What exactly is ‘local song’ in a population of ortolan buntings with a common dialect?

Previous studies have shown that ortolan buntings (Emberiza hortulana) exhibit apparent dialect variation. Neighbouring males typically share the same final phrase of a simple two-part song. Consequently, the final phrase was considered to be the dialect cue important for discriminating between males from a local population and strangers. Recently, it was shown that in an isolated and fragmented population of the ortolan buntings in Norway there was no local dialect in the above-mentioned sense. Norwegian males often had song types with different final phrases in their repertoire, and had larger repertoires and a lower level of song type sharing than in other populations. It was experimentally revealed that only local songs (L) evoked a strong response in Norwegian males, while these birds did not respond strongly to foreign (F) or hybrid songs composed of local and foreign initial and final phrases in any composition (i.e. both FL and LF songs). These results suggest that, in the Norwegian population, the final phrase of the song is not a sufficient cue for local song dialect recognition. This paper is a further study in which we tested the response of the ortolan bunting males to L, F, FL and LF songs in a typical continuous population (in Poland) in which males share the same single final phrase, i.e. have a common dialect. We found that ortolan bunting males in Poland responded with similar strength to L, FL and LF songs. The majority of males did not respond as strongly to playback of only F songs. Our results suggest that a common final phrase for a population should not be treated as the only signal of ‘locality’. Our results show clear asymmetry in response to hybrid songs with non-local phrases in different populations.     

Structure,syntax and “small-world” organization in the complex songs of California Thrashers (Toxostoma redivivum)

We describe songs of the California Thrasher (Toxostoma redivivum), a territorial, monogamous species whose complex songs are composed of extended sequences of phonetically diverse phrases. We take a network approach, so that network nodes represent specific phrases, and links or transitions between nodes describe a subgroup structure that reveals the syntax of phrases within the songs. We found that individual birds have large and largely distinct repertoires, with limited phrase sharing between neighbours and repertoire similarity decaying between individuals with distance apart, decaying also over time within individuals. During song sequences, only a limited number of phrases (ca. 15–20) were found to be actually “in play” at any given time; these phrases can be grouped into themes within which transitions are much more common than among them, a feature contributing to a small-world structure. It appears that such “small-world themes” arise abruptly, while old themes are abandoned more gradually during extended song sequences; most individual thrashers switch among 3–4 themes over the course of several successive songs, and some small-world themes appear to have specific roles in starting or ending thrasher songs.     

Song‐type sharing in a population of Song Sparrows in the eastern United States

Male Song Sparrows (Melospiza melodia) sometimes interact with neighboring territory owners by song‐type matching or repertoire matching. In some Song Sparrow populations, levels of song sharing are high and most neighbors can interact by matching, but levels of song sharing are much lower in other populations, limiting the degree to which males can match their neighbors. One explanation for variation in sharing levels is that the importance of song‐type and repertoire matching, and therefore the extent of song sharing, varies geographically in North America, being greater in western populations than eastern populations. However, to date, two studies of eastern populations have provided conflicting evidence concerning levels of song sharing by Song Sparrows. Thus, we measured sharing of whole songs and introductory phrases of songs between males with adjacent territories in another population of Song Sparrows in the eastern United States (North Carolina), near the eastern and southern limits of the species’ breeding range. Males (N = 17) in our study shared an average of only 8.7% of their song types with neighbors, and more than half of neighbor pairs shared no whole songs. Sharing of introductory phrases was more common (mean = 22.8%). The level of whole song sharing in our study is the second lowest yet reported for any Song Sparrow population, supporting the hypothesis that sharing is generally lower in eastern than in western populations.     

Song characterization in the spectacled warbler (Sylvia conspicillata): a circum-Mediterranean species with a complex song structure

The spectacled warbler (Sylvia conspicillata) is a small passerine with a patchy distribution throughout the circum-Mediterranean region, including the North Atlantic archipelagos of Madeira, Canary Islands and Cape Verde. Here we characterize the species song structure on the island of Fuerteventura, quantifying repertoire size, inter- and intra-individual spectrographic variation, to determine whether acoustic variation occurred within an island population. Male song display was organized in song bouts of a variable number of song phrases, which in turn were made up of 4–69 syllables. We classified syllable types to derive a measure of repertoire size (number of different syllables) per song bout, and then used rarefaction methods to calculate the estimated repertoire size for our population of males. Three categories of song bout length were considered in analyses: short song bouts of 10 phrases, average bouts of 19 phrases and long bouts of ≥ 29 phrases. The observed and estimated repertoire size per male (between 43 and 126 syllables per male) increased with song bout duration, although the relationship was not significant for the estimated values. To test whether songs could be individually specific, we measured 11 spectrotemporal parameters of the song. A discriminant analysis using these variables performed poorly in classifying songs to the individuals that uttered them, but we found less variation in the individual than in the population for three out of the 11 variables. These individually specific variables, involving the first or the most common syllable of the song, the trill, were the duration of the first syllable of the phrase, the duration and the dominant frequency of the trill syllable. Our study emphasizes the complexity of spectacled warbler songs, in which males continuously add novel syllables over the entire song bout. This complexity appears to be determined by individual innovation capabilities rather than by the behaviour of copying neighbour repertoires, since songs of close birds were not more similar than songs from far-away territories.     

Ecology and genetics of hybrid zones in the southern African Pycnonotus bulbul species complex

Lloyd, P., Craig, A.J.F.K., Hulley, P.E., Essop, M.F., Bloomer, P. & Crowe, T.M. 1997. Ecology and genetics of hybrid zones in the southern African Pycnonotus bulbul species complex. Ostrich 68 (2–4): 90–96.

The closely related Blackeyed Bulbul Pycnonotus barbatus, Cape Bulbul P. capensis and Redeyed Bulbul P. nigricans have parapatric to locally sympatric distributions within southern Africa. Extensive hybridization along narrow transition zones between each of the three species pairs is described in a region of the Eastern Cape province, South Africa. The transition zones coincide with ecotones between different vegetation types, which in turn follow escarpments or mountain ranges. The lack of population density depressions within the hybrid zones, together with the variability of the hybrids, suggests the hybrids are viable. Sharp step clines in various phenotypic characters are described across the P. barbatus/P. nigricans hybrid zone. A mtDNA analysis found evidence of possible introgression between P. barbatus and P. capensis. All eight P. barbatus x P. nigricans hybrids analysed possessed P. barbatus mtDNA, suggesting the existence of either positive assortative mating or strong directional selection, but our data are unable to distinguish which. Our results do not support the dynamic-equilibrium model, but are compatible with the bounded-hybrid-superiority model. We conclude that the maintenance of the parapatric distributions of the different taxa is due mainly to differences in environmentally-associated fitness between parental phenotypes or among parental and hybrid phenotypes along an ecotone, with the narrowness of the hybrid zones maintained by the steepness of the environmental gradients crossing them.     

Sexually dimorphic phrase organization in the song of the indris (Indri indri)

Animal acoustic communication often takes the form of complex sequences, composed of multiple distinct acoustic units, which can vary in their degree of stereotypy. Studies of sequence variation may contribute to our understanding of the structural flexibility of primates' songs, which can provide essential ecological and behavioral information about variability at the individual, population, and specific level and provide insights into the mechanisms and drivers responsible for the evolutionary change of communicative traits. Several methods have been used for investigating different levels of structural information and sequence similarity in acoustic displays. We studied intra and interindividual variation in the song structuring of a singing primate, the indri (Indri indri), which inhabits the montane rain forests of Madagascar. Indri groups emit duets and choruses in which they combine long notes, short single units, and phrases consisting of a variable number of units (from two to six) with slightly descending frequency. Males' and females' contributions to the song differ in the temporal and frequency structure of song units and repertoire size. We calculated the similarity of phrase organization across different individual contributions using the Levenshtein distance, a logic distance that expressed the minimum cost to convert a sequence into another and can measure differences between two sequences of data. We then analyzed the degree of similarity within and between individuals and found that: (a) the phrase structure of songs varied between reproductive males and females: female structuring of the song showed a higher number of phrases if compared to males; (b) male contributions to the song were overall more similar to those of other males than were female contributions to the song of other females; (c) male contributions were more stereotyped than female contributions, which showed greater individual flexibility. The picture emerging from phrase combinatorics in the indris is in agreement with previous findings of rhythmic features and song repertoire size of the indris, which also suggested that female songs are potentially less stereotyped than those of males.     

Is female preference for male repertoires due to sensory bias?

There are several possible explanations for the female preference for male repertoires in birds. These males are older, and have better territories; thus there are functional reasons for females to prefer these males. However, there is an alternative explanation; females may habituate less quickly to song repertoires than single songs. I tested whether females have a non-functional, sensory bias for male song repertoires, by testing female preference for a repertoire in zebra finches (Taenopygia guttata), a species in which males possess a single stereotyped song. Females chose between a male repertoire of four different phrases created from the song phrase of one individual and that of one of those phrases repeated four times (natural zebra finch song). Females were also given a choice between the above repertoire and a song made from the phrases of four related males (''family'' stimulus). I tested female preference by training females to press a button for presentation of a song stimulus, and counting the number of button presses. Females preferred the song repertoire to a single phrase song, and did not differentiate between the repertoire and song phrases from four males. Evidence from the Estrildidae indicates that having a single song is the ancestral state for zebra finches, so the preference is not ancestral.     

Differences in Frequency of Shared Song Types Enables Neighbour‐Stranger Discrimination in a Songbird Species with Small Song Repertoire

Acoustic Neighbour‐Stranger (N‐S) discrimination is widespread in birds and has evolved to settle territorial disputes with low costs. N‐S discrimination was found both in song‐learning oscines and non‐song‐learning bird taxa, irrespective of the repertoire sizes they have. Therefore, it seems that more than just a single mechanism enable N‐S discrimination. Species with larger repertoires, where males have unique phrases or syllables may rely on such interindividual differences. The majority of birds have rather small repertoires, which often are shared among neighbours. In this case, males are facing the problem of individual recognition when rivals produce songs, at least superficially, identical. To better understand the acoustic basis of N‐S discrimination in species with small and shared repertoires, I studied the ortolan bunting (Emberiza hortulana). Males of this small oscine species are able to N‐S discrimination based on a single song rendition when presented in a playback experiment, regardless of song‐type diversity and song‐sharing level within a particular population. It was also found that songs of the same type sung by different males differ in the frequency of the initial song phrases and these differences persist over years. Here, I tested whether males are able to discriminate among the natural songs and the artificially modified songs of their neighbours in which the frequency was experimentally changed by relatively small value in comparison with the variation range found in this population. Subjects responded significantly more aggressively to the songs with an artificially modified frequency, suggesting that males treat such songs as having come from the repertoire of a non‐neighbour. These results confirm an earlier prediction that differences in the frequency of shared song types enable N‐S discrimination. The study presents one of the possible mechanisms enabling N‐S discrimination in songbirds with small repertoires and stress the role of within‐song‐type variation, which is still understudied song characteristic.     

Experimental evidence that distinct song phrases in the Grey‐cheeked Fulvetta Alcippe morrisonia permit species and local dialect recognition

Birds with small song repertoires have a limited number of song types which may serve multiple functions. The Grey‐cheeked Fulvetta Alcippe morrisonia is a non‐migratory species of lowland forests in Taiwan. Its song consists of two distinct phrases: a whistled phrase and a harmonic one. Each individual usually sings only one type of whistled phrase, and the geographical patterns of songs can be distinguished by the motif of this phrase. We proposed a dual adaptation hypothesis for the functions of these two phrases. Playback experiments including six sound stimuli (familiar whistled phrases, familiar harmonic phrases familiar complete songs, foreign whistled phrases, foreign harmonic phrases and foreign complete songs) were conducted at 12 sites in the Shoushan Nature Park of Kaohsiung, Taiwan. Grey‐cheeked Fulvettas came closer to the playback speaker and increased counter‐singing more in response to the familiar whistled phrase (local dialect) than to a foreign whistled phrase (distant dialect). However, birds responded equally to the playback of harmonic stimuli from familiar and foreign sources. We suggest that in this species, whistled phrases are used for local recognition and harmonic phrases are used for species recognition in short‐range communication.     

Age-related changes in song repertoire size and song type sharing in the Whinchat Saxicola rubetra

In many oscine passerines males’ songs, the repertoire size increases with age. At the same time it often remains unknown when and where males learn new songs. To infer the Whinchat Saxicola rubetra song learning strategy, we described and catalogued song-type repertoire, revealed age differences and examined song sharing strategies among neighbouring and distant males. We recorded song vocalizations of 40 males in a limited (104 ha) study plot during four years. Whinchats produce short and discrete songs with clear intersong pauses. In total 45 song types were allocated, the individual repertoire size averaged 23.5 ± 7.6 song types (range 9–34 song types). The males’ age significantly influenced the song-type repertoire size. The second calendar year (first breeding) males had a lower repertoire size than the older males. The majority of song types were shared by less than half of males in our sample. The Jaccard similarity indexes varied from 0.5 to 0.7. We could not find a relationship between males’ song sharing and geographic distances between their nests. We assume that Whinchat males learned new songs in the local population before territory establishment.     

Territorial reactions of male Yellowhammers (Emberiza citrinella) toward a specific song structure

Male songbirds assess their rivals by listening to their songs and, in some species, are especially sensitive to certain parts of the song. Yellowhammers (Emberiza citrinella) sing songs with different structures consisting of an initial phrase of stereotyped and repeated notes in a trill, and a terminal phrase, present or not, which consists of low or high frequency whistles that we called elements. We analyzed 1,055 songs from 25 different males and found that four different structures could be distinguished in a French Yellowhammer population. We found that the frequency ranges of the elements were more constant across individuals than the ranges of the notes, and among them, the low frequency element was nearly twice as conserved as the high frequency element. Then, in the wild, we tested the territorial responses of males to the four different structures and found that the full song structure, which is composed of the initial phrase followed by a high frequency element and a low frequency element, induced stronger territory defence responses from the males than any of the other structures. As only the structure containing the initial phrase and the low frequency element also induced a strong response, we propose that the main element responsible for the enhanced reaction of the males is the low frequency element, which is consistent with the fact that it is more conserved than the other constituents.     

Mechanisms of song differentiation in introduced populations of Chaffinches Fringilla coelebs in New Zealand

Chaffinches Fringilla coelebs were introduced to New Zealand from Great Britain over 100 years ago, and since then their songs have diverged from British ones in both syllable structure and basic organization of syllable sequences. The New Zealand populations seem to be unique in that their songs have undergone differentiation of trill segments by progressive elaboration of syllable morphology and hp ascending and descending changes of pitch. Published sonagrams of British song types have significantly more trill phrases and significantly fewer syllables in the end phrase than do Yew Zealand ones. Many New Zealand song types have much elaborated end phrases and concomitantly simpler trill segments, with songs quite commonly having only one trill phrase. This reversal of complexity between the trill and end phrase in New Zealand seems to have been derived by progressive reduction of the ultimate trill phrase to one syllable, and by recombination of end phrase syllables from different song types into one compound end phrase. The significance of the increased complexity in the end phrases of many song types may relate to the sound transmission properties of dense pine forests in New Zealand, in which Chaffinches are ubiquitous. Elaborate end phrases degrade much less from reverberation in pine forests because individual syllables have more dispersed temporal patterning.
Recombination of syllables to form new song types is a major mechanism of song differentiation in New Zealand. Although whole song copying is the predominant mode of replication, very few song types in a locality sample are composed of a unique set of syllables. Rather, song types in an area are interconnected by different combinations of shared syllables, suggesting that the incorporation of some local syllables in a bird's repertoire is sufficient to signal its status as a member of a neighbourhood and also allows the evolution of broadcast complexity.     

Versatility and Stereotypy of Free-Tailed Bat Songs

In mammals, complex songs are uncommon and few studies have examined song composition or the order of elements in songs, particularly with respect to regional and individual variation. In this study we examine how syllables and phrases are ordered and combined, ie “syntax”, of the song of Tadarida brasiliensis, the Brazilian free-tailed bat. Specifically, we test whether phrase and song composition differ among individuals and between two regions, we determine variability across renditions within individuals, and test whether phrases are randomly ordered and combined. We report three major findings. First, song phrases were highly stereotyped across two regions, so much so that some songs from the two colonies were almost indistinguishable. All males produced songs with the same four types of syllables and the same three types of phrases. Second, we found that although song construction was similar across regions, the number of syllables within phrases, and the number and order of phrases in songs varied greatly within and among individuals. Last, we determined that phrase order, although diverse, deviated from random models. We found broad scale phrase-order rules and certain higher order combinations that were highly preferred. We conclude that free-tailed bat songs are composed of highly stereotyped phrases hierarchically organized by a common set of syntactical rules. However, within global species-specific patterns, songs male free-tailed bats dynamically vary syllable number, phrase order, and phrase repetitions across song renditions.     

Sensitivity of California Thrashers (Toxostoma redivivum) to song syntax

Many birds have songs with variable structure and sequences. In earlier studies, we characterized some features from the song structures of California Thrashers (Toxostoma redivivum). In the Thrashers, there were a large number of phrase types, dozens to hundreds and the songs that were sequences of these many phrases were not random, but show some structure referred to as syntax. For example, a syntactic rule might be that phrase type A can be followed by phrase type B, but not type C. We, along with others, have assumed that syntax is an important feature of songs. This paper describes an experimental attempt to determine that syntax is important to California Thrashers by recording the reaction of territorial thrashers to playbacks of other thrasher songs, some of which obeyed the syntax rules we had discovered while others violated those rules. We also obtained video recordings of their behaviour near the playback speakers. We observed differences in the reactions to the birds that heard these two types of playbacks. Resident males reacted to either playback type, but more strongly when the original order was preserved. We observed difference in their behavioural response to correct or altered syntax. This indicates that the syntax of their songs is perceived in territorial defence by the birds.     

Male House Finches with Elaborate Songs have Higher Reproductive Performance

The elaborate songs of male animals are thought to function in either territory defense (male–male communication) or mate attraction (male–female communication). In non‐territorial animals, male vocalizations are expected to function primarily in mate attraction, yet the reproductive consequences of male vocalizations in non‐territorial animals are poorly described. Here we explore the relationship between male song and male reproductive performance in a free‐living population of house finches, Carpodacus mexicanus, a non‐migratory, non‐territorial songbird. Based on recordings of 20 males, we analyzed three song features (song length, number of unique syllables per song, and song rate) and compared male song with two measures of within‐pair reproductive performance (nest initiation date and clutch size) and one measure of extra‐pair reproductive performance (whether males sired extra‐pair young). We demonstrate a positive association between male song and within‐pair reproductive performance; males that sang long songs initiated their first clutch significantly earlier and males that sang songs at a faster rate had larger clutches. Despite the fact that only one of our recorded males sired extra‐pair young in the nest of another male, this male's songs were the most elaborate for two of three song features measured, anecdotally suggesting that male song may play a role in both within‐pair and extra‐pair partner choice. These results suggest that male song is a sexually selected trait in non‐territorial house finches.     

Song Learning in the Anna Hummingbird (Calypte anna)

Songs of wild male Anna hummingbirds (Calypte anna) consist of syllables grouped into phrases. Nearest neighbors tend to share similar syllable types, rhythms and syntax. Songs from different localities contain different syllable types, syntax and repetition indices. A male raised by hand in isolation produced a song consisting of highly variable syllable types of a wide frequency range. The song was simple in structure, and syllables were not grouped into phrases. Three males raised by hand as a group sang songs containing two stereotyped syllable types sung in alternating sequence and without phrase structure. These three males shared syllable types and syntax. The data from our study indicate that despite its relatively simple syrinx the Anna hummingbird learns syllable types, frequency, rhythm and syntax (as do oscines with their more complex syringes) during the song development process.     

Plain wrens Cantorchilus modestus zeledoni adjust their singing tempo based on self and partner's cues to perform precisely coordinated duets

Precise coordination appears to be an important signal in several duetting species. However, little attention has been directed to the proximate mechanisms that might drive this behavior. To perform highly coordinated duets, individuals can either have an intrinsic fixed singing tempo or modify their singing tempo based on cues in their own and their partner's songs. In this study I determined whether autogenous and/or heterogenous factors are associated with duet coordination in plain wrens Cantorchilus modestus zeledoni by analyzing recorded duets from 8 territorial pairs in the field. Previous research has determined that plain wrens perform highly coordinated antiphonal duets with almost no overlap. I found that to achieve such precise coordination individuals perform phrase‐by‐phrase modifications to the duration between two consecutive phrases (inter‐phrase interval) based on a) whether their song is answered, b) the phrase type used in the duet and c) the position of the inter‐phrase interval within the duet. Moreover, there are several sex differences in how individuals use these cues to modify their inter‐phrase intervals. Females produce longer inter‐phrase intervals when their mates do not answer a phrase, whereas males produce shorter inter‐phrase intervals when their mates do not answer. Females modify their inter‐phrase intervals based only on the phrase type their mates sing, whereas males modify their inter‐phrase intervals based on both the phrase that they sing and the phrase the females use to answer. Both males and females produce longer inter‐phrase intervals for longer phrase types sung by their partners, but males do so with more precision than do females. Finally both sexes increase their inter‐phrase intervals as the duet progresses. That precise coordination is achieved by a complex and dynamic process supports the idea that this behavior could signal pair bond strength.     

Recent northward range expansion promotes song evolution in a passerine bird,the Light‐vented Bulbul

In common with human speech, song is culturally inherited in oscine passerine birds (‘songbirds’). Intraspecific divergence in birdsong, such as development of local dialects, might be an important early step in the speciation process. It is therefore vital to understand how songs diverge, especially in founding populations. The northward expansion of the Light‐vented Bulbul Pycnonotus sinensis (J. F. Gmelin, 1789) into north China in the last 30 years provides an excellent opportunity to study birdsong evolution. We compared ~4400 songs from newly established northern populations with ~2900 songs from southern populations to evaluate song divergence after recent expansion. The total pool of syllables and especially song types was considerably smaller in the north than in the south, indicating ‘founder effects’ in the new population. The ancestral pattern of mosaic song dialects changed into a pattern of wide geographical sharing of a few song types and syllables, likely the result of fewer geographical barriers to ‘meme flow’, and the recent spread across a large area in the north. Our results suggest that song evolution and vocal trait shifts can arise rapidly after range expansion, and that in the Light‐vented Bulbul ‘founder effects’, geographical isolation, and recent rapid expansions played important roles in the evolution of song dialects.     

Vocal Diversity and Taxonomy of <Emphasis Type="Italic">Nomascus</Emphasis> in Central Vietnam and Southern Laos

Previous researchers suggested that gibbon song repertoire is genetically determined and song characteristics are useful for assessing systematic relationships. The southern white-cheeked crested gibbon is regarded as either a subspecies of Nomascus leucogenys or its own species (Nomascus siki). I studied vocal diversity among different wild populations of Nomascus in central Vietnam and southern Laos to assess their taxonomic relationships and to examine whether their vocal patterns correspond to forms previously described for Nomascus siki. I examined the songs of 7 Nomascus populations in Vietnam and Laos. I analyzed 192 song bouts from different gibbon groups including 173 phrases of 42 females and 192 phrases of 42 males. Linear discriminant analysis, classification trees, and multidimensional scaling revealed marked separation of groups in the northern and southern populations. Within the 2 geographic populations, there is little variability and the vocal characteristics exhibited no apparent cline. I conclude that the northern and southern geographic populations may represent 2 distinct taxa. I postulate that a taxonal boundary such as large rivers existing between southern Quang Binh province and northern Thua-Thien Hue province in Vietnam and northern Phou Xang He NBCA and southern Dong Phou Vieng NBCA in Laos has limited gene flow between the populations. Differing topographic features could also serve as a selective force for improved sound transmission in a highly territorial species, driving the divergence between the 2 populations.