Potential and effective meaning in therapeutic ritual

Anthropologists who accept the functionalist dogma that everything in a culture is related to everything else can easily demonstrate from their own point of view that any ritual is richly meaningful. If, then, the healing power of therapeutic ritual depends on making illness meaningful, any ritual, if seen from this perspective, should be efficacious. We must distinguish, however, between potential and effective meaning, i.e. what a ritual might mean and what it does mean to participants in it who generally lack an anthropologist's global view of their culture. Effective meaning can be assessed by examining a ritual's relevance to the situation in which it occurs and factors which facilitate or hinder communication of what it might mean to particular persons. This argument is illustrated by analyzing the meaning of a Chinese healing ritual in two different situations in which it occurs.     

Divergent modes of address and (re)contextualization in Loma ritual prayer

This article explains the ritual symbolism of a sacrificial rite characteristic of the so-called 'secret societies' of the conflict-ridden Upper Guinea forest and coastal region of West Africa. Whereas the political dimension of these secret societies or cults is relatively well known, very little knowledge exists about the ritual communication with imperceptible beings around which the cults are organized. It appears from the study of Loma ritual prayer that secret mask cults are typical self-referential entities constituted by a symbolism emerging from a reconfiguration in ritual speech of modes of relationships characteristic of the social structure of the Loma of Guinea and Liberia. Against recent anthropological theories of ritual which reject the idea that ritual can be defined as communication of meaning, it is argued that Loma sacrificial prayer conveys an essential 'message' about the secret cult's constitution. In addition to an analysis of the recontextualization of modes of relationships that typifies Loma ritual prayer, the article also pays attention to indexical expressions in prayer which serve to negotiate social relationships and power relations external to the ritual context.     

Rathwa Pithoro: Writing about Writing and Reading Painted Ethnography

Based on fieldwork among the Rathwa tribal community of Gujarat, this article is an analysis of the ritual and installation of wall painting known as Pithoro. The analysis of the culture's own construct of what constitutes writing and reading is considered to bring out the magical power in interpreting that which is written and/or drawn. As the reading capacity is more significant, especially the one undertaken by the ritual specialist, the ethnographic account treats the paintings installed not only for the sake of ritual but to alter politicoeconomic situations of the Rathwa tribals in the course of history. This article presents the paintings as a total communication system, which is not just the work of art drawn but also written within the culture, as their own ethnography for the culture itself.     

A relational approach to a Papua New Guinea male ritual cycle

The article analyses the male ritual cycle of the Ankave‐Anga in Papua New Guinea. In the 1980s, male initiations in this region were interpreted as institutions for the reproduction of male domination. And yet, looking at the ritual gestures performed at the same time by the men in the forest and by the women in the village, it becomes possible to offer another interpretation, one that, following Marilyn Strathern, underscores a relational dimension. But, whereas Strathern saw these rituals as times when boys went from a ‘cross‐sex’ state to a ‘single‐sex’ state capable of reproduction, following a process of extraction, the article argues that the Ankave ritual cycle can be read as an ordered series of transformations of the relations between the boys and their mothers and sisters, in the presence of these female relatives. At the heart of these initiations lies the boys' accession to the capacity to act for others. Such an analysis of specific ethnographic Melanesian material makes possible a critical appraisal of the Strathernian notions of partibility and detachability, which have often been taken as given by researchers outside the region.     

Dancing with a Difference: Reconfiguring the Poetic Politics of Aboriginal Ritual as National Spectacle1

This paper argues that indigenous dance is a poetic politics of cross‐cultural encounter that engages Aboriginal identities with those of the Australian nation. I question the nature of this encounter in terms of a performative dialogue that is both musically and kinesically presented by indigenous communities and ‘translated’ into political discourse by the government. The sentiments of ‘translation’ raise questions as to how local ritual expressions of Aboriginal dance can mediate dialogue when presented as national spectacle. What is being meditated? What is happening in the process of evocation? In this performative nexus, I focus specifically on the poetic politics of Yolngu ritual as spectacle; the nature of performative dialogue in terms of shared dance forms between indigenous communities; the problem of the authentication of dance identities; and how corporeal dispositions of indigenous dance genres influence national sentiment by their symbolic power. I pursue these issues through an analysis of how ancestral dances have been repositioned in national performance venues, such as concerts, cultural centres and ritual arenas, as a means of asserting performative statements about indigenous positioning within the nation‐state. The nature of this dialogue raises questions of authenticity and processes of authentication. It highlights indigenous concerns to control representations of indigeneity as national event, as well as a desire to convey something of the sentiment and sentience embodied in the poetics of their ancestral performances.     

Descent, Affinity, and Ritual Relations in Eastern Turkey

The available anthropological literature on ritual co-parenthood focuses mainly on the Christian world. This paper discusses and analyzes the structure and functions of kivrelik , a form of ritual co-parenthood established through the Islamic ritual of circumcision and practiced in Eastern Turkey. It explains howw kivrelik can function as either an intra-group or an inter-group integrative mechanism, or as a device to extend one's personal social network. It also discusses the complementary and supplemental uses of ritual kinship, descent, and affinity.     

Consequences of wooded shrine rituals on vegetation conservation in West Africa: a case study from the Bwaba cultural area (West Burkina Faso)

Anthropological contributions that challenge several common perceptions on sacred sites are still poorly taken into account in conservation and ecological studies. This paper aims at filling this gap and providing a better framework for biological studies. Local concepts of natural sacred sites and their ritual administration were studied and the ritual practices relating to the vegetation of these sites were analyzed in the Bwaba cultural area in West Burkina Faso. Our research shows that these ritual practices are much more diverse and fluid than might have been supposed. Protection ‘by tradition’ is thus rather different from what we call conservation. While vegetation does matter, its presence on sacred sites is not essential. In addition, under certain circumstances, sacred sites may be transferred or reproduced elsewhere. Attention is drawn to the inadequacy of ‘sacred woods’ as a category, in an ecological as well as an anthropological sense. Even if wooded shrines may contribute to biodiversity conservation as a side-effect of their religious purpose, the idea that they fundamentally are ‘endogenous’ nature conservatories must be disproved.     

Scripting development through formalization: accounting for the diffusion of village savings and loans associations in Tanzania

Village savings and loan associations (VSLAs) are a form of self-organized savings association which has been successfully promoted by development agencies across the Global South. This article examines the increase in VSLAs in Tanzania through an investigation of the practices through which they are organized. Self-organized savings associations use extreme formalization to enact the social and financial discipline which enables members to count on one another. Anthropological theories of ritual as disciplinary practice shed light on the organizational practices of savings associations and their expansion. Such associations adopt the organizational properties of ritual to generate and sustain autonomous local institutions. Ritualization has added value for systems of financial ordering as a ‘framing’ device through which the financial order of saving can be delineated. Whereas sociological theorizations of institutional diffusion perceive ritualization as empty copying, ethnographically informed anthropological analysis demonstrates the productivity of formalization where detachment from ordinary relations is a sought attribute of organization     

The Dance of Power: Ritual and Agency among Unionized American Health Care Workers

The authors illustrate the roles of agency and structure as workers, management, and a union representative use ritual encounters for their own ends in an American hospital. They also discuss the symbolism of the union contract as a charter for ritual and indicate how it and the structure that defines it subvert the broader goals of the union.     

Negotiating the Ritual and Social Order through Spectacle: The (Re)Production of Macassan/Yol▒u Histories1

Broadly framed in terms of performance theories by Turner and Beeman, this paper weaves together the historical, mythical, ritual and performative aspects of a 1997 encounter in Sulawesi between Yol?u (an Aboriginal people of northern Australia) and Macassans (people from southern Sulawesi, Indonesia). The focus of the paper is an indigenous opera called Trepang, which is based on the centuries‐long history of trading relations and family connections between the two groups, and the way its performance was used by the Yol?u and Macassan cast members to renegotiate their often turbulent shared history, along with the contemporary social and ritual order. In this light, Trepang can be understood as a restorative social process, a means of pursuing a common path and a way of ameliorating the discrepancies of the past—bringing the parties finally together as one. Analysing the social context in which the performance of historical ‘truths’ was negotiated, I unpack key events in the staging of this ‘play within a play’ and demonstrate the need to transgress the dualism of ritual and spectacle.     

'Owner' and 'Managers': Ritual Cooperation and Mutual Dependence in the Maintenance of Rights to Land

Introductory comments concern the duality of some Australian Aboriginal social organi-zations, particularly with respect to ritual action and the enunciation of rights to land. Ethnographic data are presented from the north of Western Australia. Aborigines in this region own land which they inherit and members of a patri-moiety realize their rights in land through subsequent ritual performances. However, members of their opposed patrimoiety who are also land owners play an indispensible role in any ritual action, so that members of both moieties are dependent upon one anothelr in the exercise of rights to land. Further data are provided which show the complex ritual and social relationship between four landowners in the region. It is concluded that the four men are mutually dependent in matters relating to their land. Consequently, Aborigines in the region stress the joint ownership and sharing of land, rather than their independence.     

The Materiality of Relational Transformations: Propositions for Renewed Analyses of Life-Cycle Rituals in Melanesia and Australia

ABSTRACT

This paper introduces this special issue and analyses Papua New Guinea and Australian initiation and death rituals as moments of relational transformations. Although the general argument is not completely new, it has often remained an undemonstrated statement. The paper hence focuses on the specific ways people make these changes effective and express them in their rituals. It is suggested that an invariant modus operandi is in play in which, for a relation to be transformed, its previous state must first be ritually enacted. Towards the end of the ritual, the new state of the relationship is itself publicly enacted through a manifestation of the form the relation takes after the ritual. The paper suggests that a relationship cannot be transformed in the absence of the persons concerned. The relational components need to be either directly present, such as in initiations, or mediated through objects, such as in death rituals.     

Techniques of vision: photography, disco and renderings of present perceptions in highland Papua

This article draws on ethnographic and historical materials to interpret several related photographs and ritual images created by Fuyuge-speakers of highland Papua. The images are analysed as techniques of vision. That is, the images are shown to bring forth present perceptions in a timely manner, as evaluated by Fuyuge men and women. It is shown how the representations are informed by distinctive Fuyuge retentions of the past in the present, and extensions of the present in the future. The article suggests that the tendency to 'read' photographic images for their semiotic connotations misses the local perceptions at work in their creation and use. Rather, photographic and ritual images are analogous to the relations of persons that produce them, with their mutually connected temporality.     

On religious ritual as deference and communicative excess

I shall argue that most religious ritual is a performance that not only invokes but also performs communication. The ethnographic material from which I derive this argument is from China, in particular the temple rituals of local festivals. My argument is that a deep obeisance of welcome and departure that is both like and not like the normal ritual of greeting marks a religious from a non-religious ritual occasion and place. It is a ritual doubling that makes the honoured guest also a host. Religious ritual is a medium, and as a medium it is double in another sense. It is deference and deferral, a repeated transmission of obeisance to authority that has the authority of repetition. As well as doubling, religious ritual is excessively communicative. The medium is a performance not only of invitation and departure but also of communicative response, and it repeats this communication as a test of communicative response over and over again. Religious ritual performs both the opening and closing of communication, both the seeking and the responsive reciprocation of gift offerings with bounteousness. It is shadowed by the possibility of no response, of giving offence, of being abandoned. This possibility is acknowledged by being prevented, while the possibility that the performers are their own responders is disavowed.     

The revealing muteness of rituals: a psychoanalytical approach to a Spanish ceremony

This analysis of a heterodox Corpus Christi ceremony celebrated in Spain emphasizes one of its distinctive features: the ritual is carried out by two moieties, who provide contradictory exegeses of the same ritual performance. Yet, despite their incompatibility, the two theories have a feature in common: the denial of a Jewish presence within the groups that express them. This phenomenon is discussed in the historical context of Christian stereotypes of Jews, enabling recognition of the fact that the ceremonial of Camuñas may be regarded, on a first level of analysis, within the framework of performance theory, as a ritual of memory. Some conceptual tools defined by Sigmund Freud, especially the concepts of negation and disavowal, are then used to analyse the ritual. The denial of reality and the irreconcilable exegeses of the two moieties evoke the split attitude of a fetishist towards castration. Thus, three analytical approaches of increasing depth are proposed to one and the same ritual: structuralist, performative, and psychoanalytical.     

When Four Friends Meet

Ever since video elicitation became feasible as a research tool, in the mid‐seventies, it has been applied in numerous research projects. So far, the technique has mainly been used to enhance anthropologists’ understanding of complex events. Conducting feedback research with the ethnographic video film Teyyam, The Annual Visit of the God Vishnumurti, an attempt has been made to go beyond such an application. Screening this film for the very people whose Teyyam ritual it shows, the endeavor has been to explore how the technique can be used for participants to scrutinize the anthropologists’ “model” of their ritual. This not only resulted in the voicing of diverse opinions concerning the construction of the film as a whole, but also led to extensive discussions regarding often hitherto hardly noticed events.     

Becoming a Christian in Fiji: an ethnographic study of ontogeny

By means of an ethnographic and developmental analysis, this article shows how everyday ritual practice is fundamental to people's constitution over time of ideas that, in this case, inform a specifically Fijian Christianity. Focusing on the developmental process that is the fixation of belief, and on the significance of ritual for this process, it explores transformations in ideas about God, Sunday school, and death ceremonies held by Sawaieke girls and boys between 7 years, 10 months and 13 years old. The broader objective is to demonstrate, first, how data obtained systematically from children can illuminate our understanding of ritual and its significance, and, secondly, how an analysis of the developmental process necessarily entails a concomitant analysis of the social relations that inform it.     

Becoming a Christian in Fiji: an ethnographic study of ontogeny

By means of an ethnographic and developmental analysis, this article shows how everyday ritual practice is fundamental to people's constitution over time of ideas that, in this case, inform a specifically Fijian Christianity. Focusing on the developmental process that is the fixation of belief, and on the significance of ritual for this process, it explores transformations in ideas about God, Sunday school, and death ceremonies held by Sawaieke girls and boys between 7 years, 10 months and 13 years old. The broader objective is to demonstrate, first, how data obtained systematically from children can illuminate our understanding of ritual and its significance, and, secondly, how an analysis of the developmental process necessarily entails a concomitant analysis of the social relations that inform it.     

Sexuality and the Art of Seduction in Sinhalese Exorcism

In the interest of extending an understanding of ritual aesthetics this paper examines Sinhala exorcism as a domain of seduction. The analysis centres on a major Sinhala ritual held only for women, and its related mythology, in which sexuality is conceived as being destructive of regenerative processes. The rite engages seductive forces to break the destructive dynamic. The argument develops into a general discussion of the ‘logic’ of Sinhalese exorcism and how the aesthetic and seductive forces of rite are able to break the paradox of contradiction which is also integral to the ritual process. The article stresses ritual as a dynamic of both depth and surface, the two aspects being in complementary relation.