond strongly to playback. Whether this is because strophe length indicates motivation or the degree of exhaustion of the neuromuscular song-production system, or both, is currently unclear.     

INCOMPLETE SONG STROPHES IN THE CHAFFINCH FRINGILLA COELEBS L.: GENERAL INFLUENCES ON A SPECIFIC BEHAVIOURAL OUTPUT

ABSTRACT

Incomplete song strophes in free-living territorial Chaffinch males can be induced by different experimental as well as natural stimulus situations including replay of species- specific song, approaching of human beings, and aggressive encounters with con-specific males. While the first post-stimulus song strophe is shortest the following ones gradually attain their full number of elements again. The strength of this reaction differs with regard to different stimuli.     

Conventional and network analyses of song organization and complexity in northern House Wrens (Troglodytes aedon parkmanii)

Among songbirds with large song-type repertoires, there may be functional variation in how individuals organize and display song-type diversity over time. Past studies focusing on conventional measures of song production have been extremely productive. However, network analysis offers a novel set of tools to quantify additional, previously unstudied elements of song organization and display. We studied protracted bouts of singing by 10 male House Wrens (Troglodytes aedon) to (1) test functional hypotheses of variation in song diversity in this species, and (2) evaluate the utility of network metrics in such research. Our analysis included a variety of conventional measures of song production and several standard metrics from network theory to quantify how variably the many song types in a male’s repertoire could be connected to one another and the limitations or diversity of their song sequences. Analysis of conventional variables showed that males produced more and longer songs, at shorter intervals, containing more syllables and more different syllable types, and also more different song types, prior to than after pairing and early in the morning regardless of breeding stage. These results are consistent with the hypothesis that song diversity functions in mate attraction and possibly in territory signaling. In contrast, analyses of network metrics revealed variety in song sequencing by males, but comparatively few and weak effects associated with either breeding stage or time of day. Overall, most song types connected to only a few others and a relatively small proportion of all possible song-type transitions actually occurred. Hence, much of the variety in song sequencing that was possible with the large song repertoires of males was not realized. The latter outcomes, brought to light via network analyses, highlight an important paradox for future research on this and related species with large song repertoires.     

Vocal communication between male Xenopus laevis

This study focuses on the role of male-male vocal communication in the reproductive repertoire of the South African clawed frog, Xenopus laevis. Six male and two female call types were recorded from native ponds in the environs of Cape Town, South Africa. These include all call types previously recorded in the laboratory as well as one previously unidentified male call: chirping. The amount of calling and the number of call types increased as the breeding season progressed. Laboratory recordings indicated that all six male call types were directed to males; three of these were directed to both sexes and three were directed exclusively to males. Both female call types were directed exclusively to males. The predominant call type, in both field and laboratory recordings, was the male advertisement call. Sexual state affected male vocal behaviour. Male pairs in which at least one male was sexually active (gonadotropin injected) produced all call types, whereas pairs of uninjected males rarely called. Some call types were strongly associated with a specific behaviour and others were not. Clasped males always growled and clasping males typically produced amplectant calls or chirps; males not engaged in clasping most frequently advertised. The amount of advertising produced by one male was profoundly affected by the presence of another male. Pairing two sexually active males resulted in suppression of advertisement calling in one; suppression was released when males were isolated after pairing. Vocal dominance was achieved even in the absence of physical contact (clasping). We suggest that X. laevis males gain a reproductive advantage by competing for advertisement privileges and by vocally suppressing neighbouring males.     

BIOACOUSTICS IN NEW ZEALAND AND JAPAN

Although it is highly recognisable, relatively little is known about the repertoire composition and singing behaviour of the Hermit Thrush (Catharus guttatus). To address this, we recorded spontaneously singing males in two eastern populations (Halifax, NS (n = 11) and Hancock County, ME (n = 7)) and analysed the recordings with respect to repertoire size, basic song type characteristics and song syntax. Males had song type repertoires of 7–12 song types, and no song type sharing between individuals was observed within or between populations. While frequency-related structural characteristics of the song types were the same between the populations, song type duration (especially that of the introductory note) differed significantly. The song types within each repertoire could be categorised into high and low song types based on introductory note frequency, and these song type categories also differed with respect to the amount and distribution of spectral energy. In both populations, males sang with immediate variety, never repeating the same song type consecutively, and preferentially used some song-type to song-type transitions more than others. In addition, we found correlational evidence of changes in singing behaviour (e.g., the relative use of low versus high song types) over the course of the breeding season. We discuss these findings in the context of other songbird research as well as their implications for future work examining how Hermit Thrush males utilise their songs in defending territories and attracting mates.     

Effects of an Immune Challenge on Multiple Components of Song Display in Barn Swallows Hirundo rustica: Implications for Sexual Selection

Bird song is believed to honestly reveal male quality including the ability of singers to face parasitism. In a natural population of barn swallows Hirundo rustica, we experimentally imposed a cost on song production by an immune challenge. We therefore vaccinated a group of reproducing males with an antigen (Newcastle disease virus), and injected phosphate‐buffered saline to a control group. Immune challenge significantly reduced one song feature, rattle duration. This decrease was related to male quality, as measured by tail length, because males with short tails reduced the duration of their rattle significantly more than males with long tails. In addition, another song feature, strophe duration, decreased in the control group, while it remained constant in the challenged group. Duration of the rattle has previously been found to be positively related to testosterone level, and it may hence reflect male competitive ability. Thus, male barn swallows may not have the potential to produce long rattles when their immune system is challenged. By maintaining their strophe duration after an immune challenge, males may compensate for the decrease in rattle duration. Our results suggest that different song features may convey different types of information, and that barn swallow song, in particular their rattle, may reliably reveal information about activation of the immune system.     

SONG POPULATIONS AND DISPERSAL IN STEELBLUE AND PURPLE WIDOWFINCHES

Payne, R. B. 1985. Song populations and dispersal in Steelblue and Purple Widowfinches. Ostrich 56:135-146.

Songs of Steelblue Widowfinches Vidua chalybeata were recorded over eight years at Lochinvar National Park, Zambia. Neighbouring males share their song-type repertoires. Individual birds changed the structural details of all song types in their repertoire from year to year, and over 4–5 years the songs accumulated changes so that a song type could scarcely be recognized as the same. A few males in addition switched their song repertoires when they dispersed from one song population to another, or when their old neighbours disappeared and new neighbouring males sang a different song repertoire. Individual marked adult birds moved from one song neighbourhood to another. Purple Widowfinches had a similar song behaviour but only one song dialect was found in the study area.

An estimate of the proportion of immigrants was made from the proportion of birds with songs unlike their neighbours, and from birds that had a mixed song repertoire or that switched their song repertoires. Song populations were sampled at several localities in the Transvaal, Botswana, Zambia, Kenya, Tanzania, Cameroon, and Nigeria. An overall minimal estimate of dispersal between song neighbourhoods was 18 %. The incidence of observed dispersal and the movements indicated by the song differences among local widowfinches were considerable and more than sufficient to prevent genetic isoloation and differentiation of local song populations.     

The song structure and seasonal patterns of vocal behavior of male and female bellbirds (Anthornis melanura)

The bellbird (Anthornis melanura) is a honeyeater endemic to New Zealand, which uses song to defend breeding territories and/or food resources year round. Both sexes sing and the song structure and singing behavior have not yet been quantified. The number of song types, spectral structure, repertoire size, and singing behavior of male and female bellbirds was investigated for a large island population. Song types differed between the sexes with males singing a number of structurally distinct song types and females producing song types that overlapped in structure. Singing behavior also differed between the sexes; males often sung long series of songs while females sung each song at relatively long and variable intervals. Singing by both sexes occurred year round but the frequency of male and female singing bouts showed contrasting seasonal patterns. The frequency of female singing bouts increased as the breeding season progressed, whereas male singing bouts decreased. In contrast to almost all studied passerines, female bellbirds exhibited significant singing behavior and sung songs of complex structure and variety that parallel male song. These results provide a quantitative foundation for further research of song in bellbirds and in particular the function of female vocal behavior.