‘Pho’ Phai and faux phais: The market for fakes and the appropriation of a Vietnamese national symbol

When Hanoi's favorite painter Bui Xuan Phai died in 1988, he became a legend in Vietnamese art circles. He was known as much for his paintings of ‘Old’ Hanoi streets ‐ earning him the nickname of Pho'Phai or ‘street’ Phai‐ as for his frequent visits to the underground cafes where banned writers spent their evenings drinking and philosophizing. As the Vietnamese economy improved in the early 1990s, a clientele for his paintings began to develop among Westerners visiting Hanoi. Gradually, it became increasingly clear that most of the paintings on the market attributed to Phai were in fact forgeries. This article will discuss the expectations of Westerners and their interest in an ‘authentic’ Vietnamese painting and its contrast to Vietnamese visions of their city in decay. The article illustrates how opposite notions of ‘authenticity’ and history define the cultural production of taste and alter perceptions about art and the ‘Orient.’     

A flavour of Alzheimer's

This article describes how today in the United States neurologists diagnose forms of dementia, such as Alzheimer's disease and frontotemporal dementia. Taking as a starting‐point the pervasive context of uncertainty in the diagnosis of neurodegenerative diseases, it examines how uncertainty is not merely an epistemological obstacle to the making of knowledge. On the contrary, the article analyses how uncertainty positively incites the use of clinicians’ ‘feelings’ in diagnostic work. Drawing on observations of clinical consultations and team meetings, it studies how, alongside contemporary instruments of objectification, clinicians use, share, and discuss their ‘feelings’ to ultimately renew knowledge about brain diseases. In documenting the manner in which medical expertise is bound to a concrete experience of the world, this article further explores how experts’ ‘intuition’ can be grasped as a conscious and effortful process, rather than as something ineffable, resisting analysis, and confined to an unconscious background.     

Language analysis in the United Kingdom's refugee status determination system: seeing through policy claims about ‘expert knowledge’

This paper examines claims made about the role of ‘expert knowledge’ in analysing the language of individuals seeking asylum in the UK. I treat policy as a type of power and seek to understand how this policy uses the language of science to further the British government's stated interest to provide ‘secure borders’ and a ‘safe haven’ for refugees. I look at how the Home Office defines, shapes and implements the policy, and at how the policy has influenced judicial decisions. In short I unmask UKBA's claim that it relies upon expert, scientific knowledge to assess asylum claims.     

Ghar ki tension: domesticity and distress in India's aspiring middle class

Tension is a polysemic term used across South Asia to describe the strains and scrapes of life, like ‘worry’ or ‘stress’ in Euro-American discourse. Yet in the formerly agro-pastoralist and upwardly mobile Gaddi community of Himalayan India, it is used by women with the qualifying ghar ki – ‘household’ – to indicate a deeper disruption to bodily humours, intimate relations, and household materiality. This article takes ghar ki tension, with a particular focus on the layered qualifier ghar, as a window into the precarity of middle-class domestic life as it is experienced in the bodies of the women who pursue it. Rather than focusing on the communicative functions of women's distress within the household, this article looks to the relational, affective, and material ways in which women see their bodies and houses as mutually constituted and disrupted. This approach reveals how women's domestic labour is both a source of dignity and a burden. This burden is experienced in ghar ki tension, in bodily symptoms of overheating, and visits from supernatural beings. This article suggests that ghar ki tension might offer a novel way of looking at distress as the psychic and embodied cost of upward social mobility beyond the Gaddi context.     

What's in a (Big) Name? The Art and Agency of a Bornean Photographic Collection

This article concerns the photographic collection of Paka anak Otor, the Bidayuh owner of a ‘mini-museum’ in Sarawak, Malaysian Borneo, and how it became entangled in his claims to status within and beyond his village. Superficially, the situation is easily apprehended via two analogous approaches within photographic theory and Southeast Asianist ethnography, which treat objects and images as representations or bearers of power and meaning. Here I suggest that such approaches end up eliding the action-centred nature of Paka's ‘big name’-making ambitions. In response, I approach his photographic collection through an analytical framework deriving from Alfred Gell's seminal theory, Art and Agency (1998), which has hitherto remained marginal to Southeast Asianist anthropology. I argue that, more than merely symbolising or bearing his ‘big name’, Paka's photographs were agentive image-objects that actively instantiated it. I conclude by asking how such an analytical shift might encourage a reconceptualisation of ‘power’ and ‘objecthood’ in Southeast Asianist anthropology.     

How can we meet ‘the demands of the day’? Producing an affective,reflexive, interpretive,public sociology of ‘race’

This article argues for a public sociology of ‘race’ that can respond to Weber's injunction that sociology should ‘meet the demands of the day’. While the author's version of these demands – for a society of autonomous individuals and groups, living as equals – is utopian, the main argument offered here is that a sociology of ‘race’ should be a modified version of Burawoy's ‘public sociology’. Adopting Bauman's notion of a sociology of interpreters, a further suggestion is that this type of sociology needs to be reflexive and affective. Based on an analysis of his own sociological education in the late 1960s, his participation in social and political movements in which ‘race’ was key, and with brief reference to the sociology of ‘race’, the author argues that the emotions that circulated in each arena need to be examined, acknowledged and incorporated if theoretical and practical progress is to be made.     

Patrick Matthew's law of natural selection

Patrick Matthew is the little‐known first originator of macroevolution by natural selection. I review his ideas, and introduce some previously unnoticed writings (catalogued at a new website: http://smarturl.it/patrickmatthew ) that clarify how they differ from Darwin's and Wallace's. Matthew's formulation emphasized natural selection as an axiomatic ‘law’ rather than a ‘theory’, a distinction that could still be of use to us today. © 2015 The Linnean Society of London, Biological Journal of the Linnean Society, 2015, ●● , ●●–●●.     

Hope For/Against the State: Gridding in a Besieged Sarajevo Suburb

Anthropological dealings with the state often convey hope by replicating the hope of their subjects against the state. This libertarian paradigm provides effective analytical tools to grasp people's evasion of state grids, through cultural resilience-in-authenticity and/or autonomous self-organisation. Yet it cannot conceptualise their affective and practical investments in ordering statecraft, i.e. their hope for the state. Through a case study of self-organisation in the besieged outskirts of Sarajevo, Bosnia and Herzegovina, this article traces inhabitants’ yearnings for ‘normal lives’ and their efforts to allow the latter to unfold. I focus on schooling and its temporal calibration of routines, framed in the vertical encompassment of statecraft. Against the reduction of hope to hope against the state, the complementary analytical tool of ‘gridding’, I propose, allows an alternative form of replication, capturing people's yearnings for the convergence of top-down and upward/outward organisation of predictability on different scales.     

‘It's not how it was’: the Chilean diaspora's changing landscape of belonging

Abstract

The increasingly diverse character of London's multicultural landscape has shaped how migrants interact with(in) the different spaces of the city. This process entails both settled and incoming migrants' participation in place-making; a mutual imbrication that might promote the long-settled migrants' evocation of a lost terrain. This article unpacks that process by looking at the Latin American social football scene of South London, specifically a space known as la cancha (the pitch). This was founded by Chilean political refugees during the 1970s and it has incorporated Latin American ‘economic’ migrants and ‘local’ Britons through time. Starting from the evocation of a lost ‘golden age’ of la cancha, the paper unpacks this space's contested, complex and changing nature. It presents diaspora space, community and belonging as lived processes. Through this depiction, the assumptions of homogeneous and isolated migrant communities are challenged, as are the diaspora's nostalgic claims that also emerge from them.     

Max Weber in the thought of Edward Shils (1910–1995) and Ernest Gellner (1925–1995): the paradox of two Weberian approaches to the understanding of nations and nationalism?

This article traces the paradoxical impact of Weber's oeuvre on two major scholars of nationalism, Ernest Gellner and Edward Shils. Both these scholars died in 1995, leaving behind a rich corpus of writings on the nation and nationalism, much of which was inspired by Max Weber. The paradox is that although neither scholar accepted Weber's sceptical attitude to the concept of ‘nation’, they both used his other major concepts, such as ‘rationality’, ‘disenchantment’, ‘unintended consequences’, the ‘ethic of responsibility’ and ‘charisma’, in their very analyses of the nation and nationalism. And they both saw, each in his own way, the nation and nationalism as constitutive elements of modern societies. However, the paradox ceases being a paradox if one sees the integration, by Shils and Gellner, of concepts of the nation and of nationalism in the analysis of modernity, as a development of Weber's ideas.     

Maori “bird calls” or “whistles”

This article examines the discourse attendant upon ‘old’ places in contemporary Japan through a case study of a commuter village near Kyoto. It shows how such localities are represented in a national debate about the strength of Japan's ‘vanishing’ tradition, and how local communities mobilize parts of this debate in their dialogue with a variety of collective others about local identity. The guiding axii of this nostalgic discourse are assertions about the typicality of ‘old’ places and their uniqueness. Finally, the article shows how alongside a debate about such communities as repositories of tradition, there is a discussion about their feudal legacy, social control and political conservatism.     

Anthropology in Disneyworld: Rapport,Gardner, and the ‘Discipline‘ of Social Anthropology

This article examines the response by Rapport to the critique made by Gardner of his book Transcendent Individual. Rapport eschews the idea of discipline in relation to anthropology. This is connected to his distaste for any hint of social determinism, and his eulogising of the essay format as the most suitable means of conveying human contrariety. His approach necessarily leads him to embellish his accounts of what the world is like with visions of what it should be like if only everyone adopted his literary and liberal stance. A contrary ‘manifesto’ is here presented: the job of social anthropology is to explain actual historical societies, and one cannot simply appropriate the subject so that it now becomes about a kind of never‐never land. Rapport's approach, far from leading to a glorification of individuality, leads only to a monochrome vision which paints all human beings as reductively ‘aesthetic’, ignoring, and rendering impossible the explanation of all institutionalised forms of belief and practice, not least those brutal forms which, says Rapport, inspire his work.     

Nationalism remixed? The politics of cultural flows between the South Asian diaspora and ‘homeland’

This article examines ‘Asian electronic music’, a generally progressive diasporic South Asian scene which fuses electronic dance music beats with instruments/sounds traditionally associated with the subcontinent, and how it became embedded into ‘majoritarian’ Indian nationalism. In India, the music's perceived ‘fusion’ aesthetic became emblematic of an emergent India which was economically prosperous while ‘respecting’ its cultural heritage. Using the case of an album which remixed India's national song, Vande Mataram, this article explores the convergences and divergences between Asian electronic musicians in Delhi and Hindu nationalists. The article concludes that the musicians in Delhi did not lend to Hindu nationalism. However, they perhaps gave secular Indian nationalism a ‘cool’ gloss. Ultimately, the production and consumption of Asian electronic music in Delhi raises significant questions regarding the scene's relationship to Indian nationalisms.     

‘Music is my AK‐47’: performing resistance in Belfast's rebel music scene

This article examines how some Irish republicans have used ‘rebel songs’ as a means to resist the hegemonic power of the British state, and how militant republicanism is invoked musically, through sonic and physical references to gunfire. It explores how the use of rebel songs has changed, the inherent tensions within today's scene, and how republicans attempt to co‐opt other conflicts as a means to strengthen their claim as resistance fighters. The article also analyses more nuanced resistances within the rebel music scene, exploring how competing republican factions use the same music to express opposing political positions, and why some musicians ultimately leave the scene on account of the musical and political restrictions placed upon them. In so doing, the article connects with ongoing attempts to rethink, remap, and develop new approaches to resistance within anthropology, while contributing to the developing subfield of ‘ethnomusicology in times of trouble’.     

Faking it or making it: the politics of consumption and the precariousness of social mobility in South Africa

This article critically explores the complex and contradictory meanings attached to conspicuous consumption in an informal settlement on the outskirts of Johannesburg. It examines why un(der)employed young people, especially young Black men, view the trappings of wealth in their midst and dismiss them as ‘fake’. The article shows how the widespread concern with ‘faking it’ indexes the unstable links between consumption, status, and class differentiation in a time of generalized economic insecurity. Accordingly, it maintains that the accusation of ‘fakery’ is not only about jealousy and the dangers of being seen to accumulate money without redistributing it, but also a product of the precariousness that characterizes young people's lives. Ultimately, the article shows how consumption affords a unique window into the values, aspirations, and anxieties of young un(der)employed Black men in a context where ‘proper’ pathways to social mobility are, for most, completely out of reach.     

Negotiating belonging: plants,people, and indigeneity in northern Australia

This article focuses on human‐plant relations, drawing on ethnographic research from northern Australia's Gulf Country to address the concept of indigeneity. Just as the identities of ‘Indigenous’ and ‘non‐Indigenous’ people in this region are contextual and at times contested according to the vernacular categories of ‘Blackfellas’, ‘Whitefellas’, and ‘Yellafellas’, so too the issue of what ‘belongs’ in the natural world is negotiated through ambiguities about whether species are useful, productive, and aesthetically pleasing to humans, as well as local understandings about how plants and animals came to be located in the Gulf region. At the same time, plants’ distinctive characteristics as plants shape their relations with humans in ways which affect their categorization as ‘native’ and ‘alien’ or ‘introduced’. Focusing our analysis on three specific trees, we argue that attention to the ‘plantiness’ of flora contributes significantly to debates about indigeneity in society and nature. At the same time, our focus on human‐plant relations contributes important context and nuance to current debates about human and other‐than‐human relations in a more‐than‐human world.     

Imagination,Sensation and the Education of Attention Among Cuban Spirit Mediums

This article attempts to come to terms with the phenomenology of learning in the popular Cuban spirit mediumship practice of espiritismo. Espiritistas' talents derive from the unique relationships they construct with their muertos (the protective dead), allowing them to receive, discern, and interpret valuable information for others. Learning here does not result from explicit knowledge transmission but from a guided expansion of consciousness, where the neophyte learns to attend to the particulars of the spirit world through his or her imagination and sensation. I associate this process with what Ingold has described as the ‘education of attention’, and use his concept of ‘entanglement’ to propose that learning mediumship be conceptualized as implying the development of a particular kind of person. I have further used Latour's definition of ‘acquiring a body’ as ‘learning to be affected’ to better understand the mutual constitution of the spiritual landscape and the self.     

Skin colour and race as analytic concepts

White working-class people have been portrayed in the media and political discourse as unable to keep pace with the demands associated with living in multicultural Britain. In this article, I shall challenge such representations of white working-class people's attitudes towards racialized ‘others’. To do this I explore the views of the members of a white working-class family to the changing racial composition of their once ethnically homogenous council estate (municipal housing). My ethnographic attention is directed to the connections, affective ties and emotional investments that the members of this family have with the estate and its community, and the ways in which BrAsians become configured in these narratives of belonging. I will show how analytical attention to the connections and attachments that white working-class people form with those whom they identify as ethnic and racial ‘others’ provides an account of white working-class identities that undermines popular representations of ‘them’.