Receivers respond differently to chick-a-dee calls varying in note composition in Carolina chickadees, Poecile carolinensis

The chick-a-dee call of the avian genus Poecile is a structurally complex vocal system because it possesses a set of simple rules that governs how the notes of the call are ordered, and variable numbers of each of the note types strung together can generate an extraordinary number of unique calls. Whereas it has been hypothesized that chick-a-dee calls with different notes may convey different information, no experimental evidence has been offered in support of the hypothesis. Previously published studies suggested that flock members use chick-a-dee calls in the context of moving to or from a feeding site. Here, we tested Carolina chickadees' responses to playbacks of chick-a-dee calls that differed in note composition. Playbacks were conducted in the field in the context of a novel food source. Our pilot data had indicated that chick-a-dee calls with relatively large numbers of ‘C’ notes were given by birds on their first contact with a novel seed stand. In the present study, we found that chickadees flew in close to the playback speaker and subsequently took seed from a seed stand more often during playbacks of chick-a-dee calls containing C notes than chick-a-dee calls not containing C notes or than control playbacks. Vocal responses of chickadees to the playbacks also differed in relation to the particular vocal signal being played back. These results indicate that receivers respond differently to chick-a-dee calls containing different compositions of note types and represent a first step to link variation in note composition and ordering in these calls to possible meanings.Copyright 2002 The Association for the Study of Animal Behaviour. Published by Elsevier Science Ltd. All rights reserved .     

Caught up in uroweb

Emphasizing "interactive exchange and discussion" among urologists worlwide, the mission of Uroweb (www.uroweb.org) is to be a global resource for urologic specialists and investigators, although the content is mostly from urologists in Europe and the United States. The European Association of Urology, which developed this World Wide Web site, notes it was born out of the desire to link educational and practical treatment information from a wide variety of sources.     

Prevention should be the preferred insurance program for all physicians.

Recent fee increases announced to the Canadian Medical Protective Association (CMPA) and the Ontario government''s plan to stop its CMPA rebate program for the province''s physicians have put the spotlight on medical liability insurance. In this examination of the role played by the CMPA, Ottawa lawyer Karen Capen notes that quality service and attention to physician-patient communication will in most cases ensure a litigation-free professional life.     

Bull breeding soundness evaluation in Southern Africa

The motivation for and process leading up to the publication of a new bull breeding soundness certification standard endorsed by the South African Veterinary Association is described. The veterinary certificate of bull breeding soundness and explanatory notes and minimum standards are shown. The first component of the certificate is a declaration by the veterinarian that the bull complies with the minimum standards set for examinations for the selected purpose, these being for use as a natural service sire, as a donor of semen for distribution, and for insurance purposes. This is followed by the details of the bull and owner, and a list of the recommended examinations and tests for the bull with provision for which were performed. Certificates are available in book form with the explanatory notes and minimum standards on the reverse, and a carbon copy which remains in the book.The clarity and ease of completion of the document are regarded as being positive features. Bulls are either classified as breeding sound or not, with no actual parameters indicated on the document and no certificate issued for those which do not meet the set criteria. Contact details of the parties involved are shown on the certificate to allow for communication as a means of avoiding disputes.     

Making culture,and its costs

Richard G. Fox (ed.), NATIONALIST IDEOLOGIES AND THE PRODUCTION OF NATIONAL CULTURES, Washington, DC: American Anthropological Association, 1990, 177 pp., including chapter references, $17.00 (non‐members), $13.50 (members), paper.

Walter Zenner, MINORITIES IN THE MIDDLE: A CROSS‐CULTURAL ANALYSIS, Albany: State University of New York Press, 1991, xv + 224 pp., including bibliographic notes and index, $16.95, paper.     

PUBLIC HEALTH REPORT: Increase in Arthropod-Borne Encephalitis a Possibility

THE COMMUNICATION below is the first of what is intended as a continuing series of reports from the State of California Department of Public Health on topics of interest to physicians in private practice. On a number of occasions in the past, Dr. Malcolm H. Merrill, Director of Public Health, has appeared before the Council of the California Medical Association with intensely interesting reports on matters of public health and the attitudes and functions of the department. Since the minutes of the meetings of the Council give only the briefest of notes on such communications, Dr. Merrill was asked—and has agreed—to make use of this section of California Medicine for public health reports that can be informative and useful to all members.     

A multidimensional statistical study of similarities between 74 notes used in perfumery

From a data bank of 2467 odoriferous products, the similaritiesbetween 74 notes used in perfumery were calculated. The similaritymatrix (74,74) contains – 63% of zero values and showsthat only a few pairs of notes present high similarity coefficients.A fine analysis using ascending hierarchical taxonomy with thecomplete linkage procedure shows that 14 notes are isolatedwhile 60 notes are regrouped in 27 groups containing two tofour notes. The isolated notes correspond to well-defined structuralparticularities. Some pairs of notes or groups present similaritiesin their chemical structures but some groups are built on thebasis of semantic processes. This study shows that the notesare generally independent, with no strict hierarchy among them,and rules out the existence of primary odors.     

A species-specific acoustic cue for selective song learning in the white-crowned sparrow

Song learning in birds is paradoxical. Without tutoring, songbirds do not develop normal songs. Yet despite this inability, birds possess extensive foreknowledge, in a mechanistic sense, about the normal song of their species. When given a choice of tape recordings, young, n?ive songbirds select sounds of their own species for imitation. We tape-tutored white-crowned sparrows, Zonotrichia leucophrys oriantha, with a set of manipulated songs to investigate whether the introductory whistle universally present in white-crowned sparrow song guides selective song learning in this species. Our results confirm that this whistle serves as a cue for song learning, enabling acquisition of normally rejected sounds of other species, including hermit thrush, Catharus guttatus, notes, which have a sound quality distinct from that of natural white-crowned sparrow phrases. Our results support the conclusion that sensory mechanisms rather than motor constraints are primarily responsible for the selectivity seen in song learning. Copyright 2000 The Association for the Study of Animal Behaviour.     

Using a learning log to support students' learning in biology lessons

Providing copies of an instructor's lecture notes before lectures is enthusiastically approved of by university students in introductory biology classes. Surprisingly, students who use the notes tend to perform less well onexams than students who avoid using the notes. However, there is no evidence that using the notes is harmful to learning; rather, those students who choose not to use the notes enter the course with better preparation or knowledge than the class as a whole. Pre-circulated notes may improve the clarity of lectures and encourage advance preparation by students — a learning discipline possibly as valuable as organising and reviewing one's own notes.     

Patterns of Vocalization Use by Female Red-winged Blackbirds (Aves: Emberizidae,Icterinae): Variation and Context

Variation within communication systems can be examined at several levels: variation among individual notes, variation in the arrangement of notes, and variation in delivery. Here, variation in the arrangement and delivery of notes used in female red-winged-blackbird vocalizations is described, and this variation is examined for correlations with the context in which the vocalizations were given. Within a vocalization, notes were normally arranged in a series of similar notes. Of the 75 different note arrangements recorded from the population, 12 arrangements accounted for 84 % of vocalizations. Provisional results indicate that the arrangement of notes was influence by the following contexts: 1. The stage of the breeding season; 2. The individual female; 3. The breeding status of the female; 4. Certain female behaviour patterns; 5. Other red-winged-blackbird vocalizations; and 6. The presence or absence of a female's mate in the territory. Variation in delivery was measured by the number of notes within a vocalization; delivery was influenced by the stage of the breeding season, the individual female, and the breeding status of a female. Most note arrangements were used in a wide variety of contexts and did not appear to be functionally distinct.     

Independent evolution of song structure and note structure in American wood warblers

This study addresses the issue of how evolutionary convergence within shared environments shapes some features of bird song while leaving others unaffected, using as an example the songs of 51 North American wood warblers (Parulinae). I combined published information on breeding habitats and evolutionary relationships to show that the structure of warbler songs is correlated with habitat, whereas the structure of the notes that comprise the songs is relatively unaffected by habitat and more closely related to phylogenetic history. The results confirm known relationships between bird song and habitat, including correlations between song frequency and the type and density of canopy foliage, and between the number and arrangement of notes in the song and foliage density and moisture. More importantly, the results suggest that individual notes and whole songs are to some extent functionally independent, because the configuration of notes shows more evidence of evolutionary constraint than does the way notes are assembled into songs.     

IMPROVISATION OF NEW NOTES DURING SINGING BY MALE SARDINIAN WARBLERS SYLVIA MELANOCEPHALA

ABSTRACT

The songs of Sardinian warblers Sylvia melanocephala are extremely complex and variable, and even consecutive songs uttered by the same male usually differ. To provide a better understanding of the nature of the variation recorded, an attempt has been made to determine size and composition of the note repertoire of three selected individuals. The analysis was carried out on samples each consisting of several dozen songs, and the various notes were sorted on the basis of the visual similarity of their spectrographs patterns. Each male turned out to have a very large note repertoire which does not show any overlap with those of other males, with the only exception a particular note found in the songs of all the males. In two birds out of three, however, the graphs of the occurrence of new notes in consecutive songs show no tendency to become asymptotic. This suggests that the assessment of note repertoire size in these birds is not accurate, as they continue inserting new notes in their songs even after they ha ve uttered several dozen songs. A table recording the presence or absence of the various notes in consecutive songs revealed that at least two of the three birds used different sets of notes in different bouts of songs, switching from one to another after short pauses made between two consecutive bouts. All this makes the attempt to assess the actual size of the note repertoire in these birds very difficult, and makes it probable that Sardinian warblers do not possess a finite repertoire of notes. The pattern of note selection observed for the three males in this study is best explained by assuming that these birds improvise new notes as they sing.     

Development of species identification in ducklings: XI. Embryonic critical period for species-typical perception in the hatchling

In the embryonic stages prior to hatching, the contact-contentment call of the Peking duck (domesticated Anas platyrhynchos) is more highly variable (2–6 notes/s) than it is after hatching (4–6 notes/s). The embryos must be exposed to the normally wide range of repetition rates of their contact-contentment call (2, 4, 6 notes/s) if their preference for the species maternal call is to be normal at 24 h after hatching. Exposure of muted embryos to the higher (4, 6 notes/s) or lower (2, 4 notes/s) portions of the normal range was ineffective. Thus the normally highly variable nature of the embryo's vocalizations fits the requirements of its developing auditory system. An embryonic critical period was also demonstrated: when muted hatchlings were exposed to the rates typical of the postnatal period (4, 6 notes/s), or even the more widely variable rates of the embryonic period (2, 4, 6 notes/s), they failed to show a preference for the normal maternal call at 24 or 48 h after hatching. Thus the precise developmental linkage involves maturational stage as well as the representativeness of the stimulation.     

Chick-a-dee call variation in Carolina chickadees and recruiting flockmates to food

The "chick-a-dee" call of many Paridae species (titmice, tits,and chickadees) is structurally complex and functions in socialcohesion. Studies with different Parid species suggest thatvariation in the note composition of calls relates to a widevariety of contexts. An earlier study with Carolina chickadees(Poecile carolinensis), the focal species of the present study,found that receivers responded differently to playback callsdiffering in note composition in feeding contexts. Here, weaddressed whether signalers actually produce calls differingin note composition in feeding contexts and whether those callsmight serve a recruitment function. In a first study, we foundthat the first chickadee to take seed from a feeding stationproduced calls with a greater number of D notes before the secondchickadee arrived to take seed, compared with after the secondchickadee arrived to take seed. This suggests that calls witha large number of D notes might serve a general recruitmentfunction. We tested this idea in a second study, using playbacksof calls containing a large number of D notes or a small numberof D notes at different sites. We found that the latency fora first chickadee to come into a site and take seed was shorterfor playback variants containing a large number of D notes.Thus, in Carolina chickadees, chick-a-dee calls containing alarge number of D notes may function to recruit other flockmembers to a discovered food source.     

Innate differences in singing behaviour of sparrows reared in isolation from adult conspecific song

Innate differences in the singing behaviour of male swamp (Melospiza georgiana) and song (M. melodia) sparrows were identified by rearing males from the egg in the laboratory under identical conditions, in complete isolation from adult conspecific song. Isolation-reared males of both species displayed several abnormal song features, including reduced numbers of notes per song, longer durations of notes and inter-note intervals, and fewer notes per syllable. Despite these and other abnormalities, many species differences emerged that matched differences in the natural singing behaviour of the two species. These included differences in song repertoire size, song duration and degrees of segmentation, numbers of notes per song, durations of notes and inter-note intervals, and several measures reflecting the organization of songs into note complexes, syllables and trills. Although learning can influence all levels of organization of the motor patterns of song in swamp and song sparrows, its contribution to the achievement of normal song behaviour appears to be most crucial at the level of the fine structure of the notes and syllables from which the songs are constructed.     

沼水蛙繁殖期鸣声特征及鸣叫节律

鸣叫对无尾两栖类动物的生存与繁殖起重要作用。蛙类的鸣叫行为受到环境因素影响表现出一定的节律性。2016年8和9月,采用录音机和指向性话筒,在野外录制了57只沼水蛙（Hylarana guentheri）的鸣声并对其鸣声特征进行分析;通过悬挂录音笔和自动温湿度记录仪研究了沼水蛙鸣叫节律（17 d）及其与环境温度、相对湿度的关系。结果显示,沼水蛙的鸣声由1 ~ 4个音节组成,不同类型鸣声间的音节主频、音节时长存在显著差异（P < 0.05）。该物种全天具有鸣叫行为,13:00 ~ 14:00时为鸣叫高峰期。白天单音节鸣声、双音节鸣声、三音节鸣声、总鸣声和总音节的数量较夜晚显著增加（P < 0.01）。鸣声数量和音节数量均与环境温度呈正相关（P < 0.01）。结果表明,沼水蛙通过改变音节数量、音节主频和音节时长改变鸣叫策略。沼水蛙的鸣叫行为具有昼夜节律性且受环境温度的影响。     

VOCAL AND OTHER BEHAVIOUR OF KENYAN BLACK-COLLARED BARBETS LYBIUS TORQUATUS

We describe 12 visual and six acoustical displays of Black-collared Barbets, all associated with interactions of these sexually monomorphic barbets in greeting ceremonies and in antiphonal duets. Certain of the displays, e. g., bill directing, smooth posture and chatter calls largely are associated with multiple-barbet interactions and greeting ceremonies involving more than two barbets, and seem to represent purely agonistic displays. Other displays, most notably the bobbing and floating flight displays, and the tyaw call, are associated with preduet greeting ceremonies involving the presumed pair. In every case duets were performed by a presumed pair, following a greeting ceremony and visual displays accompany the duetting, which usually becomes precisely synchronized after the initial few notes. Four to 17 notes of each of two types, a usually lower pitched, short and mainly double type A note that introduces most duets, and a higher pitched, usually single, clear type B note that often terminates the duet. Variation in the notes and in their tempos within duets suggests no clearly defined temporal indicators for achieving, maintaining, and concluding the duets. The A and B notes cannot yet be assigned to one or other sex and similarity in form and development of the notes, from notes of greeting ceremonies, suggests the possibility that under some circumstances a bird of one sex may be able to deliver notes of either type. The duets are delivered from singing posts within the group's (or pair's) territory and usually only one duet is uttered from a site before the birds shift to another singing post. The duetting is compared with that of other barbets and appears to be among the best synchronized and most precise in the family. Comparisons with non-barbet duetting species are difficult because of the special habits and ecology of the barbets and uncertainty as to the sexual rôle of the duetters.     

Behavioral Ecology of Elliot’s Laughingthrush (<Emphasis Type="Italic">Trochalopteron</Emphasis> (<Emphasis Type="Italic">Garrulax</Emphasis>) <Emphasis Type="Italic">elliotii</Emphasis>, Timaliidae,Aves): 2. Vocal Repertoire

Our work is the first study on the vocal repertoire of one of the babbler species, Elliot’s laughingthrush. Field studies were carried out in Hupingshan Nature Reserve, Hunan Province, China. There are three types of signals in the repertoire: songs, calls (chattering), and duets. Songs and calls are used by both males and females. The song consists of a quiet introduction (short note) and a louder main part (two or three tonal notes). There are up to four song variants in the repertoire of a given pair. All songs can be classified into three types. Types I and II represent songs with the main part consisting of three notes, while type III consists of two notes. Types I and II differ from each other in certain features of the frequency modulation shape of the first two notes. All song types can be used during the spontaneous vocalization of a single bird. However, their usage in other contexts differs. Songs of types I and II are more often uttered during vocal interactions of neighbor males. Songs of type III appear to be characteristic of male–female duets. Chattering (calls) is a continuous series of broadband notes. There are several (two to five) note variants in each series. Chattering can be used both during a male–female interaction and as an alarm call. We found an inverse correlation between (1) the duration of pauses between notes, and (2) the number of note variants (“repertoire size”) in a series. Both parameters probably reflect the internal state of an individual at a given moment.