Visual processing of pictures

Word responses have been used to dedde whether pictures of expressive faces or postures portray truthful expressions. Previous investigators have assumed words are used only as symbols of “meaning”. They did not appreciate the use of words as symbols of “sorting”. If one viewer calls two photographs “angry” and another viewer calls the same two photographs “happy,” the viewers may disagree in their “meanings” but they agree in their ‘sortings” both agree each photograph portrays the same expression. Sorting groups reveal how the visual system processes photographic images.     

An exercise on the determination of the primary structure of proteins

An exercise is described which illustrates how a simple laboratory investigation may be complemented with suitable related logical and numerical problems to increase its educational scope. The exercise extends the students' analysis of an unknown dipeptide to the larger problem of the primary structure of a polypeptide. As far as possible it reiterates techniques already used in the laboratory and involves photographs and facsimilies of actual data mounted on large display cards. Thus it is an integral part of the laboratory work, rather than being a mere appendix to it.     

Acceptance and Perception of Nigerian Patients to Medical Photography

The aim of the study was to determine the acceptance and perception of Nigerian patients to medical photography. A self‐administered questionnaire was distributed among Nigerian patients attending oral and maxillofacial surgery and plastic surgery clinics of 3 tertiary health institutions. Information requested included patients' opinion about consent process, capturing equipment, distribution and accessibility of medical photographs. The use of non‐identifiable medical photographs was more acceptable than identifiable to respondents for all purposes (P = 0.003). Most respondents were favourably disposed to photographs being taken for inclusion in the case note, but opposed to identifiable photographs being used for other purposes most especially in medical websites and medical journals. Female respondents preferred non‐identifiable medical photographs to identifiable ones (P = 0.001). Most respondents (78%) indicated that their consent be sought for each of the outline needs for medical photography. Half of the respondents indicated that identifiable photographs may have a negative effect on their persons; and the most commonly mentioned effects were social stigmatization, bad publicity and emotional/psychological effects. Most of the respondents preferred the use of hospital‐owned camera to personal camera/personal camera‐phone for their medical photographs. Most respondents (67.8%) indicated that they would like to be informed about the use of their photographs on every occasion, and 74% indicated that they would like to be informed of the specific journal in which their medical photographs are to be published. In conclusion, non‐identifiable rather than identifiable medical photography is acceptable to most patients in the studied Nigerian environment. The use of personal camera/personal camera‐phone should be discouraged as its acceptance by respondents is very low. Judicious use of medical photography is therefore advocated to avoid breach of principle of privacy and confidentiality in medical practice.     

The Photograph and the Malanggan: Rethinking images on Malakula,Vanuatu

From the recent efflorescence of anthropological engagements with photography we are by now aware that photography is an embodied practice and that photographs are complex materialisations of the subjective and experiential as well as the objective and evidential. Despite discussions of ‘visual repatriation’ (e.g. Brown and Peers 2006 ), and of local responses to colonial photography and other kinds of archival images in the Pacific, little has been discussed regarding the status of photographs as particularly ‘Pacific’ artefacts—objects that make sense in indigenous terms as well as being understood in terms of the connections to other places that their production and circulation might signify. Following Wright’s exhortation to recognise ‘the provincial nature of Eurocentric notions of photography and … suggesting that a certain corporeality and materiality constitute elements of its identity’ (2004: 74) , I discuss the resonance of historical photographs in Vanuatu, building an analogy with Malanggan—funerary carvings from Northern New Ireland. I do not mean to suggest that photographs are complex ritual artefacts, but rather follow the ways in which Malanggan have been used as anthropological conceits, in order to discuss the representational efficacy and materiality of Melanesian images in facilitating the crystallisation of memory and history ( Küchler 1988 ), the enchantment of technology ( Gell 1998, 1999 ), and the consolidation of certain kinds of property relations ( Strathern 2005b ). As my title suggests, I draw on Strathern’s combination of Malanggan and Patents to rethink the potential utility of Malanggan as a ‘way to think’ about the meanings of photographs in Pacific communities.     

Right-wing politicians prefer the emotional left

Physiological research suggests that social attitudes, such as political beliefs, may be partly hard-wired in the brain. Conservatives have heightened sensitivity for detecting emotional faces and use emotion more effectively when campaigning. As the left face displays emotion more prominently, we examined 1538 official photographs of conservative and liberal politicians from Australia, Canada, the United Kingdom and the United States for an asymmetry in posing. Across nations, conservatives were more likely than liberals to display the left cheek. In contrast, liberals were more likely to face forward than were conservatives. Emotion is important in political campaigning and as portraits influence voting decisions, conservative politicians may intuitively display the left face to convey emotion to voters.     

Afterlives of Dean C. Worcester's Colonial Photographs: Visualizing Igorot Material Culture,from Archives to Anthropological Fieldwork in Northern Luzon

Dean C. Worcester, an American colonial official, journeyed through northern Luzon in the early 1900s, recording the people's appearance, customs and material culture. His photographs had a profound impact on scientific activities in the Philippines, fostering an implicit theme of the unreadiness of the Filipinos for independence. While the photographs also reflect the paradigm of social evolutionism, I argue that they provide substantial visual evidence of the Igorots’ way of life, and can be used effectively in photo-elucidation today. This reveals deeper meanings of Igorot material culture through local narratives, meaningful analysis and closer examination.     

Achieving standardized photographs in aesthetic surgery

The plastic surgeon who wishes to share clinical experience with colleagues is obligated to produce accurate data in the form of photographs. Moreover, accurate photographs are essential to enable an objective critical appraisal of one's own surgical skill and to display postoperative results to patients in an unbiased fashion. Change should not be a function of either the photograph or the photographer. The use of an acetate screen grid in conjunction with anatomic boundaries is described as a means to achieve accurate, reproducible standard photographs of the face and body in aesthetic surgical patients.     

A large new species of the genus Ptilocrinus (Echinodermata, Crinoidea, Hyocrinidae) from Antarctic seamounts

Ptilocrinus amezianeae n. sp. is a new species of stalked crinoid attributed to the family Hyocrinidae. Forty-five specimens were collected from seamounts north of the Ross Sea, and one specimen from the Kerguelen Plateau at depths ranging from 450 to 1,680 m. The collection from Admiralty and Scott seamounts constitutes the first example of a hyocrinid population known both from in situ photographs and from numerous collected specimens ranging from small juvenile to large adult. Variation in theca and stalk articulation characters throughout ontogeny is congruent with the molecular data and indicates that all the specimens examined belong to a single species. Tegmen and pinnule architecture, brachial arrangement, and stalk articular facets indicate that Ptilocrinus amezianeae n. sp. has close affinities with P. clarki and P. pinnatus from the northeastern Pacific and displays the most derived characters among these three species. Two cases of true arm division into two unequal branches suggest that Ptilocrinus and Calamocrinus are closely related. The picture and video transects on Admiralty seamount show a patchy distribution of living specimens with patches of mean density ca. 2.6 individuals m-2. In situ photographs also document predation by a sea urchin and a sea star on tegmen and proximal arms. The COI gene sequences analyzed in 25 specimens from Admiralty and Scott seamounts display low pairwise distances, low nucleotidic diversity, and intermediate haplotype diversity. These results, together with disarticulated ossicles and attachment disks observed on in situ photographs, indicate that the population investigated here is in decline.     

A Review of: “Images: A Reader”

Photographs are a ubiquitous feature of Aboriginal life in Northeastern Australia, with images of relatives being prominently displayed in most Aboriginal houses. This display of photographs is tied to a form of distributed personhood that draws on photographs to create a sense of social immediacy in the absence of close kin. This sense of immediacy also occurs in relation to photographs of the dead, giving these images a particular force for Aboriginal viewers. But further consideration of this force of photographic images suggests that they should be treated neither as things nor as aspects of persons, despite their seeming ability to manifest agency in Aboriginal life-worlds.     

Disinsertion of the levator aponeurosis from the tarsus in growing children

To confirm when the levator aponeurosis is disinserted and how the disinsertion is compensated for in growing children, the earliest and latest photographs of the same children were the subjects of a retrospective comparative study regarding upward displacement of the superior palpebral crease and the eyeball in the palpebral fissure. Ninety-four children (48 boys and 46 girls) were selected from 615 patients with cleft lip and palate who were followed for more than several years at our outpatient clinic and whose 58,000 photographs were digitized. The earliest and latest photographs of the patients were taken in primary gaze position; the former, taken at less than 3 years of age, and the latter, taken at more than 6 years of age, were selected for this study. The intervals between the two photographs ranged from 3 to 14 years (mean, 9.61 years; SD, 3.11). The superior palpebral crease moved upward parallel with the growth of the children (p < 0.0001) as well as with the length of the growth period (p = 0.0141). The lower eyelid did not move downward (p < 0.0001). The eyeball also displaced upward parallel with growth (p < 0.0001) and with the length of the growth period (p = 0.0302). The more the superior palpebral crease was displaced upward, the more the eyeball was displaced upward (p = 0.0005). The levator aponeurosis may be likely to disinsert from the tarsus in growing children, thus requiring compensatory, excessive contraction of the levator muscle, which may cause upward displacement of the superior palpebral crease. Subsequently, excessive contraction of the superior rectus muscle in conjunction of the levator muscle may rotate the eyeball upward, which may incline the head. When the head is not inclined in the primary gaze position, compensatory contraction of the inferior rectus muscle to maintain the horizontal visual axis may displace the eyeball upward in the orbit by means of the inferior suspensory ligament of Lockwood.     

Men,women and “Japanese” as outsiders: A case study of postcards with Ainu images

The depiction of the Ainu in photography, as created and circulated in Japan starting from the Meiji era, provides us with a case study to investigate how gender and ethnic differences are related to the construction of self/other relations in modern Japan. I consider the imaginary relations between Japanese viewers and Ainu images ranging from paintings to photographs and, in doing so, make use of metaphorical meanings and imaginary mythical structures for the analogy of contentious ethnic relations from the age of mechanical reproduction, as Walter Benjamin suggested. I will examine the different images of Ainu men and women interwoven with an imaginary Japaneseness regarding the cultural meanings of insider and outsider within the process of colonization in Hokkaido during the Meiji era. Likewise, with the notion of stranger‐king political transformation emphasized by Marshall Sahlins in his Fijian studies, this article serves as a challenge to discern the construction of Japaneseness in terms of mythical motifs and stranger‐king political transformations from a visual perspective.     

The Hawaiian Algal Database: a laboratory LIMS and online resource for biodiversity data

Background  

Organization and presentation of biodiversity data is greatly facilitated by databases that are specially designed to allow easy data entry and organized data display. Such databases also have the capacity to serve as Laboratory Information Management Systems (LIMS). The Hawaiian Algal Database was designed to showcase specimens collected from the Hawaiian Archipelago, enabling users around the world to compare their specimens with our photographs and DNA sequence data, and to provide lab personnel with an organizational tool for storing various biodiversity data types.     

Application of ultraviolet photography in dermatoglyphics and others

Observations of the outer layers and sections of an object are made by visible rays, but electromagnetic waves make it possible to observe things on the surface of an object that are not observable by visible rays. It may be because of some specific waves whose reflection toward or absorption by visible rays is different. Thus, we have observed the surfaces of objects by irradiating them with ultraviolet rays and taking photographs. The following are the characterstics of ultraviolet photographs which we have confirmed.

1. Since every uneveness of the surface of an object is magnified in ultraviolet photographs, projections and depressions can be more clearly observed.
2. It is possible to more accurately detect the extent of the existence of an object, depending on the substance, as their pictures are exaggerated.

     

Standardizing digital photography: it's not all in the eye of the beholder

Advances in digital photography have made it an efficient and economically appealing alternative to conventional photography. Nevertheless, as objective observers and clinical photographers, we must realize that all digital cameras are not created equal. Different digital cameras frequently used in plastic surgery practices (Olympus 600DL, Olympus 2500, Sony DSC-D700, Nikon Coolpix 950, and Nikon D1) were evaluated, using a subject photographed with each camera in the identical lighting conditions, to determine inherent differences in quality, color, and contrast of the resultant photographs. Three different lighting conditions were examined: single soft-box lighting, dual studio flash boxes, and operating room lighting with on-camera flash. The same digital settings (program mode, ISO camera default setting, high quality setting with JPEG compression) were used. Each camera was digitally color balanced using an 18 percent gray card. Raw and color-balanced images were viewed side-by-side. The macro-image capabilities of each camera were also examined. Conventional 35-mm photographs using a 105 macro-lens on Kodachrome and Ektachrome slide film were obtained for comparison. All of the digital cameras performed with noticeable differences, but they maintained consistency in the three different lighting conditions. Digital photographs differed most greatly with respect to quality and contrast, which was especially obvious once color balancing was performed. Marked differences in quality and ability were observed with respect to macro-image capabilities. Inherent differences in features among digital cameras produce dramatically different photographic results with regard to color, contrast, focus, and overall quality. With the increasing use of digital photography in plastic surgery journals and presentations, it must be recognized that digital cameras do not all display photographs of similar quality, especially when used to evaluate skin appearance. To standardize digital photography, the surgeon must realize that switching digital cameras is akin to switching film types. Standardization of digital photographs should include image resolution between 1.5 and 2.7 million pixels, ISO default setting, color balancing with an 18 percent gray card and software, consistency in focal distance, JPEG compression of medium-to-high quality, and backgrounds of medium blue or 18 percent gray.     

A Place Containing Many Places: Museums and the Use of Objects to Represent Place in Melanesia

In this paper I discuss a number of incompatible ways of comprehending object meanings, contrasting western ethnographic museum practice with indigenous, specifically ni-Vanuatu, understandings. I discuss these differences as a way of looking analytically at some of the practices of museum ethnography and material culture studies. There are several aspects to this contrast: here I concentrate on ideas about place. Place is a centrally important concept in Vanuatu, but is not privileged in relation to objects. Western museums, however, use provenance as any ethnographic object's defining characteristic, and have developed a sophisticated, though largely unexamined, set of principles and practices for the attribution of provenance on stylistic grounds. On the basis of provenance identification, museums attribute meaning to objects. When enshrined as professional museum practice, such approaches pose dilemmas for Melanesian museums, and are the subject of debate among Pacific region museum professionals. For ni-Vanuatu, the significance of objects on display may represent not places, but the performance of the skills that reveal the maker's place-based identity.     

Body signals used during social play in captive immature western lowland gorillas

The play face is a well-established play signal in nonhuman primates that functions to invite play and convey a playful intent. However, recent evidence indicates that some species display repertoires of play signals that may have more specific meanings related to particular aspects of play. Furthermore, previous studies have inconsistently categorized gorilla behaviors as play signals versus actual play. Here we aim to identify behaviors displayed by two immature captive western lowland gorillas (Gorilla gorilla gorilla) at the Buffalo Zoo that meet three necessary criteria to be considered play signals. Specifically, we (1) investigate whether 21 candidate signals are significantly different from actual play behaviors, (2) and from similar signals used in non-play contexts, and (3) determine whether they predict the occurrence of social play. The results indicate that at least 18 of the 21 candidate signals have strong support for classification as play signals. These findings represent first steps in determining the function of multiple play signals in gorillas.     

Standardizing the Protocol for Hemispherical Photographs: Accuracy Assessment of Binarization Algorithms

Hemispherical photography is a well-established method to optically assess ecological parameters related to plant canopies; e.g. ground-level light regimes and the distribution of foliage within the crown space. Interpreting hemispherical photographs involves classifying pixels as either sky or vegetation. A wide range of automatic thresholding or binarization algorithms exists to classify the photographs. The variety in methodology hampers ability to compare results across studies. To identify an optimal threshold selection method, this study assessed the accuracy of seven binarization methods implemented in software currently available for the processing of hemispherical photographs. Therefore, binarizations obtained by the algorithms were compared to reference data generated through a manual binarization of a stratified random selection of pixels. This approach was adopted from the accuracy assessment of map classifications known from remote sensing studies. Percentage correct () and kappa-statistics () were calculated. The accuracy of the algorithms was assessed for photographs taken with automatic exposure settings (auto-exposure) and photographs taken with settings which avoid overexposure (histogram-exposure). In addition, gap fraction values derived from hemispherical photographs were compared with estimates derived from the manually classified reference pixels. All tested algorithms were shown to be sensitive to overexposure. Three of the algorithms showed an accuracy which was high enough to be recommended for the processing of histogram-exposed hemispherical photographs: “Minimum” ( 98.8%; 0.952), “Edge Detection” ( 98.1%; 0.950), and “Minimum Histogram” ( 98.1%; 0.947). The Minimum algorithm overestimated gap fraction least of all (11%). The overestimation by the algorithms Edge Detection (63%) and Minimum Histogram (67%) were considerably larger. For the remaining four evaluated algorithms (IsoData, Maximum Entropy, MinError, and Otsu) an incompatibility with photographs containing overexposed pixels was detected. When applied to histogram-exposed photographs, these algorithms overestimated the gap fraction by at least 180%.     

Pollen and stamen mimicry: the alpine flora as a case study

Many melittophilous flowers display yellow and UV-absorbing floral guides that resemble the most common colour of pollen and anthers. The yellow coloured anthers and pollen and the similarly coloured flower guides are described as key features of a pollen and stamen mimicry system. In this study, we investigated the entire angiosperm flora of the Alps with regard to visually displayed pollen and floral guides. All species were checked for the presence of pollen- and stamen-imitating structures using colour photographs. Most flowering plants of the Alps display yellow pollen and at least 28% of the species display pollen- or stamen-imitating structures. The most frequent types of pollen and stamen imitations were (mostly yellow and UV-absorbing) colour patches on petals (65% of species displaying imitations), patterns of inflorescences (18%), stamen-like pistils (10%), and staminodes (6%), as well as three-dimensional structures such as convex lower lips and filamental hairs (<5%). Dichogamous and diclinous species display pollen- and stamen-imitating structures more often than non-dichogamous and non-diclinous species, respectively. The visual similarity between the androecium and other floral organs is attributed to mimicry, i.e. deception caused by the flower visitor’s inability to discriminate between model and mimic, sensory exploitation, and signal standardisation among floral morphs, flowering phases, and co-flowering species. We critically discuss deviant pollen and stamen mimicry concepts and evaluate the frequent evolution of pollen-imitating structures in view of the conflicting use of pollen for pollination in flowering plants and provision of pollen for offspring in bees.     

Narrative event segmentation in the cortical reservoir

Recent research has revealed that during continuous perception of movies or stories, humans display cortical activity patterns that reveal hierarchical segmentation of event structure. Thus, sensory areas like auditory cortex display high frequency segmentation related to the stimulus, while semantic areas like posterior middle cortex display a lower frequency segmentation related to transitions between events. These hierarchical levels of segmentation are associated with different time constants for processing. Likewise, when two groups of participants heard the same sentence in a narrative, preceded by different contexts, neural responses for the groups were initially different and then gradually aligned. The time constant for alignment followed the segmentation hierarchy: sensory cortices aligned most quickly, followed by mid-level regions, while some higher-order cortical regions took more than 10 seconds to align. These hierarchical segmentation phenomena can be considered in the context of processing related to comprehension. In a recently described model of discourse comprehension word meanings are modeled by a language model pre-trained on a billion word corpus. During discourse comprehension, word meanings are continuously integrated in a recurrent cortical network. The model demonstrates novel discourse and inference processing, in part because of two fundamental characteristics: real-world event semantics are represented in the word embeddings, and these are integrated in a reservoir network which has an inherent gradient of functional time constants due to the recurrent connections. Here we demonstrate how this model displays hierarchical narrative event segmentation properties beyond the embeddings alone, or their linear integration. The reservoir produces activation patterns that are segmented by a hidden Markov model (HMM) in a manner that is comparable to that of humans. Context construction displays a continuum of time constants across reservoir neuron subsets, while context forgetting has a fixed time constant across these subsets. Importantly, virtual areas formed by subgroups of reservoir neurons with faster time constants segmented with shorter events, while those with longer time constants preferred longer events. This neurocomputational recurrent neural network simulates narrative event processing as revealed by the fMRI event segmentation algorithm provides a novel explanation of the asymmetry in narrative forgetting and construction. The model extends the characterization of online integration processes in discourse to more extended narrative, and demonstrates how reservoir computing provides a useful model of cortical processing of narrative structure.     

Transnational cyberpublics: new political spaces for labour migrants in Asia

This article offers a cultural interpretation of transnational solidarities that Asian political activists are generating through electronic telecommunications networks. Its focus is on the experiences of the Migrant Forum in Asia [MFA], a network of non-government organizations that question issues of human rights, citizenship and working conditions of labour migrants in the Asian region. MFA's networking activities are being transformed as email enables daily conversations across multiple national borders, and new 'imagined' communities of political action have emerged. English has been chosen as the language of solidarity, and photographs have become important in communicating activities and ideas. These media are innovative modes of transnational communication and shape political spaces that exist in symbiotic relation to the 'real'. Attention to these practices, spaces and the symbolic meanings activists attach to these communities helps to illuminate a cultural politics of transnational activism in this region.