Partners coordinate territorial defense against simulated intruders in a duetting ovenbird

Duets in breeding pairs may reflect a situation of conflict, whereby an individual answers its partner's song as a form of unilateral acoustic mate guarding or, alternatively, it may reflect cooperation, when individuals share in territory defense or safeguard the partnership. The degree of coordination between the sexes when responding to solo versus paired intruders may elucidate the function of songs in duets. We examined this issue in a study with rufous horneros (Furnarius rufus), a duetting, socially monogamous Neotropical species with low levels of extrapair paternity. We exposed social pairs during the nonbreeding season to playbacks of duets, male solos, female solos, and control heterospecific songs. Partners approached all conspecific stimuli together and responded by singing quickly, at higher rates and by coordinating ~80% of their songs into duets. For both sexes, most response variables (seven of nine) did not vary across conspecific treatments. These results suggest that partners duet and coordinate behaviors to cooperatively defend common territories. However, females spent more time in territorial vigilance, and partners were highly coordinated (correlated responses) in response to duets and female solos in comparison with male solos. This indicates that female intrusions (paired or solo) might be more threatening than male intrusions in the nonbreeding season, especially for territorial females, and that females are less cooperative with their partners in territory defense against male intruders.     

Duets defend mates in a suboscine passerine, the warbling antbird (Hypocnemis cantator)

Despite the widespread occurrence of avian duets, their adaptivesignificance is poorly understood. It is generally assumed thatthey function in the joint defense of territories, but no studyhas successfully distinguished between this hypothesis, whichinvokes cooperation between the sexes, and mate defense, whichinvokes conflict. Further, most duetting studies have focusedon oscine passerines, the songs of which are learnt and relativelycomplex. We therefore tested the mate defense hypothesis inthe warbling antbird (Hypocnemis cantator), an Amazonian suboscinethat produces simple sex-specific songs and duets. Acousticanalysis of songs showed (1) that solos were often producedby males, but rarely by females; (2) that duets consisted ofa male song and a female reply; and (3) that, although femalesong was invariable, a swift reply resulted in males producingshorter songs with fewer notes. These results suggest that duetting,and the structure of duets, is chiefly a product of female behavior,a scenario more suggestive of conflict than cooperation. Toinvestigate this idea we carried out playback experiments, whichshowed that (4) the response to solo songs was sex specific(i.e., male solos elicited a strong response from paired males,and female solos elicited a strong response from paired females);(5) males and females responded to same-sex solos more stronglythan to duets; and that (6) females answered their partner'ssongs more often, and more rapidly, in response to female solosthan male solos or duets. Although it can be argued that sex-specificresponses to solo song result from intrasexual territorial defense,we cannot use the same reasoning to explain (5) or (6). Instead,these observations imply that solitary intruders were more threateningthan paired intruders, and thus that the perceived threat wasto the partnership rather than the territory. Taken together,findings (1) to (6) suggest that females adjust their vocalbehavior in relation to the level of perceived threat to thepartnership, and duet with males in order to repel same-sexrivals. This study therefore strengthens support for the matedefense hypothesis, and suggests that conflict—ratherthan cooperation—may have played a major role in the evolutionand maintenance of avian duets.     

The Responses of Duetting Antbirds to Stereo Duet Playback Provide Support for the Joint Territory Defence Hypothesis

In multiple animal taxa, including many birds and primates, members of mated pairs produce coordinated acoustic displays known as duets. By observing the behaviour of territorial animals as they respond to playback‐simulated duets of rivals, we can gain insight into the behavioural significance of vocal duets. Playback experiments, however, have been conducted across a very narrow range of duetting animals. Furthermore, many studies have been conducted with single‐speaker playback, whereas stereo‐speaker playback offers more spatially realistic simulation of duets. Moreover, by evaluating the reactions of animals to separate loudspeakers broadcasting male and female duet contributions, we can study the interactions of both males and females with same‐sex vs. opposite‐sex rivals. We used a paired experimental design to broadcast duet stimuli through a single‐speaker and a stereo‐speaker apparatus to 30 pairs of duetting barred antshrikes Thamnophilus doliatus in Costa Rica. Our goals were (1) to evaluate whether territorial antbirds respond more aggressively to male vs. female duet components and (2) to assess aggressive responses of antbirds towards single‐speaker vs. stereo‐speaker playback. Neither males nor females differentiated between the loudspeaker simulating the male vs. female duet contribution during stereo‐speaker playback trials. Barred antshrikes displayed significantly stronger responses to stereo‐speaker playback compared with single‐speaker playback. Males displayed stronger playback responses than females with closer, quicker and more vocal responses. These results provide evidence for a joint resource defence function of antbird duets given that pairs responded together with equivalent intensity to male and female simulated intruders. This is the first study to show that although duetting is an aggressive territorial signal, birds do not necessarily respond to sex‐specific components of duets. Our results support the idea that spatially realistic stereo presentation of duet stimuli is critical for experimental duet research.     

Function of pair duets in the eastern whipbird: cooperative defense or sexual conflict?

Paired male and female eastern whipbirds, Psophodes olivaceus,sing precisely coordinated, male-led duets. Four broad explanationshave been proposed for the function of duets: 1) cooperativeresource defense, 2) prevention of partner usurpation, 3) defenseof an individual's own position within the partnership, or 4)mate identification and localization. These 4 hypotheses makedifferent predictions about how male and female residents shouldrespond to simulated intrusion by other pairs or individuals.We compared the behavioral and vocal responses of 20 pairs ofeastern whipbirds to simulated territorial intrusions by: 1)a solitary singing male, 2) a solitary singing female, and 3)a duetting pair. Males and females did not coordinate theirapproach to the playback speaker and showed sex-specific responsesto playback. Males did not respond differently to duetting versussolo singing intruders. By contrast, females approached moreclosely during solo female song than during solo male song orduet playback. Females also produced specific vocalizationsonly in response to duet and solo female playback. Both sexesapproached the speaker more closely and quickly during playbackof same-sex solo songs than opposite-sex solo songs. Finally,females answered more of their mate's songs during simulatedintrusion by a lone female than during simulated intrusion bya lone male. Our results suggest that duets in this speciesprimarily function to allow females to defend their exclusiveposition in a partnership. Mate defense by females is unusualin birds but may be promoted in eastern whipbirds by a female-biasedsex ratio and the need for exclusive access to male care. Thus,duets result from independent and conflicting strategies ofmate and territory defense in males and females.     

Riverside wren pairs jointly defend their territories against simulated intruders

Duets are a jointly produced signal where two or more individuals coordinate their vocalizations by overlapping or alternating their songs. Duets are used in a wide array of contexts within partnerships, ranging from territory defence to pair bond maintenance. It has been proposed that pairs that coordinate their songs might also better coordinate other activities, including nest building, parental care and defending shared resources. Here, we tested in the riverside wren (Cantorchilus semibadius), a neotropical duetting species that produces highly coordinated duet songs, whether males and females show similar responses to playback. During territorial disputes in songbird species, individuals tend to direct their attention towards same‐sex territorial intruders, but this bias might be less pronounced in duetting species. We performed a dual‐speaker playback experiment to examine how mated individuals respond to speakers broadcasting female‐versus‐male duet contributions. We found that riverside wrens have high levels of converging behaviour by duetting and remaining in close proximity to one another when responding to simulated paired intruders. Males and females spent more than 80% of their time less than 1 m apart while defending their territory. Both individuals in a pair aggressively engaged with both male and female simulated trespassers by approaching equally close and spending equal time near the two speakers. These results suggest that both sexes perceive a paired territorial intrusion as a similar threat and that both partners are highly invested in defending the shared resources. This study is one of the few to demonstrate equal attention and aggression from mated pairs towards simulated same‐sex and opposite‐sex intruders. We suggest that pairs responding together, in close proximity to one another, might be favourable in duetting species when defending the territory because maintaining a close distance between partners facilitates the extreme coordination of their joint territorial signals.     

Song repertoire and duetting behaviour of the tropical boubou, Laniarius aethiopicus

Female song and the significance of duetting in birds remain puzzling, in part because of the limited number of species studied. We investigated duetting behaviour in the tropical boubou in West Africa. Birds produced a diverse song repertoire consisting of solos, duets and trios, with duets being the most conspicuous vocalization. We identified 12 distinct duet types in which tonal and broadband notes were combined by males and females in highly synchronized and temporally precise patterns. Molecular sexing and observations of colour-banded birds revealed that duets were initiated by both sexes, with strict sex-specific roles maintained within the duet. An equal number of duet types was initiated by males and females. Seven of 12 duets were terminated by the male. Male-initiated duets were also more common (89% of total) and were repeated more often, i.e. sung more frequently. Solo singing occurred when partners did not respond and was also used by unpaired birds. Trios were produced by subadult birds joining the duet of a resident pair. The wide variety of contexts in which duets were sung suggests that they serve several functions, including territorial defence and mutual mate guarding.     

Duetting behavior in a Neotropical ovenbird: sexual and seasonal variation and adaptive signaling functions

Duetting is a collective behavior and might have multiple functions, including joint territory defense and mate guarding. An important step toward understanding the adaptive function of bird song is to determine if and how singing behavior varies seasonally. However, seasonal patterns for duetting species are different from the pattern described for species in which only the male sings, because song function may vary according to sex, singing role (initiator vs responder) and level of duet organization (individual vs pair). We investigated whether patterns of seasonal variation in duetting depends on these factors, which would suggest different interpretations of song function. We studied social pairs of a Neotropical bird species (rufous hornero Furnarius rufus) for seven consecutive months, recording vocal and territorial behaviors. Overall, partners coordinated 61% of their songs into duets and many song traits (song initiation rate, song output and duet rate) peaked in territorial contexts. Males engaged in territorial interactions with strangers more often, initiated more songs, and answered proportionately more of their partners’ songs than females. Male song initiation rate peaked during the pre‐ and post‐breeding stages, whereas females initiated more songs during the non‐breeding season. Both sexes answered partner songs faster and at higher rates during the pre‐breeding and female fertile stages. Partners duetted at a higher rate during the pre‐ and post‐breeding stages. Finally, song initiation rates and duet rate, but not song answering rates, correlated with frequency of territorial interactions with strangers. Although our findings indicate that song function may vary with sex, singing role and level of duet organization, our results suggest that in general duet functions to defend common territories and as a mutual mate guarding strategy in the rufous hornero.     

Angry Birds Need Not Apply: A Perspective on the Flexible form and Multifunctionality of Avian Vocal Duets

Research into avian vocal duets has revealed much about the social interactions of mated pairs, including how communication signals mediate important components of fitness such as reproductive success and resource‐holding ability. Excellent reviews have been written on avian duets, but none have quantified the prevalence of different duet features and functions, or tested for potential links between structure and function. Here we have compiled a thorough list of studies at the species level and investigated whether there are trends in duet form, trends in duet function and matches between form and function. We have also provided recommendations for reporting of duet structure to help standardize future data collection and facilitate comparative analyses. We found that duet vocalizations are typically tightly coordinated (69% of 33 species), initiated by both partners (80% of 35 species), and have sex‐specific contributions (73% of 48 species). Duets vary substantially in structure both across and within species, and this flexibility in duet form may contribute to their use in multiple contexts. Among the well‐studied species (functions well supported by experimental evidence and studied post‐1983), duets are usually multifunctional, with functions including joint resource defence, signalling commitment, maintaining contact, ensuring reproductive synchrony and mate‐guarding. Levels of support for different hypotheses have changed over time as theory within the field developed, but overall, the best‐supported function of duets across avian species (81% of 26 species) has been joint resource defence. In all but one of these 26 species, duets are sometimes cooperative (meaning that duet participation benefits both duetting partners), and they often produce multiple benefits. We found associations between form and function, in that duets directed to non‐pair individuals have higher amplitude and are more likely to have sex‐specific notes than duets directed within the pair. We see the field moving away from labelling duets as representing ‘cooperation’ or ‘conflict’ and moving towards a general multifunctionality framework within which researchers test multiple hypotheses for duet function under the assumption that both duet form and function can vary moment to moment and that such flexibility can provide multiple benefits.     

Acoustic Monitoring Reveals Congruent Patterns of Territorial Singing Behaviour in Male and Female Tropical Wrens

Many animals defend territories against conspecific individuals using acoustic signals. In birds, male vocalizations are known to play a critical role in territory defence. Territorial acoustic signals in females have been poorly studied, perhaps because female song is uncommon in north‐temperate ecosystems. In this study, we compare male vs. female territorial singing behaviour in Neotropical rufous‐and‐white wrens Thryothorus rufalbus, a species where both sexes produce solo songs and often coordinate their songs in vocal duets. We recorded free‐living birds in Costa Rica using an eight‐microphone Acoustic Location System capable of passively triangulating the position of animals based on their vocalizations. We recorded 17 pairs of birds for 2–4 consecutive mornings and calculated the territory of each individual as a 95% fixed kernel estimate around their song posts. We compared territories calculated around male vs. female song posts, including separate analyses of solo vs. duet song posts. These spatial analyses of singing behaviour reveal that males and females use similarly sized territories with more than 60% overlap between breeding partners. Territories calculated based on solo vs. duet song posts were of similar size and similar degrees of overlap. Solos and duets were performed at similar distances from the nest for both sexes. Overall, male and female rufous‐and‐white wrens exhibit very similar spatial territorial singing behaviour, demonstrating congruent patterns of male and female territoriality.     

Breeding season length predicts duet coordination and consistency in Neotropical wrens (Troglodytidae)

Many animals produce coordinated signals, but few are more striking than the elaborate male–female vocal duets produced by some tropical songbirds. Yet, little is known about the factors driving the extreme levels of vocal coordination between mated pairs in these taxa. We examined evolutionary patterns of duet coordination and their potential evolutionary drivers in Neotropical wrens (Troglodytidae), a songbird family well known for highly coordinated duets. Across 23 wren species, we show that the degree of coordination and precision with which pairs combine their songs into duets varies by species. This includes some species that alternate their song phrases with exceptional coordination to produce rapidly alternating duets that are highly consistent across renditions. These highly coordinated, consistent duets evolved independently in multiple wren species. Duet coordination and consistency are greatest in species with especially long breeding seasons, but neither duet coordination nor consistency are correlated with clutch size, conspecific abundance or vegetation density. These results suggest that tightly coordinated duets play an important role in mediating breeding behaviour, possibly by signalling commitment or coalition of the pair to mates and other conspecifics.     

Influence of Age and Prior Experience on Territorial Behavior and the Costs of Defense in Male Collared Lizards

In polygynous species where males maintain strong interseasonal philopatry to the same breeding territories, older individuals have prior experience defending their areas, whereas younger individuals are defending a territory for the first time. Theoretical and empirical studies predict that under such conditions the cumulative costs of defense may be lower for older experienced males as a consequence of familiarity with environmental and/or social conditions in their particular local habitats. We used quantitative data from focal observational studies and introduction experiments to test the hypothesis that older collared lizard males (Crotaphytus collaris) with prior territorial experience (3 yr+ males) acquire larger territories allowing them to court more, different females, with greater frequency without incurring higher defense costs. Consistent with this hypothesis, 3 yr+ males controlled significantly larger territories and courted more females, without having significantly higher rates of territory patrol, frequencies of advertisement display, or aggressive interactions with same‐sex competitors. Moreover, the intensity of responses to size‐ and age/experience‐matched tethered intruders by 3 yr+ males was lower than that by 2 yr males in their first season of territory defense. Our results support the hypothesis that age/prior occupancy of territories lowers defense costs allowing males to defend larger areas and increase opportunities to court females, perhaps increasing mating opportunities. By contrast, 2 yr males may need to respond more aggressively to intruders because their ownership of territories is tenuous as a consequence of shorter territory occupancy.     

Description of the acoustical interaction and synchronization between duetters of the Large-footed Finch (Pezopetes capitalis)

Duets are highly coordinated acoustical displays produced by two individuals. Studying the structure of duet songs and its causes is essential to understand the ecological role and evolution of this form of communication. Our goals in this study were to describe the structure of the duet of the Large-footed Finch, the temporal synchronization of each individual, and to test the effect of provoked (playback) duets. We recorded birds at Cerro de la Muerte, Costa Rica and simulated territory intrusions using playback trials. The duet of this species consisted of overlapping notes between both members of a mated pair, which were emitted either randomly or periodically. Temporal synchronization was similar between both individuals in a mated pair. Both partners adjust the silent intervals between notes in response to the duration of its partner’s note. The high frequency of the second part of the duet of this species decreased with time and the second individual, in duetting this part, not only synchronized its notes temporally with the first individual, but also synchronized the high frequency. The high frequency of the first note the second individual sung was a bit lower than the previous note sung by the first individual. Finally, birds responding to provoked duets produced duets with higher frequency and higher rate of notes compared to unprovoked duets. Our results provide information on the temporal and frequency synchronization in duets of an endemic emberizid and provide new information about a less reported vocal behaviour in bird duets, the acoustic frequency coordination.     

Functions of duetting in the tropical boubou, Laniarius aethiopicus: territorial defence and mutual mate guarding

Duetting, found in many animal taxa, is still a poorly understood form of signalling behaviour despite numerous hypotheses to explain its function. One contentious issue is whether duetting is a cooperative endeavour or signals conflict between the sexes. We studied the function of duetting in the tropical boubou, using interactive playback experiments. We staged encounters by presenting paired birds with four variants of each of four duet types (neighbour and stranger solos and neighbour and stranger duets). Multiple lines of evidence suggest that both joint territorial defence and mutual mate guarding are important functions of duetting, and that both cooperation and conflict between males and females have shaped duetting behaviour. Of a repertoire of 12 duet types, eight were used for joint territorial defence. Two of these eight duet types were probably also used for mutual mate guarding, suggesting that individual duets can have multiple functions. We found an unusual response for duetting birds in that females often synchronized notes with male solo playback to form precise duets. In turn, males attempted to jam the song of rivals when females joined the song of male solo playback, providing further evidence for the importance of acoustic mate guarding. Song jamming by males has not previously been described for duetting species. Finally, we suggest that the repertoire of duet types is used to fine-tune territorial encounters in a network environment of multiple interactants.     

Song Functions in Nonduetting Gibbons: Evidence from Playback Experiments on Javan Gibbons (<Emphasis Type="Italic">Hylobates moloch</Emphasis>)

Territorial, pair-living primates usually perform long-distance calls as duets in which adult males and females coordinate their calls. Previous studies using playback experiments have shown that gibbon duets convey information about the status of the caller (location, familiarity, sex of the caller, and paired status) and gibbons use this information to respond to achieve several nonmutually exclusive functions, including intragroup contact, territorial defense, and pair-bond advertisement and strengthening. However, not all pair-living gibbons duet, and it is unclear whether the same results should be expected in nonduetting species. We conducted song playback experiments (N = 47 trials) to test hypotheses about song functions in nonduetting gibbons on two groups of wild Javan gibbons (Hylobates moloch) in the Gunung Halimun-Salak National Park, Indonesia. Javan gibbons initiated movement toward the speaker more quickly in response to songs broadcast in the center of the territory, stranger songs, and songs of unpaired individuals than to songs at the border, neighbor songs, and songs from paired individuals. These results suggest that Javan gibbons can localize songs, and that Javan gibbon songs transmit information about the identity and paired status of the caller. Our results imply that Javan gibbon solo songs are likely to function for territorial defense and pair-bond advertisement like duets in other primates.     

Evidence of repertoire sharing and stability despite a high turnover rate in a duetting neotropical wren

In songbirds, the spatial pattern of song sharing among individuals is influenced by the song learning and dispersal strategies within each species. In birds where females and males sing and create joint acoustic displays (duets), the processes defining the patterns of song sharing become more complex as there might be different selection pressures shaping the behaviour of each sex. To provide further insight into the vocal development and the dispersal strategy of duetting tropical species, we investigated the patterns of individual and pair repertoire sharing, as well as the stability of these repertoires, in a colour-marked population of riverside wrens, Cantorchilus semibadius, located in the Osa Peninsula, Costa Rica. Using data collected over a five-year period, we found considerable variation in the sharing levels of phrase and duet type repertoires among neighbouring individuals coupled with a general decline of repertoire sharing as distance increased between birds’ territories. These results are consistent with a pattern predicted in age-restricted learners that establish preferentially near their tutors. Furthermore, we found no evidence of individuals changing their phrase type repertoires over time, including after remating events. Duet type repertoires were also stable when pairs remained together. However, we observed a surprisingly high turnover rate. When individuals remated, even though the majority of the previous duet type repertoire remained, several new duet types were included. Taken together, our findings suggest that riverside wrens might create their individual repertoires by copying their same-sex parent and neighbouring individuals before dispersal. Additionally, we speculate that even though birds were able to create new duet types after changing partners, a substantial portion of their duet type repertoire might also be copied from their parents and neighbouring pairs during the initial critical period of song learning.     

Context Dependent Territory Defense: The Importance of Habitat Structure in Anolis sagrei

Territoriality is a potentially costly endeavor, and several mechanisms for mitigating the costs of territoriality have been investigated in the wild. For example, territory owners can reduce the costs of defending territory boundaries by prioritizing defense of the most valuable areas within territories, investing less energy in low quality areas. We staged pairwise encounters between adult male lizards on natural territories in the wild, to test whether male brown anoles, Anolis sagrei, would differentially defend certain regions of their territories over others. Based on our observations that male A. sagrei spend most of their time on elevated perches on tree trunks or branches compared with sites on the ground, we predicted that territory residents would respond more aggressively to territory invasions that took place on elevated perches than to invasions on the ground. We measured significant differences in the behavior of residents following invasion on the ground vs. on the elevated perches, and results partially supported our hypothesis. Males performed more displays and approached intruders more often when territory invasion took place on the ground, but were quicker to attack intruders that entered territories on elevated perches. Our hypothesis was only partially supported, potentially indicating that elevated perches are preferred as outposts to monitor valuable sites on the ground. Our study provides evidence that territory defense varies not just among individuals, but also within individuals at different locations in a territory.     

Plain wrens Cantorchilus modestus zeledoni adjust their singing tempo based on self and partner's cues to perform precisely coordinated duets

Precise coordination appears to be an important signal in several duetting species. However, little attention has been directed to the proximate mechanisms that might drive this behavior. To perform highly coordinated duets, individuals can either have an intrinsic fixed singing tempo or modify their singing tempo based on cues in their own and their partner's songs. In this study I determined whether autogenous and/or heterogenous factors are associated with duet coordination in plain wrens Cantorchilus modestus zeledoni by analyzing recorded duets from 8 territorial pairs in the field. Previous research has determined that plain wrens perform highly coordinated antiphonal duets with almost no overlap. I found that to achieve such precise coordination individuals perform phrase‐by‐phrase modifications to the duration between two consecutive phrases (inter‐phrase interval) based on a) whether their song is answered, b) the phrase type used in the duet and c) the position of the inter‐phrase interval within the duet. Moreover, there are several sex differences in how individuals use these cues to modify their inter‐phrase intervals. Females produce longer inter‐phrase intervals when their mates do not answer a phrase, whereas males produce shorter inter‐phrase intervals when their mates do not answer. Females modify their inter‐phrase intervals based only on the phrase type their mates sing, whereas males modify their inter‐phrase intervals based on both the phrase that they sing and the phrase the females use to answer. Both males and females produce longer inter‐phrase intervals for longer phrase types sung by their partners, but males do so with more precision than do females. Finally both sexes increase their inter‐phrase intervals as the duet progresses. That precise coordination is achieved by a complex and dynamic process supports the idea that this behavior could signal pair bond strength.     

Singing behavior and singing functions of black‐crested gibbons (Nomascus concolor jingdongensis) at Mt. Wuliang,central Yunnan,China

We used data on loud duetted and solo songs collected from one habituated polygynous group of black‐crested gibbons (Nomascus concolor jingdongensis) on Mt. Wuliang, Yunnan, to test several hypotheses about the functions of these songs. The major functions proposed for loud gibbon songs include resource defense, mate defense, pairbonding, group cohesion and mate attraction. Duet bouts are generally initiated by adult males, who select the highest trees near to ridges or on steep slopes as singing trees. Such trees facilitate voice transmission and inter‐group communication. Singing trees tended to be located near important food patches and sleeping sites, which supports the resource defense hypothesis. The adult male and two adult females always sang interactively, alternating male phrases with the females' stereotyped great calls, to produce the duets, and females rarely produced great calls if they were more than 30 m from the male. The two females usually produced great calls synchronously during the duet, especially when they were close together. These features support both the mate defense and pairbonding hypotheses. The number of great calls and their degree of synchrony transmit information about spatial relationships and possibly pairbond strength to members to neighboring groups and floating animals. During or after the duet bouts, the adult females and juvenile moved toward to the adult male; and group members maintained a close spatial relationship, which supports the group cohesion hypothesis. Other incidents observed suggest a mate competition role for duets. The adult male always sang when the females started duetting with the subadult male. The subadult male sang solo bouts, but they were not more frequent or longer than bouts initiated by the adult male. Although mate attraction is the likely function of subadult solos, it was not convincingly demonstrated. In conclusion, all hypotheses concerning the function of singing are supported by at least some of the data, and none can be excluded. Am. J. Primatol. 71:539–547, 2009. © 2009 Wiley‐Liss, Inc.     

Context, Structural Variability and Distinctiveness of California Towhee (Pipilo crissalis) Vocal Duets

Avian vocal duets occur when paired birds produce temporally and structurally coordinated vocalizations. Duets are given by members of many species from taxonomically distinct lineages and show great variety in form that often reflects function. By describing the structure of vocal duets we can learn about the diversity of communication signals present in nature and also gain insight into the evolution and operation of those signals. This study quantified the usage patterns and acoustic structure of California towhee duet vocalizations, and tested the distinctiveness of duets among different pairs. California towhee duets consist of a 'squeal' vocalization that is highly unlike the species-typical call note or male advertizement song. California towhees duet an average of three times per hour during the breeding season, and all duets are accompanied by an approach response that brings duetting partners into close spatial proximity. Males and females produce duet contributions with the same syllabic structure. Individual birds produce highly variable squeal vocalizations that are distinctive enough to signal identity. California towhee duet characteristics indicate that the squeal vocalization has evolved separately from other vocal traits in this species and was promoted by natural selection as a duet-specific vocalization. Duet usage patterns and structure suggest that these communication signals function in a cooperative context.     

The relationship between duet songs and pair bonds in siamangs, Hylobates syndactylus

One of the most commonly cited functional explanations for animal duet songs is strengthening of the pair bond. However, the evidence to support this view is, at best, limited. This study provides support by documenting a relationship between pair bonds and duet singing in siamangs. As a working hypothesis, we assume that if duetting were related to pair bonding, we might expect to see a relationship between duetting intensity and indicators of pair bond strength. Like most gibbon species, siamang pairs produce loud, long and well-coordinated duet songs. We recorded daily frequency and duration of duetting and three generally accepted indicators of pair bond strength (mutual grooming, behavioural synchronization and distance between mates) in 10 siamang groups in zoos. Duetting activity was positively correlated with grooming activity and behavioural synchronization, and negatively correlated with distance between mates. These results suggest that the production of coordinated duets by siamang pairs is related to pair bonding. Copyright 2000 The Association for the Study of Animal Behaviour.