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Les statuettes féminines en ivoire des faciès gravettiens et post-gravettiens en Europe centrale et orientale : modes de fabrication et de représentation
Institution:1. Département d’Archéologie, Musée d’Anthropologie et d’Ethnographie (Kunstkamera) de l’Académie des Sciences de Russie, 3 Quai Universitetskaia, 199034 Saint-Petersbourg, Russie;2. Département Homme et Environnement du Muséum national d’Histoire naturelle, CNRS UMR 7194–HNHP, Musée de l’Homme, 17, Place du Trocadéro, 75016 Paris, France;3. Eberhard Karls University of Tuebingen, Department of Prehistory and Quaternary Ecology, Senckenberg Centre for Human Evolution and Palaeoenvironment at the University of Tuebingen, Sigwartstrasse 10, 72076 Tübingen, Allemagne
Abstract:During the Upper Palaeolithic, especially in Gravettian times, the hunter-gatherer societies had an economy closely linked with the exploitation of two local species in Eastern Europe: reindeer and woolly mammoth. The ivory objects are rich archives about their ways of life and their collective imagination, as in particular the ivory female statuettes show. These figurines, also called “Venus”, are one of the cultural characteristics of the Gravettian sites. To date, although they are more numerous in Eastern Europe, they were discovered, in a variable number, also in site of Central and Western Europe; today, we have no clue that this cultural tradition crossed the Pyrenees. The corpus of pieces from the Gravettian sites of the Russian Plain (dated between 25,000 and 21,000 B.P.) is the more informative about technological know-how of the Gravettian craftsmen. He consists in the leading material of this paper, completed with some data about Epigravettian and Magdalenian statuettes. Whereas the Gravettian figurines show figurative female representations, those of the later cultural facies are more stylized. In a technological point of view, there is a close link between the choice of blanks within the mammoth tusk and the morphology of the statuettes, whatever the period of time considered.
Keywords:Female statuettes  Ivory  Central and Eastern Europe  Gravettian  Epigravettian  Magdalenian  Manufacturing processes  Ways of representation
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