L'expression schématique en Aragon présentation et recherches récentes

The shelters of the Aragon containing paintings are gathered together in two areas: one around the río Martin valley to the north of Teruel and one in the Sierra de Guara at the east of Huesca. In every case they coexist with sites containing Levantine paintings but the proportions between the two types of expression are variable. We suppose that this association or even competition, of these two different iconographies is related to the differences of Neolithic economies establishment in each region. Punctual excavations underside the schematic figures give for them different dating throughout the Neolithic period. It seems probant that shelters with schematic paintings were chosen among a multitude of potential sites following four particular conditions: their dominant position, their southern orientation, the orange colour of the cliff walls and the humidity of the place. Lastly, the detailed study of the ornated sites at the confluence of the Vero and the Choca valley reveals the existence of the groups of richly shelters and, on the over hand, the existence of isolated ones with a most soker decoration. Or, a good knowledge of the field shows that the first ones cannot be accessible if we do not pass by the second ones. Consequently, we propose the existence of a precise approaching paths allowing precise the arrival to the groups of richly decorated sites. The studied area would thus represent a structured sanctuary served by an access way that was marked out deliberately.     

Utilisation du bois de feu par les chasseurs-cueilleurs de la « Cidade de Pedra » à partir de l’Holocène moyen (Brésil Central,Mato Grosso,Rondonópolis)

Located in the south-western Mato Grosso state (Central Brazil), the vast territory of the Cidade de Pedra was continuously occupied since the mid-Holocene by several groups of hunter-gatherers. Rock paintings, lithic industries, ceramics, ornaments, combustion remains (etc.) testify their passages in the many rock art sites discovered since 1983. In this paper are presented the results of the first anthracological analyzes conducted in four of these rock shelters. The studies were realized from macro-remains carbonized from hearths, embers and concentrations. From the taxonomic identification of charcoal, the objectives are to highlight the practices of hunter-gatherers related to the collection of wood and the environment in which they evolved for nearly 5000 years. The results indicate that they practiced an opportunistic collection mainly focused on dry wood available in the vegetation around the sites. They evolved in an environment similar to that currently characterizes the region, a typical flora of the Cerrado Biome and seasonal climate.     

La grotte ornée Mayenne-Sciences (Thorigné-en-Charnie, Mayenne) : grotte-limite aux marges du monde anté-magdalénien

The decorated cave of Mayenne-Sciences (Thorigné-en-Charnie, Mayenne) is one of the eight caves or shelters attributed to the Upper Paleolithic in the North of France, with the caves of Gouy and Orival in Normandy, Boutigny, Le Croc-Marin and Les Trois Pignons in the Essonne Department, the Grotte du Cheval and the Grande Grotte of Arcy-sur-Cure in Burgundy. There are about 50 stylised representations in this cave, the chrono-cultural attribution is rather difficult because the archeological context is poor and the site of the cave excentric, far from the great areas like Perigord. After a short statement of what you may guess about the style of the representations in Mayenne-Sciences we try to draw up a synthesis of the sites of parietal art and furniture near Mayenne-Sciences, and to analyse further how to place Mayenne-Sciences within a figurative tendance flourishing during the ante-magdalenian era in Europe which we propose to call art de la silhouette. We show that the style of Mayenne-Sciences is not 50 particular, but that the originality of the style may be explained by the isolation of the cave at the border of the main prehistorical cultural tendances, as this is the case for other decorated caves, we list up. In conclusion this leads us to define the concept of grotte-limite (border-cave), I mean a decorated cave which represents the vision at distance, with caricatural character or not, of the parietal art of one specific region, as for example you must admit that there are similitude’s between Mayenne-Sciences and the caves of Pech-Merle and Cougnac, in the Lot Department.     

Art mobilier magdalénien en matières dures animales de Moravie (République tchèque). Aspects technologique et stylistique

The Magdalenian techno-complex evolved in Western Europe and Central Europe between 17-12 kyr BP, concentrated in Spain on the Cantabrian Coast and in France in Pyrenees and Dordogne, in Central Europe in Poland and Moravia. In our study we analyse portable art on hard animal tissues from Moravian sites (Pekárna, K?í?ova, Rytí?ská), Czech Republic. Comparative material was provided by sites in South-western France (Laugerie, Basse, Enlène). The results of the technological, stylistic and typological comparisons confirm our hypothesis that the Magdalenian portable art from sites in Moravia belong to the Magdalenian techno-complex. The comparison of typological objects in Moravia, like decorated bone disc, pendants, Venus, bâton percé, spatule, shows that their variability is well in the range expected for techno-complex. The same technological pattern can be found between typological objects of spatule as a technology of decoupage but which is applied on different anatomical parts of animal raw material. We discussed the question about local origin of the objects. Technological comparison shows that engraving and bas-relief are more frequent in Moravia than in South-western France sites. This can be explained as a regional based preference of technology for expression of different subjects of mobile art, but also as a possible bias due to small sample size and differences in sampling of our studied objects. Engraving present similar technological characteristics that are featured in both areas. Design, like organization of space and size of the engraving, can be interpreted as an existence of contact between both groups and presence of one Magdalenian techno-complex.     

La Lloseta : une grotte importante et presque méconnue dans l'ensemble de Ardines, Ribadesella

This summary on The Lloseta shows us a much richer reality that it had been presented through the precedent publications. To begin it is presented as an shelter environment decorated in all their extension whose decoration and parallel they find real sense if we put them in connection with the neigh boring Tito Bustillo. It possesses a prevalence of signs and old representations, a bad general conservation and an own and original internal organization. None of the caves of Ardines, including their main protagonist, she makes isolated significant sense, but rather they are and were supplemented in the past, for activities, occupation and use. We try to know the meaning of all and each one of the caves in connection with the other ones, because we think that their function should be collective and complementary.     

Proposition méthodologique pour une étude des esthétiques du Mésolithique : une analyse sociologique-anthropologique de la fin du Tardiglaciaire et durant le Postglaciaire en Europe occidentale

Do the decorated productions cover esthetics, i.e. the whole of the symbolic systems of a culture of hunters-gatherers? How to leave this glance with the aesthetic requirements that we other Westerners, pose on all things… and to exceed the debate of the artistic expressions thought from the aesthetic point of view, like “works of art” objects and “stylistics” objects? It is out of question “to make a fetish” of the productions decorated “works of art” while placing them at the starting point with our reflexion, (Studying them from a functional, technological, typological, art for art, meaningful point of view…) but to associate another of dimensions of the aesthetic experiment, i.e., the context of the decorated productions.     

Paléogéographie des chasseurs de l’Europe du Paléolithique supérieur : répartition et spécialisation des sites

During the Upper Paleolithic, Europe was occupied by human populations mainly living from hunting of big terrestrial mammals. A repartition of fauna and of archeological sites was done with a database: a repartition of Upper Paleolithic sites in central and western Europe. This study shows that the european space was structured following several factors; climate, environment, cynegetic behaviours… We observe a partition of Europe with a mediterranean area with mainly deer, and ibex and an atlantic area with reindeer. Equally, most of the occupations are localized in the “aquitano-cantabric horn” around the Gulf of Gascony. The occupation of Europe undergone a pulsation with a retreat of occupations toward the west and the south during the glacial maximum, then a colonization of North Europe during the Tardiglacial climatic amelioration.     

Nouvelles découvertes d'art rupestre au Mato Grosso (Cidade de Pedra, Rondonópolis, Brésil)

Since 1983, Professor Agueda Vilhena-Vialou is conducting in Mato Grosso (Brazil) the French-brasilian archeological mission Fossil men and their paleo-environments in the Paraná basin. Its goal is the study of the first prehistoric settlements of Latin America's heart, in their economic, social, cultural and symbolic dimensions. Thanks to the complementary and comparative analysis of the habitats, the regional settlements and the rock art, our research targets a more precise definition of territories and cultures proper of the prehistoric human groups from the South of the actual Mato Grosso state. The study of rock art, the most revealing aspect of symbolic behaviours, is one of the strongest programs inside our multidisciplinary team. Today, thanks to systematic prospections led along the Rio Vermelho (between Pantanal swamp at West and Rondonópolis city at East), a hundred rock art sites (walls, shelters and caves), decorated with signs, animals and humans, have been discovered, and, for the most of them, studied. These figures are painted, engraved and more rarely sculpted. Along those pages, the author is presenting the preliminary analysis of ten new rock art sites, recently identified in a cliff on the right bank of the Vermelho River. He starts a comparative study with the sites of the Cidade de Pedra and of close micro basin, from the left bank of the River. This research is showing the symbolic identities, both common and specific, proper to different territories of this major rock art region of Brazil, which is divided in several areas and micro territories, shared but autonomous.     

Stratégie de débitage et mode de façonnage des industries du Paléolithique inférieur en Chine et en Europe entre 1 Ma et 400 000 ans: Ressemblances et différences de la culture de l’homme de Yunxian et Acheuléen européen

These stone tools from Yunxian with other Lower Paleolithic sites in South China, for example, the site Lantian (Shanxi, China) and the site Bose (Guangxi, China), indicates that there are many common characteristics among these industries. There are choppers, chopping-tools, picks, hand-axes, cleavers and scrapers. Long ago we thought that there are not hand-axes in China. In fact, there are lots of hand-axes in China and these hand-axes existed more earlier than those in Europe. The hand-axe appeared in China before 800,000 years old and it barely arrived in Europe before 600,000 years old. The quaternary deposits of the site of Yunxian Hominid (Hubei, China) are at least dated to 800,000 years old. A large quantity of lower Paleolithic material was discovered. The types of the tools are choppers, picks, scrapers, hand-axes and cleavers. The pebbles tools make up the majority of the implements. Small flake tools are relatively rare. The lithic industries comparison of the two regions has help us to know the cultural evolution in China and Europe.     

Nouvelles recherches sur l’identité culturelle et stylistique de la grotte Chauvet et sur sa datation par la méthode du C

The discovery of Chauvet cave, at Vallon-Pont-d’Arc (Ardèche), in 1994, was an important event for our knowledge of palaeolithic parietal art as a whole. Its painted and engraved figures, thanks to their number (425 graphic units), and their excellent state of preservation, provide a documentary thesaurus comparable to that of the greatest sites known, and far beyond what had already been found in the group of Rhône valley caves (Ardèche and Gard). But its study – when one places it in its natural regional, cultural and thematic framework – makes it impossible to see it as an isolated entity of astonishing precocity. This needs to be reconsidered, and the affinities that our research has brought to light are clearly incompatible with the very early age which has been attributed to it. And if one extends this examination to the whole of the Franco-Cantabrian domain, the conclusion is inescapable: although Chauvet cave displays some unique characteristics (like every decorated cave), it belongs to an evolved phase of parietal art that is far removed from the motifs of its origins (known from art on blocks and on shelter walls dated by stratigraphy to the Aurignacian, in France and Cantabrian Spain). The majority of its works are therefore to be placed, quite normally, within the framework of the well-defined artistic creations of the Gravettian and Solutrean. Moreover, this phase of the Middle Upper Palaeolithic (26,000–18,000) coincides with a particularly intensive and diversified local human occupation, unknown in earlier periods and far less dense afterwards in the Magdalenian. A detailed critique of the treatment of the samples subjected to AMS radiocarbon dating makes it impossible to retain the very early age (36,000 cal BP) attributed by some authors to the painted and engraved figures of Chauvet cave.     

Des sites à voir et à entendre : les abris à motifs schématiques de la falaise de Baume Brune (Vaucluse)

In the North of the plain drained by Calavon and at the foot of the mounts of Vaucluse, the cliff of Baume Brune is long about 900 m. We count 43 natural shelters of which only 10 are marked by painted figures belonging to the schematic iconography of the Neolithic period. The painted shelters are chosen, according among others, to four criteria, which are their dominant visual position, their southern exposure, the “red” tint of their walls and their episodic humidity. While a selection of these criteria might be present in the non-decorated shelters of Baume Brune, all of them are always found in the painted shelters. Yet, sometimes their presence if not so obvious, as there are shelters once painted in red tint whose walls are now covered by small carbonate flowstones formed by the flow of water after centuries of rain events. We also propose that iconography was perceived as a factor contributing to the placement of rock art, for single shelters were chosen by prehistoric artists to paint schematic key themes (male figures, idols, quadrupeds). Finally, we investigate the acoustic dimension of Baume Brune by comparing the distant and close auditory perception of painted and non-painted shelters. In this framework, we argue that shelters with rock art possess the greatest acoustic qualities of the whole cliff.     

Chronologie de l’art Mégalithique ibérique : C et contextes archéologiques

From the beginning of our investigation we found the necessity of locating the Megalithic Iberian art in the chronology that came off of the well-known data in the peninsula at the end of the 1980s and of those that manifested the Atlantic long sequences. Then, we argue the dates obtained in the deposits of decorated dolmens to endorse the chronological similarity between architectures and decorations. To it, we could add decorations in the nonvisible area of some slabs that they even aimed a bigger antiquity. With that material, we organize our first chronological proposal for the Megalithic Iberian art, in which we assumed dates of fifth millennium lime BC for the oldest decorations, in consonance with the construction of the first megaliths. Moreover, it would be right so much in the supposedly classic areas as in the less favoured sectors for the investigation: the Interior, the South and the West of the Iberian peninsula. In successive works we are configuring a hypothesis on its development and chronology that offers more and more confirmations. The documentation of AMS dates on megalithic paintings, a unique case in the megalithic European art, comes to consolidate the chronology of the megalithic Iberian art. With all the data obtained in the last twenty years, we are arrived to the moment for establishing a sequence to adjust their times, to value complex situations in the decoration of the monuments and to confirm a long chronology that arrives practically as a residual way to Iron Age.     

Le site de Longgupo dans son environnement géologique et géomorphologique

On a regional scale, Longgupo is found within a karstic landscape of fenglin-ouvala developed in the Triassic limestones of the Yangtze platform. After several seasons, it is now possible to define and propose a scenario for the formation of the site. During one of the intense karstification phases during the Cretaceous or early Tertiary, karstic conduits were created deep in the substratum. In concert with these deep flows and by karstic collapse, a cave was created. With the start of Himalayan uplift during the Oligocene and Miocene, the beginning of fluvial cutting was reflected by the partial erosion of the upper sandstone formations and the creation of the Miaoyu Valley. This action opened the cave, which would later be occupied by the hominid groups that interest us here. Probably at the end of the Tertiary, the cave, open at the bottom of the valley slope and facing upstream, began to be filled with alluvial deposits from the valley. The basal deposits (C III 10 of the current stratigraphic sequence, levels 20-13 of the first sequence) begin with black clays; at the Plio-Pleistocene transition, deposits become clearly alluvial, increasingly marked by reworking of surface and karstic clays and by systematically coarser contributions. During the deposition period of archaeological complexes III/III’ (previously levels 12-6), karstic collapse appears to have still been active. During the Lower Pleistocene sensu lato, the coarse nature of the deposits becomes accentuated. The material of complex II (previously levels 5-2) is a deposit that is clearly heterometric and coarse, composed at the end mainly of gravels, pebbles and more or less rounded blocks in a clayey matrix. At the conclusion of this new stage, the cave was entirely filled and, purely and simply, disappeared from the landscape. As the valley deepened during the Middle and Upper Pleistocene, the Longgupo slope underwent profound changes, the last of the limestone blocks disappeared from the slope limit and the archaeological site was protected by the coarse breccias that carpeted the slope. The main cause for the sedimentation processes at the site of Longgupo is the hydrosystem of the Miaoyu he, although injections of karstic type sensu stricto cannot be excluded. All of the arguments effectively support alluvial deposition: pebbles, an alternation of coarse and clayey beds, systematic and repeated granulometric decrease. But the stratigraphic disposition was disturbed by deformations due to gravity and karstic origins; the alluvial sediments, rendered plastic by the high proportion of clayey beds, were deformed by gravity (deformation of beds, faults, slopes) following the direction of the slope and by karstic collapse along the two limestone walls north and south of the sites (in sub-parallel faults to the south and by circular aspiration to the north). To this is added a calcitic consolidation of the upper levels that made it difficult to excavate complex C II. The stratigraphic disposition of the archaeological levels at Longgupo is now well understood. It has thus been possible to collect samples for absolute dating, to be published soon.     

Analyse du débitage laminaire du site de Mezhyrich : habitations n 1, 2 et 3

This article presents the results of technological analyses of the laminar products from three bone dwelling structures from the Mezhyrich site (dated to Upper Palaeolithic; 15,000–14,500 years BP). More than 2500 blades and bladelets were studied from technological point of view. We find close similarity between the three dwellings, which reflects similar ways of preparation of core fracture zone (overhang reduction, butt abrading, and flaking surface isolation), as well as in the organization of the negative of the dorsal surfaces of the blades. The comparison with materials from the Kostenki 1 layer 1 site (upper layer, 22,000–24,000 years BP) shows some differences with the artefacts from Mezhyrich site, despite same technological methods. This could be explained by differences in cultural tradition and large time gap between these two sites. The complexes from Mezhyrich to follow the Kostenki 1/1 tradition but with their own particularities.     

Les industries acheuléennes de la France septentrionale

The excavations of several open air sites in Northern France and, especially in the Somme basin, have given numerous data concerning the age and the environment of the human occupations for the period from MIS 12 to MIS 8. The quality of the raw material and the function of the different sites have a great effect on the composition of the lithic assemblages as it has been seen for the different sites located near the confluence of the Somme and Avre (Cagny-la Garenne, Cagny-l’Épinette, Ferme de l’Épinette, Gentelles). The characteristics of the lithic industries of Gouzeaucourt show the complexity of the transition from Lower to Middle Palaeolithic.     

L’étude des conditions d’habitabilité des établissements préhistoriques : à propos des amas coquilliers mésolithiques de la région cantabrique occidentale (Nord de l’Espagne)

We show the methodology we followed in order to reliably estimate a factor that, to our judgement, is fundamental for the assessment of the characteristics of a prehistoric settlement: the conditions of exposure to the sun. This methodology is applied to the study of Mesolithic shell middens in the North of Spain, with the aim to introduce a new kind of information in the debate about the meaning of shell middens. Throughout this century, different ways to understand the behaviour these remains conceal have been proposed. Our thesis with regard to it, presented in this paper, is based on the observation of a series of variables, among which we can find the exposure to the sun the settlements undergo. We therefore show in the last part of the paper, how to join the information from the proposed analysis with the other data subsequent from the study of other variables such as the environmental conditions prevailing during the period of formation of the sites; the situation of the settlements; the location of the remains in the caves; the entity of the occupations; and the energy spent on the transportation of the aquatic resources from the coast towards the places where their rests are found nowadays. In short, we propound a methodology for the study of one of the variables that falls upon the habitability of a prehistoric settlement and we point out the contribution that the incorporation of an analysis of this kind means for the research of Mesolithic shell middens in the North of Spain.     

Les vagues de peuplements humains au Pléistocène inférieur et moyen dans le bassin de la Loire moyenne, région Centre, France. Apports de l’étude des formations fluviatiles

Evidence of earliest human settlements had been searched in the alluvial formations laid down in the Middle Loire Basin. Many stepped sheets deposited during the successive interglacial-glacial quaternary cycles are studied in four valleys of the Loire tributaries: the Creuse, Indre, Cher and Loir rivers. These sandy remnants are systematically dated, using the Electron Spin Resonance method applied on bleached fluvial quartz. Five settlements which contain very Early Palaeolithic industries with Mode 1 technology were occupied during the Lower Pleistocene. About eighty sites with hand-axe assemblages are observed in Middle Pleistocene remnants; nine of these are described in this paper. The results theorize that the geographical center of France (47°N) would be reached by two influxes of human populations with an interval around 400 years, because major climatic pejorations, particularly at the end of the Lower Pleistocene. These two populations produced lithic industries with many differences in supply of raw materials and in techniques of striking. Not any typologic link had been observed joining the two industrial unities.     

Variabilité et homogénéité des modes de débitage en Chine entre 300 000 et 50 000 ans

The position of lithic industries of Chinese Paleolithic in comparison with those of other regions in the world is always a controversial topic. The typological analysis has made Chinese prehistorians reveal some variability between lithic industries of different regions of China in terms of technical tradition and industrial structure. But this recognition, based upon some morphological characters of stone artifacts, failed to define systematically the modes of production that exist in each site. To answer these problematic some new methods need to be applied. So the lithic materials from 8 Chinese sites dated from 300 ka to 50 ka B.P. were selected and analyzed by means of lithic technological analysis and a new approach for analyzing the structures of cores. This paper presents principally the analytical results of modes of débitage and revealed that the modes of débitage during this period were characterized essentially by system C (“simple débitage”) and E (discoid) and that the concept Levallois was absent during this period in technical systems of lithic production in China. The Chinese lithic industries between 300 ka and 50 ka B.P. saw some homogeneity in the scale of the continent and remarkable difference from those of other regions in the world. So a stable, continuous but independent even isolated evolution in comparison with those of other regions was observed in this period. In addition, despite of apparent homogeneity, some variability exists also between these industries.     

Modes de sélection et contraintes en Europe centrale prénéanderthalienne

The Microlithic industries of lower Palaeolithic central Europe have been speculated to be a result of raw material availability and therefore natural constraints. However, on some sites such as Bilzingsleben and Vertessz?ll?s, raw material constraints do not apply. Clearly here has been a positive selection for small-scale tools that must have different explanations. The seemingly stable pattern of forms unrelated to raw material properties, leads to the inference that early hominin societies possessed and transmitted over generations, a defined set of behavioural norms. The paper argues that patterns of choice can be isolated within lower Palaeolithic stone tool assemblages that are distinct from patterns of ecological restraint.