Temporal stability and change in a microgeographical pattern of song variation in the rufous-collared sparrow

We studied the pattern of song variation in the rufous-collared sparrow, Zonotrichia capensis, in the 1987 and 2000 breeding seasons in a 7-km² area covering open and closed habitats. We measured 14 quantitative song variables over a total of 390 individuals and found consistent differences between habitats in both years. In particular, songs of individuals from closed habitat sites had trills with longer trill intervals and lower frequencies than those of individuals from open habitats. This pattern of variation is interpreted as a song cline that correlates with the environmental gradient. Although this cline was stable in location and shape, it also showed several differences between years. The songs recorded during 2000 had trills with longer trill intervals and lower minimum frequencies than those recorded during 1987. Thus, this study is the first to directly document temporal changes in song variables in a Z. capensis population. This change would be expected if all the habitats studied were more closed in 2000 than in 1987, but we did not find obvious differences in habitat features between seasons. However, this modification of song structure is compatible with alternative explanations, such as subtle differences in habitat characteristics, changes in climatic variables, a delayed effect of a past modification of the environment and neutrality of the change.     

Song Perception in the Song Sparrow: Importance of Different Parts of the Song in Song Type Classification

Song sparrow (Melospiza melodia) males have repertoires of 6 to 12 song types, each song consisting of four or five contrasting phrases. Song types vary both within individuals (a singer varies successive renditions of a type within a singing bout) and between individuals (neighbors sing slightly different versions of a type), and in both cases this variation is concentrated in the later parts of the song. We speculated that type variation in the later parts of the song might be correlated with a perceptual tendency to classify song types primarily on the basis of the earlier parts of the song. We tested this hypothesis using a laboratory conditioning technique, supplemented by a field playback experiment. In the lab, song sparrows and white crowned sparrows were trained to discriminate between two distinct song types. In test sessions, they were presented with hybrid songs synthesized from varying proportions of the two training song types. For most birds and most song pairs, song classification was influenced by all parts of the song, with the beginning elements being most important. The field playback experiment used song type matching as the response measure. Each subject was presented a hybrid stimulus song consisting of the first half of one of his song types and the second half of another of his song types. Subjects replied with both ‘front matches’ and ‘back matches’ (60% were front matches).     

北红尾鸲鸣唱句子内结构分化及利用其鸣唱识别个体

鸣唱具有吸引异性和驱赶同性的功能,受到性别间选择和性别内选择的共同影响。在少数鸟类中,不同的句子或同一句子的不同部分分别侧重执行吸引异性和驱赶同性的功能,句子的结构也相应的出现了分化。该研究于2011年繁殖季对北京小龙门地区32只北红尾鸲(Phoenicurus auroreus)的鸣唱分析发现,其鸣唱的句子可以分为差异显著的两个部分:稳定部分和可变部分。这两个部分的语图相关变量在均值和变异系数上均有显著差异(配对样本t-检验,P<0.05)。其中稳定部分在个体内非常保守,而可变部分个体内存在较大的变化。在指出句子结构分化的基础上,利用北红尾鸲鸣唱的稳定部分进行个体识别,获得了较高的正确率。     

Phonology and Geographic Song Discrimination in Song Sparrows

We investigated whether song sparrows discriminate foreign from local songs using specific phonologic markers, a mechanism of geographic discrimination previously described for some other songbirds. Song sparrows from Linesville, Pennsylvania (PA) respond more strongly to local songs than to songs from Millbrook, New York (NY). We identify 61 note categories in PA and NY songs, of which 13 are unique to PA, 17 are unique to NY, and 31 are shared. The most common note category in PA song, ‘buzz BO5’, is present in 89% of PA songs and only in 8% of NY songs; this difference in percentage representation is the largest we found for any note category. Substituting this potential PA marker into NY songs, however, did not make those songs more salient to PA sparrows; instead, PA males tested with territorial playback responded significantly less aggressively to NY/PA hybrid songs than to NY songs. A series of control experiments showed that song sparrows do not detect substitution of PA notes into PA songs or of NY notes into NY songs. The results weigh against the hypothesis that geographic discrimination in song sparrows is accomplished simply by recognition of a small number of phonologic markers.     

Song dialects in the yellowhammer Emberiza citrinella : bioacoustic variation between and within dialects

The yellowhammer Emberiza citrinella is a common European bird that sings in dialects that for decades have been distinguished by the existence of one single element (called a “specific”). In this study we looked into other possibilities for dialect discrimination, measuring 24 different variables. For the first time, multivariate statistics were used to discriminate dialect in yellowhammer song. Two similar dialects (XlB and XsB) that are not clearly defined in the literature were studied. Statistics incorporated (1) all variables, (2) no variables of “specific” elements, and (3) no variables under the influence of these “specific” variables. Multivariate statistics support dialect discrimination by ear and confirmed that only one element in yellowhammer song characterises dialect. In addition, we looked for local differences within two dialects and found that one local observation area showed a higher separation than the other sites (Meck1). However, as yet there is insufficient evidence for the existence of a new subdialect. The experiments comply with the current laws of the study area.     

Song recognition memory in juvenile zebra finches: effects of varying the number of presentations of heterospecific and conspecific songs

Seven male and three female zebra finches were exposed to 14 zebra finch (CON) and 14 starling (HET) songs during their sensitive period for song learning and then tested for their recognition memory of both the CON and HET songs in two separate memory tests. Amount of song exposure was varied by presenting individual songs either 3, 9, 27, or 81 times per day for nine consecutive days. After song exposure the birds were trained to discriminate two of the exposed, familiar songs (FAM) from two novel songs (NOV) in a go/no-go operant discrimination procedure, with FAM songs as "go" stimuli. Following discrimination training, untrained FAM and NOV songs were presented as probe songs without reinforcement. Birds responded more to FAM than NOV songs at all levels of song exposure, indicating that the songs were recognized. There were no differences in recognition memory for CON and HET song at any level of song exposure. The results suggest that selective song learning does not result from selective memorization of conspecific song.     

Differences in Frequency of Shared Song Types Enables Neighbour‐Stranger Discrimination in a Songbird Species with Small Song Repertoire

Acoustic Neighbour‐Stranger (N‐S) discrimination is widespread in birds and has evolved to settle territorial disputes with low costs. N‐S discrimination was found both in song‐learning oscines and non‐song‐learning bird taxa, irrespective of the repertoire sizes they have. Therefore, it seems that more than just a single mechanism enable N‐S discrimination. Species with larger repertoires, where males have unique phrases or syllables may rely on such interindividual differences. The majority of birds have rather small repertoires, which often are shared among neighbours. In this case, males are facing the problem of individual recognition when rivals produce songs, at least superficially, identical. To better understand the acoustic basis of N‐S discrimination in species with small and shared repertoires, I studied the ortolan bunting (Emberiza hortulana). Males of this small oscine species are able to N‐S discrimination based on a single song rendition when presented in a playback experiment, regardless of song‐type diversity and song‐sharing level within a particular population. It was also found that songs of the same type sung by different males differ in the frequency of the initial song phrases and these differences persist over years. Here, I tested whether males are able to discriminate among the natural songs and the artificially modified songs of their neighbours in which the frequency was experimentally changed by relatively small value in comparison with the variation range found in this population. Subjects responded significantly more aggressively to the songs with an artificially modified frequency, suggesting that males treat such songs as having come from the repertoire of a non‐neighbour. These results confirm an earlier prediction that differences in the frequency of shared song types enable N‐S discrimination. The study presents one of the possible mechanisms enabling N‐S discrimination in songbirds with small repertoires and stress the role of within‐song‐type variation, which is still understudied song characteristic.     

FOUR-YEAR GROWTH AND REPRODUCTION OF CYCLOPOGON CRANICHOIDES (ORCHIDACEAE) IN SOUTH FLORIDA

Thirty-five flowering individuals of the orchid Cyclopogon cranichoides were marked in 1986, and their leaf area, number of flowers, and number of fruits were recorded from 1986 to 1989. In 1986 and 1987 all the flowers on 20 individuals were hand-pollinated. The number of plants with above-ground growth steadily decreased by about 20% each year. In some cases there was evidence that disappearance of plants was not due to mortality but to a transition into a subterranean state. Small plants were most likely to make this transition. Flower number was significantly associated with plant size. Fruiting success was pollinator-limited throughout this study; fruit set of hand-pollinated individuals was higher than 96%, whereas natural fruit set ranged from 26% in 1987 to 62% in 1988. Fruit set did not have any effect on growth or reproduction the following year.     

Neighbour recognition in two sister songbird species with a simple and complex repertoire – a playback study

The ability of individuals to recognize others based on vocalizations has been proven in many species of birds. However, we are still far from understanding important aspects of the discrimination process. For example, it is still not fully understood whether, and why, repertoire size hinders discrimination between individuals. Further, the strategies and vocal cues used for discrimination between individuals are largely unexplored. In this study, we tested the ability of chiffchaffs Phylloscopus collybita and willow warblers Phylloscopus trochilus, two closely related species with different repertoire sizes and song organization, to differentiate between their neighbours on the basis of a single song of a neighbouring male. We did playback experiments within the ‘dear enemy’ paradigm in which we tested resident males with a single song of a neighbour broadcast from the correct and opposite, incorrect territory border. Both species displayed a strong ability to discriminate between their neighbours representing further evidence that repertoire size per se has no negative impact on individual recognition in songbirds. Using a single song for playback allowed us to speculate about the nature of the possible cues used by males for recognition. Individual recognition in both species is most likely based on the modulation of syllables or on general voice characteristics. We suggest that specific changes in song organization, for example the tendency of individuals to insert a distinct phrase at the beginning of each song, may facilitate individual recognition and compensate for increased repertoire size in willow warblers.     

Song characterization in the spectacled warbler (Sylvia conspicillata): a circum-Mediterranean species with a complex song structure

The spectacled warbler (Sylvia conspicillata) is a small passerine with a patchy distribution throughout the circum-Mediterranean region, including the North Atlantic archipelagos of Madeira, Canary Islands and Cape Verde. Here we characterize the species song structure on the island of Fuerteventura, quantifying repertoire size, inter- and intra-individual spectrographic variation, to determine whether acoustic variation occurred within an island population. Male song display was organized in song bouts of a variable number of song phrases, which in turn were made up of 4–69 syllables. We classified syllable types to derive a measure of repertoire size (number of different syllables) per song bout, and then used rarefaction methods to calculate the estimated repertoire size for our population of males. Three categories of song bout length were considered in analyses: short song bouts of 10 phrases, average bouts of 19 phrases and long bouts of ≥ 29 phrases. The observed and estimated repertoire size per male (between 43 and 126 syllables per male) increased with song bout duration, although the relationship was not significant for the estimated values. To test whether songs could be individually specific, we measured 11 spectrotemporal parameters of the song. A discriminant analysis using these variables performed poorly in classifying songs to the individuals that uttered them, but we found less variation in the individual than in the population for three out of the 11 variables. These individually specific variables, involving the first or the most common syllable of the song, the trill, were the duration of the first syllable of the phrase, the duration and the dominant frequency of the trill syllable. Our study emphasizes the complexity of spectacled warbler songs, in which males continuously add novel syllables over the entire song bout. This complexity appears to be determined by individual innovation capabilities rather than by the behaviour of copying neighbour repertoires, since songs of close birds were not more similar than songs from far-away territories.     

10种鸣禽鸣唱复杂性与发声核团体积的聚类分析

选用捕自野外和人工繁殖的10种雄性成鸟(一年龄以上)作为实验材料。当鸟适应环境后录音,用VS-99语音工作站软件进行声谱分析。鸣唱的复杂性采用语句短语总数、短语的音节数之和、短语的音节种类数之和、每个短语中所含的平均音节数、每个短语中所含的平均音节种类数、每种鸣禽最长短语的音节数和最长短语的音节种类数7项指标表示。然后测定前脑的上纹状体腹侧尾端(HVC)、古纹状体粗核(RA)以及嗅叶的X核(Areax)3个主要鸣唱控制核团的体积。最后分别对10种鸣禽3个发声控制核团体积和鸣唱复杂性的7项指标进行聚类分析。10种鸣禽的7项指标值相差较大,即使同一科也如此。蒙古百灵的3种核团体积比值均最大,其次是金丝雀和黄喉鹉。10种鸣禽鸣唱语句复杂性的7个指标和3种核团体积聚类分析树形图显示的结果各不相同;仅RA和Areax核团体积的树形图显示蒙古百灵远离其他9种鸣禽,与现代分类学和DNA分析得到的进化树一致。     

Species Recognition by Song in the Veery (Catharus fuscescens: Aves)

Territorial male veeries (Catharus fuscescens) were presented with three series of reorganised songs to determine the functional properties of song structure. Songs consist of three parts: a low frequency initial phrase, a higher frequency middle phrase, and again a lower frequency end phrase. The latter two consist of vibrato syllables. Three series of experiments were performed, using various combinations of song syllables. In Series I, songs consisted of repetitions of a single syllable, one from each part of the song. Veeries responded to syllables from the middle and end phrases as to normal songs, both in localisation and in vocal responses. However, they showed little localisation and vocalisation responses to the introductory syllables. In Series II and III, veeries responded significantly more to songs in which syllables from the middle and end phrases were presented in proper sequence, rather than not. The minimum requirements for intraspecific recognition were determined in relation to the number and order of syllables in the song.     

Individual Signature in Canary Songs: Contribution of Multiple Levels of Song Structure

Through variations in features, both within and between individuals, songs of male passerines provide information on the identity of the singer. In domesticated canaries (Serinus canaria), these variations remain, for a large part, to be investigated. This led us to question whether individual identity might be coded at one or more hierarchical levels of song organization, i.e. in acoustic parameters, in the syllable repertoire and in the delivery order of syllables. A song as a whole had numerous individual distinctive acoustic features. However, the structure of its individual signature appeared to be complex. A repertoire combined syllables never sung by other individuals with those shared by other birds. But, most of the individual‐specific syllables that accounted for 16% of a repertoire did not recur frequently. Variation in sequences of multiple syllable types appeared to reflect the individual identity of a male canary. Nearly all sequences larger than three syllable types were specific to the individual that produced them. Some of these occurred recurrently in songs and differed in their acoustic structure between individuals. Focusing upon recurrent sequences might allow vocal recognition of an individual without requiring the knowledge of its full repertoire. However, acoustic parameters and repertoire composition might also serve as additional cues to limit confusion between individuals.     

A New Approach for the Discrimination of Mixed Data

A new procedure for the discrimination of mixed data is presented. The method allows the application of well-known discriminators after defining new (continuous) variables from the a-posteriori-probabilities. Some outlooks and an example from medical diagnostics are given.     

Song similarity predicts hybridization in flycatchers

Given that population divergence in sexual signals is an important prerequisite for reproductive isolation, a key prediction is that cases of signal convergence should lead to hybridization. However, empirical studies that quantitatively demonstrate links between phenotypic characters of individuals and their likelihood to hybridize are rare. Here we show that song convergence between sympatric pied (Ficedula hypoleuca) and collared flycatchers (F. albicollis) influence social and sexual interactions between the two species. In sympatry, the majority of male pied flycatchers (65%) include various parts of collared flycatcher song in their song repertoire (but not vice versa). Playback experiments on male interactions demonstrate that male collared flycatchers respond similarly to this 'mixed' song as to conspecific song. Long-term data on pairing patterns show that males singing a converged song attract females of the other species: female collared flycatchers only pair with male pied flycatchers if the males sing the mixed song type. From the perspective of a male pied flycatcher, singing a mixed song type is associated with 30% likelihood of hybridization. This result, combined with our estimates of the frequency of mixed singers, accurately predicts the observed occurrence of hybridization among male pied flycatchers in our study populations (20.45% of 484 pairs; predicted 19.5%). Our results support the suggestion that song functions as the most important prezygotic isolation mechanism in many birds.     

Multivariate analysis of second trimester midfacial morphology in normal and cleft lip and palate human fetal specimens.

To better understand the contribution of congenital dysmorphogenesis to postnatal midfacial dysplasia in individuals with complete cleft lip and palate (CLP), a series of studies were undertaken to investigate age related changes in a number of midfacial components for a sample of 20 normal and 9 complete CLP second trimester fetal specimens. Using data from this sample, the present study assessed the complex multivariate relationships among these variables which represent the fetal normal and CLP midface. Ten variables were standardized relative to crown-rump length and used in Canonical Discriminant Function Analysis (CDFA). CDF analysis revealed that five variables best described the midface and accounted for 72% of the overall variance. These included nasal capsule length, nasal airway volume, premaxillary length, premaxillary volume, and tongue volume. Classification using the CDFA coefficients resulted in correct group membership assignment for 26 of 29 total specimens (89.66%), 8 of 9 cleft (88.9%), and 18 of 20 normal specimens (90.0%). These results suggest that by as early as the second trimester CLP fetuses have a significantly distinct set of midfacial morphological relationships. Some or all of these factors may be responsible for postnatal growth dysplasias noted in CLP individuals.     

Note-, phrase- and song-specific acoustic variables contributing to the individuality of male duet song in the Bornean southern gibbon (Hylobates albibarbis)

In this study, we examine acoustic individuality in male duet songs of wild, non-habituated Bornean southern gibbons (Hylobates albibarbis) and identify contributing acoustic variables. We recorded 174 male duet songs from nine groups in a rainforest in Central Kalimantan, Indonesia. Each male portion of the duet was analysed for 14 acoustic variables at three levels of variation, including six note-specific variables (start frequency, end frequency, minimum frequency, maximum frequency, average frequency and duration), four phrase-specific variables (minimum frequency, maximum frequency, duration and number of syllables) and four song-specific variables (minimum frequency, maximum frequency, duration and number of syllables). Principal component analysis was performed to summarise each of these sets of variables into a total of six principal components (PCs). Strong acoustic individuality was found in all PCs and at all three levels: note, phrase and song (all p < 0.001). Furthermore, a particularly high magnitude of individuality was found in PC 1 of the song-specific analysis, defined by the acoustic variables of duration and number of syllables. Due to the high levels of individuality, we suggest that these acoustic variables may be used by Bornean southern gibbons for individual discrimination. As well as furthering our biological understanding of male gibbon song with regards to individuality and associated conspecific recognition, these findings also have the potential to help improve population survey methods, such as the acoustic sampling method using listening points, by offering a more accurate method of individual recognition.     

Levels of Organization in the Song of the Bobolink (Icteridae: Dolichonyginae)

By comparison with other icterids, the bobolink (Dolichonyx oryzivorus) sings an unusually long and complex song. The songs of four male bobolinks were analysed in terms of units at four different levels of analysis: the figure, the figure-sequence, the song-pattern, and the song. The different levels of analysis show different degrees of stereotypy and variation. Individual males in the study area differed in the frequency of use of the different song-patterns and in the way they assembled them into songs. Immediate repetition of song patterns within a song was unusual. Songs sung from fixed perches were shorter than songs sung in flight. The results suggest that the length of bobolink song is in part a consequence of its use of the song as a part of an elaborate flight display, and that the unit we called the “song-pattern” was closest to the unit designated “song” in most other species.