On Ancestral Self-Fashioning: Photography in the Time of AIDS

This article looks at a series of photographic practices that emerged in Southwestern Uganda in the 1990s, in response to an emergent AIDS epidemic. In particular, it looks at the albums AIDS patients made in the final months of their lives. The article argues that these albums are an outcome both of a modernist, realist register and of an alternative set of locally meaningful dispositions toward the photograph. It is by keeping both of these frames in view that we are able to understand the extraordinary ongoing power these albums continue to have, long after the deaths of their producers, the AIDS patients themselves.     

R. J. Gordon’s Discovery of the Spotted Hyena’s Extraordinary Genitalia in 1777

In the history of zoology the English anatomist Morrison Watson (1845–1885) is considered to be the discoverer of the masculinized sexual organs of the spotted hyena. Beginning in 1877, Watson had published a series of anatomical studies on the spotted hyena (Watson, 1877, 1878, 1881, Watson and Young, 1879), in which he, in which he for the first time made public the anatomical peculiarities of the female spotted hyena’s genitalia. This scientific achievement is well documented. But now we can also state that a hundred years before Watson the Dutch amateur zoologist Robert Jacob Gordon (1743–1795), while serving in the Scots Brigades at the Cape of Good Hope, had already made the same discovery and merely unfortunate personal circumstances prevented publication. During his stay at the Cape, Gordon had studied spotted hyenas intensively and recorded his observations in accurate drawings and comments. These drawings have been preserved as part of a large collection of animal drawings entitled Gordon Atlas. With his discovery, Gordon actually was the first to provide empirical evidence of a “curious and inexplicable case of dimorphism” (Darwin on a beetle) in mammalians, long before étienne Geoffrey Saint-Hilaire (Cours de l’histoire naturelle des mammifères, 1829) started examining masculinized sexual organs in the mole or Darwin recognized the importance of sexual dimorphism (Descent of Man, 1871). In this paper we reproduce for the first time all hyena drawings from the Gordon Atlas, including Gordon’s handwritten notes in the margins in the original Dutch and in translation. Additionally, we briefly delineate the knowledge about the South African spotted hyena in Gordon’s time and indicate that we doubt Watson’s explanation for the age-old confusion about the hyena.     

Simple laboratory and field apparatus for the production of accurate line drawings to scale

Apparatus is described by the use of which accurate scale drawings may be made of plants or other biological material for the study of growth changes or the development of disease symptoms. The apparatus has other uses, e.g. enlargement of drawings, etc., and these are also described. Examples of drawings made with the apparatus are included.     

An attempt to confirm magnetic sensitivity in the pigeon,Columba livia

Summary An attempt was made to test the sensitivity of homing pigeons to weak magnetic variations of the order of the ones naturally occuring on earth. Pigeons were first subjected to a cardiac orienting reflex test to 50 magnetic stimuli and to 50 control stimuli presented alone and randomly interdigitated. They were then subjected to a differential nociceptive conditioning procedure using the same magnetic and control stimuli for 100 trials under each stimulus condition. Cardiac activity was used as an index of reactivity throughout the study. The tests were performed in uniform magnetic fields using 1 m diameter Helmholtz coils. Results indicate that the magnetic stimuli presentations did not evoke a cardiac orienting reflex when compared to the cardiac orienting response of control pigeons to a neutral luminous stimulus. Moreover, results from the conditioning tests indicate that the magnetic stimuli were not used by the pigeons as a cue presaging the forthcoming shock. It is concluded that, in the present experimental situation, homing pigeons did not respond to small changes in the ambiant magnetic field with changes in autonomic functioning. Results are discussed in the context of the inappropriateness of the stimuli and tests used to show magnetic sensitivity in birds.This research was carried out as part of a doctoral dissertation in the Département de Psychologie at the Université de Louvain (Belgique). The author is indebted to Professor G. Thinès, Director of the Centre de Psychologie Expérimentale et Comparée of the Université de Louvain for his guidance and encouragement as dissertation adviser. We would also like to express our appreciation to Dr. A. Vandenplass, director of the Institut Royal Metéorologique de Belgique and the Fédération Royale Colombophile de Belgique and to Professor J.L. Koenigsfeld from the University of Liège for their interest and cooperation in this research. Dr. Marco Citta and Louis Laurencelle gave computer assistance and Francois Labelle made the technical drawings. This research was supported by the Centre de Psychologie Expérimentale et Comparée and the Fédération Royale Colombophile de Belgique and made possible by a special leave of absence granted to the author by the Université du Québec à Montréal.     

Sensitivity to Differences in the Motor Origin of Drawings: From Human to Robot

This study explores the idea that an observer is sensitive to differences in the static traces of drawings that are due to differences in motor origin. In particular, our aim was to test if an observer is able to discriminate between drawings made by a robot and by a human in the case where the drawings contain salient kinematic cues for discrimination and in the case where the drawings only contain more subtle kinematic cues. We hypothesized that participants would be able to correctly attribute the drawing to a human or a robot origin when salient kinematic cues are present. In addition, our study shows that observers are also able to detect the producer behind the drawings in the absence of these salient kinematic cues. The design was such that in the absence of salient kinematic cues, the drawings are visually very similar, i.e. only differing in subtle kinematic differences. Observers thus had to rely on these subtle kinematic differences in the line trajectories between drawings. However, not only motor origin (human versus robot) but also motor style (natural versus mechanic) plays a role in attributing a drawing to the correct producer, because participants scored less high when the human hand draws in a relatively mechanical way. Overall, this study suggests that observers are sensitive to subtle kinematic differences between visually similar marks in drawings that have a different motor origin. We offer some possible interpretations inspired by the idea of “motor resonance”.     

Adding Value: Rethinking Late 19th-Century Torres Strait Islander Drawings in Anthropological Inquiry

This article focuses on the cultural and artistic value of a collection of Torres Strait Islander drawings that were commissioned and collected in the late 19th century. I argue that these drawings, made during Alfred C. Haddon's “salvage anthropology” expeditions, can provide insight into the nature of Islander graphic systems and the production of contemporary Islander art. By focusing on stylistic links between the drawings and other forms of decorative art, and their role as resources and inspiration for contemporary Islander artists, I explore the role these collections play in investigating regional artistic traditions, and how they act as agents in reaffirming Islander identity.     

Storytelling: Armenian Family Albums in the Diaspora

Armenians were scattered across the world after experiencing the collective pain of massacres and deportation from Turkey in 1915. They are an example of a people who have lived through loss and the brutalities of history. In this article, I trace one response to enduring loss: the role of photograph albums in capturing such historical ruptures. For scholars concerned with life stories, family photos and records serve both as goads to recollection and as aids to their certification. “Seeing” other pasts obviates somehow our requirement for complete recollection from our interviewees. Yet our sense of other people's pasts involves more than this. At times photos portray only frozen, static moments cut off from their lived experiences. At other times these albums are a verification of presence in history.

All the sorrows of life can be borne if only we can make them into stories. Isak Dinesen (Karen Blixen)     

Connections between finger print patterns and the form of terminal phalanges

The present paper resumes the theme taken up by Bonnevie in her studies of the embryonic development of dermatoglyphic systems. Relicts of the embryonic finger balls remain in later life (Fleischhacker) and influence the symmetry relationships of the terminal phalanges. Attention was, therefore, focussed on the connection between the asymmetry of terminal phalanges and that of the patterns. All loops and whorls with a different ridge count on the radial and on the ulnar side are asymmetrical. In order to determine the asymmetry of the terminal phalanges, casts were made of the fingers of 200 schoolchildren. Then, contour drawings were laid into various planes using the phalangograph (constructed on the same lines as the perigraph), and the plane of intersection of the two sides of the symmetry axis was determined planimetrically. A high correlation of r = 0·954 was established between the degree of asymmetry of the patterns and that of the terminal phalanges (cf. Figure 3).     

Thinking with X-rays: Investigating the Politics of Visibility through the Ottoman Sultan Abdülhamid's Photography Collection

This article interrogates the relationship between sovereignty and image production by exploring the photographic collection of the Ottoman Sultan Abdülhamid (ruled 1876–1909). It specifically rethinks depictions of political events through the example of x-ray photographs, focusing on albums containing x-rays of wounds sustained by Ottoman soldiers in the Greco–Turkish war of 1897.     

Obolinga,a new genus of Mimosaceae tribe ingeae from Hispaniola

Obolinga zanonii Barneby is described as a new monotypic genus from disturbed cloud forest of the Sierra de Bahoruco—Massif de la Selle mountain system in southeastern Haiti and southwestern Dominican Republic. The genus is to be added to tribe Ingeae of Mimosaceae, and is believed on the basis of gross morphology, wood anatomy, and pollen structure to be nearest to the genusCojoba. From this it differs in a massive terete pod completely filled with a stack of large discoid seeds clothed in a lustrous papery testa and inertly dehiscent on the ground. The structurally comparable fruit of the Malayan genusCylindrokelupha, currently referred toArchidendron, is ascribed to parallelism. The species is illustrated with line drawings.     

A fast GNU method to draw accurate scientific illustrations for taxonomy

Nowadays only digital figures are accepted by the most important journals of taxonomy. These may be produced by scanning conventional drawings, made with high precision technical ink-pens, which normally use capillary cartridge and various line widths. Digital drawing techniques that use vector graphics, have already been described in literature to support scientists in drawing figures and plates for scientific illustrations; these techniques use many different software and hardware devices. The present work gives step-by-step instructions on how to make accurate line drawings with a new procedure that uses bitmap graphics with the GNU Image Manipulation Program (GIMP). This method is noteworthy: it is very accurate, producing detailed lines at the highest resolution; the raster lines appear as realistic ink-made drawings; it is faster than the traditional way of making illustrations; everyone can use this simple technique; this method is completely free as it does not use expensive and licensed software and it can be used with different operating systems. The method has been developed drawing figures of terrestrial isopods and some examples are here given.     

What’s in the body? Children’s annotated drawings

ABSTRACT

This paper presents a study of children’s ideas of the body’s internal structure. Children between four and 13 years (N = 170) individually produced drawings. During each drawing session the children explained their drawings to a facilitator and added written labels either by themselves or, if they were too young to write, with the facilitator’s help. The results provide an updated comprehensive picture of children in different age groups and their views on the internal structure of the body. The type and numbers of organs drawn are similar to those documented in previous studies. However, in comparison to recent studies, the children drew more organs, the brain was indicated almost as often as the heart, and the Valentine heart was frequently used as a symbol. In contrast with previous research, children drew connections between organs. This result calls for caution regarding conclusions made from decontextualized questions. The importance of providing children with the opportunity to clarify their drawings is emphasised since it otherwise becomes a question of the researcher’s interpretation. The connections they draw, and explanations they give to their drawings, have interesting implications for understanding children’s ideas, and hence both for teaching and learning and for science education research.     

First Record of the Family Passandridae in Korea (Coleoptera: Cucujoidea)

A taxonomic study of the Korean Passandridae is presented. The family, genus and species (Ancistria apicalis Reitter) are reported for the first time in Korea. Comparison with a lectotype was made. An illustration of the habitus and line drawings of diagnostic characters are provided.     

Haeckel und das Schöne in der Natur

The influential evolutionary biologist Ernst Haeckel (1834–1919), well‐known as a highly disputatious defender of Darwin's work, sought to unite science, philosophy, ethics and art in an all‐embracing world view that he called ?monism“. In this essay his ideas and reflections on aesthetics in nature and their application are reviewed. According to Haeckel, art should be based on motifs that are to be found in the diversity of life forms, which represent, in his opinion, the highest imagineable specification in aesthetics. Beauty in nature should open men's way to nature, and man must not place himself in opposition to nature. Haeckel himself, who was also a gifted artist, helped find the way to such an attitude by publishing thousands of drawings of organisms, mostly microscopically small marine species. His illustrations made organismic structures accessible that a broader public was previously almost unaware of. With these representations he was most influential in almost all areas of art around the turn of the century, including architecture, interior design, painting, glass art and furniture design.     

Willughby’s angel: the pintailed sandgrouse (Pterocles alchata)

Among paintings of birds thought to have been bought in 1663 in Nuremberg by Francis Willughby, and now housed in Nottingham University library, is the painting of a bird called Jangle de Languedoc. Unlike some of the other drawings, this particular one was never used by Ray in his Ornithology of Francis Willughby (1678), who had difficulty in identifying the bird. We show here that this painting was not bought in Nuremberg, but that it was obtained by Ray from Sir Thomas Crew, during his stay in Montpellier in 1665. Furthermore, had Ray looked at Gessner (Historiae animalium liber III qui est de avium natura. Christophus Froschoverus, Tiguri, 1555), Aldrovandi (Ornithologiae, tomus alter. Bononiae, apud Franciscum de Franciscis Senensem, 1600), Jonston (Historiae naturalis de avibus libri VI. Matthaeus Merianus, Frankfurt, 1650) and mostly at Charleton (Gualteri Charletoni Exercitationes de Differentiis & Nominibus Animalium. Theatro Sheldoniano, Oxford, 1677), he would have been able to identify the bird of the painting as alchata or “angel”, specifically a pintailed sandgrouse, Pterocles alchata.     

A Taxonomic Note on the Little Known Family Prostomidae in Korea (Coleoptera: Tenebrionoidea)

A taxonomic study of the Korean Prostomidae is presented. Two species (Prostomis latoris Reitter, P. mordax Reitter) are recognized and P. mordax is reported for the first time in Korea. Comparison with type specimens was made. An illustration of the habitus and line drawings of diagnostic characters are provided.     

Sex differences in children's free drawings: a study on girls with congenital adrenal hyperplasia

Sex differences are recognized in children's free drawings with respect to motifs, colors, figure compositions, and expression. Boys tend to draw mobile objects and mechanical objects with dark or cold colors and often use bird's-eye-view composition when they draw pictures, whereas girls like to draw human motifs (especially girls and women), flowers, and butterflies with light and warm colors and tend to arrange motifs in a row on the ground. Analyses were made on the drawings of girls with congenital adrenal hyperplasia (CAH) and unaffected boys and girls, using masculine and feminine indexes. Sex difference in masculine and feminine indexes was clear in the drawings by unaffected boys and girls. Their drawings do not or mostly do not contain characteristics typical of the opposite sex. Compared with those of unaffected girls, the pictures of CAH girls more strongly showed masculine characteristics. The feminine index for the pictures of CAH girls was significantly lower than that for unaffected girls, while the masculine index for CAH girls was significantly higher than that for unaffected girls. Furthermore, the masculine index for CAH girls was not significantly different from that of unaffected boys. These results suggest that androgen exposure during fetal life may contribute to shaping masculine characteristics in children's free drawings.     

De Lange Syndrome: Report of 20 Cases

Typus Degenerativus Amstelodamensis or Amsterdam dwarfism, a syndrome of unknown etiology characterized by mental retardation, a distinctive face, characteristic hands and feet, defective growth and other minor malformations, was first described by Cornelia de Lange in 1933. Approximately 69 cases, including nine autopsies, have been reported in the literature. In this paper we present a further 20, with illustrations of the syndrome from infancy to puberty (including de Lange''s original three cases). The historical, physical, laboratory and radiographic findings of de Lange''s three patients and our 20 are tabulated. Autopsy findings in one of our patients are reported and the literature is briefly reviewed.Although some observers have recently reported chromosome abnormalities in de Lange''s syndrome, we feel that the diagnosis is made from the history and physical examination and that there are no definitive laboratory aids which can confirm the diagnosis. Chromosome studies in all 20 of our patients were normal and the genetic implications are discussed.