An Ethnographic Filmflam: Giving Gifts, Doing Research, and Videotaping the Native Subject/Object

Using the discussion of self-reflexivity as an organizing principle, this article examines how mobilizing digital video technology during fieldwork opens up empirical and theoretical space for reconceptualizing the relationship between anthropologists and informants. Placing the field of visual anthropology into critical conversation with long-standing theoretical arguments about the objectivist limitations of native anthropologists, I argue that the slipperiness of nativity as an anthropological designation helps to provide analytical tools for examining filmmaking as a kind of gift-giving process between native ethnographic filmmakers and the subjects of their films. This article highlights some of the ways in which my own filmic and videographic exploits in Harlem, New York, mark integral connections between seeing and being the proverbial other, probing social exchanges predicated on the usefulness of low-budget digital technology as a means of fostering politically and epistemologically valuable ethnographic collaborations.     

Moving the New Anthropology of Art beyond the Museum

Looking High and Low: Art and Cultural Identity. Brenda Jo Bright and Liza Bakewell. eds. Tucson: University of Arizona Press, 1995. 210 pp.     

Translation, Value, and Space: Theorizing an Ethnographic and Engaged Environmental Anthropology

In this article, I argue for placing the politics of translation and theories of value and spatial production at the center of environmental anthropology. For the past ten years, the Gimi-speaking peoples living in Maimafu village, Papua New Guinea, have taken part in an integrated conservation and development project attempting to foster a local system of valuing "nature" by tying biological diversity to economic markets through the creation of "eco-enterprises." However, the project fails to consider how Gimi produce, theorize, transmit, and express knowledge. Using ethnographic material concerned with hunting and song composition, I show that Gimi understand their forests to be part of a series of transactive dialectical relationships that work to produce identity and space. I also demonstrate that, as part of this project, Gimi social relations with their forests have been translated in ways that fit their beliefs into generic and easily understandable categories. This has been detrimental to the conservation project and it is politically problematic for an engaged environmental anthropology.     

Reflections of an Ethnographic Filmmaker-Maker: An Interview with Paul Henley, Director of the Granada Centre for Visual Anthropology, University of Manchester

ABSTRACT  Two decades ago the Granada Centre for Visual Anthropology (GCVA) at the University of Manchester, U.K., was created. Since then it has become one of the most acclaimed postgraduate visual anthropology schools in the world, providing a space for theoretical debate and training in ethnographic filmmaking techniques. Conceived originally as a master's program under the sponsorship of Granada Television and the University of Manchester, it has now extended training to the Ph.D. level to students from around the world. In this interview, Professor Paul Henley, GCVA's director since its inception, reflects on the last 20 years of the Granada Centre, ethnographic filmmaking, the state of the art in theory and practice in visual anthropology, and new possibilities and challenges for the future. [Keywords: visual anthropology, ethnographic filmmaking, documentary, Granada Centre for Visual Anthropology]     

Marxist Modern: An Ethnographic History of the Ethiopian Revolution.

Marxist Modern: An Ethnographic History of the Ethiopian Revolution. Donald L. Donham. Berkeley: University of California Press, 1999. 236 pp.     

Explaining Adherence Success in Sub-Saharan Africa: An Ethnographic Study

Background

Individuals living with HIV/AIDS in sub-Saharan Africa generally take more than 90% of prescribed doses of antiretroviral therapy (ART). This number exceeds the levels of adherence observed in North America and dispels early scale-up concerns that adherence would be inadequate in settings of extreme poverty. This paper offers an explanation and theoretical model of ART adherence success based on the results of an ethnographic study in three sub-Saharan African countries.

Methods and Findings

Determinants of ART adherence for HIV-infected persons in sub-Saharan Africa were examined with ethnographic research methods. 414 in-person interviews were carried out with 252 persons taking ART, their treatment partners, and health care professionals at HIV treatment sites in Jos, Nigeria; Dar es Salaam, Tanzania; and Mbarara, Uganda. 136 field observations of clinic activities were also conducted. Data were examined using category construction and interpretive approaches to analysis. Findings indicate that individuals taking ART routinely overcome economic obstacles to ART adherence through a number of deliberate strategies aimed at prioritizing adherence: borrowing and “begging” transport funds, making “impossible choices” to allocate resources in favor of treatment, and “doing without.” Prioritization of adherence is accomplished through resources and help made available by treatment partners, other family members and friends, and health care providers. Helpers expect adherence and make their expectations known, creating a responsibility on the part of patients to adhere. Patients adhere to promote good will on the part of helpers, thereby ensuring help will be available when future needs arise.

Conclusion

Adherence success in sub-Saharan Africa can be explained as a means of fulfilling social responsibilities and thus preserving social capital in essential relationships.     

APEC at the Museum of Anthropology: The Politics of Site and the Poetics of Sight Bite

This paper examines the light shed on processes of globalization and local empowerment by the contestatory events that ensued when the Canadian government appropriated the University of British Columbia's Museum of Anthropology to be the site of the 1997 prime ministerial meeting of the Asia Pacific Economic Community. In its determination to assert its traditional ownership of the museum's site the local Musqueam band came into conflict with government officials, intent on presenting a settler narrative of Canadian nationhood to its trading partners. The official spectacle that was staged in the museum by the government is compared with Musqueam's self-presentation to reveal the persistence of stereotypes and the existence of competing historical narratives that accompany and compromise projects of decolonization within the museum community.     

History of Physical Anthropology: An Encyclopedia

History of Physical Anthropology: An Encyclopedia, vols. & 2. Frank Spencer. ed. New York: Garland Publishing, 1997. 1,195 pp.