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1.
Unmated male songbirds usually change their vocal behaviour when females enter their territories. Either the males court the females by changing the rate or pattern with which their normal long-ranging full songs are emitted, or they shift to special displays and long- or short-ranging vocalisations. In this study we quantified how female presence and behaviour affect the singing behaviour of male whitethroats. In the presence of a female the male frequently performed song flights, maybe to locate the female before it was courted, with sequences of diving-song displays. The courtship was interrupted by periods of perch songs. Female dscharp calls and short movements made the males initiate or resume courtship, whereas short horizontal jumps made the males intensify their courtship. Overall, the males changed their dual-function song activity in females' presence by emitting fewer perch songs and more flight songs. The quiet diving songs were only emitted during direct courtship of a female. The song types emitted immediately before, during, and after courtship are all highly variable, thus allowing for a quick assessment of the male's song repertoire. The courtship was also interrupted by periods of male woid calling, a call that is known to have a deterring effect on rival males. Bouts of woid calls were usually followed by song flights, again probably to locate the female that might have moved out of sight, or maybe to locate potential rival intruders. The latter was supported by an increased intrusion rate during female presence. Communicated by P. McGregor  相似文献   

2.
斑背大尾莺繁殖期鸣声行为分析   总被引:3,自引:0,他引:3  
Qu WH  Li F  Sha JB  Zhang YM 《动物学研究》2011,32(2):141-149
2009年5-7月,在辽宁双台河口保护区录制了20只繁殖期斑背大尾莺雄性个体的鸣声.根据行为特征,该鸟鸣声定义为3种鸣声类型:求偶炫耀鸣唱、报警声和联络声.利用Wavesurfer软件对20只斑背大尾莺雄性个体543个鸣声的句子持续时间、句子音节个数、音节持续时间、音节间隔时间等4个参数进行分析测量,发现求偶炫耀鸣唱由节奏逐渐加快的前部句子和音节组成复杂的主体部两个句子组成; 报警声和联络声的句子均由单音节组成.音节类型总数为38种,其中包括前部句子的音节类型6种.采用单因素方差分析(one-way ANOVA)对求偶炫耀鸣唱的4个参数进行差异性检验发现,不同个体的各个参数均呈极显著差异(P<0.01).  相似文献   

3.
Walrus are highly gregarious pinnipeds that can form herds of several hundreds or thousands of individuals when hauling out on ice or on land. They produce vocalisations in almost all social interactions, from aggressive vocalisations, contact calls involved in mother–calf bond to adult–adult communication to stereotyped courtship display during the mating season. The knowledge on walrus’ vocal behaviour and its perceptual abilities is limited due to the extreme difficulty of studying these animals in their natural environment. In the present study, we reported the results of a pilot experimental work on group/social vocal communication in captive Pacific Walruses (Odobenus rosmarus divergens). By analysing the main vocalisations produced by females and males during social interactions, we found some differences in their call characteristics compared to the Atlantic subspecies. In a second step, we experimentally demonstrated the abilities of females and mature males to discriminate between vocalizations of individuals from their own group and those of unknown individuals. In spite of the low sample size of animals, these findings on captive walruses improved knowledge of the cognitive abilities of this endemic Arctic species.  相似文献   

4.
ABSTRACT

We studied the vocal ontogeny of black-capped chickadees Poecile atricapilla from hatching through approximately age 40 days, at which time the juveniles dispersed from their hatching area. Development of three vocalisations (chick-a-dee call, fee-bee song, gargle call) was monitored by tape recording daily. Spectrographs quantification and comparison were carried out with Sound Analysis software. Developmental changes in offspring vocalisations were compared to the parent birds, allowing a measure of acoustic similarity between adults and young throughout early life. The chick-a-dee call developed all four of its component syllables (ABCD) from a single sound of day-old nestlings, but the four syllables emerged in adult form at different times in ontogeny. The fee-bee song was produced in impressively adult form starting at about age 20 days, with no precursor sounds to indicate gradual emergence. The principal difference between adult and juvenile fee-bee songs was the persistent production of three or four notes by juveniles rather than the adults' species-typical two notes. Gargle calls appear to develop from “subsong” strings of precursor gargle syllables. Juvenile gargles began to be identifiable at about age 33–35 days but did not match any of the gargle calls of the local adult population. Post-dispersal juveniles may develop gargles that match the gargle types of local birds where they settle.  相似文献   

5.
Male sexual displays often include components detected across long distances, and those perceived only at close range. Understanding what information females gain from each component of a complex display and how they use these signals to make decisions are questions of major interest in sexual selection research. We evaluated content‐based hypotheses (‘redundant signals’ and ‘multiple messages’) for the courtship displays of field crickets (Gryllus integer) by measuring female responses to males' long‐distance calling song (calls) and close‐range chemical cues. Females' responses to a male's calls and chemical cues were uncorrelated, supporting the ‘multiple messages’ hypothesis. We also tested the ‘inter‐signal interaction’ hypothesis by investigating how long‐distance calls influence evaluation of close‐range courtship. The relationship between long‐ and close‐range signals was complex and conditional: females accepted close‐range courtship more quickly after exposure to attractive calling song than they did after exposure to either unattractive calling song or silence, and unattractive calls were no more or less effective than silence. This inter‐signal interaction could affect our understanding of mate choice in species with multiple mating signals because it implies that females may save time and energy by not assessing the close‐range signals of attractive long‐distance signalers. © 2010 The Linnean Society of London, Biological Journal of the Linnean Society, 2010, 100 , 856–865.  相似文献   

6.
Conspecific broadcasts are effective to increase detection of owls. To determine the most appropriate time of the year to survey owls, we played conspecific owl vocalisations monthly in a temperate rainforest of southern Chile. From 12 broadcast points surveyed we recorded detections of Glaucidium nana, Strix rufipes and Tyto alba. Glaucidium nana presented a bimodal detection curve throughout the year and we recorded two regular vocalisations in response to broadcasting: contact pair call and territorial call. Strix rufipes and T. alba both showed a peak of detection between February and May. Strix rufipes presented three vocalisations: territorial call, contact pair call and female contact pair call while T. alba uttered two vocalisations: territorial call and twittering call. We recommend surveys during the end of the breeding season (austral summer–autumn) when detection is higher in most owls. Surveys should also take into consideration the variability of the vocalisations and include covariates in monitoring to evaluate occupancy/detection models.  相似文献   

7.
The chick-a-dee call of the black-capped chickadee (Parus atricapillus) is composed of discrete elements, or notes, that are combined to form hundreds of different calls. To investigate the development of this complex call, 12 families of color-marked chickadees were observed and recorded in the wild. Vocalizations were monitored for 18 d in the nest and 14–18 d postfledging. Most vocalizations of nestlings and fledglings were associated with feeding. At hatching, vocalizations consisted of a structurally simple note type that became more complex and variable with age. Around 9–12 d, the development of the call occurred, when single notes became organized into a multiple-note unit. Notes within the call differentiated into higher frequency, rapidly modulated initial note types and a lower frequency, moderately modulated terminal note type, features also present in adult chick-a-dee calls. Several adult-like calls including chick-a-dee calls, fee-bee songs, and a subsong-like vocalization developed prior to fledgling dispersal. Based on resemblances of note structure and general call structure, the chick-a-dee call appeared to develop from calls of nestlings and fledglings, although not necessarily in a chronologically linear progression. Some features of the chick-a-dee call closely resembled features of older nestling and fledgling calls, while other features more closely resembled the sounds of very young nestlings. Vocal development in the chickadee is compared with song and call development in other species, and the possible significance of acoustic resemblances between chick-a-dee calls and the food-associated calls of nestlings and fledglings is discussed.  相似文献   

8.
P. HANSEN 《Bioacoustics.》2013,22(2):129-140
ABSTRACT

Coruros Spalacopus cyanus, social fossorial rodents from Chile, use a complex acoustic repertoire with eleven different true vocalisations and one mechanical sound in various behavioural contexts. The complex of contact calls is particularly well differentiated. Juvenile coruros produced six true vocalisations of which four were structurally identical to adult calls. One vocalisation had components of two adult sounds and one occurred only in juvenile animals. Certain calls from the adult repertoire were lacking. The frequencies of sounds of juveniles were considerably higher than those of adults, with many sounds reaching the ultrasonic range. Nevertheless, pure ultrasonic sounds were not recorded.

The frequencies of the analysed sounds of coruros extended from 0.17 to 20.33 kHz with dominant frequency components between 0.17 and 10 kHz. The acoustic properties of calls are suitable for transmission above and below ground, thus providing further indirect evidence that coruros are not strictly confined to an underground way of life. Indeed, the great variability of frequency ranges, with lower frequencies always being included, reflects a specialisation for communication in variable acoustic environments.

The most distinctive and unique vocalisation of coruros is the long duration musical trilling (lasting up to two minutes), which is a long-distance call emitted in alarm and arousal contexts. Recordings of this call from natural burrows in the field in Chile showed similar structural features to vocalisations from captive colonies in the laboratory.

Our findings provide a further example of matching physical properties of vocalisations to the acoustic conditions of the habitat. However, vocalisations in subterranean rodents consist almost exclusively of short-distance calls, the trilling of coruros being the notable exception. Since the selective pressure of the acoustic environment upon the evolution of short-distance vocalisations is probably minimal, we suggest that during their evolution, subterranean mammals have matched their vocalisations primarily to their hearing range and not directly to the acoustics underground. Hearing probably has been the primary target of natural selection, serving not only for communication but also for detection of predators (and, in carnivores, of prey).  相似文献   

9.
Drosophila ananassae and D. pallidosa are closely related, sympatric species that lack postmating isolation. Sexual isolation has been considered important in maintaining them as independent species. To clarify the behavioral processes leading to sexual isolation, we analyzed behavioral sequences and examined the effect of courtship song on mating success and on behaviors of both sexes by surgically removing male wings (song generators), female aristae (song receivers), or female wings (means of fluttering). We found that heterospecific courtship songs evoked female wing fluttering, whereas conspecific courtship song did not. Furthermore, female wing fluttering made courting males discontinue courtship. These findings suggest that strong sexual isolation is achieved through the following behavioral sequence: heterospecific song→female wing fluttering→courtship discontinuation.  相似文献   

10.
Bird vocalisations are often essential for sex recognition, especially in species that show little morphological sex dimorphism. Brown skuas (Catharacta antarctica lonnbergi), which exhibit uniform plumage across both sexes, emit three main calls: the long call, the alarm call and the contact call. We tested the potential for sex recognition in brown skua calls of 42 genetically sexed individuals by analysing 8–12 acoustic parameters in the temporal and frequency domains of each call type. For every call type, we failed to find sex differences in any of the acoustic parameters measured. Stepwise discriminant function analysis (DFA) revealed that sexes cannot be unambiguously classified, with increasing uncertainty of correct classification from contact calls to long calls to alarm calls. Consequently, acoustic signalling is probably not the key mechanism for sex recognition in brown skuas.  相似文献   

11.
The closely related grasshopper species Stenobothrus rubicundus and Stenobothrus clavatus are known to hybridize in a very narrow contact zone on Mt. Tomaros in northern Greece. These species produce very different and complex courtship songs accompanied with visual display. We analyzed the courtship songs and underlying stridulatory movements of the hind legs in natural hybrids from Mount Tomaros. The two species were also hybridized in the laboratory and their songs were compared with the songs of the natural hybrids. Some hybrid songs were shown to have intermediate features between parental songs, whereas other hybrid songs comprised completely new elements. The clavatus‐like song elements were found to dominate in hybrid songs. These song features may influence the mating success of hybrid males in the contact zone. A comparison of hybrid songs with the song pattern of the north European S. rubicundus populations allowed us to suggest a scenario of S. rubicundus and S. clavatus origin. © 2012 The Linnean Society of London, Biological Journal of the Linnean Society, 2012, ?? , ??–??.  相似文献   

12.
The courtship behavior and the effects of courtship song in inter- and intraspecific crosses were studied in the four sympatric species of the Drosophila auraria complex: D. auraria, D. biauraria, D. subauraria, and D. triauraria. Orientation, tapping, and vibration (the repertoires of male courtship) were observed in both inter- and intraspecific crosses, suggesting that signals from heterospecific females were enough to elicit such male behaviors. The crossability tests with wingless or winged heterospecific males (tests for wing effects) revealed that winged heterospecific males copulated less than wingless ones in all four species but not all the pairwise cases. Since the crossability tests with aristaless females (deaf) or normal females showed essentially the same results as the tests for wing effects, we concluded that the sound produced by wing vibration plays an important role and that the wing movement itself is less important. These findings suggest that courtship songs are of great importance in mate discrimination and the sexual isolation between the species of this complex.  相似文献   

13.
A study was carried out, primarily in northern Scotland, to relate bill and wing measurements to diagnostic calls of crossbill species, and thereby use the calls to describe the distributions and habitats of the different species. Bill depth and wing length measurements from museum specimens and live‐trapped birds were used to describe the size categories. Almost all measurements of crossbills from England were similar to measurements of Common Crossbills from Fennoscandia. Museum specimens showed that crossbills in northern Scotland between 1822 and 1990 were a combination of Common Crossbills, birds which were intermediate between Common and Parrot Crossbills (Scottish Crossbills), and perhaps a few Parrot Crossbills. However, catches of crossbills between 1995 and 2000 showed that Parrot Crossbills (based on bill and wing measurements) were present at some sites in the Highlands. Recordings of flight calls and excitement calls of birds of known bill sizes allowed a classification of crossbills according to call types. Four different flight calls (referred to here as types 1–4) and five excitement calls (types A–E) were recognized. A sample of small‐billed birds, thereby identified as Common Crossbills, indicated that there were three groups of Common Crossbills: those giving type 1 flight calls and type A excitement calls (1A), type 2 flight calls and type B excitement calls (2B), and type 4 flight calls and type E excitement calls (4E). Large‐billed birds identified as Parrot Crossbills gave mainly type 2 flight calls and type D excitement calls. Birds with intermediate bill depths (Scottish Crossbills) gave type 3 flight calls and type C excitement calls. Distributions based on calls showed that 1A Common Crossbills were widespread in Scotland but the other types of Common Crossbill were rare. Parrot Crossbills were found in a few localities in the Highlands, and Scottish Crossbills (defined as those giving type 3 flight calls and type C excitement calls) were restricted to the northern and eastern Highlands. Scottish Crossbills and 1A Common Crossbills had overlapping distributions, and overlapped greatly in the types of forests they used between January and March when the Scots Pine cones were still closed. However, Scottish Crossbills were more frequently associated with stands containing Scots Pine compared with Common Crossbills.  相似文献   

14.
P. HANSEN 《Bioacoustics.》2013,22(3):241-248
ABSTRACT

We examined vocalisations of a solitary subterranean rodent, the Silvery Mole-rat Heliophobius argenteocinereus (Bathyergidae). Seven true vocalisations and one mechanical vocalisation were identified. The main frequencies of the analysed sounds (0.34–13.17 kHz) match to a great extent the frequency range suitable for transmission in underground burrows. Due to the narrow frequency range of vocalisations, motivation is predominantly expressed by the rate of tonality rather than by frequency changes. The vocal repertoire of the Silvery Mole-rat perfectly matches to Morton's MS rules, i.e. that low-frequency and harsh vocalisations indicate hostility whereas high tonal calls signalise appeasement or fear. In comparison with social species, this solitary bathyergid produces fewer calls. It lacks contact and alarm calls, but has a rich repertoire of mating calls (mating ends with duet vocalization of male and female). Acoustic signals seem to play a major role in lowering natural aggressiveness during the mating period.  相似文献   

15.
Riflemen/tītipounamu (Acanthisitta chloris) are kin-based cooperatively breeding birds, which appear able to recognise their relatives. Here, we investigate the potential for vocalisations to act as recognition cues in riflemen. We identified an appropriate contact call and recorded it at the nest from 19 adult riflemen. Measurements of call characteristics were individually repeatable. In addition, call similarity was significantly correlated with relatedness among all birds and among males. Thus, in principle, these contact calls contain sufficient information for individual recognition of familiar kin, and some assessment of relatedness between unfamiliar birds. To test whether riflemen responded differently to calls of kin, we broadcast calls of relatives and non-relatives as separate treatments in a playback experiment. Focal birds rarely responded aggressively or affiliatively, and their tendency to do so was unrelated to treatment. We conclude that zip calls are suitable kin recognition cues, but whether they are used as such remains unknown.  相似文献   

16.
The courtship and dominance behavior of brown-headed cowbirds (Molothrus ater) consists of a multi-modal display, including song as well as postural and wing movements. The temporal sequences of the acoustic and the visual display are coordinated. In adult male cowbirds the largest wing movements of the display are synchronized with silent periods of song, but it is unknown how this coordination emerges during song development. Here we investigate how visual display features are coordinated with song by using atypical song sequence structure of isolation-reared male cowbirds. In birds with atypical song, all components of the visual display were highly similar to those of “normal” song displays, but their timing was slightly different. The number of maximal wing movement cycles of isolation-reared males was linked to the number of sound units in the song, and was therefore reduced during the abbreviated song types of isolates. These data indicate that young cowbirds do not need to be exposed to a model of the visual display during ontogeny and that there is synchronization with the temporal structure of song. A physiological link between respiratory and syringeal control of silent periods between sound units and wing movement cycles may be driving this synchronization.  相似文献   

17.
ABSTRACT

We conducted a field study of the ontogeny of vocal signals in the house wren Troglodytes aedon during the nestling and fledgling phases of life. We did spectrographic analyses and quantification of the developmental changes that occurred in the acoustic features of the vocalisations. Evidence of progress to adult-like vocal patterns was of two types. First, nestling calls changed into a harsh-sounding call that resembles the adult chatter call, functionally a warning call. Second, fledglings also uttered subsong, and these vocalisations were similar to notes typical of adult male song. When the vocalisations produced by developing young were broken down into their constituent vocal features, we found that the time course of development was not strictly linear. Instead of a unidirectional change through the course of nestling and fledgling life, the trajectories of the vocal features fluctuated through time and sometimes exhibited abrupt changes. These sudden shifts occurred during nestling life as well as at the time of fledging. We speculate on the possible causes of these abrupt transitions. Changes in acoustic features upon fledging appear to be linked to new social functions.  相似文献   

18.
Research on avian vocalisations has traditionally focused on male song produced by oscine passerines. However, accumulating evidence indicates that complex vocalisations can readily evolve outside the traditional contexts of mate attraction and territory defence by male birds, and yet the previous bias towards male song has shaped – and continues to shape – our understanding of avian communication as a whole. Accordingly, in this review we seek to address this imbalance by synthesising studies on female vocalisations from across signalling contexts throughout the Aves, and discuss the implications of recent empirical advances for our understanding of vocalisations in both sexes. This review reveals great structural and functional diversity among female vocalisations and highlights the important roles that vocalisations can play in mediating female-specific behaviours. However, fundamental gaps remain. While there are now several case studies that identify the function of female vocalisations, few quantify the associated fitness benefits. Additionally, very little is known about the role of vocal learning in the development of female vocalisations. Thus, there remains a pressing need to examine the function and development of all forms of vocalisations in female birds. In the light of what we now know about the functions and mechanisms of female vocalisations, we suggest that conventional male-biased definitions of songs and calls are inadequate for furthering our understanding of avian vocal communication more generally. Therefore, we propose two simple alternatives, both emancipated from the sex of the singer. The first distinguishes song from calls functionally as a sexually selected vocal signal, whilst the second distinguishes them mechanistically in terms of their underlying neurological processes. It is clear that more investigations are needed into the ultimate and proximate causes of female vocalisations; however, these are essential if we are to develop a holistic epistemology of avian vocal communication in both sexes, across ecological contexts and taxonomic divides.  相似文献   

19.
The courtship behavior of Drosophila sechelliais described. Male wing displays are mainly vibration and scissoring, with low levels of rowing. As courtship proceeds the proportion of courtship spent in male wing vibration and licking increases, whereas female movement decreases. The male courtship song of sechelliacontains pulse song but no sine song. This species also shows a distinctive copulation song associated with mounting and copulation. The main cuticular hydrocarbon in females is 7,11-heptacosadiene. The number of copulations increased when flies were placed in the presence of food. Visual and acoustic stimuli appear to be important for mating. A multidimensional comparison was used to compare members of the melanogaster species subgroup, based upon courtship behavior, song characteristics, and cuticular hydrocarbons. A multidimensional comparison of courtship sequences in sechellia, melanogaster, simulans,and mauritianashowed differences in variability between the two island species as compared to the two cosmopolitan species. The courtship song of D. orenais described: it shows both sine and pulse song; there is also a copulation song in this species.  相似文献   

20.
The male of the African cave cricket Phaeophilacris spectrum (Saltatoria: Grylloidea: Phalangopsidae) possesses tegmina without stridulatory organs, and both females and males lack tympanal organs. Therefore acoustic communication in the usual sense, which is typical for most crickets, is absent in this species. However, adaptations of the wing articulation allow the males to flick their wings forward over their heads. During courtship these movements are performed in series of 4–5 wing-flicks at a rate of 8–12 Hz (called wing-flick series = WFS) which elicit low-frequency air movements. Such signals may have taken over the functional significance of an acoustic ‘courtship song’. A quantitative analysis of the cricket's behaviour showed that in terms of frequency and total duration, ‘wing-flick series’ and ‘rocking’ behaviour are the most prominent signals of the male's courtship display. Moreover, analysis of the spatial relationships between male and female demonstrates that the wing-flicking is directed towards the female. The response of a female to a wing-flicking, courting male seems mainly to be calmed down and to reach a passive, receptive state, necessary for subsequent copulation. Females confronted with a male's courtship display exhibited a significantly higher threshold to disturbing stimuli than uncourted ones.  相似文献   

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